“Don’t Worry Darling,” “9-1-1” and the forthcoming comedy “80 for Brady” were among the winners at the 27th annual California on Location Awards Sunday night.
The ceremony, hosted by “Family Feud” announcer Rubin Ervin, recognized location managers, location teams and public employees who facilitated on-location productions across the state.
“Don’t Worry Darling” received location team of the year for a studio feature, beating category finalists “The Fabelmans” and “White Men Can’t Jump.” Chris Baugh, who was also nominated for his work on “Babylon,” scored location manager of the year for a studio feature for the psychological thriller.
“It was extremely difficult and challenging. So to pull that off — I can’t even remember it, but we got through it,” Baugh said, referring to his team for “Don’t Worry Darling.” “We were all in the trenches together and I couldn’t have done it without them. It was actually enjoyable,...
The ceremony, hosted by “Family Feud” announcer Rubin Ervin, recognized location managers, location teams and public employees who facilitated on-location productions across the state.
“Don’t Worry Darling” received location team of the year for a studio feature, beating category finalists “The Fabelmans” and “White Men Can’t Jump.” Chris Baugh, who was also nominated for his work on “Babylon,” scored location manager of the year for a studio feature for the psychological thriller.
“It was extremely difficult and challenging. So to pull that off — I can’t even remember it, but we got through it,” Baugh said, referring to his team for “Don’t Worry Darling.” “We were all in the trenches together and I couldn’t have done it without them. It was actually enjoyable,...
- 12/5/2022
- by Michaela Zee
- Variety Film + TV
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Don’t Worry Darling, 9-1-1 and the upcoming film 80 for Brady all received multiple wins at the 27th annual California on Location Awards.
The honors, which were revealed Sunday, recognize location managers, public employees and other professionals who helped with on-location filming across the state.
Among the winners, Chris Baugh was named location manager of the year for a studio feature for Don’t Worry Darling. The film’s crew also won location team of the year for a studio feature. Don’t Worry Darling, which premiered in September, was mainly shot in the greater Palm Springs area. The thriller-mystery was directed by Olivia Wilde, who also played a role in the movie alongside a star-studded cast including Florence Pugh, Harry Styles, Chris Pine, Gemma Chan, Kiki Lane and Nick Kroll.
Fox’s 9-1-1 also took home two awards, including location manager of the...
Don’t Worry Darling, 9-1-1 and the upcoming film 80 for Brady all received multiple wins at the 27th annual California on Location Awards.
The honors, which were revealed Sunday, recognize location managers, public employees and other professionals who helped with on-location filming across the state.
Among the winners, Chris Baugh was named location manager of the year for a studio feature for Don’t Worry Darling. The film’s crew also won location team of the year for a studio feature. Don’t Worry Darling, which premiered in September, was mainly shot in the greater Palm Springs area. The thriller-mystery was directed by Olivia Wilde, who also played a role in the movie alongside a star-studded cast including Florence Pugh, Harry Styles, Chris Pine, Gemma Chan, Kiki Lane and Nick Kroll.
Fox’s 9-1-1 also took home two awards, including location manager of the...
- 12/5/2022
- by Carly Thomas and Abbey White
- The Hollywood Reporter - Movie News
[Editor’s Note: The following article contains spoilers for “Barry” Season 3, through Episode 5, “crazytimeshitshow.”]
When it comes to its titular assassin-turned-actor, “Barry” Season 3 has been rough. Barry Block/Berkman, played by co-creator, executive producer, and director Bill Hader, has been trapped in a downward spiral. He’s killing for hire again. He’s pushed away Sally (Sarah Goldberg), now his ex-girlfriend, and he’s struggled to make amends with Gene (Henry Winkler) — or, really, to even understand how amends should be made.
From his uncontrollable outbursts to his disheveled appearance, Barry is not a person anyone should want to be around. Yet part of the magic the series weaves, week after week, is doing just that: “Barry” finds humor in dark and light corners alike. The ensemble seeks out hope when Barry can’t find it, and the performances are as consistently hilarious as they are uniformly excellent. Even when Barry is frightening — which, again, is quite often — “Barry” is inviting, rewarding, and downright addictive.
When it comes to its titular assassin-turned-actor, “Barry” Season 3 has been rough. Barry Block/Berkman, played by co-creator, executive producer, and director Bill Hader, has been trapped in a downward spiral. He’s killing for hire again. He’s pushed away Sally (Sarah Goldberg), now his ex-girlfriend, and he’s struggled to make amends with Gene (Henry Winkler) — or, really, to even understand how amends should be made.
From his uncontrollable outbursts to his disheveled appearance, Barry is not a person anyone should want to be around. Yet part of the magic the series weaves, week after week, is doing just that: “Barry” finds humor in dark and light corners alike. The ensemble seeks out hope when Barry can’t find it, and the performances are as consistently hilarious as they are uniformly excellent. Even when Barry is frightening — which, again, is quite often — “Barry” is inviting, rewarding, and downright addictive.
