Nach dem wunderbaren „Der schlimmste Mensch der Welt“ dreht Joachim Trier wieder mit Renate Reinsve. Im August sollen die Kameras laufen für „Sentimental Value“, den Komplizen Film mitproduziert.
Joachim Trier & Renate Reinsve (Credit: Imago / Pacific Press Agency)
Der norwegische Filmemacher Joachim Tier arbeitet nach „Der schlimmste Mensch der Welt“ erneut mit Renate Reinsve, die dafür als beste Darstellerin beim Festival de Cannes 2021 geehrt wurde. „Sentimental Value“ entsteht wieder mit mehreren Produktionspartnern, unter anderem ist aus Deutschland Komplizen Film dabei. Wie Cineuropa weiter berichtet, sollen im August die Dreharbeiten starten. Auf dem Marché du Film hat der französische Weltvertrieb mk2 mit den Verkäufen begonnen. Zu den Produzenten gehören neben Janine Jackowski und Jonas Dornbach Mer Film (Maria Ekerhovd), Eye Eye Pictures (Andrea Berentsen Ottmar) Zentropa (Lizette Jonjic & Sisse Graum), Agat Films (Juliette Schrameck) und Mk Productions (Nathanaël Karmitz & Elisha Karmitz). Die Auswertungsrechte für die USA hat sich bereits Neon gesichert.
Das...
Joachim Trier & Renate Reinsve (Credit: Imago / Pacific Press Agency)
Der norwegische Filmemacher Joachim Tier arbeitet nach „Der schlimmste Mensch der Welt“ erneut mit Renate Reinsve, die dafür als beste Darstellerin beim Festival de Cannes 2021 geehrt wurde. „Sentimental Value“ entsteht wieder mit mehreren Produktionspartnern, unter anderem ist aus Deutschland Komplizen Film dabei. Wie Cineuropa weiter berichtet, sollen im August die Dreharbeiten starten. Auf dem Marché du Film hat der französische Weltvertrieb mk2 mit den Verkäufen begonnen. Zu den Produzenten gehören neben Janine Jackowski und Jonas Dornbach Mer Film (Maria Ekerhovd), Eye Eye Pictures (Andrea Berentsen Ottmar) Zentropa (Lizette Jonjic & Sisse Graum), Agat Films (Juliette Schrameck) und Mk Productions (Nathanaël Karmitz & Elisha Karmitz). Die Auswertungsrechte für die USA hat sich bereits Neon gesichert.
Das...
- 5/24/2024
- by Barbara Schuster
- Spot - Media & Film
Neon has picked up the North American rights to Sentimental Value, the upcoming film from Norwegian director Joachim Trier that reteams him with Renate Reinsve, star of Trier’s 2021 hit The Worst Person in the World.
Trier and Worst Person in the World co-writer Eskil Vogt penned the screenplay to Sentimental Value, a family drama about two sisters forced to deal with their estranged father after the death of their mother. Sentimental Value is set to begin principal photography in August in Norway and France. Neon is planning a 2025 theatrical release.
Maria Ekerhovd, who made The Hollywood Reporter‘s 2024 list of the 40 most powerful women in international film, is producing Sentimental Value for Mer Film in Norway, alongside Andrea Berentsen Ottmar for Eye Eye Pictures, Lizette Jonjic and Sisse Graum for Zentropa, Juliette Schrameck for Agat Films, Nathanaël Karmitz and Elisha Karmitz for Mk Production and Janine Jackowski and Jonas Dornbach for Komplizen Film.
Trier and Worst Person in the World co-writer Eskil Vogt penned the screenplay to Sentimental Value, a family drama about two sisters forced to deal with their estranged father after the death of their mother. Sentimental Value is set to begin principal photography in August in Norway and France. Neon is planning a 2025 theatrical release.
Maria Ekerhovd, who made The Hollywood Reporter‘s 2024 list of the 40 most powerful women in international film, is producing Sentimental Value for Mer Film in Norway, alongside Andrea Berentsen Ottmar for Eye Eye Pictures, Lizette Jonjic and Sisse Graum for Zentropa, Juliette Schrameck for Agat Films, Nathanaël Karmitz and Elisha Karmitz for Mk Production and Janine Jackowski and Jonas Dornbach for Komplizen Film.
- 5/21/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Neon has acquired North American rights to Sentimental Value, reuniting with The Worst Person In The World director Joachim Trier and Renate Reinsve. Mk2 handles international sales in Cannes.
Eskil Vogt and Trier wrote the screenplay to the family drama which Neon will release theatrically in 2025.
Maria Ekerhovd is prpducing for Mer Film, Andrea Berentsen Ottmar for Eye Eye Pictures, Lizette Jonjic and Sisse Graum for Denmark/Sweden’s Zentropa, Juliette Schrameck for Agat Films, Nathanaël Karmitz and Elisha Karmitz for Mk Production, and Janine Jackowski and Jonas Dornbach for Germany’s Komplizen.
Principal photography is scheduled to begin in August in Norway and France.
Eskil Vogt and Trier wrote the screenplay to the family drama which Neon will release theatrically in 2025.
Maria Ekerhovd is prpducing for Mer Film, Andrea Berentsen Ottmar for Eye Eye Pictures, Lizette Jonjic and Sisse Graum for Denmark/Sweden’s Zentropa, Juliette Schrameck for Agat Films, Nathanaël Karmitz and Elisha Karmitz for Mk Production, and Janine Jackowski and Jonas Dornbach for Germany’s Komplizen.
Principal photography is scheduled to begin in August in Norway and France.
- 5/21/2024
- ScreenDaily
Exclusive: Neon has prebought North American rights to Joachim Trier’s Sentimental Value, the latest project from the Norwegian director that stars Renate Reinsve.
It marks the second collaboration for Neon, Trier and Reinsve after 2021’s The Worst Person In The World, which was nominated for a Best International Feature Oscar in 2022 as well as Best Original Screenplay. That project also played in Competition at the Cannes Film Festival the year prior, where it earned Reinsve the Best Actress Award.
Eskil Vogt and Trier wrote the screenplay of Sentimental Value, which is described as a family drama about two sisters forced to deal with their estranged father following the death of their mother. Neon is planning a 2025 theatrical release for the title.
The film is produced by Maria Ekerhovd for Mer Film, Andrea Berentsen Ottmar for Eye Eye Pictures, Lizette Jonjic and Sisse Graum for Denmark/Sweden’s Zentropa, Juliette Schrameck for Agat Films,...
It marks the second collaboration for Neon, Trier and Reinsve after 2021’s The Worst Person In The World, which was nominated for a Best International Feature Oscar in 2022 as well as Best Original Screenplay. That project also played in Competition at the Cannes Film Festival the year prior, where it earned Reinsve the Best Actress Award.
Eskil Vogt and Trier wrote the screenplay of Sentimental Value, which is described as a family drama about two sisters forced to deal with their estranged father following the death of their mother. Neon is planning a 2025 theatrical release for the title.
The film is produced by Maria Ekerhovd for Mer Film, Andrea Berentsen Ottmar for Eye Eye Pictures, Lizette Jonjic and Sisse Graum for Denmark/Sweden’s Zentropa, Juliette Schrameck for Agat Films,...
- 5/21/2024
- by Diana Lodderhose
- Deadline Film + TV
Back in Cannes a year after presiding over the main Cannes jury, the two-time Palme d’or winner Ruben Öslund unveiled more details about his next mega-project, English-language “The Entertainment System Is Down,” which he said should be ready for Cannes 2026.
The press conference, attended by the hottest talent and producers from the Nordic region and beyond, was hosted by Film i Väst, one of Europe’s largest regional film funds.
Making his usual rock star appearance, flanked by actors Kirsten Dunst and Daniel Brühl, Östlund unveiled more details about “The Entertainment System Is Down”, to be shot entirely on a real 747 airplane, bought by the producers for the movie.
”I was in London doing some casting and Erik [Hemmendorff, producer and partner in the Swedish banner Plattform Produktion] was in Northern London looking for airplanes. A few days later I asked: ‘Did you buy it?’ And he said: ‘Yes!’ That was quite early in the process. I said: ‘Oh,...
The press conference, attended by the hottest talent and producers from the Nordic region and beyond, was hosted by Film i Väst, one of Europe’s largest regional film funds.
Making his usual rock star appearance, flanked by actors Kirsten Dunst and Daniel Brühl, Östlund unveiled more details about “The Entertainment System Is Down”, to be shot entirely on a real 747 airplane, bought by the producers for the movie.
”I was in London doing some casting and Erik [Hemmendorff, producer and partner in the Swedish banner Plattform Produktion] was in Northern London looking for airplanes. A few days later I asked: ‘Did you buy it?’ And he said: ‘Yes!’ That was quite early in the process. I said: ‘Oh,...
- 5/18/2024
- by Annika Pham
- Variety Film + TV
Memento International has boarded “The Ugly Stepsister,” the ambitious feature debut of Norwegian director Emilie Blichfeldt. The company will kick off sales at this year’s Cannes.
Combining comedy and horror, the film is a daring and unexpected take on the world-famous tale, seen through the eyes of the Cinderella’s stepsister, Elvira.
The gory film follows Elvira as she battles to compete with her insanely beautiful stepsister in a kingdom where beauty is a brutal business. She will go to any lengths to catch the prince’s eye.
“The Ugly Stepsister” is produced by Maria Ekerhovd in Norway for Mer Film, and is co-produced by Lizette Jonjic for Zentropa Sweden (“Another Round”), Mariusz Włodarski for Poland’s Lava Films (“The Girl With The Needle”), Theis Nørgaard for Denmark’s Motor (“The Dead Don’t Hurt”), Zefyr and Film i Väst. With support from the Norwegian Film Institute, the Polish Cash...
Combining comedy and horror, the film is a daring and unexpected take on the world-famous tale, seen through the eyes of the Cinderella’s stepsister, Elvira.
The gory film follows Elvira as she battles to compete with her insanely beautiful stepsister in a kingdom where beauty is a brutal business. She will go to any lengths to catch the prince’s eye.
“The Ugly Stepsister” is produced by Maria Ekerhovd in Norway for Mer Film, and is co-produced by Lizette Jonjic for Zentropa Sweden (“Another Round”), Mariusz Włodarski for Poland’s Lava Films (“The Girl With The Needle”), Theis Nørgaard for Denmark’s Motor (“The Dead Don’t Hurt”), Zefyr and Film i Väst. With support from the Norwegian Film Institute, the Polish Cash...
- 4/29/2024
- by Elsa Keslassy
- Variety Film + TV
Empire, an absurdist period drama about Denmark’s colonial history from filmmaker Frederikke Aspöck and writer Anna Neye, has won the 2023 Nordic Council Film Prize.
The award was announced Tuesday evening during the Nordic Council Prize ceremony at the Opera house in Oslo. The gong was handed to Aspöck and Neye alongside producers Pernille Munk Skydsgaard, Nina Leidersdorff, and Meta Louise Foldager Sørensen.
Speaking of Empire, the council jury said: “It is a rare thing to come across a film that is so confidently and thoroughly thought through in every single detail, and where such an extraordinarily clear vision from the filmmakers behind it shines from every frame. They serve a beautiful, sweet, and colorful treat laced with bitter poison and low-intensity rage. The film is complex and thought-provoking, and the filmmakers do not stumble once while telling their tale about an ugly part of history.”
Conceived and written by Neye,...
The award was announced Tuesday evening during the Nordic Council Prize ceremony at the Opera house in Oslo. The gong was handed to Aspöck and Neye alongside producers Pernille Munk Skydsgaard, Nina Leidersdorff, and Meta Louise Foldager Sørensen.
Speaking of Empire, the council jury said: “It is a rare thing to come across a film that is so confidently and thoroughly thought through in every single detail, and where such an extraordinarily clear vision from the filmmakers behind it shines from every frame. They serve a beautiful, sweet, and colorful treat laced with bitter poison and low-intensity rage. The film is complex and thought-provoking, and the filmmakers do not stumble once while telling their tale about an ugly part of history.”
Conceived and written by Neye,...
- 10/31/2023
- by Zac Ntim
- Deadline Film + TV
The award was handed out tonight during a ceremony at Oslo’s Opera House.
Danish drama Empire (Viften) has won the lucrative Nordic Council Film Prize for 2023.
The prize, worth $45,000, is split between director Frederikke Aspöck, screenwriter Anna Neye and producers Pernille Munk Skydsgaard, Nina Leidersdorff and Meta Louise Foldager Sørensen.
The award was handed out tonight during a ceremony at Oslo’s Opera House.
