Ventana Sur heads to Cannes, revealing its selection for the dynamic Goes To showcase, which ushers-in a curated works-in-progress lineup to team international talent with sales agents, distributors and further festival programming opportunities.
The five projects selected represent some of the best from Ventana Sur’s annual film market in Buenos Aires, Latin America’s premier audiovisual event.
Figuring among the titles is “A House with Two Dogs” from Argentina’s Matías Ferreyra, “My Father Is A Nihonjin” from Brazil’s Celia Catunda, “Lovers’ Farewell With A Glance” from Mexican helmer Rigoberto Perezcano, “The Virgin of the Quarry Lake” directed by Argentina’s Laura Casabé and “The Drownings” from Ecuador auteurs Juanse Jácome and Víctor Mares.
Love, lore, family, ritual and suspense play pivotal narrative roles in the films centered in South America, Mexico and Spain, with two – “The Virgin of the Quarry Lake” and “A House With Two Dogs...
The five projects selected represent some of the best from Ventana Sur’s annual film market in Buenos Aires, Latin America’s premier audiovisual event.
Figuring among the titles is “A House with Two Dogs” from Argentina’s Matías Ferreyra, “My Father Is A Nihonjin” from Brazil’s Celia Catunda, “Lovers’ Farewell With A Glance” from Mexican helmer Rigoberto Perezcano, “The Virgin of the Quarry Lake” directed by Argentina’s Laura Casabé and “The Drownings” from Ecuador auteurs Juanse Jácome and Víctor Mares.
Love, lore, family, ritual and suspense play pivotal narrative roles in the films centered in South America, Mexico and Spain, with two – “The Virgin of the Quarry Lake” and “A House With Two Dogs...
- 5/9/2024
- by Holly Jones
- Variety Film + TV
Backed by the Cannes Film Market and Argentina’s Incaa film agency, the 15th Ventana Sur and its much anticipated works in progress sections, Primer Corte and Copia Final, unspool over Nov. 27-Dec. 1 in Buenos Aires.
This year’s crop of films, either in post-production or completed, make scant reference to the region’s brutal historical past, perhaps with the exception of “Pepe” by Nelson Carlo de los Santos Arias, which begins with the capture of drug lord Pablo Escobar who sowed terror and chaos for years in Colombia, or José María Cabral’s “Tiguere,” set in a ‘90s Dominican Republic.
In contrast, they focus more on human interest stories as in the territorial dispute in “El Casero”; family clashes in “November” and “Una casa con dos perros” – also a reference to Argentina’s economic crisis – as well as issues of identity and intergenerational relationships.
In Mexican filmmaker Rigoberto Perezcano’s poignant black-and-white drama,...
This year’s crop of films, either in post-production or completed, make scant reference to the region’s brutal historical past, perhaps with the exception of “Pepe” by Nelson Carlo de los Santos Arias, which begins with the capture of drug lord Pablo Escobar who sowed terror and chaos for years in Colombia, or José María Cabral’s “Tiguere,” set in a ‘90s Dominican Republic.
In contrast, they focus more on human interest stories as in the territorial dispute in “El Casero”; family clashes in “November” and “Una casa con dos perros” – also a reference to Argentina’s economic crisis – as well as issues of identity and intergenerational relationships.
In Mexican filmmaker Rigoberto Perezcano’s poignant black-and-white drama,...
- 11/14/2023
- by Anna Marie de la Fuente
- Variety Film + TV
Claudia Sainte-Luce’s “El reino de Dios” (“The Realm of God”) and “Carajita” by Silvina Schnicer and Ulises Porra took home the bulk of the prizes in their respective categories, the Mayahuel for best Mexican film and best Ibero-American film at the 37th Guadalajara Int’l Film Fest (Ficg), which wrapped June 18.
Festival highlights included a conversation, albeit by remote, between festival director Estrella Araiza and Guadalajara native Guillermo del Toro who talked about the making of his upcoming stop-motion animation feature, “Guillermo del Toro’s Pinocchio.” The film, set to bow on Netflix in December, was filmed with 20 animators in more than 60 sets in Canada and Guadalajara, Del Toro revealed.
Sainte-Luce’s coming-of-age drama about a young boy’s struggle with his faith as he’s about to take his first communion, which world premiered at the Berlinale’s Generation Kplus sidebar, also won Ficg’s Mezcal awards for best cinematography,...
Festival highlights included a conversation, albeit by remote, between festival director Estrella Araiza and Guadalajara native Guillermo del Toro who talked about the making of his upcoming stop-motion animation feature, “Guillermo del Toro’s Pinocchio.” The film, set to bow on Netflix in December, was filmed with 20 animators in more than 60 sets in Canada and Guadalajara, Del Toro revealed.
Sainte-Luce’s coming-of-age drama about a young boy’s struggle with his faith as he’s about to take his first communion, which world premiered at the Berlinale’s Generation Kplus sidebar, also won Ficg’s Mezcal awards for best cinematography,...
- 6/20/2022
- by Anna Marie de la Fuente
- Variety Film + TV
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