From the creators of Queer Eye comes Living for the Dead, a new ghost hunter docuseries that sees five queer people with a connection to the paranormal trekking to haunted locations to heal the beings who occupy them — dead or alive. As a paranormal researcher and former clown, Roz Hernandez gleefully declares to TV Insider, “We’re the Freaky Five!” Kristen Stewart narrates and executive produces the series, premiering all eight episodes on Wednesday, October 18, on Hulu. Joining Hernandez in the Freaky Five are psychic Logan Taylor, tarot card reader Ken Boggle, witch and spiritual healer Juju Bae, and ghost hunter Alex LeMay. Queerness and the supernatural seem to go hand-in-hand. Boggle says “open minds” and “a need to be understood” is why. “The majority of what you have in the spirit world is that there is a need to be understood,” Boggle tells TV Insider. “You could have a [dead] grandmother who loves her family,...
- 10/18/2023
- TV Insider
Hulu’s Living for the Dead introduces viewers to “Fabulous 5” queer “ghost hunties” who travel the country to “help the living by healing the dead.” It’s like Queer Eye goes ghost-hunting!
From the producer of Queer Eye, the series approaches ghost hunting the same way it meets a good makeover – with plenty of love and lots of laughs. But unlike Queer Eye, this show’s jump scares aren’t from a hideous jumpsuit. Instead, the paranormal definitely comes to play in each of the episodes.
‘Living for the Dead’ ghost hunts with a different perspective
Living for the Dead executive producer, Rob Eric explained to Showbiz Cheat Sheet how his team of ghost hunters determined which “haunts” to investigate.
“At first, we thought, let’s go to places nobody else has been before,” he said. “But because our team is so unique and we come at it in a different perspective,...
From the producer of Queer Eye, the series approaches ghost hunting the same way it meets a good makeover – with plenty of love and lots of laughs. But unlike Queer Eye, this show’s jump scares aren’t from a hideous jumpsuit. Instead, the paranormal definitely comes to play in each of the episodes.
‘Living for the Dead’ ghost hunts with a different perspective
Living for the Dead executive producer, Rob Eric explained to Showbiz Cheat Sheet how his team of ghost hunters determined which “haunts” to investigate.
“At first, we thought, let’s go to places nobody else has been before,” he said. “But because our team is so unique and we come at it in a different perspective,...
- 10/17/2023
- by Gina Ragusa
- Showbiz Cheat Sheet
Cinema Libre Studio
NEW YORK -- Were its subject matter not so inherently serious, Alex LeMay's documentary Desert Bayou might have played as a dark comedy. Detailing the experiences of about 600 Hurricane Katrina refugees from New Orleans being transplanted to, of all places, Salt Lake City, Bayou stands as an intriguing addition to weightier, similarly themed work like the telefilm When the Levees Broke.
This little known human interest story is a fascinating one. The evacuees, nearly all of them black, found themselves airlifted to Utah without even knowing their destination until shortly before they boarded the planes. They were quickly shuttled to a military base located about 45 minutes from Salt Lake City, in a state whose population is less than 1% black.
There, they were subjected to such indignities as an evening curfew and background checks, which mistakenly determined that a good percentage of them were murderers and rapists.
The film largely concentrates on the stories of two individuals and their families: Curtis, an ex-con unable to find work because of a long-ago jail stint; and Clifford, still coping with drug and alcohol abuse problems.
As the film illustrates, the warm welcome extended by the city's mayor and many of its citizens was offset by the actions of the governor and the military base's commander, who are seem here strongly defending their positions.
Some celebrity value is provided by the presence of rapper Master P, whose parents were among the evacuees, and rabbi/television talk show host Shmuley Boteach, who flew to the area in an attempt to intervene.
Bayou seems overly extended at feature length, with its subject matter more appropriate for a television newsmagazine segment. But it provides an illuminating portrait of a complex situation that, like so many aspects of the Katrina disaster, seems to have been handled far less well than it could have been.
NEW YORK -- Were its subject matter not so inherently serious, Alex LeMay's documentary Desert Bayou might have played as a dark comedy. Detailing the experiences of about 600 Hurricane Katrina refugees from New Orleans being transplanted to, of all places, Salt Lake City, Bayou stands as an intriguing addition to weightier, similarly themed work like the telefilm When the Levees Broke.
This little known human interest story is a fascinating one. The evacuees, nearly all of them black, found themselves airlifted to Utah without even knowing their destination until shortly before they boarded the planes. They were quickly shuttled to a military base located about 45 minutes from Salt Lake City, in a state whose population is less than 1% black.
There, they were subjected to such indignities as an evening curfew and background checks, which mistakenly determined that a good percentage of them were murderers and rapists.
The film largely concentrates on the stories of two individuals and their families: Curtis, an ex-con unable to find work because of a long-ago jail stint; and Clifford, still coping with drug and alcohol abuse problems.
As the film illustrates, the warm welcome extended by the city's mayor and many of its citizens was offset by the actions of the governor and the military base's commander, who are seem here strongly defending their positions.
Some celebrity value is provided by the presence of rapper Master P, whose parents were among the evacuees, and rabbi/television talk show host Shmuley Boteach, who flew to the area in an attempt to intervene.
Bayou seems overly extended at feature length, with its subject matter more appropriate for a television newsmagazine segment. But it provides an illuminating portrait of a complex situation that, like so many aspects of the Katrina disaster, seems to have been handled far less well than it could have been.
- 11/5/2007
- The Hollywood Reporter - Movie News
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