Empire celebrated its world premiere in Göteborg and opened in Danish cinemas in April via Sf Studios. REinvent handles international sales.
The film was selected among six Nordic candidates by a jury consisting...
Danish drama Empire (Viften) has won the lucrative Nordic Council Film Prize for 2023.
The prize, worth $45,000, is split between director Frederikke Aspöck, screenwriter Anna Neye and producers Pernille Munk Skydsgaard, Nina Leidersdorff and Meta Louise Foldager Sørensen.
The award was handed out tonight during a ceremony at Oslo’s Opera House.
Empire celebrated its world premiere in Göteborg and opened in Danish cinemas in April via Sf Studios. REinvent handles international sales.
The film was selected among six Nordic candidates by a jury consisting...
- 10/31/2023
- by Wendy Mitchell
- ScreenDaily
One person’s “Worst Person in the World” is another filmmaker’s new favorite collaborator.
Norwegian filmmaker Joachim Trier, director of the cult-favorite coming-of-age romance “The Worst Person in the World,” is reteaming with that film’s star, Renate Reinsve, for “Sentimental Value.” The show-business drama will be their second film together after she won the Best Actress award at the 2021 Cannes Film Festival for portraying a restless, mercurial spirit Julie. “The Worst Person in the World” was nominated for Best Original Screenplay (Trier with Eskel Vogt) and Best International Feature at the 94th Academy Awards.
As first reported by Variety, “Sentimental Value” follows an actor named Nora (played by Reinsve) and her sister Agnes (yet to be cast), both grieving the death of their mother. Meanwhile, their estranged father, a formerly successful filmmaker named Gustav, re-enters their lives with a comeback script, offering the leading role to Nora. She refuses.
Norwegian filmmaker Joachim Trier, director of the cult-favorite coming-of-age romance “The Worst Person in the World,” is reteaming with that film’s star, Renate Reinsve, for “Sentimental Value.” The show-business drama will be their second film together after she won the Best Actress award at the 2021 Cannes Film Festival for portraying a restless, mercurial spirit Julie. “The Worst Person in the World” was nominated for Best Original Screenplay (Trier with Eskel Vogt) and Best International Feature at the 94th Academy Awards.
As first reported by Variety, “Sentimental Value” follows an actor named Nora (played by Reinsve) and her sister Agnes (yet to be cast), both grieving the death of their mother. Meanwhile, their estranged father, a formerly successful filmmaker named Gustav, re-enters their lives with a comeback script, offering the leading role to Nora. She refuses.
- 9/18/2023
- by Ryan Lattanzio
- Indiewire
Norwegian filmmaker Joachim Trier will next direct “Sentimental Value” (working title), a family drama with Renate Reinsve, who won best actress in Cannes for her role in Trier’s Oscar-nominated 2021 film “The Worst Person of the World,” attached to star in.
“Sentimental Value” will follow Nora (Reinsve), an actor, and her sister Agnes, who are grieving the loss of their mother while their father Gustav reappears in their lives after a long absence. Gustav, a once-celebrated filmmaker, has written a script for a comeback movie and offered the main part to his daughter Nora, but she categorically refuses the role. During a career retrospective in France, Gustav meets an adoring Hollywood star and offers her the part intended for Nora. When the film starts shooting back home in Norway, Gustav seizes the opportunity to repair his bond with Nora and her sister.
Represented in international markets by MK2 Films, “Sentimental...
“Sentimental Value” will follow Nora (Reinsve), an actor, and her sister Agnes, who are grieving the loss of their mother while their father Gustav reappears in their lives after a long absence. Gustav, a once-celebrated filmmaker, has written a script for a comeback movie and offered the main part to his daughter Nora, but she categorically refuses the role. During a career retrospective in France, Gustav meets an adoring Hollywood star and offers her the part intended for Nora. When the film starts shooting back home in Norway, Gustav seizes the opportunity to repair his bond with Nora and her sister.
Represented in international markets by MK2 Films, “Sentimental...
- 9/18/2023
- by Elsa Keslassy
- Variety Film + TV
Six nominees vying for the lucrative annual award.
The Nordic Council Film Prize is including a Greenlandic nominee for the first time, with six titles in the running for the prize, worth $45,000.
The full list of nominees this year are:
The Edge Of The Shadow (Greenland) Directed and written by Malik Kleist and produced by Nina Paninnguaq for PaniNoir and Imalik Film. Empire (Den) Directed by Frederikke Aspöck, written by Anna Neye and Frederikke Aspöck and produced by Pernille Munk Skydsgaard, Nina Leidersdorff and Meta Louise Foldager Sørensen for Meta Film Bubble (Fin) Directed by Aleksi Salmenperä , written by Reeta Ruotsalainen and Aleksi Salmenperä,...
The Nordic Council Film Prize is including a Greenlandic nominee for the first time, with six titles in the running for the prize, worth $45,000.
The full list of nominees this year are:
The Edge Of The Shadow (Greenland) Directed and written by Malik Kleist and produced by Nina Paninnguaq for PaniNoir and Imalik Film. Empire (Den) Directed by Frederikke Aspöck, written by Anna Neye and Frederikke Aspöck and produced by Pernille Munk Skydsgaard, Nina Leidersdorff and Meta Louise Foldager Sørensen for Meta Film Bubble (Fin) Directed by Aleksi Salmenperä , written by Reeta Ruotsalainen and Aleksi Salmenperä,...
- 8/22/2023
- by Wendy Mitchell
- ScreenDaily
The World War Two drama War Sailor — which debuted at last year’s Toronto Film Festival — swept Norway’s Amanda Awards last night, taking four main awards.
The War Sailor haul included best actor for Pål Sverre Hagen. This is his third Amanda and second consecutive win. Ine Marie Wilmann won the best supporting actress award for portraying Cecilia in the pic.
The film, directed by Norwegian filmmaker Gunnar Vikene, centers on Alfred Garnes, a working-class sailor who has recently become the father of a third child. He and his childhood friend Sigbjørn Kvalen are working on a merchant ship in the middle of the Atlantic Ocean when World War II breaks out. They are unarmed civilians on the front lines of a war they never asked to join. The two men struggle for survival in a spiral of violence and death, where German submarines may attack their valuable vessels at any moment.
The War Sailor haul included best actor for Pål Sverre Hagen. This is his third Amanda and second consecutive win. Ine Marie Wilmann won the best supporting actress award for portraying Cecilia in the pic.
The film, directed by Norwegian filmmaker Gunnar Vikene, centers on Alfred Garnes, a working-class sailor who has recently become the father of a third child. He and his childhood friend Sigbjørn Kvalen are working on a merchant ship in the middle of the Atlantic Ocean when World War II breaks out. They are unarmed civilians on the front lines of a war they never asked to join. The two men struggle for survival in a spiral of violence and death, where German submarines may attack their valuable vessels at any moment.
- 8/20/2023
- by Zac Ntim
- Deadline Film + TV
Mk2 Films is set to reunite with Joachim Trier following “The Worst Person in the World,” the Norwegian helmer’s Cannes prize-winning and Oscar-nominated romantic comedy which was also a worldwide box-office hit.
The Paris-based company will handle international sales and co-produce alongside Juliette Schrameck at Agat Films, who was also a co-producer on “The Worst Person in the World,” alongside Nathanaël Karmitz and Elisha Karmitz for Mk Production. Mk2 films, Schrameck and the Karmitz brothers join producers Maria Ekerhovd at Mer Film and Andrea Berentsen Ottmar at Eye Eye Pictures.
Trier is writing his untitled sixth feature with his long-term collaborator Eskil Vogt, with whom he shared an Oscar nomination for best screenplay. “It is an ambitious yet playful family drama. An intimate, moving, and often funny film about family, memory, and how we need to rewrite the stories we tell about ourselves in order to survive,” said the pair.
The Paris-based company will handle international sales and co-produce alongside Juliette Schrameck at Agat Films, who was also a co-producer on “The Worst Person in the World,” alongside Nathanaël Karmitz and Elisha Karmitz for Mk Production. Mk2 films, Schrameck and the Karmitz brothers join producers Maria Ekerhovd at Mer Film and Andrea Berentsen Ottmar at Eye Eye Pictures.
Trier is writing his untitled sixth feature with his long-term collaborator Eskil Vogt, with whom he shared an Oscar nomination for best screenplay. “It is an ambitious yet playful family drama. An intimate, moving, and often funny film about family, memory, and how we need to rewrite the stories we tell about ourselves in order to survive,” said the pair.
- 5/16/2023
- by Elsa Keslassy
- Variety Film + TV
Maria Ekerhovd of Mer Film and Andrea Berentsen Ottmar of Eye Eye Pictures will produce the as-yet-untitled family drama set in Oslo.
Joachim Trier’s next feature film will see him reunite with The Worst Person In The World’s co-writer Eskil Vogt, with Maria Ekerhovd of Mer Film and Andrea Berentsen Ottmar of Eye Eye Pictures set to produce.
The feature, as yet untitled, has received backing from the Norwegian Film Institute worth $1.9m (a record high for the public funder) as part of its total budget of $7.8m.
Trier’s sixth feature – all previous features have also been...
Joachim Trier’s next feature film will see him reunite with The Worst Person In The World’s co-writer Eskil Vogt, with Maria Ekerhovd of Mer Film and Andrea Berentsen Ottmar of Eye Eye Pictures set to produce.
The feature, as yet untitled, has received backing from the Norwegian Film Institute worth $1.9m (a record high for the public funder) as part of its total budget of $7.8m.
Trier’s sixth feature – all previous features have also been...
- 5/9/2023
- by Wendy Mitchell
- ScreenDaily
Fiction feature directorial debut of Mads Hedegaard is produced by Motor.
REinvent International Sales has boarded action drama Stranger, the fiction feature directorial debut of Mads Hedegaard which is produced by Motor.
The film is set around 4,000 BC, during the transition from Hunter Stone Age to Peasant Stone Age.
The story follows a 19-year-old girl, Aathi, whose family are the first farmers to arrive in what is now Denmark; when her family is killed by a local tribe of hunter-gatherers, she and her brother are forced to live with the tribe in the vast and eerie forest and learn new traditions in order to survive.
REinvent International Sales has boarded action drama Stranger, the fiction feature directorial debut of Mads Hedegaard which is produced by Motor.
The film is set around 4,000 BC, during the transition from Hunter Stone Age to Peasant Stone Age.
The story follows a 19-year-old girl, Aathi, whose family are the first farmers to arrive in what is now Denmark; when her family is killed by a local tribe of hunter-gatherers, she and her brother are forced to live with the tribe in the vast and eerie forest and learn new traditions in order to survive.
- 5/8/2023
- by Wendy Mitchell
- ScreenDaily
Shawn ‘Jay-Z’ Carter among producers. Cast includes Lakeith Stanfield, Anna Diop, Benedict Cumberbatch, David Oyelowo.
Sony has set a September 22 release for Bafta winner Jeymes Samuel’s next feature after The Harder They Fall, The Book Of Clarence from Legendary Pictures.
Said to be inspired by classic Hollywood epics set in biblical times, The Book Of Clarence tells the tale of the titular down-at-heel denizen of Jerusalem as he embarks on a misguided attempt to capitalise on the rise of celebrity and influence of the Messiah for his own personal gain.
The journey leads Clarence on an exploration of faith...
Sony has set a September 22 release for Bafta winner Jeymes Samuel’s next feature after The Harder They Fall, The Book Of Clarence from Legendary Pictures.
Said to be inspired by classic Hollywood epics set in biblical times, The Book Of Clarence tells the tale of the titular down-at-heel denizen of Jerusalem as he embarks on a misguided attempt to capitalise on the rise of celebrity and influence of the Messiah for his own personal gain.
The journey leads Clarence on an exploration of faith...
- 3/2/2023
- by Jeremy Kay
- ScreenDaily
“Parsing the difference between movies, TV and streamers – it’s becoming really difficult.”
Producers should make the most of collapsing boundaries between feature film and television content, according to Killer Films producer Christine Vachon, speaking today (February 18) in Berlin.
Speaking on a European Film Market industry sessions talk titled ‘Producers Embracing New Horizons’, Vachon said, “To start parsing the difference between movies, TV and streamers – it’s becoming really difficult. I don’t know what makes something television anymore.”
Vachon has produced two films at this year’s Berlinale – Rebecca Miller’s opening title She Came To Me, and Celine Song...
Producers should make the most of collapsing boundaries between feature film and television content, according to Killer Films producer Christine Vachon, speaking today (February 18) in Berlin.
Speaking on a European Film Market industry sessions talk titled ‘Producers Embracing New Horizons’, Vachon said, “To start parsing the difference between movies, TV and streamers – it’s becoming really difficult. I don’t know what makes something television anymore.”