- 5/23/2022
- by Ben Travers
- Indiewire
Warning: Spoilers follow below for “Barry” Season 3, Episode 1
It’s been almost exactly three years since the last episode of HBO’s “Barry” aired, but from the opening shot of Season 3, it’s clear the series hasn’t missed a beat. In fact, in true “Barry” fashion, the new season moves the story and characters forward in exciting and bold ways, setting the table for a season that’s darker than what came before, with even higher stakes.
The idea to end the first episode of Season 3, titled “forgiving Jeff,” with Barry (Bill Hader) and Gene Cousineau (Henry Winkler) confronting one another was Hader’s idea early on in the writers room. “I was like, I think the episode should end with Cousineau knowing and Barry knowing that Cousteau knows,” the star, co-creator, co-showrunner, writer and director of the HBO series told TheWrap in a recent interview.
The acting class is gone,...
It’s been almost exactly three years since the last episode of HBO’s “Barry” aired, but from the opening shot of Season 3, it’s clear the series hasn’t missed a beat. In fact, in true “Barry” fashion, the new season moves the story and characters forward in exciting and bold ways, setting the table for a season that’s darker than what came before, with even higher stakes.
The idea to end the first episode of Season 3, titled “forgiving Jeff,” with Barry (Bill Hader) and Gene Cousineau (Henry Winkler) confronting one another was Hader’s idea early on in the writers room. “I was like, I think the episode should end with Cousineau knowing and Barry knowing that Cousteau knows,” the star, co-creator, co-showrunner, writer and director of the HBO series told TheWrap in a recent interview.
The acting class is gone,...
- 4/25/2022
- by Adam Chitwood
- The Wrap
‘Once Upon a Time in Hollywood,’ ‘Last Black Man in San Francisco’ Win Location Managers Film Awards
“Once Upon a Time in Hollywood” and “The Last Black Man in San Francisco” have won the top feature film trophies at the seventh annual Location Managers Guild International Awards.
Quentin Tarantino’s “Once Upon a Time in Hollywood” won the award for outstanding locations in a period film, and Joe Talbot’s “The ‘Last Black Man in San Francisco” won for outstanding locations in a contemporary film.
The television winners were HBO’s “Perry Mason” for a period series, BBC America’s “Killing Eve” for a contemporary series and a tie between Apple TV Plus’ “Little America” and Amazon Prime Video’s “ZeroZeroZero” in the limited anthology category.
Isaiah Mustafa hosted the event Saturday with the theme “2020 Vision: We See It First.” The ceremony was presented on a digital platform and streamed to a worldwide audience on Lmgi’s YouTube channel.
“At a time when the industry is shifting under our collective feet,...
Quentin Tarantino’s “Once Upon a Time in Hollywood” won the award for outstanding locations in a period film, and Joe Talbot’s “The ‘Last Black Man in San Francisco” won for outstanding locations in a contemporary film.
The television winners were HBO’s “Perry Mason” for a period series, BBC America’s “Killing Eve” for a contemporary series and a tie between Apple TV Plus’ “Little America” and Amazon Prime Video’s “ZeroZeroZero” in the limited anthology category.
Isaiah Mustafa hosted the event Saturday with the theme “2020 Vision: We See It First.” The ceremony was presented on a digital platform and streamed to a worldwide audience on Lmgi’s YouTube channel.
“At a time when the industry is shifting under our collective feet,...
- 10/24/2020
- by Dave McNary
- Variety Film + TV
The 7th annual Lmgi Awards have named Once Upon A Time in Hollywood and The Last Black Man in San Francisco as its film location winners.
The awards spotlight international features, television, and commercials in which the creative use of filming locations set the tone, enrich the character and enhance the narrative.
The Location Managers Guild International /Lmgi announced the winners in an online event hosted by Isaiah Mustafa, honoring outstanding creative contributions of location professionals in film, television and commercials from around the globe, and recognizing outstanding service by film commissions for their support “above and beyond” during the production process.
Celebrating the theme “2020 Vision: We See It First,” this year’s Lmgi Awards broke with tradition in response to the Covid-19 pandemic, and the ceremony was presented on a digital platform and streamed to a worldwide audience.
“At a time when the industry is shifting under our collective feet,...
The awards spotlight international features, television, and commercials in which the creative use of filming locations set the tone, enrich the character and enhance the narrative.
The Location Managers Guild International /Lmgi announced the winners in an online event hosted by Isaiah Mustafa, honoring outstanding creative contributions of location professionals in film, television and commercials from around the globe, and recognizing outstanding service by film commissions for their support “above and beyond” during the production process.
Celebrating the theme “2020 Vision: We See It First,” this year’s Lmgi Awards broke with tradition in response to the Covid-19 pandemic, and the ceremony was presented on a digital platform and streamed to a worldwide audience.
“At a time when the industry is shifting under our collective feet,...
- 10/24/2020
- by Bruce Haring
- Deadline Film + TV
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