The Montclair Film Festival (Mff) unveiled its 2021 winners, with Joachim Trier’s The Worst Person In The World taking the top prize. This year’s festival featured four competitive categories: Fiction, Documentary, Future/ Now, and New Jersey Filmmaking. Additionally, the Fiction and Documentary juries also awarded films for the festival’s Short Film competitions. The Mff also announced the festival’s 2021 Audience Awards and Junior Jury prizes.
The Festival’s 2021 Audience Awards were given to Belfast, directed by Kenneth Branagh for fiction feature; Dionne Warwick: Don’t Make Me Over, directed by Dave Wooley for Non-Fiction Feature; Flee directed by Jonas Poher Rasmussen, for World Cinema, and Larry & Me directed by Lisa Melmed, for Short Film.
Flee, directed by Jonas Poher Rasmussen, wins the Bruce Sinofsky Award for Non-Fiction Feature and What Do We See When We Look At The Sky, directed by Aleksandre Koberidze, wins the Mark Urman Award For Fiction Filmmaking.
The Festival’s 2021 Audience Awards were given to Belfast, directed by Kenneth Branagh for fiction feature; Dionne Warwick: Don’t Make Me Over, directed by Dave Wooley for Non-Fiction Feature; Flee directed by Jonas Poher Rasmussen, for World Cinema, and Larry & Me directed by Lisa Melmed, for Short Film.
Flee, directed by Jonas Poher Rasmussen, wins the Bruce Sinofsky Award for Non-Fiction Feature and What Do We See When We Look At The Sky, directed by Aleksandre Koberidze, wins the Mark Urman Award For Fiction Filmmaking.
- 11/2/2021
- by Valerie Complex
- Deadline Film + TV
Gravitas Ventures Acquires North American Rights to Documentary ‘Lady Buds’
Gravitas Ventures, a Red Arrow Studios company, acquired North American rights to the documentary “Lady Buds,” directed, produced and written by Chris J. Russo.
“Lady Buds” tells the story of six women in cannabis who left their livelihoods behind in the underground market to forge a path to legalization in California as they attempt to claim their piece of the “American dream” in the very market they helped create.
“In her confident and ambitious feature debut, Russo highlights six women who are as interesting as they are inspiring. Seeing these underdogs fights against bureaucracy and regulations make for a highly insightful and engaging film,” says David Sullivan, sales and acquisitions manager at Gravitas Ventures. “We can’t wait to play our part in getting this timely and enjoyable film out into the world.”
Sullivan negotiated the deal with Travis Tammero at CAA.
Gravitas Ventures, a Red Arrow Studios company, acquired North American rights to the documentary “Lady Buds,” directed, produced and written by Chris J. Russo.
“Lady Buds” tells the story of six women in cannabis who left their livelihoods behind in the underground market to forge a path to legalization in California as they attempt to claim their piece of the “American dream” in the very market they helped create.
“In her confident and ambitious feature debut, Russo highlights six women who are as interesting as they are inspiring. Seeing these underdogs fights against bureaucracy and regulations make for a highly insightful and engaging film,” says David Sullivan, sales and acquisitions manager at Gravitas Ventures. “We can’t wait to play our part in getting this timely and enjoyable film out into the world.”
Sullivan negotiated the deal with Travis Tammero at CAA.
- 9/27/2021
- by Katie Song
- Variety Film + TV
On March 6, 1978, during a legal battle in Georgia over obscenity charges, Larry Flynt, the owner and publisher of Hustler magazine, was shot on the sidewalk, an assassination attempt that left him partially paralyzed. It didn’t take long for him to become an iconic figure in his gold wheelchair, but the shooting devastated him. It kicked-off a five-year descent into drugs, overeating, and a paranoid withdrawal from the world. By 1983, Flynt had pulled himself out of the swamp of despair, and one of the inspirations to do so is that he now had a cause. He convinced himself that either the CIA or the FBI was behind the assassination attempt. After years of legal fights over Hustler, Flynt already saw the U.S. government as his adversary; now he was convinced that it had become his mortal enemy, from President Reagan on down. He was going to get his revenge. How?...
- 6/13/2021
- by Owen Gleiberman
- Variety Film + TV
Selection presents 56 world premieres, focuses on comedic, music-centered, socially-conscious films.
