HBO's "The Leftovers" just concluded an incredible second season. (Here's my review of the finale.) As a bookend to the long and candid conversation we had two months ago, I spoke with the series' co-creator Damon Lindelof about many of the big decisions going into the finale, about all the hard work and tough choices required for a season this good, and his thoughts about the show's precarious future, coming up just as soon as a temple closes on Christmas... Let's start with a meta question: why are we doing this interview? A year ago, you didn't want to do any post-mortems. You wanted to let the show speak for itself. You did a bunch at the start of this season, you talked to Mo Ryan last week, and are doing a few like this for the finale. Why did you decide to be a little bit more out there this year?...
- 12/7/2015
- by Alan Sepinwall
- Hitfix
A review of tonight's "The Leftovers" coming up just as soon as I ask about your eyepatch... "Do you want to get out of here?" -Kevin "A Matter of Geography" opens with a scene that almost plays as a scathing parody of Damon Lindelof's body of work, and on the larger swath of TV dramas that lean heavily on secrets and mysteries for conflict. Remember all those times on "Lost" when you wanted to throw a shoe at the TV because two characters who had information that could mutually help each other somehow never had a real conversation about it? Well, we got everything we could have possibly wanted from the impromptu, hilariously candid family meeting, as Kevin told his daughter and girlfriend about what he did with Patti in the woods, while Nora bluntly explained, "I hire prostitutes to shoot me." These four (counting baby Lily) are a...
- 10/12/2015
- by Alan Sepinwall
- Hitfix
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