The premiere post-tiff destination (September 20-25th) in the film community and a major leg up for narrative and non-fiction films in development, the Independent Filmmaker Project (Ifp) announced a whopping 140 projects selected for the Project Forum at the upcoming Ifp Independent Film Week. Made up of several sections (Rbc’s Emerging Storytellers program, No Borders International Co-Production Market and Spotlight on Documentaries), we find latest updates from the likes of docu-helmers Doug Block (112 Weddings) and Lana Wilson (After Tiller), and among the narrative items we find headliners in Andrew Haigh (coming off the well received 45 Years), Sophie Barthes (Cold Souls and Madame Bovary), Terence Nance (An Oversimplification of Her Beauty), Lawrence Michael Levine (Wild Canaries), Jorge Michel Grau (We Are What We Are), Eleanor Burke and Ron Eyal (Stranger Things) and new faces in Sundance’s large family in Charles Poekel (Christmas, Again) and Olivia Newman (First Match). Here...
- 7/22/2015
- by admin
- IONCINEMA.com
Part Two of The End of Time has debuted in Australia to good ratings. The special averaged 840,000 in the five major capital cities, again against stiff competition from the commercial networks, including a 20/20 international cricket match. It was up 40,000 viewers from Part One and was the ABC's top-rating program of the day, rating higher than the popular Sunday 7pm news.
The Sydney Morning Herald TV Guide has rated Part Two of 'The End of Time' its 'show of the week' with Michael Idato writing that it is 'is nearly but not quite the equal of the series's best episodes...it is, instead, a strange ballet of noise and movement, a super-charged run around the block set to the outstanding musical motifs of Murray Gold, which swirls around the simpler truth of the episode's purpose-to give Tennant's Doctor a final, glorious moment of universe-saving indecision and to serve up a helping...
The Sydney Morning Herald TV Guide has rated Part Two of 'The End of Time' its 'show of the week' with Michael Idato writing that it is 'is nearly but not quite the equal of the series's best episodes...it is, instead, a strange ballet of noise and movement, a super-charged run around the block set to the outstanding musical motifs of Murray Gold, which swirls around the simpler truth of the episode's purpose-to give Tennant's Doctor a final, glorious moment of universe-saving indecision and to serve up a helping...
- 2/22/2010
- by Adam Kirk
- The Doctor Who News Page
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