Tribeca Festival 2021 has announced 66 films in the line-up of the upcoming outdoor 20th anniversary edition that runs June 9-20, including documentaries on the late food and travel broadcaster Anthony Bourdain and Norwegian pop icons A-ha.
The selection will present 56 world premieres and focuses on comedic, music-centered, and socially-conscious films. Many of the films will also be available for US audiences to view online the day after they premiere in person through the Tribeca at Home virtual hub.
Curated Juneteenth programming throughout the festival will celebrate voices from the African Diaspora,...
Tribeca Festival 2021 has announced 66 films in the line-up of the upcoming outdoor 20th anniversary edition that runs June 9-20, including documentaries on the late food and travel broadcaster Anthony Bourdain and Norwegian pop icons A-ha.
The selection will present 56 world premieres and focuses on comedic, music-centered, and socially-conscious films. Many of the films will also be available for US audiences to view online the day after they premiere in person through the Tribeca at Home virtual hub.
Curated Juneteenth programming throughout the festival will celebrate voices from the African Diaspora,...
- 4/20/2021
- by Jeremy Kay
- ScreenDaily
The premiere post-tiff destination (September 20-25th) in the film community and a major leg up for narrative and non-fiction films in development, the Independent Filmmaker Project (Ifp) announced a whopping 140 projects selected for the Project Forum at the upcoming Ifp Independent Film Week. Made up of several sections (Rbc’s Emerging Storytellers program, No Borders International Co-Production Market and Spotlight on Documentaries), we find latest updates from the likes of docu-helmers Doug Block (112 Weddings) and Lana Wilson (After Tiller), and among the narrative items we find headliners in Andrew Haigh (coming off the well received 45 Years), Sophie Barthes (Cold Souls and Madame Bovary), Terence Nance (An Oversimplification of Her Beauty), Lawrence Michael Levine (Wild Canaries), Jorge Michel Grau (We Are What We Are), Eleanor Burke and Ron Eyal (Stranger Things) and new faces in Sundance’s large family in Charles Poekel (Christmas, Again) and Olivia Newman (First Match). Here...
- 7/22/2015
- by admin
- IONCINEMA.com
We are always glad to see Fests close to L.A. in new places and the desert outside of L.A. is also one of our favorite places. And ... the Dennis Hopper award personally moved me. In UCLA film school in 1967 Dennis was in a somewhat notorious movie I photographed and we remained friends. He was, to say the least, a very interesting guy. New Coachella Valley Festival Amfm (Art, Music, Film and More) wrapped its inaugural outing with an awards ceremony held at the Buddy Rogers Theatre in Cathedral “Cat” City on June 17. Festival organizers Rich Henrich and Rob Galarza of Film 4 Change gave awards in several categories from among the 108 total entries in the festival:
Best Film went to Gary King’s film How To Write A Joe Schermann Song and the festival accepted on his behalf.
Best Documentary Award went to American Road, directed by Kurt Jacobsen and Warren Leming. The film, which “delves into the artistic, musical and literary resonances of the mystique of the road – and especially of veering off the beaten track - in American lore,” made its world premiere at the Festival. Accepting the award was Ed Asner who narrated parts of the film. He said, “I am truly honored they chose it--particularly because it’s in a festival Viggo won an award in—and I am a great admirer of his. As for American Road, take a lesson from it. It is a beautiful piece of work.”
Best Feature went to Slamdance award winner Joy De V, by Nadia Szold.
Best Short went to Jason Guy McLagan for Elegy For Eden, which also screened at Slamdance. Accepting the award, he said “Thank you for being here. I don’t have anything else to say. Thank you."
Best Music Video was, Loneley, by Alethea Root for the artist Azhia. She said, “I really won an award? Thanks y’all, it was locally produced and shot here in the desert.”
Best Director went to Tony Glazer, director of Junction, which also world premiered at the Festival. He said, “Thanks for the honor of this award and for having the film in this festival; this is everything indie filmmakers want to be a part of. They say it takes a village. Well, it takes a small nation army to make a film and I am indebted to them—the actors, the crew, and even the financiers. This film would not be what it is without their involvement.”
Matthew Millan’s We Win Or We Die won the award for best short documentary. He remarked, “Thanks for having us. Thanks to the Libyan people and to my own stupidity for going there. People are still suffering there in Benghazi and that’s what this is all about.”