Vachon has produced two films at this year’s Berlinale – Rebecca Miller’s opening title She Came To Me, and Celine Song...
- 2/18/2023
- by Ben Dalton
- ScreenDaily
Sarah Polley’s ‘Women Talking’ wins two prizes.
New projects from Norwegian filmmakers were showcased to US and European executives at the third edition of Fiction Norway, an invitation-only market running as part of the Tromso International Film Festival (TIFF), with support from the Norwegian Film Institute.
Reps from Netflix, XYZ, CAA Media Finance, Wild Bunch International, Globalgate, wiip, and North Road among others were in town to talk about projects that ranged from an environmentally-minded youth TV series to a natural disaster action feature.
One success story from the inaugural Fiction Norway event in 2020, Kjersti Helen Rasmussen’s genre title The Nightmare,...
New projects from Norwegian filmmakers were showcased to US and European executives at the third edition of Fiction Norway, an invitation-only market running as part of the Tromso International Film Festival (TIFF), with support from the Norwegian Film Institute.
Reps from Netflix, XYZ, CAA Media Finance, Wild Bunch International, Globalgate, wiip, and North Road among others were in town to talk about projects that ranged from an environmentally-minded youth TV series to a natural disaster action feature.
One success story from the inaugural Fiction Norway event in 2020, Kjersti Helen Rasmussen’s genre title The Nightmare,...
- 1/23/2023
- by Wendy Mitchell
- ScreenDaily
Sarah Polley’s ‘Women Talking’ wins two prizes.
US and European experts from Netflix, XYZ, CAA Media Finance, Wild Bunch International, Globalgate, wiip, North Road and other top companies were in Tromso, Norway last week for the third edition of Fiction Norway, an invitation-only market from the Tromso International Film Festival (TIFF) with support from the Norwegian Film Institute.
One success story from the inaugural Fiction Norway event in 2020, Kjersti Helen Rasmussen’s genre title The Nightmare, sold by Wild Bunch, premiered at Fantastic Fest 2022 before screening in Sitges and the BFI London Film Festival. It had a buzzy sold-out...
US and European experts from Netflix, XYZ, CAA Media Finance, Wild Bunch International, Globalgate, wiip, North Road and other top companies were in Tromso, Norway last week for the third edition of Fiction Norway, an invitation-only market from the Tromso International Film Festival (TIFF) with support from the Norwegian Film Institute.
One success story from the inaugural Fiction Norway event in 2020, Kjersti Helen Rasmussen’s genre title The Nightmare, sold by Wild Bunch, premiered at Fantastic Fest 2022 before screening in Sitges and the BFI London Film Festival. It had a buzzy sold-out...
- 1/23/2023
- by Wendy Mitchell
- ScreenDaily
Collaborators include documentary specialist Kristine Ann Skaret, US producer Jim Stark.
Producer Elisa Fernanda Pirir is leaving Norway’s Mer Film to set up her production company Staer based in Tromso in northern Norway.
Collaborators in the new venture include co-owner Kristine Ann Skaret, a documentary expert from Stray Dogs whose credits include Villagers And Vagabonds and Aswang; and executive producer Jim Stark, the US producer who has credits including co-producing Jim Jarmusch’s Down By Law and serving as one of the executive producers of Triangle Of Sadness.
Staer will work with a mix of Scandinavian and international filmmakers.
Producer Elisa Fernanda Pirir is leaving Norway’s Mer Film to set up her production company Staer based in Tromso in northern Norway.
Collaborators in the new venture include co-owner Kristine Ann Skaret, a documentary expert from Stray Dogs whose credits include Villagers And Vagabonds and Aswang; and executive producer Jim Stark, the US producer who has credits including co-producing Jim Jarmusch’s Down By Law and serving as one of the executive producers of Triangle Of Sadness.
Staer will work with a mix of Scandinavian and international filmmakers.
- 1/18/2023
- by Wendy Mitchell
- ScreenDaily
The Göteborg Film Festival has unveiled the 53 Nordic Films that will take part in the latest edition of the Nordic Film Market, running February 2 – 5. Scroll down for the list.
The line-up consists of 17 completed feature films, 15 works in progress, 11 films in development presented at the market’s co-financing platform Discovery, and another 10 features in development from up-and-coming Swedish creators at Talent to Watch.
The 2023 edition of Nordic Film Market will comprise a full on-site event in Göteborg alongside digital screenings on the festival’s dedicated industry platform. This year the festival has said close to 500 invited buyers, distributors, sales agents, producers, festival programmers, and other key industry delegates from 32 countries are expected to attend.
Elsewhere, the 17th edition of the TV Drama Vision summit will run February 1–2.
Göteborg will run January 27 – February 5. As previously announced, Holy Spider breakout Zar Amir Ebrahimi will head the jury of the festival’s Nordic Competition.
The line-up consists of 17 completed feature films, 15 works in progress, 11 films in development presented at the market’s co-financing platform Discovery, and another 10 features in development from up-and-coming Swedish creators at Talent to Watch.
The 2023 edition of Nordic Film Market will comprise a full on-site event in Göteborg alongside digital screenings on the festival’s dedicated industry platform. This year the festival has said close to 500 invited buyers, distributors, sales agents, producers, festival programmers, and other key industry delegates from 32 countries are expected to attend.
Elsewhere, the 17th edition of the TV Drama Vision summit will run February 1–2.
Göteborg will run January 27 – February 5. As previously announced, Holy Spider breakout Zar Amir Ebrahimi will head the jury of the festival’s Nordic Competition.
- 1/17/2023
- by Zac Ntim
- Deadline Film + TV
Norway’s Oscar© 2023 Submission for Best International Feature: ‘War Sailor’ by Gunnar VikeneThis is a saga of war but it is not a war story. We do not see the slaughter so vividly depicted in ‘All Quiet on the Western Front’. The center stage is not the bonding of men under the duress of war. Instead we see a love story fold, unfold, refold and in its midst, we see the bond between the two men who love the same woman.
Surely this film will make the Oscar Shortlist and I predict the Nomination as well if not the Oscar itself.
Starring Kristoffer Joner, Pål Sverre Hagen, Ine Marie Wilmann
The story begins at a party with a loving family Alfred, Cecilia, their three children and his best friend Wally who is a professional sailor. He persuades Alfred to join him as a cook on the merchant ship. When World War II breaks out in 1939, Norway declares itself neutral. On April 9, 1940, German troops invade the country and quickly occupy Oslo, Bergen, Trondheim, and Narvik. The Norwegian government rejects the German ultimatum regarding immediate capitulation and it orders its merchant ships to continue delivering goods among the Allies. The sea is the most dangerous place with its unseen torpedos and bombs. Their ships take in survivors from other wreckages including underage youths, both male and female, who must also serve with these sailors. Alfred and Wally struggle for survival in a spiral of violence and death, where at any moment German submarines may attack their valuable vessels. The war sailors have one goal: to survive — and to return home. They are the unarmed civilians on the front lines of a war they never asked to join.
Life at home under the Nazis is also difficult and Alfred’s wife Cecilia, back home in Bergen, has to raise three kids on her own not knowing if her husband is alive or dead. So many years go by as the husband and friend try to survive and the woman with her three children also try to survive.
When British aircrafts attempt to bomb the German submarine bunker in Bergen, they instead hit the primary school at Laksevåg and civilian homes at Nøstet, resulting in hundreds of civilian deaths. When the news reaches Alfred and Wally in Canada, they wonder if they have anything left at home to return to.
War as the most Destructive Force on Earth is felt and witnessed through a very different lens from the typical war film and packs a greater anti-war whallop than those films where the woman and children are largely ignored as if war were between male forces and women were left to pick up the pieces when it was over. War Sailor spans the years 1939 to 1972 looking at the long-term consequences of what happened during the war years.
A discussion with writer/director Gunnar Vikene and producer Maria Ekerhovd about the making of War Sailor
writer/director Gunnar Vikene
Gunnar Vikene had been thinking about the true stories of the “war sailors” ever since he first heard about them when he was a young boy. Vikene’s father used to paint houses with a man who seemed to have no fears — Vikene found out this man had survived three torpedo attacks during World War II despite never enlisting in the military.
“There were 30,000 of these Norwegian sailors in the war. And there were similar Canadian merchant fleets, and British, and America,” Vikene explains. “They’re all the unsung heroes of that war — they were caught up in it and they couldn’t decide for themselves if they wanted to enlist. Then after the war, they didn’t fit into the idea of the war hero because they had no uniform and had no guns, no medals or anything.”
Vikene explains he wanted to avoid the usual war film cliches. “Yes, we have action scenes when it’s necessary for the story, but it comes down to the human factor. It’s not about the explosion, it’s about the consequences of the explosion.”
He discovered the true story of the real Alfred, Wally and Cecilia back in the early 1990s “and I never forgot it.” He researched their stories and similar stories of the time period and the legacy of war for decades later. Vikene doesn’t call this film a biography because it is a fictionalized version of their lives — “Alfred is not here anymore to explain anything, so I consider these fictional versions of the characters. But they are based on real people,” he says. “What I can say is that every war-related incident in the film actually happened. I read everything that I have come across.”
Another devastating true story in the film is when British aircrafts trying to bomb the German submarine bunkers in Bergen accidentally bomb the primary school at Laksevåg and civilian homes at Nøstet, resulting in hundreds of civilian deaths. Vikene grew up knowing the story because one of his mother’s second cousins was killed that day, at only age 8, and another of her cousins survived.
What finally inspired him to make the film was a talk a few years ago with his then-12-year-old daughter, looking at images of a wounded child in Syria. He recalls, “My daughter said, ‘I’m so glad we don’t live in a country where we experience that.’ And I pointed out the window and said, ‘relatives of your grandmother were killed right over there.’ And my daughter didn’t know. It was the idea that we need to remind ourselves that we have been through it.”
The story then burst out of him onto the page. “I had been thinking about the story for so long that when I tried to just sit down and get the first draft of the script out, I finished it in a month.”
He dreamed of telling this story for decades “but I never thought I was going to be in a position where I was actually able to make it.” His longtime collaboration with Maria Ekerhovd at Mer Film made it possible, working together on their third feature (after their past collaborations Here is Harloldand Vegas).
Producer Maria Ekerhovd
At first, Ekerhovd wasn’t keen on any story related to World War II. “I gave her the script, and told her that it takes place during the war but also after the war. She called me after she read the script and said, ‘This isn’t really a war movie, so I’d love to produce it.’”
Ekerhovd knew the production would be her biggest ever. “It’s a big production and I never actually had the ambition that I would do that kind of big film, that was never a goal I had. But Gunnar came to me in 2016 with the script, and he’d already been thinking of this story for 20 years.”
She was fascinated by this story which hadn’t been told in film before: “Gunnar told me that during the Second World War, Norway had the fifth-biggest merchant fleet in the world. When the war started, the Norwegian government decided that all these normal Norwegian sailors had to sail throughout the war, and they didn’t have a choice. These ships had such an important job to get the supplies to the Allies. Their contribution to the war was never recognized. They were traumatized. The government never even paid them for the job they did during the war until the 1970s. This is a big scandal and it hasn’t been dealt with. This isn’t the kind of black-and-white story we usually see on the big screen. There is more complexity.”
Vikene adds, “All my films before were small arthouse movies, and I knew this would take more money and more resources, and Maria made it happen, she got all the right partners on board quickly.”
Ekerhovd put together the largest budget ever for Norwegian production, at 11m Euros, bringing on co-producers Rohfilm Factory, Studio Hamburg and Falkun Films.
She was excited to continue their 15-year-collaboration in new ways. The producer says, “I think it’s super important to really get to know the people you work with, in order to really know the strengths and weaknesses of each other and be open and honest and trust the process. It’s not going to be easy all the time, and we will have our ups and downs, but we can be together in all of those circumstances.”
Vikene is always impressed that Ekerhovd is brilliant both on the creative and the logistical sides of producing: “She’s a great reader and such a good analyst. And she can be compassionate about a project’s issues. She also doesn’t take no for an answer!”
Assembling the perfect cast
A trio of established Norwegian talents play the leads — Kristoffer Joner (The Wave) plays family man Alfred; Pal Sverre Hagen (Kon-Tiki) is his old friend Wally; and Ine Marie Wilmann (Sonia: The White Swan) plays Alfred’s wife Cecilia.
Vikene had made his first feature, 2002’s Falling Sky, with Joner and they have become good friends over the years. “He’s a fantastic actor and human being and I had written the script with him in mind, I was so lucky he said yes,” Vikene says.
