Are you ready for the weekend? Specifically, are you ready for a Long Weekend? Of course, we’re referring to the rom-com from Sony Pictures Worldwide Acquisitions’ Stage 6 Films.
Long Weekend will make its debut in theaters today and marks the feature directorial debut of Steve Basilone, who also wrote the script.
The rom-com stars Finn Wittrock as Bart who has a serendipitous meeting with Vienna played by Zoë Chao. She’s a little bit of a mystery, but the two end up having a connection and they spend a whirlwind weekend together (hence the title of the movie). As the two fall fast and hard for each other, they dont realize that both carry secrets that could be their undoing… or the chance for a fresh start.
The film also features Casey Wilson, Jim Rash and Damon Wayans, Jr. Long Weekend is produced by Deanna Barillari, Laura Lewis, Theodora Dunlap,...
Long Weekend will make its debut in theaters today and marks the feature directorial debut of Steve Basilone, who also wrote the script.
The rom-com stars Finn Wittrock as Bart who has a serendipitous meeting with Vienna played by Zoë Chao. She’s a little bit of a mystery, but the two end up having a connection and they spend a whirlwind weekend together (hence the title of the movie). As the two fall fast and hard for each other, they dont realize that both carry secrets that could be their undoing… or the chance for a fresh start.
The film also features Casey Wilson, Jim Rash and Damon Wayans, Jr. Long Weekend is produced by Deanna Barillari, Laura Lewis, Theodora Dunlap,...
- 3/12/2021
- by Dino-Ray Ramos
- Deadline Film + TV
At the start of “The Inheritance” — an experimental film about the formation of a Black collective, set in the early ’90s — Julian (Eric Lockley) rummages through a wooden crate of books he found in the West Philadelphia row house his grandmother left him. In it is a trove of poetic and political thought circa the late ’60s and beyond: There’s Malcolm X and Alice Walker, James Baldwin and Toni Morrison, as well as Charles Mingus and a stack of Ebony magazines.
In the next scene, Julian’s friend, maybe girlfriend, Gwen (Nozipho Mclean) helps him tug and shove the crate across the floor of the near empty abode. He asks her to move in. She reminds him that the last time they saw each other was at least a month ago. They’d gone to see Andrei Tarkovsky’s “The Sacrifice”;” he cried and grew quiet. No wonder they...
In the next scene, Julian’s friend, maybe girlfriend, Gwen (Nozipho Mclean) helps him tug and shove the crate across the floor of the near empty abode. He asks her to move in. She reminds him that the last time they saw each other was at least a month ago. They’d gone to see Andrei Tarkovsky’s “The Sacrifice”;” he cried and grew quiet. No wonder they...
- 3/11/2021
- by Lisa Kennedy
- Variety Film + TV
New York-based outfit Grasshopper Film has acquired North American rights to Ephraim Asili’s debut feature, “The Inheritance,” following its premiere at Toronto and screening at the New York Film Festival.
Grasshopper Film is planning to have “The Inheritance” open on March 12 in New York at Film at Lincoln Center, as well as in other cities.
The ensemble film takes place almost entirely in a West Philadelphia house, where a community of young people come together to form a collective of Black artists and activists. Shot in 16 mm, the movie interweaves a scripted drama with a documentary recollection of the Philadelphia liberation group Move, which was the victim of a notorious police bombing in 1985.
A Pennsylvania-born filmmaker, Asili has been exploring different facets of the African diaspora for nearly a decade and “The Inheritance” is based on his own experiences in a Black liberationist group.
The film references legacies of the Black Arts Movement,...
Grasshopper Film is planning to have “The Inheritance” open on March 12 in New York at Film at Lincoln Center, as well as in other cities.
The ensemble film takes place almost entirely in a West Philadelphia house, where a community of young people come together to form a collective of Black artists and activists. Shot in 16 mm, the movie interweaves a scripted drama with a documentary recollection of the Philadelphia liberation group Move, which was the victim of a notorious police bombing in 1985.
A Pennsylvania-born filmmaker, Asili has been exploring different facets of the African diaspora for nearly a decade and “The Inheritance” is based on his own experiences in a Black liberationist group.
The film references legacies of the Black Arts Movement,...
- 12/16/2020
- by Elsa Keslassy
- Variety Film + TV
Artist Ephraim Asili describes his feature debut “The Inheritance” as a “speculative re-enactment” of his tenure in a West Philadelphia Black Marxist collective, which is putting it modestly. that’s challenging to behold as a whole, but illuminating in its parts, and often educational without ever feeling too dense.
Shot in buzzing 16mm and balanced off with archival news footage, voiceovers, and interviews, “The Inheritance” establishes a documentary framework, only to break it down entirely. At the center of the movie’s nonfiction leanings is Move, a Black activist group founded in 1972 that was, in 1985, the victim of a police bombing after the organization was deemed a terrorist organization by Philadelphia mayor Wilson Goode and police commissioner Gregore J. Sambor. The parallels to the year 2020 are obvious, but Asili never beats that over your head. And he doesn’t have to. The police brutality witnessed this year and in past...
Shot in buzzing 16mm and balanced off with archival news footage, voiceovers, and interviews, “The Inheritance” establishes a documentary framework, only to break it down entirely. At the center of the movie’s nonfiction leanings is Move, a Black activist group founded in 1972 that was, in 1985, the victim of a police bombing after the organization was deemed a terrorist organization by Philadelphia mayor Wilson Goode and police commissioner Gregore J. Sambor. The parallels to the year 2020 are obvious, but Asili never beats that over your head. And he doesn’t have to. The police brutality witnessed this year and in past...
- 9/15/2020
- by Ryan Lattanzio
- Indiewire
This year, the New York Film Festival will look different than the past fifty-seven years––and it’s not just the shift from in-theater screenings to outdoor and virtual, but also with its programming. With the new leadership of NYFF Director Eugene Hernandez and NYFF Director of Programming Dennis Lim, one of the major changes in Film at Lincoln Center’s yearly showcase of the best in world cinema is the addition of a new section titled Currents.
A nod to previous programs featured in the festival––including Views From the Avant-Garde, Explorations, and Projections––Currents provides an expansive overview of the filmmakers that are among the boldest and most innovative working today. With a lineup including 14 features and 46 short films, representing 28 countries, Currents takes a comprehensive look at both the future of filmmaking from emerging directors as well as new offerings from established filmmakers.
Opening Night of Currents is...
A nod to previous programs featured in the festival––including Views From the Avant-Garde, Explorations, and Projections––Currents provides an expansive overview of the filmmakers that are among the boldest and most innovative working today. With a lineup including 14 features and 46 short films, representing 28 countries, Currents takes a comprehensive look at both the future of filmmaking from emerging directors as well as new offerings from established filmmakers.
Opening Night of Currents is...
- 8/24/2020
- by Leonard Pearce
- The Film Stage
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