Special Jury Award was presented to Joseph Laraja’s comedy about a Northeastern seafood cook-off, The Golden Scallop. Laraja said, “This is a complete thrill all the way around—everyone has been lovely and it’s a tremendous honor."
The Wally Award for is given by a panel of judges to San Diego State University students. Students come in and pitch a film idea. Winners get an award and cash but most of all they gain the confidence to make it in this industry. The award is conferred by UltraStar Cinemas VP Wally Schlotter.
For Spring 2013 the award went to Plain White Tee. Director/ Producer Devin Dolan said, “What a great learning experience. A good experience our first festival. Thanks to our actors and crew and friends and family.”
The Festival presented a Best No-Show to His Own Poetry Reading to actor Michael Madsen—who was of course unavailable to receive it. His schedule reading at the Ace Hotel Saturday night didn’t deter the audience, who rose up and turned the evening into an impromptu poetry slam—reading their own work as well as Madsen’s and other poets’. Amazingly, about half the audience had their own material handy, including Junction’s Neil Bledsoe, and director Alex Kleinert, who read a poem about wild horses based on his Festival film Wild Horses And Renegades.
Johnny Dowers, FX’s The Bridge star, presented two awards. First was the Cinephile Award. It went to the individual who went to the most events, who volunteered and assisted and who generally “helped make it happen.” This award went to David Gardener. He received a bag of Festival swag labeled “I Got Swag.” “He said, “I have no idea what I am doing up here but I am happy about it.”
The Film 4 Change Humanitarian Award went to Ellen Jefferson for her immigrations documentary The Second Cooler. She said, “I am so excited I want to cry. Thanks to the festival for including me, thanks to Tyler Snyder (her web designer) for encouraging me. Corporate greed…I can’t go into all of that now. I hope this film can give a lot of people so much hope. People who are waiting to make that crossing, people who have been deported, a lot of hope for those that have had to follow their deported loved ones into exile and want to be reunited. “
Film 4 Change recognized a photographer with the Film 4 Change Photographer of the Year Award, which went to Craig Semetko. Henrich said, “His work captures moments in the American spirit. Wherever he goes in the world, his lens follows it and captures it.” Semetko in turn thanked the organizers. “They worked tirelessly, sleeplessly. Now it’s officially a tradition. I think about how I got started taking photographs. It was a desire to tell people’s stories. As an actor, I have been a people watcher my entire life. Maybe with a camera I can tell stories in a different medium.” He exhorted the crowd, “Be true to yourself and remember that kernel of passion that started you on your path to creativity. Keep that thing that fed your soul to begin with. Be authentic.”
Finally Henrich and Galarza honored acclaimed actor and artist Viggo Mortensen with the Dennis Lee Hopper Award.
Mortensen is the fourth artist to receive the award, named for (and originally presented to) renegade renaissance man Dennis Hopper. Film 4 Change previously bestowed the award to Dean Stockwell and Alex Cox at the Albuquerque Film Festival. Amfm embraces the sprit of Hopper and the Festival’s motto: hip, cool, funny, strange, social change. “We are a community of artists committed to having pride in what we do and dedicated to making our country great through artistic and creative innovation,” Henrich said.
Here’s some excerpts from Mortensen on accepting the award: “it’s a hell of an honor due to its connection to Dennis, with that it couldn’t be more meaningful to me. “I’ve been to some awards programs that are a load of self-important crap compared to this. Thank you. I look forward to future festivals—this is a great idea and it will grow and grow, I am sure it will. Thanks to Jared Davis, Hugh Millstein, and Digital Fusion Los Angeles; more is going to be inflicted on you on screen [in a montage of art and poetry that followed the presentation].”
He continued, “[It was] kind of hard to pick from thousands of images, something that was concise enough that feels the connection that comes across that that I have with Dennis and his work. There’s something about Dennis and what he means to lots of artists.
“Dennis Hopper was not generally thought to be a recluse or hermit. He managed to share moments of creativity and wild excess with others. He was socially active by nature, and always curious about people. But he also emphasized that to be an engaged, conscious artists is to essentially be alone, to come to terms with mysteries we all have to face. The absurd side of being alive can be the source of joy. He used laughter; he used it as an important weapon against darkness. The joke was always on him, with laughter—he looked for a joke to make one and to be one, but valued fearlessness and curiosity in others.”