Despite being two of the most acclaimed contemporary actors in Norway, Joner and Hagen had never met before. “It’s strange that in little Norway they hadn’t met each other. But after two minutes in the room together, I just felt that they really respected and liked each other. They became great friends during the shoot and I think you see that on screen,” the director says.
He had also worked with Wilmann before, and had a special challenge for her in this role of the wife left home in Bergen. He remembers, “I told her, ‘The trick this time was that you have to learn the local dialect.’ This is really difficult and very different from her own. I told her, ‘You have to learn it — not only learning the lines, you have to speak fluidly so we can improvise.’ And she spent a year learning it and was brilliant.”
“The process of working with the actors was very nice,” Vikene continues. “I told the actors that you need to own your characters. Because this is something that I need you to take responsibility for. And they did so in such a fantastic way.”
He also tried not to rehearse each scene too much. “We talked about the characters and scenes a lot but I do very few rehearsals. I was afraid if we rehearsed it too much they were going to drain it emotionally.”
An epic production
The film was originally scheduled to shoot in 2020 but had to pause for a year due to the pandemic. They eventually shot it during March to October 2021, in Norway, Malta and Germany, with just over 60 shooting days.
They worked with a mostly Maltese crew in Malta and again with German crews in Germany, and Vikene praises them as “great professionals,” but he was still glad to get back to the Norwegian part of the shoot “working with a lot of people I’ve worked with before, with so many people pitching in because my film family is here.”
The scale of the project was a step up for Ekerhovd. “It was super exciting…it was a new challenge that it was such a big film, you can’t just wing it. It was fun because it was learning new skills and working with new partners and seeing how that side of the business works.”
Because Vikene has also worked in big budget TV like Occupied, he found working a bigger-budget film wasn’t a shock to the system. “The process is basically the same thing as with a lower-budget film, it just involves a lot more people.”
One key collaborator was acclaimed DoP Sturla Brandth. “Sturla is one of the best cinematographers on the planet and he’s also such a great human being — that was one of the most inspiring collaborations I’ve had in my career,” the director says.
They didn’t use typical war films for visual inspiration, instead watching documentary footage from the era or even more recent documentary films like The White Helmets.
“We wanted that documentary feel when it comes to closeness to the character,” Vikene adds. The team shot digitally — and Vikene praises colourist William Kjarval for giving it “a filmic look” in the grading process.
The big set pieces were very carefully planned. “We prepared really well for all the technical sequences, so that was storyboarded in detail in advance,” Vikene explains.
And as much as possible was shot in camera, not added in post later. He adds, “I see so many films where you have 10 seconds of a CGI ship in an establishing shot. We weren’t interested in that. We only wanted the CGI to enhance what we already shot, to make the story better.”
Scenes of the ships and raft on the ocean are actually shot in the sea, not in a water tank. They thought the authenticity was worth going the extra mile. As Vikene recalls, “Sturla thought we would be able to detect the distinction where the real water ends, and maybe it would feel not quite right. The real thing is always better.”
They also didn’t just use spectacle for spectacle’s sake. “The explosions and actions are there because they have real consequences for human beings. There are a lot of very romantic films made about war and the great heroes, and we tried to stay away from that. It was a film about survival to make it home to your loved ones, not about heroism in action. I hope you can see on screen the fear and the panic in the those war scenes.”
Ekerhovd adds, “I think what Gunnar has achieved with the film is to actually give us a feeling of how it was for them to be out on the boats and also how it really played out for the families at home.”
Vikene also praises the authentic work across so many members of the crew — such as by costume designer Stefanie Bieker (“she gave it a texture that feels really believable and not like a typical costume drama”; makeup designer Jens Bartram and his team (“they nailed it for this documentary feel we were going for”) production designer Tamo Kunz. The director adds that editors Peter Brandt and Anders Albjerg Kristiansen “were so enthusiastic and brave during the process, and challenged me and the material in a great and constructive way.”
Honoring the legacy of the war sailors
Vikene hopes this film will personally touch people who still live with the legacy of the war sailors. “People remember being children and not knowing if their beloved father is coming home. I’ve spoken to so many children of those kinds of families. That’s an important part of the story. It is so much about what happens with families after the war.”
He felt the importance of the story today when the team were shooting in his hometown of Bergen. “We were shooting in places that were so close to the school that was bombed, and there are so many people in Bergen who had families impacted by that, so that felt very special. People stopped to tell us their stories. It felt so close in a way that was inspiring, we were dealing with real people’s stories and that’s a big responsibility.”
The cast and crew were away from their families for four and a half months while making the film, and while that’s not as extreme as the story of the sailors — Vikene wanted the cast and crew to draw on that feeling. He told them, “Take this emotion that you come home to your children and they have grown five centimeters since last time you saw them. And then multiply that emotion by a million. That’s how they felt.”
Sadly, this kind of war story still feels relevant today. “This story about the civilians, the working-class perspective hasn’t been told,” Vikene says. “90% of people dying in war today are civilians. They aren’t wearing uniforms. You just have to look at Ukraine.”
He continues, “I haven’t lived through war. If you live long enough, you have things in your life that you cannot fix for ourselves. Things that we can’t control and has sent our life in a different direction. I hope everyone can relate to that feeling. I hope we can all relate to having a father that you don’t know if you will ever see again, or relate to being a wife who doesn’t know if her husband is alive when she wakes up in the morning. I think on a basic human level, people can relate to that. I hope the audience can identify with the characters, there is something universal about the feelings they have towards each other.”
The Crew
Gunnar Vikene — The Director
Gunnar Vikene directed his first feature film, Falling Sky (Himmelfall) in 2002. His following feature films — Trigger(2007), Vegas (2009), and Here is Harold (2014) — have all received both critical acclaim and a number of international prizes.
In 2017 he directed the TV-series Borderline, which earned him a best director-prize at Gullruten (Norwegian Emmys). He also directed several episodes of the acclaimed show Occupied (2020) and was in 2022 again nominated for a best director-prize for his work in the TV-series Pørni (2021).
Gunnar lives in Bergen, on the west coast of Norway. Before starting to work with films he was a submarine officer for several years.
Sturla Brandth GRØVLEN — Director Of Photography
Sturla Brandth Grøvlen is a Norwegian cinematographer based in Denmark. He won the Silver Bear for Outstanding Artistic Contribution for his work on Victoria (2015) and has since worked on films such as Thomas Vinterberg’s Another Round, Eskil Vogt’s The Innocents, Benh Zeitlin’s Wendy and Josephine Decker’s Shirley.
Volker Bertelmann — Composer
Volker Bertelmann is a German composer. He won an Oscar for his work on Lion (2016), together with Dustin O’Halloran. He has composed scores for such films as Ammonite (2020), The Old Guard (2020) and All Quiet On The Western Front (2022).
The Main Cast
Kristoffer Joner — Alfred
Kristoffer Joner has starred in Norwegian and International films as The Wave, The Quake, Mission: Impossible — Fallout and The Revenant. He has won the Norwegian Film Award Amanda for Best Male Actor three times and starred in Gunnar Vikene’s first feature film Falling Sky in 2002.
Ine Marie Wilmann — Cecilia
Ine Marie Wilmann has starred in Norwegian films and TV-series as Sonja: The White Swan (Sundance 2018), Homesick (Sundance 2015), Exit (2021-) and Furia (2021-). She has won the Amanda Award for Best Female Lead and the Norwegian Emmy for her work in the TV-series The Third Eye, directed by Gunnar Vikene.
PÅL Sverre Hagen — SIGBJØRN
Pål Sverre Hagen has starred in Norwegian films such as Kon-Tiki, Troubled Water, Amundsen and Out Stealing Horses. He has won the Amanda Award for Best Actor two times — most recently for his performance in The Middle Man(Toronto, 2021).
International Sales Agent Beta Films has licensed the film to
Norway, Germany, Malta 2022
Length 151 min
Screen Ratio 1:1.85
Format Digital 3.2K
Sound 7.1 Dolby Digital
Languages Norwegian, English, German...
Surely this film will make the Oscar Shortlist and I predict the Nomination as well if not the Oscar itself.
Starring Kristoffer Joner, Pål Sverre Hagen, Ine Marie Wilmann
The story begins at a party with a loving family Alfred, Cecilia, their three children and his best friend Wally who is a professional sailor. He persuades Alfred to join him as a cook on the merchant ship. When World War II breaks out in 1939, Norway declares itself neutral. On April 9, 1940, German troops invade the country and quickly occupy Oslo, Bergen, Trondheim, and Narvik. The Norwegian government rejects the German ultimatum regarding immediate capitulation and it orders its merchant ships to continue delivering goods among the Allies. The sea is the most dangerous place with its unseen torpedos and bombs. Their ships take in survivors from other wreckages including underage youths, both male and female, who must also serve with these sailors. Alfred and Wally struggle for survival in a spiral of violence and death, where at any moment German submarines may attack their valuable vessels. The war sailors have one goal: to survive — and to return home. They are the unarmed civilians on the front lines of a war they never asked to join.
Life at home under the Nazis is also difficult and Alfred’s wife Cecilia, back home in Bergen, has to raise three kids on her own not knowing if her husband is alive or dead. So many years go by as the husband and friend try to survive and the woman with her three children also try to survive.
When British aircrafts attempt to bomb the German submarine bunker in Bergen, they instead hit the primary school at Laksevåg and civilian homes at Nøstet, resulting in hundreds of civilian deaths. When the news reaches Alfred and Wally in Canada, they wonder if they have anything left at home to return to.
War as the most Destructive Force on Earth is felt and witnessed through a very different lens from the typical war film and packs a greater anti-war whallop than those films where the woman and children are largely ignored as if war were between male forces and women were left to pick up the pieces when it was over. War Sailor spans the years 1939 to 1972 looking at the long-term consequences of what happened during the war years.
A discussion with writer/director Gunnar Vikene and producer Maria Ekerhovd about the making of War Sailor
writer/director Gunnar Vikene
Gunnar Vikene had been thinking about the true stories of the “war sailors” ever since he first heard about them when he was a young boy. Vikene’s father used to paint houses with a man who seemed to have no fears — Vikene found out this man had survived three torpedo attacks during World War II despite never enlisting in the military.
“There were 30,000 of these Norwegian sailors in the war. And there were similar Canadian merchant fleets, and British, and America,” Vikene explains. “They’re all the unsung heroes of that war — they were caught up in it and they couldn’t decide for themselves if they wanted to enlist. Then after the war, they didn’t fit into the idea of the war hero because they had no uniform and had no guns, no medals or anything.”
Vikene explains he wanted to avoid the usual war film cliches. “Yes, we have action scenes when it’s necessary for the story, but it comes down to the human factor. It’s not about the explosion, it’s about the consequences of the explosion.”
He discovered the true story of the real Alfred, Wally and Cecilia back in the early 1990s “and I never forgot it.” He researched their stories and similar stories of the time period and the legacy of war for decades later. Vikene doesn’t call this film a biography because it is a fictionalized version of their lives — “Alfred is not here anymore to explain anything, so I consider these fictional versions of the characters. But they are based on real people,” he says. “What I can say is that every war-related incident in the film actually happened. I read everything that I have come across.”
Another devastating true story in the film is when British aircrafts trying to bomb the German submarine bunkers in Bergen accidentally bomb the primary school at Laksevåg and civilian homes at Nøstet, resulting in hundreds of civilian deaths. Vikene grew up knowing the story because one of his mother’s second cousins was killed that day, at only age 8, and another of her cousins survived.
What finally inspired him to make the film was a talk a few years ago with his then-12-year-old daughter, looking at images of a wounded child in Syria. He recalls, “My daughter said, ‘I’m so glad we don’t live in a country where we experience that.’ And I pointed out the window and said, ‘relatives of your grandmother were killed right over there.’ And my daughter didn’t know. It was the idea that we need to remind ourselves that we have been through it.”
The story then burst out of him onto the page. “I had been thinking about the story for so long that when I tried to just sit down and get the first draft of the script out, I finished it in a month.”
He dreamed of telling this story for decades “but I never thought I was going to be in a position where I was actually able to make it.” His longtime collaboration with Maria Ekerhovd at Mer Film made it possible, working together on their third feature (after their past collaborations Here is Harloldand Vegas).
Producer Maria Ekerhovd
At first, Ekerhovd wasn’t keen on any story related to World War II. “I gave her the script, and told her that it takes place during the war but also after the war. She called me after she read the script and said, ‘This isn’t really a war movie, so I’d love to produce it.’”
Ekerhovd knew the production would be her biggest ever. “It’s a big production and I never actually had the ambition that I would do that kind of big film, that was never a goal I had. But Gunnar came to me in 2016 with the script, and he’d already been thinking of this story for 20 years.”