Mortensen concluded by reading a poem read when Hopper got his star on Hollywood Boulevard, a poem by Hopper’s fellow Kansan William Stafford: For My Young Friends Who Are Afraid.
There is a country to cross you will
find in the corner of your eye, in
the quick slip of your foot–air far
down, a snap that might have caught.
And maybe for you, for me, a high, passing
voice that finds its way by being
afraid. That country is there, for us,
carried as it is crossed. What you fear
will not go away: it will take you into
yourself and bless you and keep you.
That’s the world, and we all live there.
Amfm Fest ran June 13 -16, 2013 at the UltraStar Mary Pickford Theater, the Cathedral City Town Square and other select desert venues. Film 4 Change’s mission is to bring communities together through the power of story and the art of laughter while showcasing the best emerging talent and thought leaders in art, music, film, photography and comedy. The Festival features six world premiere films (more than 50 in all), dozens of live shows, comedy, fine art, spoken word, seminars, a Celebrity Indy Kart Race and more. Other celebrity guests ranged from Ed Asner, Jason London, Jason Mewes, David Zayas, and Tinsel Korey to filmmakers Monte Hellman, Adrian Belic, Gary King, Jesse Baget and even the Coachella Valley’s own Christian Sesma.
Best Film went to Gary King’s film How To Write A Joe Schermann Song and the festival accepted on his behalf.
Best Documentary Award went to American Road, directed by Kurt Jacobsen and Warren Leming. The film, which “delves into the artistic, musical and literary resonances of the mystique of the road – and especially of veering off the beaten track - in American lore,” made its world premiere at the Festival. Accepting the award was Ed Asner who narrated parts of the film. He said, “I am truly honored they chose it--particularly because it’s in a festival Viggo won an award in—and I am a great admirer of his. As for American Road, take a lesson from it. It is a beautiful piece of work.”
Best Feature went to Slamdance award winner Joy De V, by Nadia Szold.
Best Short went to Jason Guy McLagan for Elegy For Eden, which also screened at Slamdance. Accepting the award, he said “Thank you for being here. I don’t have anything else to say. Thank you."
Best Music Video was, Loneley, by Alethea Root for the artist Azhia. She said, “I really won an award? Thanks y’all, it was locally produced and shot here in the desert.”
Best Director went to Tony Glazer, director of Junction, which also world premiered at the Festival. He said, “Thanks for the honor of this award and for having the film in this festival; this is everything indie filmmakers want to be a part of. They say it takes a village. Well, it takes a small nation army to make a film and I am indebted to them—the actors, the crew, and even the financiers. This film would not be what it is without their involvement.”
Matthew Millan’s We Win Or We Die won the award for best short documentary. He remarked, “Thanks for having us. Thanks to the Libyan people and to my own stupidity for going there. People are still suffering there in Benghazi and that’s what this is all about.”
Special Jury Award was presented to Joseph Laraja’s comedy about a Northeastern seafood cook-off, The Golden Scallop. Laraja said, “This is a complete thrill all the way around—everyone has been lovely and it’s a tremendous honor."
The Wally Award for is given by a panel of judges to San Diego State University students. Students come in and pitch a film idea. Winners get an award and cash but most of all they gain the confidence to make it in this industry. The award is conferred by UltraStar Cinemas VP Wally Schlotter.
For Spring 2013 the award went to Plain White Tee. Director/ Producer Devin Dolan said, “What a great learning experience. A good experience our first festival. Thanks to our actors and crew and friends and family.”
The Festival presented a Best No-Show to His Own Poetry Reading to actor Michael Madsen—who was of course unavailable to receive it. His schedule reading at the Ace Hotel Saturday night didn’t deter the audience, who rose up and turned the evening into an impromptu poetry slam—reading their own work as well as Madsen’s and other poets’. Amazingly, about half the audience had their own material handy, including Junction’s Neil Bledsoe, and director Alex Kleinert, who read a poem about wild horses based on his Festival film Wild Horses And Renegades.
Johnny Dowers, FX’s The Bridge star, presented two awards. First was the Cinephile Award. It went to the individual who went to the most events, who volunteered and assisted and who generally “helped make it happen.” This award went to David Gardener. He received a bag of Festival swag labeled “I Got Swag.” “He said, “I have no idea what I am doing up here but I am happy about it.”
The Film 4 Change Humanitarian Award went to Ellen Jefferson for her immigrations documentary The Second Cooler. She said, “I am so excited I want to cry. Thanks to the festival for including me, thanks to Tyler Snyder (her web designer) for encouraging me. Corporate greed…I can’t go into all of that now. I hope this film can give a lot of people so much hope. People who are waiting to make that crossing, people who have been deported, a lot of hope for those that have had to follow their deported loved ones into exile and want to be reunited. “
Film 4 Change recognized a photographer with the Film 4 Change Photographer of the Year Award, which went to Craig Semetko. Henrich said, “His work captures moments in the American spirit. Wherever he goes in the world, his lens follows it and captures it.” Semetko in turn thanked the organizers. “They worked tirelessly, sleeplessly. Now it’s officially a tradition. I think about how I got started taking photographs. It was a desire to tell people’s stories. As an actor, I have been a people watcher my entire life. Maybe with a camera I can tell stories in a different medium.” He exhorted the crowd, “Be true to yourself and remember that kernel of passion that started you on your path to creativity. Keep that thing that fed your soul to begin with. Be authentic.”
Finally Henrich and Galarza honored acclaimed actor and artist Viggo Mortensen with the Dennis Lee Hopper Award.
Mortensen is the fourth artist to receive the award, named for (and originally presented to) renegade renaissance man Dennis Hopper. Film 4 Change previously bestowed the award to Dean Stockwell and Alex Cox at the Albuquerque Film Festival. Amfm embraces the sprit of Hopper and the Festival’s motto: hip, cool, funny, strange, social change. “We are a community of artists committed to having pride in what we do and dedicated to making our country great through artistic and creative innovation,” Henrich said.
Here’s some excerpts from Mortensen on accepting the award: “it’s a hell of an honor due to its connection to Dennis, with that it couldn’t be more meaningful to me. “I’ve been to some awards programs that are a load of self-important crap compared to this. Thank you. I look forward to future festivals—this is a great idea and it will grow and grow, I am sure it will. Thanks to Jared Davis, Hugh Millstein, and Digital Fusion Los Angeles; more is going to be inflicted on you on screen [in a montage of art and poetry that followed the presentation].”
He continued, “[It was] kind of hard to pick from thousands of images, something that was concise enough that feels the connection that comes across that that I have with Dennis and his work. There’s something about Dennis and what he means to lots of artists.
“Dennis Hopper was not generally thought to be a recluse or hermit. He managed to share moments of creativity and wild excess with others. He was socially active by nature, and always curious about people. But he also emphasized that to be an engaged, conscious artists is to essentially be alone, to come to terms with mysteries we all have to face. The absurd side of being alive can be the source of joy. He used laughter; he used it as an important weapon against darkness. The joke was always on him, with laughter—he looked for a joke to make one and to be one, but valued fearlessness and curiosity in others.”
Mortensen concluded by reading a poem read when Hopper got his star on Hollywood Boulevard, a poem by Hopper’s fellow Kansan William Stafford: For My Young Friends Who Are Afraid.
There is a country to cross you will
find in the corner of your eye, in
the quick slip of your foot–air far
down, a snap that might have caught.
And maybe for you, for me, a high, passing
voice that finds its way by being
afraid. That country is there, for us,
carried as it is crossed. What you fear
will not go away: it will take you into
yourself and bless you and keep you.
That’s the world, and we all live there.
Amfm Fest ran June 13 -16, 2013 at the UltraStar Mary Pickford Theater, the Cathedral City Town Square and other select desert venues. Film 4 Change’s mission is to bring communities together through the power of story and the art of laughter while showcasing the best emerging talent and thought leaders in art, music, film, photography and comedy. The Festival features six world premiere films (more than 50 in all), dozens of live shows, comedy, fine art, spoken word, seminars, a Celebrity Indy Kart Race and more. Other celebrity guests ranged from Ed Asner, Jason London, Jason Mewes, David Zayas, and Tinsel Korey to filmmakers Monte Hellman, Adrian Belic, Gary King, Jesse Baget and even the Coachella Valley’s own Christian Sesma.