She was fascinated by this story which hadn’t been told in film before: “Gunnar told me that during the Second World War, Norway had the fifth-biggest merchant fleet in the world. When the war started, the Norwegian government decided that all these normal Norwegian sailors had to sail throughout the war, and they didn’t have a choice. These ships had such an important job to get the supplies to the Allies. Their contribution to the war was never recognized. They were traumatized. The government never even paid them for the job they did during the war until the 1970s. This is a big scandal and it hasn’t been dealt with. This isn’t the kind of black-and-white story we usually see on the big screen. There is more complexity.”
Vikene adds, “All my films before were small arthouse movies, and I knew this would take more money and more resources, and Maria made it happen, she got all the right partners on board quickly.”
Ekerhovd put together the largest budget ever for Norwegian production, at 11m Euros, bringing on co-producers Rohfilm Factory, Studio Hamburg and Falkun Films.
She was excited to continue their 15-year-collaboration in new ways. The producer says, “I think it’s super important to really get to know the people you work with, in order to really know the strengths and weaknesses of each other and be open and honest and trust the process. It’s not going to be easy all the time, and we will have our ups and downs, but we can be together in all of those circumstances.”
Vikene is always impressed that Ekerhovd is brilliant both on the creative and the logistical sides of producing: “She’s a great reader and such a good analyst. And she can be compassionate about a project’s issues. She also doesn’t take no for an answer!”
Assembling the perfect cast
A trio of established Norwegian talents play the leads — Kristoffer Joner (The Wave) plays family man Alfred; Pal Sverre Hagen (Kon-Tiki) is his old friend Wally; and Ine Marie Wilmann (Sonia: The White Swan) plays Alfred’s wife Cecilia.
Vikene had made his first feature, 2002’s Falling Sky, with Joner and they have become good friends over the years. “He’s a fantastic actor and human being and I had written the script with him in mind, I was so lucky he said yes,” Vikene says.
Despite being two of the most acclaimed contemporary actors in Norway, Joner and Hagen had never met before. “It’s strange that in little Norway they hadn’t met each other. But after two minutes in the room together, I just felt that they really respected and liked each other. They became great friends during the shoot and I think you see that on screen,” the director says.
He had also worked with Wilmann before, and had a special challenge for her in this role of the wife left home in Bergen. He remembers, “I told her, ‘The trick this time was that you have to learn the local dialect.’ This is really difficult and very different from her own. I told her, ‘You have to learn it — not only learning the lines, you have to speak fluidly so we can improvise.’ And she spent a year learning it and was brilliant.”
“The process of working with the actors was very nice,” Vikene continues. “I told the actors that you need to own your characters. Because this is something that I need you to take responsibility for. And they did so in such a fantastic way.”
He also tried not to rehearse each scene too much. “We talked about the characters and scenes a lot but I do very few rehearsals. I was afraid if we rehearsed it too much they were going to drain it emotionally.”
An epic production
The film was originally scheduled to shoot in 2020 but had to pause for a year due to the pandemic. They eventually shot it during March to October 2021, in Norway, Malta and Germany, with just over 60 shooting days.
They worked with a mostly Maltese crew in Malta and again with German crews in Germany, and Vikene praises them as “great professionals,” but he was still glad to get back to the Norwegian part of the shoot “working with a lot of people I’ve worked with before, with so many people pitching in because my film family is here.”
The scale of the project was a step up for Ekerhovd. “It was super exciting…it was a new challenge that it was such a big film, you can’t just wing it. It was fun because it was learning new skills and working with new partners and seeing how that side of the business works.”
Because Vikene has also worked in big budget TV like Occupied, he found working a bigger-budget film wasn’t a shock to the system. “The process is basically the same thing as with a lower-budget film, it just involves a lot more people.”
One key collaborator was acclaimed DoP Sturla Brandth. “Sturla is one of the best cinematographers on the planet and he’s also such a great human being — that was one of the most inspiring collaborations I’ve had in my career,” the director says.
They didn’t use typical war films for visual inspiration, instead watching documentary footage from the era or even more recent documentary films like The White Helmets.
“We wanted that documentary feel when it comes to closeness to the character,” Vikene adds. The team shot digitally — and Vikene praises colourist William Kjarval for giving it “a filmic look” in the grading process.
The big set pieces were very carefully planned. “We prepared really well for all the technical sequences, so that was storyboarded in detail in advance,” Vikene explains.
And as much as possible was shot in camera, not added in post later. He adds, “I see so many films where you have 10 seconds of a CGI ship in an establishing shot. We weren’t interested in that. We only wanted the CGI to enhance what we already shot, to make the story better.”
Scenes of the ships and raft on the ocean are actually shot in the sea, not in a water tank. They thought the authenticity was worth going the extra mile. As Vikene recalls, “Sturla thought we would be able to detect the distinction where the real water ends, and maybe it would feel not quite right. The real thing is always better.”
They also didn’t just use spectacle for spectacle’s sake. “The explosions and actions are there because they have real consequences for human beings. There are a lot of very romantic films made about war and the great heroes, and we tried to stay away from that. It was a film about survival to make it home to your loved ones, not about heroism in action. I hope you can see on screen the fear and the panic in the those war scenes.”
Ekerhovd adds, “I think what Gunnar has achieved with the film is to actually give us a feeling of how it was for them to be out on the boats and also how it really played out for the families at home.”
Vikene also praises the authentic work across so many members of the crew — such as by costume designer Stefanie Bieker (“she gave it a texture that feels really believable and not like a typical costume drama”; makeup designer Jens Bartram and his team (“they nailed it for this documentary feel we were going for”) production designer Tamo Kunz. The director adds that editors Peter Brandt and Anders Albjerg Kristiansen “were so enthusiastic and brave during the process, and challenged me and the material in a great and constructive way.”
Honoring the legacy of the war sailors
Vikene hopes this film will personally touch people who still live with the legacy of the war sailors. “People remember being children and not knowing if their beloved father is coming home. I’ve spoken to so many children of those kinds of families. That’s an important part of the story. It is so much about what happens with families after the war.”
He felt the importance of the story today when the team were shooting in his hometown of Bergen. “We were shooting in places that were so close to the school that was bombed, and there are so many people in Bergen who had families impacted by that, so that felt very special. People stopped to tell us their stories. It felt so close in a way that was inspiring, we were dealing with real people’s stories and that’s a big responsibility.”
The cast and crew were away from their families for four and a half months while making the film, and while that’s not as extreme as the story of the sailors — Vikene wanted the cast and crew to draw on that feeling. He told them, “Take this emotion that you come home to your children and they have grown five centimeters since last time you saw them. And then multiply that emotion by a million. That’s how they felt.”
Sadly, this kind of war story still feels relevant today. “This story about the civilians, the working-class perspective hasn’t been told,” Vikene says. “90% of people dying in war today are civilians. They aren’t wearing uniforms. You just have to look at Ukraine.”
He continues, “I haven’t lived through war. If you live long enough, you have things in your life that you cannot fix for ourselves. Things that we can’t control and has sent our life in a different direction. I hope everyone can relate to that feeling. I hope we can all relate to having a father that you don’t know if you will ever see again, or relate to being a wife who doesn’t know if her husband is alive when she wakes up in the morning. I think on a basic human level, people can relate to that. I hope the audience can identify with the characters, there is something universal about the feelings they have towards each other.”
The Crew
Gunnar Vikene — The Director
Gunnar Vikene directed his first feature film, Falling Sky (Himmelfall) in 2002. His following feature films — Trigger(2007), Vegas (2009), and Here is Harold (2014) — have all received both critical acclaim and a number of international prizes.
In 2017 he directed the TV-series Borderline, which earned him a best director-prize at Gullruten (Norwegian Emmys). He also directed several episodes of the acclaimed show Occupied (2020) and was in 2022 again nominated for a best director-prize for his work in the TV-series Pørni (2021).
Gunnar lives in Bergen, on the west coast of Norway. Before starting to work with films he was a submarine officer for several years.
Sturla Brandth GRØVLEN — Director Of Photography
Sturla Brandth Grøvlen is a Norwegian cinematographer based in Denmark. He won the Silver Bear for Outstanding Artistic Contribution for his work on Victoria (2015) and has since worked on films such as Thomas Vinterberg’s Another Round, Eskil Vogt’s The Innocents, Benh Zeitlin’s Wendy and Josephine Decker’s Shirley.
Volker Bertelmann — Composer
Volker Bertelmann is a German composer. He won an Oscar for his work on Lion (2016), together with Dustin O’Halloran. He has composed scores for such films as Ammonite (2020), The Old Guard (2020) and All Quiet On The Western Front (2022).
The Main Cast
Kristoffer Joner — Alfred
Kristoffer Joner has starred in Norwegian and International films as The Wave, The Quake, Mission: Impossible — Fallout and The Revenant. He has won the Norwegian Film Award Amanda for Best Male Actor three times and starred in Gunnar Vikene’s first feature film Falling Sky in 2002.
Ine Marie Wilmann — Cecilia
Ine Marie Wilmann has starred in Norwegian films and TV-series as Sonja: The White Swan (Sundance 2018), Homesick (Sundance 2015), Exit (2021-) and Furia (2021-). She has won the Amanda Award for Best Female Lead and the Norwegian Emmy for her work in the TV-series The Third Eye, directed by Gunnar Vikene.
PÅL Sverre Hagen — SIGBJØRN
Pål Sverre Hagen has starred in Norwegian films such as Kon-Tiki, Troubled Water, Amundsen and Out Stealing Horses. He has won the Amanda Award for Best Actor two times — most recently for his performance in The Middle Man(Toronto, 2021).
International Sales Agent Beta Films has licensed the film to
Norway, Germany, Malta 2022
Length 151 min
Screen Ratio 1:1.85
Format Digital 3.2K
Sound 7.1 Dolby Digital
Languages Norwegian, English, German...
- 12/20/2022
- by Sydney
- Sydney's Buzz
European Film Promotion Unveils 2023 European Shooting Stars
Belgian actress Joely Mbundu, co-star of Luc and Jean-Pierre Dardenne’s Cannes 2022 feature Tori And Lokita, is among the eight rising talents selected for the 2023 edition of European Film Promotion’s European Shooting Stars initiative. The selection also includes Italy’s Benedetta Porcaroli, seen recently in Venice Horizons 2022 title Amanda, and Norway’s Kristine Kujath Thorp, who previously made her mark in Fanny, The Burning Sea and Ninjababy, and also won praise for her performance in Cannes Certain Regard 2022 selection Sick of Myself. The other spotlighted titles comprise Alina Tomnikov (Finland), Leonie Benesch (Germany), Yannick Jozefzoon (The Netherlands), Judith State(Romania), Gizem Erdogan (Sweden) and Kayije Kagame (Switzerland) Thorvaldur Kristjansson (Iceland). This year’s talents were selected by an eight-person jury featuring Polish director Jan Komasa, Dutch casting director Rebecca van Unen and Norwegian producer Maria Ekerhovd. The eight talents will participate in...
Belgian actress Joely Mbundu, co-star of Luc and Jean-Pierre Dardenne’s Cannes 2022 feature Tori And Lokita, is among the eight rising talents selected for the 2023 edition of European Film Promotion’s European Shooting Stars initiative. The selection also includes Italy’s Benedetta Porcaroli, seen recently in Venice Horizons 2022 title Amanda, and Norway’s Kristine Kujath Thorp, who previously made her mark in Fanny, The Burning Sea and Ninjababy, and also won praise for her performance in Cannes Certain Regard 2022 selection Sick of Myself. The other spotlighted titles comprise Alina Tomnikov (Finland), Leonie Benesch (Germany), Yannick Jozefzoon (The Netherlands), Judith State(Romania), Gizem Erdogan (Sweden) and Kayije Kagame (Switzerland) Thorvaldur Kristjansson (Iceland). This year’s talents were selected by an eight-person jury featuring Polish director Jan Komasa, Dutch casting director Rebecca van Unen and Norwegian producer Maria Ekerhovd. The eight talents will participate in...
- 12/14/2022
- by Melanie Goodfellow and Max Goldbart
- Deadline Film + TV
Joely Mbundu from ‘Tori And Lokita’, Kristine Kujath Thorp from ‘Sick Of Myself’ also in.
European Film Promotion (Efp) has selected 10 young actors for the 2023 edition of Shooting Stars, its talent portfolio for promising on-screen talent from the continent.
Selected actors for 2023 include Swiss actress Kayije Kagame, who made her feature debut in Alice Diop’s Venice 2022 feature Saint Omer. Kagame has received plaudits for her role as Rama, a novelist attending a trial at the Saint-Omer Criminal Court which she plans to use for a modern-day adaptation of the ancient myth of Medea.
Scroll down for the full list...
European Film Promotion (Efp) has selected 10 young actors for the 2023 edition of Shooting Stars, its talent portfolio for promising on-screen talent from the continent.
Selected actors for 2023 include Swiss actress Kayije Kagame, who made her feature debut in Alice Diop’s Venice 2022 feature Saint Omer. Kagame has received plaudits for her role as Rama, a novelist attending a trial at the Saint-Omer Criminal Court which she plans to use for a modern-day adaptation of the ancient myth of Medea.
Scroll down for the full list...
- 12/14/2022
- by Ben Dalton
- ScreenDaily
European Film Promotion, which represents film organizations in 37 countries, has revealed the up-and-coming acting talent who have been selected for the next edition of European Shooting Stars. They will be introduced to the international press, film industry and the audience during the 73rd Berlin Film Festival.
The four-day tailormade promotion and networking program, running Feb. 17-20, culminates with a celebration of the talent at an awards ceremony at the Berlinale Palast.
The European Shooting Stars 2023 — which includes eight women and two men — were selected from a pool of 27 nominees by an international jury, comprised of Polish director Jan Komasa, Dutch casting director Rebecca van Unen, Norwegian producer Maria Ekerhovd, former Spanish Shooting Star Veronica Echegui, and Variety’s international features editor Leo Barraclough from the U.K.. These five experts recognized the talents’ potential for an international career based on several factors, including their stellar work in feature films and drama series,...
The four-day tailormade promotion and networking program, running Feb. 17-20, culminates with a celebration of the talent at an awards ceremony at the Berlinale Palast.
The European Shooting Stars 2023 — which includes eight women and two men — were selected from a pool of 27 nominees by an international jury, comprised of Polish director Jan Komasa, Dutch casting director Rebecca van Unen, Norwegian producer Maria Ekerhovd, former Spanish Shooting Star Veronica Echegui, and Variety’s international features editor Leo Barraclough from the U.K.. These five experts recognized the talents’ potential for an international career based on several factors, including their stellar work in feature films and drama series,...
- 12/14/2022
- by Leo Barraclough
- Variety Film + TV
Gunnar Vikene’s War Sailor tells the forgotten story of the 30,000 Norwegian civilian sailors who were conscripted at the beginning of World War II to serve on convoys keeping Allied supply chains open.
Conditions were treacherous with a high risk of being torpedoed by German U-boats or attacked from the air. When ships went down, it was too dangerous for other vessels to stop or turn back to pluck sailors from the water, a fact that would haunt survivors.
Related: The Contenders International – Deadline’s Full Coverage
Spanning the years 1939-72 and drawing on true stories, the drama follows the fate of friends and civilian sailors Alfred and Sigbjørn as they face endless perils at sea, buffeted by a war in which they are not playing a combat role.
Back home in Bergen, Alfred’s wife struggles to survive with their three children as the port becomes a target for British bombing raids,...
Conditions were treacherous with a high risk of being torpedoed by German U-boats or attacked from the air. When ships went down, it was too dangerous for other vessels to stop or turn back to pluck sailors from the water, a fact that would haunt survivors.
Related: The Contenders International – Deadline’s Full Coverage
Spanning the years 1939-72 and drawing on true stories, the drama follows the fate of friends and civilian sailors Alfred and Sigbjørn as they face endless perils at sea, buffeted by a war in which they are not playing a combat role.
Back home in Bergen, Alfred’s wife struggles to survive with their three children as the port becomes a target for British bombing raids,...
- 12/3/2022
- by Melanie Goodfellow
- Deadline Film + TV
Jury Duty
The jury for the 2023 edition of European Shooting Stars has been unveiled and it includes internationally-recognized directors, producers and actors as well as one of Variety‘s own editors, Leo Barraclough.
The jury, which was selected by European Film Promotion (Efp), will decide which of the 27 actors nominated for the European Shooting Stars will be selected to take part. Of the 27 who were nominated by their national Efp members, 10 will be chosen to go forward.
European Shooting Stars is set to run at the Berlin International Film Festival from Feb. 17-20, 2023. The Efp is made up of film promotion institutes and film centres across Europe.
As well as Variety‘s international features editor Leo Barraclough, the jury includes Oscar-nominated Polish director and screenwriter Jan Komasa, Oscar-nominated Norwegian producer Maria Ekerhovd, Goya-award winning Spanish actor and screenwriter (and former Shooting Star) Veronica Echegui and Dutch casting director Rebecca van Unen.
The jury for the 2023 edition of European Shooting Stars has been unveiled and it includes internationally-recognized directors, producers and actors as well as one of Variety‘s own editors, Leo Barraclough.
The jury, which was selected by European Film Promotion (Efp), will decide which of the 27 actors nominated for the European Shooting Stars will be selected to take part. Of the 27 who were nominated by their national Efp members, 10 will be chosen to go forward.
European Shooting Stars is set to run at the Berlin International Film Festival from Feb. 17-20, 2023. The Efp is made up of film promotion institutes and film centres across Europe.
As well as Variety‘s international features editor Leo Barraclough, the jury includes Oscar-nominated Polish director and screenwriter Jan Komasa, Oscar-nominated Norwegian producer Maria Ekerhovd, Goya-award winning Spanish actor and screenwriter (and former Shooting Star) Veronica Echegui and Dutch casting director Rebecca van Unen.
- 11/23/2022
- by K.J. Yossman
- Variety Film + TV
Award to be presented to delegation of Ukrainian producers at Efa ceremony next month.
The Eurimages Co-Production Award is to be presented to the producers of Ukraine at the European Film Awards next month.
Eurimages and the European Film Academy said that the award, which is normally given to one individual, is being given to all the producers of Ukraine as an expression of “strong appreciation for the growing quality of Ukrainian production in the past years, and as a sign of ongoing support now that the infrastructure for production support within Ukraine has collapsed.”
The Award will be accepted...
The Eurimages Co-Production Award is to be presented to the producers of Ukraine at the European Film Awards next month.
Eurimages and the European Film Academy said that the award, which is normally given to one individual, is being given to all the producers of Ukraine as an expression of “strong appreciation for the growing quality of Ukrainian production in the past years, and as a sign of ongoing support now that the infrastructure for production support within Ukraine has collapsed.”
The Award will be accepted...
- 11/22/2022
- by Tim Dams
- ScreenDaily
The 2022 Eurimages Co-Production Award will be awarded collectively to all Ukrainian producers in a show of solidarity in a year in which Ukraine’s film and TV industry have been devastated by the Russian invasion.
The prize, a joint initiative between the European Film Academy and Eurimages, the cultural support fund of the Council of Europe, is normally given to an individual producer who has been active in terms of co-productions.
The award was created to acknowledge the decisive role co-productions play in fostering international exchange.
Past recipients have included Norway’s Maria Ekerhovd (2021), Luís Urbano (2020), Ankica Jurić Tilić (2019), the Netherlands’ Leonine Petit (2016), Italy’s Andrea Occhipinti (2015) and France’s Margaret Menegoz (2007).
“Exceptionally, this year’s Eurimages Co-Production Award is given to not one, but all producers of Ukraine, as an expression of strong appreciation for the growing quality of Ukrainian production in the past years, and as a sign...
The prize, a joint initiative between the European Film Academy and Eurimages, the cultural support fund of the Council of Europe, is normally given to an individual producer who has been active in terms of co-productions.
The award was created to acknowledge the decisive role co-productions play in fostering international exchange.
Past recipients have included Norway’s Maria Ekerhovd (2021), Luís Urbano (2020), Ankica Jurić Tilić (2019), the Netherlands’ Leonine Petit (2016), Italy’s Andrea Occhipinti (2015) and France’s Margaret Menegoz (2007).
“Exceptionally, this year’s Eurimages Co-Production Award is given to not one, but all producers of Ukraine, as an expression of strong appreciation for the growing quality of Ukrainian production in the past years, and as a sign...
- 11/22/2022
- by Melanie Goodfellow
- Deadline Film + TV
Co-Production Market’s best project award goes to ‘The Love Pill’ from Sweden.
Gunnar Vikene’s War Sailor has won the audience award at the 50th Norwegian International Film Festival Haugesund.
Inspired by a true story, War Sailor follows two Norwegian civilian merchant sailors who find themselves thrust into danger when World War II breaks out; it also explores the legacy of war on their lives decades later.
War Sailor, which opened the festival, will have its international premiere in Toronto’s Contemporary World Cinema section. Beta Cinema handles sales and Maria Ekerhovd produces for Mer Film. The cast features Kristoffer Joner,...
Gunnar Vikene’s War Sailor has won the audience award at the 50th Norwegian International Film Festival Haugesund.
Inspired by a true story, War Sailor follows two Norwegian civilian merchant sailors who find themselves thrust into danger when World War II breaks out; it also explores the legacy of war on their lives decades later.
War Sailor, which opened the festival, will have its international premiere in Toronto’s Contemporary World Cinema section. Beta Cinema handles sales and Maria Ekerhovd produces for Mer Film. The cast features Kristoffer Joner,...
- 8/26/2022
- by Wendy Mitchell
- ScreenDaily
UK-Ireland box office preview: indies exploit gap between ‘Doctor Strange 2’ and ‘Top Gun: Maverick’
’Benediction’, ’The Road Dance’ and ’The Innocents’ launch this weekend.
Benediction, The Road Dance and The Innocents are among the independent arthouse titles launching in UK and Ireland cinemas this weekend, with live event screenings, a RoboCop re-release and documentary a-ha: The Movie also looking to attract audiences.
No studio titles are opening this weekend, clearing the way for Disney’s Doctor Strange In The Multiverse Of Madness to perform strongly in its third weekend. Studios are also looking to avoid their films being crushed in the wake of Paramount juggernaut Top Gun: Maverick next week.
Terence Davies’ Benediction explores...
Benediction, The Road Dance and The Innocents are among the independent arthouse titles launching in UK and Ireland cinemas this weekend, with live event screenings, a RoboCop re-release and documentary a-ha: The Movie also looking to attract audiences.
No studio titles are opening this weekend, clearing the way for Disney’s Doctor Strange In The Multiverse Of Madness to perform strongly in its third weekend. Studios are also looking to avoid their films being crushed in the wake of Paramount juggernaut Top Gun: Maverick next week.
Terence Davies’ Benediction explores...
- 5/20/2022
- by Tim Dams
- ScreenDaily
Variety has been given exclusive access to the first teaser for Norwegian drama “War Sailor,” which follows two Norwegian sailors whose merchant ship is attacked by German submarines at the outbreak of World War II. Beta Cinema will be selling the film at the Cannes Market.
The film centers on Alfred Garnes, a working-class sailor, who has recently become the father of a third child, and his childhood friend Sigbjørn Kvalen, known as Wally. The men are working on a merchant ship in the middle of the Atlantic Ocean when World War II breaks out. The two men struggle for survival in a spiral of violence and death, where at any moment German submarines may attack their vessel.
Meanwhile, Alfred’s wife Cecilia struggles through the war alone in Bergen. When British aircrafts attempt to bomb the German submarine bunker in Bergen, they instead hit the elementary school at Laksevåg and civilian homes at Nøstet,...
The film centers on Alfred Garnes, a working-class sailor, who has recently become the father of a third child, and his childhood friend Sigbjørn Kvalen, known as Wally. The men are working on a merchant ship in the middle of the Atlantic Ocean when World War II breaks out. The two men struggle for survival in a spiral of violence and death, where at any moment German submarines may attack their vessel.
Meanwhile, Alfred’s wife Cecilia struggles through the war alone in Bergen. When British aircrafts attempt to bomb the German submarine bunker in Bergen, they instead hit the elementary school at Laksevåg and civilian homes at Nøstet,...
- 5/10/2022
- by Leo Barraclough
- Variety Film + TV
Projects from France-Iran and India were the big winners at this year’s Berlinale Co-Production Market, which is part of the European Film Market.
The Eurimages Co-Production Development Award, endowed with €20,000, went to the producers of Caractères Productions from France, and Honare Khiyal from Iran for their project “My Favourite Cake” by directors Behtash Sanaeeha and Maryam Moghaddam.
The Vff Talent Highlight Award with prize money of €10,000 went to director Shuchi Talati’s “Girls Will Be Girls.” The film is to be produced by Pushing Buttons Studios, an outfit founded by Indian actors Ali Fazal (“Death on the Nile”) and Richa Chadha (“Gangs of Wasseypur”) and co-produced by Sanjay Gulati and Pooja Chauhan of Crawling Angel Films (2020 Berlinale selection “The Shepherdess and the Seven Songs”) and Claire Chassagne of Dolce Vita Films (2019 Venice and Cairo winner “A Son”).