- 7/4/2013
- by Peter Belsito
- Sydney's Buzz
In the final hours of the 2013 Slamdance Film Festival a group of filmmakers and I confiscated the Gallery screening room at Treasure Mountain Inn, made an impromptu circle and tossed a chair in the middle for my digital recorder and iPhone. We then settled in for a spirited talk on all things Slamdance. Joining me were Harry Patramanis and Eleni Asvesta, director and producer of the minimalist thriller Fynbos, Kimberly Culotta, cinematographer for Kate Mark's short film Pearl Was Here, Jan Eilhardt and Sanna Akehurst, the filmmakers behind the dazzling The Court Of Shards, J.R. Hughto director of the La noir Diamond on Vinyl, from the New York noir Joy de V. director Nadia Szold and editor Kristen Swanbeck, the directing/writing/producing pair behind the...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 1/31/2013
- Screen Anarchy
Nadia Szold's feature debut Joy de V. charts the speed of dreams; the layers and shapes, patterns and cadence of a fever dream. Of a man met with madness that may be of his own doing, by the flick of his lighter's flame, or that of the forces beyond him, out to get him, out to find him, and to leave him.Roman is a small time con artist in New York. He supports his pregnant wife Joy with a long-term con of faking mental illness, which results in disability checks. A doctor visit every once in a while and he is free to keep to himself, to be with Joy, or do the odd con job when the mood is right. One day Roman finds...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 1/21/2013
- Screen Anarchy
Writer/director Nadia Szold dubs her debut feature Joy de V. “a dark Bildungsroman,” compressing as it does into a few short days a maelstrom of yearning, confusion and ultimately acceptance. As the film opens, Joy (Josephine de la Baume) abruptly walks out on her young marriage to Roman (Evan Louison), who has been living on government mental disability payments. Roman’s got another problem too, when he learns these checks are being cut off. So, while searching for his wife, Roman decides to perform “a public act of lunacy” that will demonstrate to the world his craziness. Roman crisscrosses the five …...
- 1/20/2013
- by Scott Macaulay
- Filmmaker Magazine-Director Interviews
One of my most anticipated titles at this year's Slamdance has gotta be Nadia Szold's feature debut Joy de V. Every bit of info that has come my way, every still for this Brooklyn-set noir has piqued my interest more and more. Today, we're proud to share with you the poster for the film, and boy, if this isn't a poster lover's Poster! Evoking Hitchcock, the pulps, and of course the classic romances of the 40s, you can take a look at the full-size version below. Roman is a con-artist from Long Island, his wife Joy is 7 months pregnant. One morning she vanishes into thin air. The same morning she disappears, Roman discovers that his most consistent scam, government disability checks from a faked...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 1/18/2013
- Screen Anarchy
The streets of New York City have long played a cinematic home to all kinds of tall tales and twisty mysteries, the Big Apple offering no end of backdrops, characters and corners to play a story against. Now, writer/director Nadia Szold has another unique story set in the city that she'll be unveiling at the Slamdance Film Festival. "Joy De. V" stars Evan Louison, Claudia Cardinale, Josephine de La Baume, Iva Gocheva and Victoria Imperioli and centers on Roman, a con-artist from Long Island who has made his living scamming disability checks for his "mental illness" from the government. His world gets turned upside when his wife Joy, 7 months pregnant, vanishes into thin air. Not only that, it turns out his scam might soon come to an end, unless he can prove that he's still mentally ill. In this exclusive trailer for the film, we can see how the...
- 1/16/2013
- by Kevin Jagernauth
- The Playlist
Directly following a week of Sundance announcements, the Slamdance Film Festival, which takes place in Park City between January 18 to 24, has revealed its competition lineup. The narrative competition features films from five different countries — including, interestingly, three from Germany — and the film that I will definitely try to catch from that strand is Nadia Szold’s Joy de V., which stars both Evan Louison (the lead in Filmmaker contributor Brandon Harris’ feature debut Redlegs) and the legendary Claudia Cardinale. In the doc section, Where I Am (whose logline reads, “The courageous story of Gay American writer Robert Drake and his …...
- 12/5/2012
- by Nick Dawson
- Filmmaker Magazine-Director Interviews
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