The award is presented annually by the Vff — Copyright Agency of...
The Eurimages Co-Production Development Award, endowed with €20,000, went to the producers of Caractères Productions from France, and Honare Khiyal from Iran for their project “My Favourite Cake” by directors Behtash Sanaeeha and Maryam Moghaddam.
The Vff Talent Highlight Award with prize money of €10,000 went to director Shuchi Talati’s “Girls Will Be Girls.” The film is to be produced by Pushing Buttons Studios, an outfit founded by Indian actors Ali Fazal (“Death on the Nile”) and Richa Chadha (“Gangs of Wasseypur”) and co-produced by Sanjay Gulati and Pooja Chauhan of Crawling Angel Films (2020 Berlinale selection “The Shepherdess and the Seven Songs”) and Claire Chassagne of Dolce Vita Films (2019 Venice and Cairo winner “A Son”).
The award is presented annually by the Vff — Copyright Agency of...
- 2/14/2022
- by Naman Ramachandran
- Variety Film + TV
18 works in progress by some of the Nordic region’s biggest names – Bille August, Björn Runge, the multi-prized Jp Valkeapää and Malou Reymann will be showcased at the hybrid Nordic Film Market (Feb. 3-6), along with some Sundance and Rotterdam competition entries.
The Nfm runs parallel to the final stretches of the Göteborg Film Festival (Jan.28-Feb.6).
So far, over 450 international delegates have signed up for the major Nordic film confab. Only 250 will be able to attend in-person, due to Covid restrictions in Sweden.
“We’ve received a huge interest from professionals to attend in-person, following the decision of Sundance, Rotterdam and Berlin’s European Film Market to go online. It’s been very difficult to say ‘no’ to people, but our priority is to guarantee a safe event,” said Göteborg head of industry Cia Edström who underlines the various safety measures to be implemented at the Nfm, from vaccination checks,...
The Nfm runs parallel to the final stretches of the Göteborg Film Festival (Jan.28-Feb.6).
So far, over 450 international delegates have signed up for the major Nordic film confab. Only 250 will be able to attend in-person, due to Covid restrictions in Sweden.
“We’ve received a huge interest from professionals to attend in-person, following the decision of Sundance, Rotterdam and Berlin’s European Film Market to go online. It’s been very difficult to say ‘no’ to people, but our priority is to guarantee a safe event,” said Göteborg head of industry Cia Edström who underlines the various safety measures to be implemented at the Nfm, from vaccination checks,...
- 1/21/2022
- by Annika Pham
- Variety Film + TV
The European Film Awards, Europe’s biggest awards celebration, revealed its major winners during a mostly virtual ceremony on Saturday, December 11. The night was originally slated for an in-person event, but concerns about the Omicron variant moved festivities online. The powerful Bosnian wartime drama “Quo Vadis, Aida?” took home the top prize for Best Film, with its director Jasmila Žbanić and lead actress Jasna Đuričić also winning Best Director and Actress respectively. “Flee,” from Danish filmmaker Jonas Poher Rasmussen, also won in two categories — Documentary and Animated Feature.
The awards ceremony was hosted by German actor Annabelle Mandeng. The hybrid event saw nominees, presenters, and winners participating in a mixture of live, virtual, and pre-recorded formats.
“Quo Vadis, Aida” tells the story of the Srebrenica genocide, during which Serbian troops sent 8,372 Bosniak men and boys to their deaths in July 1995. The powerful story is told through the eyes of Aida,...
The awards ceremony was hosted by German actor Annabelle Mandeng. The hybrid event saw nominees, presenters, and winners participating in a mixture of live, virtual, and pre-recorded formats.
“Quo Vadis, Aida” tells the story of the Srebrenica genocide, during which Serbian troops sent 8,372 Bosniak men and boys to their deaths in July 1995. The powerful story is told through the eyes of Aida,...
- 12/11/2021
- by Jude Dry
- Indiewire
Bosnian war drama also wins best director and best actress.
Jasmila Žbanić’s Quo Vadis, Aida? won three prizes including best film at this year’s European Film Awards, which went ahead as a hybrid event in Berlin tonight (Dec 11).
Žbanić was also named best director by the European Film Academy’s (Efa) 4,200-strong membership, whilst the film’s star Jasna Đuričić won best actress.
In her acceptance speech, Žbanić dedicated her award to “the women of Srebrenica and mothers who taught us how to turn destruction into love. I hope it will encourage more female solidarity, female stories, female perspective in film,...
Jasmila Žbanić’s Quo Vadis, Aida? won three prizes including best film at this year’s European Film Awards, which went ahead as a hybrid event in Berlin tonight (Dec 11).
Žbanić was also named best director by the European Film Academy’s (Efa) 4,200-strong membership, whilst the film’s star Jasna Đuričić won best actress.
In her acceptance speech, Žbanić dedicated her award to “the women of Srebrenica and mothers who taught us how to turn destruction into love. I hope it will encourage more female solidarity, female stories, female perspective in film,...
- 12/11/2021
- by Martin Blaney
- ScreenDaily
Update: Jasmila Žbanić’s Quo Vadis, Aida? was the big winner at the 34th European Film Awards tonight. The story of a woman’s fight to save her family during the true events of the 1995 Bosnian War genocide in Srebrenica scooped the top European Film prize as well as European Director for Žbanić and European Actress for Jasna Đuričić. (Scroll down for the full list of winners.)
Quo Vadis, Aida? was nominated for an Oscar at the 93rd Academy Awards and its triumph tonight was indicative of how the European Film Academy leaned this year. While the EFAs can be somewhat predictive of the Oscar for Best International Feature, this evening’s ceremony saw a fair bit of crossover from the 2021 Oscars.
Other winners that had already achieved Oscar recognition included Florian Zeller’s The Father which repeated with wins for Anthony Hopkins as European Actor and for Zeller and Christopher Hampton’s screenplay.
Quo Vadis, Aida? was nominated for an Oscar at the 93rd Academy Awards and its triumph tonight was indicative of how the European Film Academy leaned this year. While the EFAs can be somewhat predictive of the Oscar for Best International Feature, this evening’s ceremony saw a fair bit of crossover from the 2021 Oscars.
Other winners that had already achieved Oscar recognition included Florian Zeller’s The Father which repeated with wins for Anthony Hopkins as European Actor and for Zeller and Christopher Hampton’s screenplay.
- 12/11/2021
- by Nancy Tartaglione
- Deadline Film + TV
Exhibit
Germany’s Osthaus Museum in Hagen is presenting a retrospective of American actor and filmmaker Sylvester Stallone’s decades-long oeuvre of paintings on the occasion of his 75th birthday. Stretching back more than half a century, the showcase features more than 50 paintings, including self-portraits and several works which will be shared publicly for the first time.
“That’s what I love about painting, it’s the only true communication you can have,” said Stallone in a release announcing the retrospective. “While writing can be manipulated, painting is the fastest and purest translator of the subconscious. When something is going on inside you and you hit the canvas, it’s hard to fake it. The artist on the canvas is number one for me when it comes to conveying his feelings.”
The Stallone retrospective opens on Dec. 4 and will be available through Feb. 20, 2022.
Director
Award-winning filmmaker Clement Virgo will helm...
Germany’s Osthaus Museum in Hagen is presenting a retrospective of American actor and filmmaker Sylvester Stallone’s decades-long oeuvre of paintings on the occasion of his 75th birthday. Stretching back more than half a century, the showcase features more than 50 paintings, including self-portraits and several works which will be shared publicly for the first time.
“That’s what I love about painting, it’s the only true communication you can have,” said Stallone in a release announcing the retrospective. “While writing can be manipulated, painting is the fastest and purest translator of the subconscious. When something is going on inside you and you hit the canvas, it’s hard to fake it. The artist on the canvas is number one for me when it comes to conveying his feelings.”
The Stallone retrospective opens on Dec. 4 and will be available through Feb. 20, 2022.
Director
Award-winning filmmaker Clement Virgo will helm...
- 11/23/2021
- by Jamie Lang
- Variety Film + TV
Ekerhovd will be presented with the award at the scaled-back ceremony on December 11.
Norwegian producer Maria Ekerhovd of Mer Film is to receive this year’s Eurimages Co-production Award at the European Film Awards.
The award is to be presented at the scaled-back ceremony on December 11. Attendees for the 2021 European Film Awards will now be limited to just nominees due to rising Covid cases in Germany.
The award, according to a release from the European Film Academy, aims to acknowledge “the decisive role of co-productions in fostering international exchange”.
Ekerhovd founded Mer Film in 2011. Her latest film is the Eurimages...
Norwegian producer Maria Ekerhovd of Mer Film is to receive this year’s Eurimages Co-production Award at the European Film Awards.
The award is to be presented at the scaled-back ceremony on December 11. Attendees for the 2021 European Film Awards will now be limited to just nominees due to rising Covid cases in Germany.
The award, according to a release from the European Film Academy, aims to acknowledge “the decisive role of co-productions in fostering international exchange”.
Ekerhovd founded Mer Film in 2011. Her latest film is the Eurimages...
- 11/23/2021
- by Mona Tabbara
- ScreenDaily
Exclusive: IFC Midnight has acquired U.S. rights to coming-of-age supernatural drama The Innocents, which debuted at Cannes and has just been announced for Fantastic Fest.
The dark morality fable, which unfolds under the bright Nordic sun, follows a group of young children who become friends during the summer holidays, drawn together by the discovery of mysterious shared abilities. Out of sight of the adults, the children bond quickly, exploring their newfound powers and testing their limits in the forests and playgrounds surrounding their brutalist apartment complex. As the children’s loyalties shift and small cruelties escalate, their innocent play takes a dark turn towards the malevolent, and strange things begin to happen.
IFC plans to release the film from writer-director Eskil Vogt in 2022.
One of Scandinavia’s most acclaimed recent screenwriters, known for his collaborations with Joachim Trier, including Thelma, Louder Than Bombs, and Oslo, August 31, Vogt made his...
The dark morality fable, which unfolds under the bright Nordic sun, follows a group of young children who become friends during the summer holidays, drawn together by the discovery of mysterious shared abilities. Out of sight of the adults, the children bond quickly, exploring their newfound powers and testing their limits in the forests and playgrounds surrounding their brutalist apartment complex. As the children’s loyalties shift and small cruelties escalate, their innocent play takes a dark turn towards the malevolent, and strange things begin to happen.
IFC plans to release the film from writer-director Eskil Vogt in 2022.
One of Scandinavia’s most acclaimed recent screenwriters, known for his collaborations with Joachim Trier, including Thelma, Louder Than Bombs, and Oslo, August 31, Vogt made his...
- 9/9/2021
- by Andreas Wiseman
- Deadline Film + TV
Eighteen months after the outbreak of the Covid crisis, the Norwegian film industry has never been busier.
A combination of strict protocols, generous government programs and film-friendly measures has enabled the industry to resume production to answer the ever-growing demand for both domestic content and international co-productions.
Norway’s cinematic landscapes have become a prized destination for foreign filmmakers thanks to a generous incentive scheme introduced in 2016 and state-of-the art infrastructure.
“The Norwegian state invested its oil money in amazing infrastructure — roads, tunnels, bridges, domestic airports,” says Per Henry Borch, the line producer of the “Mission: Impossible” franchise in Norway. “From a film perspective, it’s fantastic to be able to get to these spectacular and remote places so easily.”
There’s another major draw, according to the veteran producer: “Today, Norway is a no-cash society, so everything is transparent. It’s a major advantage for foreigners because when you...
A combination of strict protocols, generous government programs and film-friendly measures has enabled the industry to resume production to answer the ever-growing demand for both domestic content and international co-productions.
Norway’s cinematic landscapes have become a prized destination for foreign filmmakers thanks to a generous incentive scheme introduced in 2016 and state-of-the art infrastructure.
“The Norwegian state invested its oil money in amazing infrastructure — roads, tunnels, bridges, domestic airports,” says Per Henry Borch, the line producer of the “Mission: Impossible” franchise in Norway. “From a film perspective, it’s fantastic to be able to get to these spectacular and remote places so easily.”
There’s another major draw, according to the veteran producer: “Today, Norway is a no-cash society, so everything is transparent. It’s a major advantage for foreigners because when you...
- 9/4/2021
- by Lise Pedersen
- Variety Film + TV
Norway’s famous landscapes will be gracing screens around the world in a fresh crop of blockbusters and domestic productions set to be released internationally.
Premiering in Venice out of competition, Denis Villeneuve’s long-awaited “Dune” features scenes shot on the West Cape plateau, one of the most spectacular view points on the coast of Norway. The $165 million film will hit U.S. theaters Oct. 22 afters its premiere at the Venice Film Festival.
Also scheduled for a fall release, the long-delayed James Bond pic “No Time to Die” takes 007 on a car chase reportedly filmed on Norway’s spectacular wind-swept Atlantic Ocean Road. MGM has confirmed it will have its world premiere at London’s Royal Albert Hall Sept. 28.
It’s international productions like these and Netflix hit series “Ragnarok,” filmed in the small town of Odda in the fjords of southwest Norway, that have fueled a boom in film tourism to Norway,...
Premiering in Venice out of competition, Denis Villeneuve’s long-awaited “Dune” features scenes shot on the West Cape plateau, one of the most spectacular view points on the coast of Norway. The $165 million film will hit U.S. theaters Oct. 22 afters its premiere at the Venice Film Festival.
Also scheduled for a fall release, the long-delayed James Bond pic “No Time to Die” takes 007 on a car chase reportedly filmed on Norway’s spectacular wind-swept Atlantic Ocean Road. MGM has confirmed it will have its world premiere at London’s Royal Albert Hall Sept. 28.
It’s international productions like these and Netflix hit series “Ragnarok,” filmed in the small town of Odda in the fjords of southwest Norway, that have fueled a boom in film tourism to Norway,...
- 9/4/2021
- by Lise Pedersen
- Variety Film + TV
Emily Atef, whose latest film “3 Days in Quiberon” competed at the Berlinale in 2018, is getting ready to shoot “More Than Ever,” a melodrama headlined by Vicky Krieps (“Phantom Thread”) and Gaspard Ulliel (“It’s Only the End of the World”). Jesper Christensen (“Before the Frost”) and Liv Ullmann will also star.
The Match Factory is representing the project in international markets.
“More Than Ever” (formerly known as “Mister”) was penned by Atef and German scribe Lars Hubrich, whose screenwriting credits include Fatih Akin’s 2016 film “Goodbye Berlin.” The movie is produced by Xénia Maingot at Eaux Vives Productions, and co-produced by Nicole Gerhards at Niko Film, Jani Thiltges at Samsa Film and Maria Ekerhovd at Mer Film.
The film follows Hélène, a 33-year-old women who lives in Bordeaux, France, and is in a happy relationship. Her life takes an unexpected turn when she finds out that she suffers from a rare lung disease.
The Match Factory is representing the project in international markets.
“More Than Ever” (formerly known as “Mister”) was penned by Atef and German scribe Lars Hubrich, whose screenwriting credits include Fatih Akin’s 2016 film “Goodbye Berlin.” The movie is produced by Xénia Maingot at Eaux Vives Productions, and co-produced by Nicole Gerhards at Niko Film, Jani Thiltges at Samsa Film and Maria Ekerhovd at Mer Film.
The film follows Hélène, a 33-year-old women who lives in Bordeaux, France, and is in a happy relationship. Her life takes an unexpected turn when she finds out that she suffers from a rare lung disease.
- 3/4/2021
- by Elsa Keslassy
- Variety Film + TV
Neon made one of the first 2021 Sundance acquisitions on Friday with Jonas Poher Rasmussen’s “Flee,” executive produced by Riz Ahmed and Nikolaj Coster-Waldau.
The film, which sold for an undisclosed seven-figure amount after an overnight bidding war, was officially selected for Cannes 2020 and made its debut on opening night of Sundance in the World Documentary Competition to rave reviews.
“Flee” tells the story of Amin Nawabi (a pseudonym) as he deals with a painful secret that he has kept for 20 years — a secret that threatens his life and the life of his soon-to-be husband. Recounted mostly through animation to Rasmussen, Nawabi tells the story of his journey as a child refugee from Afghanistan.
“Flee” is produced by Final Cut for Real, in co-production with animation studio Sun Creature, Denmark, Vivement Lundi!, France, MostFilm, Sweden, Mer Film, Norway and Arte France and Vpro, Nederland. Monica Hellström and Signe Byrge Sørensen produced,...
The film, which sold for an undisclosed seven-figure amount after an overnight bidding war, was officially selected for Cannes 2020 and made its debut on opening night of Sundance in the World Documentary Competition to rave reviews.
“Flee” tells the story of Amin Nawabi (a pseudonym) as he deals with a painful secret that he has kept for 20 years — a secret that threatens his life and the life of his soon-to-be husband. Recounted mostly through animation to Rasmussen, Nawabi tells the story of his journey as a child refugee from Afghanistan.
“Flee” is produced by Final Cut for Real, in co-production with animation studio Sun Creature, Denmark, Vivement Lundi!, France, MostFilm, Sweden, Mer Film, Norway and Arte France and Vpro, Nederland. Monica Hellström and Signe Byrge Sørensen produced,...
- 1/29/2021
- by Beatrice Verhoeven
- The Wrap
Neon has made the first acquisition out of this year’s Sundance Film Festival, taking North American rights to Jonas Poher Rasmussen’s Flee for an undisclosed seven-figure sum after an overnight bidding war.
The film, executive produced by Riz Ahmed and Nikolaj Coster-Waldau, was an official selection for Cannes 2020 and made its debut on opening night of Sundance in the World Documentary Competition. Rasmussen directed and co-wrote the movie with Amin Nawabi.
Playing in the world premiere section, Flee follows Nawabi, who arrives as an unaccompanied minor in Denmark from Afghanistan. Today, he is a successful academic and is getting married to his longtime boyfriend. A secret he has been hiding for 20 years threatens to ruin the life he has built. Recounted mostly through animation to Rasmussen — his close friend and high school classmate, he tells for the first time the story of his extraordinary journey as a child refugee from Afghanistan.
The film, executive produced by Riz Ahmed and Nikolaj Coster-Waldau, was an official selection for Cannes 2020 and made its debut on opening night of Sundance in the World Documentary Competition. Rasmussen directed and co-wrote the movie with Amin Nawabi.
Playing in the world premiere section, Flee follows Nawabi, who arrives as an unaccompanied minor in Denmark from Afghanistan. Today, he is a successful academic and is getting married to his longtime boyfriend. A secret he has been hiding for 20 years threatens to ruin the life he has built. Recounted mostly through animation to Rasmussen — his close friend and high school classmate, he tells for the first time the story of his extraordinary journey as a child refugee from Afghanistan.
- 1/29/2021
- by Anthony D'Alessandro
- Deadline Film + TV
Variety has been given exclusive access to the trailer for Itonje Søimer Guttormsen’s feature debut “Gritt,” which has its world premiere at the Rotterdam Film Festival on Feb. 2, and then goes straight to Göteborg, where it plays in the Dragon competition. International sales are being handled by Mer Film, its production company. It is the first Norwegian film ever to play in competition at Rotterdam, and the first Norwegian film to play there in any section for 17 years.
The film follows Gry-Jeanette – played by Birgitte Larsen – who left Norway with the dream of becoming an actress, 17 years ago. Now, having failed to find either fame in Hollywood or notoriety in Berlin, she’s back, and calling herself Gritt. While her old friends from college have established successful careers on the Oslo theater circuit, Gritt is passionate about staging a “manifestation”: a radical collective ritual. But nobody seems to care.
The film follows Gry-Jeanette – played by Birgitte Larsen – who left Norway with the dream of becoming an actress, 17 years ago. Now, having failed to find either fame in Hollywood or notoriety in Berlin, she’s back, and calling herself Gritt. While her old friends from college have established successful careers on the Oslo theater circuit, Gritt is passionate about staging a “manifestation”: a radical collective ritual. But nobody seems to care.
- 1/26/2021
- by Leo Barraclough
- Variety Film + TV
Mer Film, the well-established Norwegian film production banner, is reteaming with “Sami Boy” filmmaker Elle Sofe Sara on her feature debut “Arru.” The project will be pitched for the first time at the virtual Nordic Film Market, the industry program of the Goteborg Film Festival, whose full lineup has just been unveiled.
“Arru” is a musical drama set in Kautokeino, a small Sami village in Northern Norway. The film tells the journey of Kari, a Sami artist and single parent who is dragged along with her son into an activist campaign against the development of mines in reindeer herding areas. As the battle against the mines escalates, Kari meets a young girl who brings back a painful memory from her youth, when she lied to protect a family member. The film explores the issue of abuse within the Sami herding community.
Elisa Fernanda Pirir Ruiz, who is producing “Arru” at Mer Film,...
“Arru” is a musical drama set in Kautokeino, a small Sami village in Northern Norway. The film tells the journey of Kari, a Sami artist and single parent who is dragged along with her son into an activist campaign against the development of mines in reindeer herding areas. As the battle against the mines escalates, Kari meets a young girl who brings back a painful memory from her youth, when she lied to protect a family member. The film explores the issue of abuse within the Sami herding community.
Elisa Fernanda Pirir Ruiz, who is producing “Arru” at Mer Film,...
- 1/19/2021
- by Elsa Keslassy
- Variety Film + TV
The supernatural thriller is Vogt’s second feature as a director following Blind, which won a screenwriting prize at Sundance 2014.
Protagonist Pictures has boarded world sales, excluding the Nordics, for writer/director Eskil Vogt’s The Innocents, now in post.
Screen can reveal the film’s first image here. The supernatural thriller is Vogt’s second feature as a director following Blind, which won a screenwriting prize at Sundance 2014. During one summer in Norway, a group of children (ages 6 to 12) reveal their dark and mysterious powers when the adults aren’t looking.
Maria Ekerhovd produces for Mer Film, which will also distribute in Norway.
Protagonist Pictures has boarded world sales, excluding the Nordics, for writer/director Eskil Vogt’s The Innocents, now in post.
Screen can reveal the film’s first image here. The supernatural thriller is Vogt’s second feature as a director following Blind, which won a screenwriting prize at Sundance 2014. During one summer in Norway, a group of children (ages 6 to 12) reveal their dark and mysterious powers when the adults aren’t looking.
Maria Ekerhovd produces for Mer Film, which will also distribute in Norway.
- 2/22/2020
- by 1100142¦Wendy Mitchell¦0¦
- ScreenDaily
The Innocents
Eskil Vogt, the Dp for Joachim Trier’s films, should have his sophomore directorial effort The Innocents ready for a major film festival in 2020. Shot by Sturla Brandth Grovlen and is produced by Mer Film’s Maria Ekerhovd, Mark Lwoff, and Misha Jaari. Vogt’s 2014 directorial debut Blind premiered at the Sundance Film Festival, where it won the Best Screenwriting – World Dramatic award.…...
Eskil Vogt, the Dp for Joachim Trier’s films, should have his sophomore directorial effort The Innocents ready for a major film festival in 2020. Shot by Sturla Brandth Grovlen and is produced by Mer Film’s Maria Ekerhovd, Mark Lwoff, and Misha Jaari. Vogt’s 2014 directorial debut Blind premiered at the Sundance Film Festival, where it won the Best Screenwriting – World Dramatic award.…...
- 1/2/2020
- by Nicholas Bell
- IONCINEMA.com
Jan Naszewski’s New Europe Film Sales has signed several distribution deals on “Disco,” which had its world premiere in Toronto Film Festival’s Discovery section and makes its European premiere in San Sebastian’s New Directors competition.
The film has been picked up by Palace for Australia and New Zealand, Artcam for Czech Republic and Slovakia, Kino Pavasaris for Lithuania, and Ost for Paradis for Denmark. The production company, Mer Film, releases the pic in Norway.
Jorunn Myklebust Syversen’s film stars Josefine Frida Pettersen, best known for her performance in Norwegian series “Skam.” She plays a disco dance champion and poster girl for the evangelical movement who then joins an even more radical church.
The film was produced by Maria Ekerhovd of Tromso-based Mer Film (“What Will People Say”), who also produced Syversen’s first feature, the comedy-drama “Hoggeren.”...
The film has been picked up by Palace for Australia and New Zealand, Artcam for Czech Republic and Slovakia, Kino Pavasaris for Lithuania, and Ost for Paradis for Denmark. The production company, Mer Film, releases the pic in Norway.
Jorunn Myklebust Syversen’s film stars Josefine Frida Pettersen, best known for her performance in Norwegian series “Skam.” She plays a disco dance champion and poster girl for the evangelical movement who then joins an even more radical church.
The film was produced by Maria Ekerhovd of Tromso-based Mer Film (“What Will People Say”), who also produced Syversen’s first feature, the comedy-drama “Hoggeren.”...
- 9/16/2019
- by Leo Barraclough
- Variety Film + TV
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