Netflix is top of the pile.Scroll down for full list
Netflix teen drama 13 Reasons Why has edged out Amazon’s The Grand Tour as the most in-demand digital series in the UK, according to research by data firm Parrot Analytics.
Netflix is responsible for seven of the top 10 originals in the second quarter of 2017, though Amazon’s The Grand Tour and Hulu’s The Handmaid’s Tale, which aired on Channel 4, completed the top three.
Amazon’s The Man In The High Castle is also in the top 10 and Parrot’s European director Courtney Williams expects the Jeff Bezos-led firm to catch up to Netflix in the near future.
“Based on Amazon’s continued investment in originals both out of the Us and local markets, you’ll see Netflix’s hold on this chart change.”
La-based Parrot Analytics examines overall engagement around content, and its rankings encompass illegal streams and downloads, as well as...
Netflix teen drama 13 Reasons Why has edged out Amazon’s The Grand Tour as the most in-demand digital series in the UK, according to research by data firm Parrot Analytics.
Netflix is responsible for seven of the top 10 originals in the second quarter of 2017, though Amazon’s The Grand Tour and Hulu’s The Handmaid’s Tale, which aired on Channel 4, completed the top three.
Amazon’s The Man In The High Castle is also in the top 10 and Parrot’s European director Courtney Williams expects the Jeff Bezos-led firm to catch up to Netflix in the near future.
“Based on Amazon’s continued investment in originals both out of the Us and local markets, you’ll see Netflix’s hold on this chart change.”
La-based Parrot Analytics examines overall engagement around content, and its rankings encompass illegal streams and downloads, as well as...
- 8/10/2017
- ScreenDaily
Netflix is top of the pile.Scroll down for full list
Netflix teen drama 13 Reasons Why has edged out Amazon’s The Grand Tour as the most in-demand digital series in the UK, according to research by data firm Parrot Analytics.
Netflix is responsible for seven of the top 10 originals in the second quarter of 2017, though Amazon’s The Grand Tour and Hulu’s The Handmaid’s Tale, which aired on Channel 4, completed the top three.
Amazon’s The Man In The High Castle is also in the top 10 and Parrot’s European director Courtney Williams expects the Jeff Bezos-led firm to catch up to Netflix in the near future.
“Based on Amazon’s continued investment in originals both out of the Us and local markets, you’ll see Netflix’s hold on this chart change.”
La-based Parrot Analytics examines overall engagement around content, and its rankings encompass illegal streams and downloads, as well as...
Netflix teen drama 13 Reasons Why has edged out Amazon’s The Grand Tour as the most in-demand digital series in the UK, according to research by data firm Parrot Analytics.
Netflix is responsible for seven of the top 10 originals in the second quarter of 2017, though Amazon’s The Grand Tour and Hulu’s The Handmaid’s Tale, which aired on Channel 4, completed the top three.
Amazon’s The Man In The High Castle is also in the top 10 and Parrot’s European director Courtney Williams expects the Jeff Bezos-led firm to catch up to Netflix in the near future.
“Based on Amazon’s continued investment in originals both out of the Us and local markets, you’ll see Netflix’s hold on this chart change.”
La-based Parrot Analytics examines overall engagement around content, and its rankings encompass illegal streams and downloads, as well as...
- 8/10/2017
- ScreenDaily
Torchwood stars Eve Myles and Naoko Mori have joined a new radio adaptation of the classic Japanese horror film Ring.
Myles stars as Toni and Mori as the Narrator and Sadako in the drama adapted from Koji Suzuki's film, which has a unique binaural 3D sound.
Broadchurch's Matthew Gravelle stars as Mitchell, with Akira Koieyama as Ryugi, Masashi Fujimoto as Doctor Nagao, Yuriri Naka as Tomoko/Mai and Heather Emmanuel as Yuni.
The BBC Cymru Wales Production is directed by James Robinson.
The radio play is part of a Fright Night two-parter on BBC Radio 4, which suitably enough airs on Saturday, October 31.
The other drama is The Stone Tape, which is directed by modern horror maestro Peter Strickland, who gave us the remarkable Berberian Sound Studio.
It stars Romola Garai, Julian Rhind-Tutt and Julian Barratt with a special cameo by the star of the original version, Jane Asher.
Myles stars as Toni and Mori as the Narrator and Sadako in the drama adapted from Koji Suzuki's film, which has a unique binaural 3D sound.
Broadchurch's Matthew Gravelle stars as Mitchell, with Akira Koieyama as Ryugi, Masashi Fujimoto as Doctor Nagao, Yuriri Naka as Tomoko/Mai and Heather Emmanuel as Yuni.
The BBC Cymru Wales Production is directed by James Robinson.
The radio play is part of a Fright Night two-parter on BBC Radio 4, which suitably enough airs on Saturday, October 31.
The other drama is The Stone Tape, which is directed by modern horror maestro Peter Strickland, who gave us the remarkable Berberian Sound Studio.
It stars Romola Garai, Julian Rhind-Tutt and Julian Barratt with a special cameo by the star of the original version, Jane Asher.
- 10/22/2015
- Digital Spy
Two new horror adaptations are coming to BBC Radio 4 this Halloween as part of Fright Night, The Stone Tape and The Ring…
While all the cool kids will be tripping over high heels and falling out of Borat mankinis on sticky dancefloors this Saturday the 31st of October, all the really cool kids will be elsewhere come Halloween: headphones on, mug of spooky cocoa in hand, listening to BBC Radio 4.
As part of Radio 4’s first annual Fright Night of Halloween programming, two exciting horror dramas are on their way: The Stone Tape, adapted from Nigel “Quatermass” Kneale’s 1972 television play, and The Ring, adapted from Koji Sozuki’s 1991 film franchise-spawning novel.
Kneale’s television play, first broadcast in 1972 as a BBC Christmas ghost story, tells the tale of a group of scientists investigating a haunted mansion whose walls are thought to have absorbed and recorded past events. It’s...
While all the cool kids will be tripping over high heels and falling out of Borat mankinis on sticky dancefloors this Saturday the 31st of October, all the really cool kids will be elsewhere come Halloween: headphones on, mug of spooky cocoa in hand, listening to BBC Radio 4.
As part of Radio 4’s first annual Fright Night of Halloween programming, two exciting horror dramas are on their way: The Stone Tape, adapted from Nigel “Quatermass” Kneale’s 1972 television play, and The Ring, adapted from Koji Sozuki’s 1991 film franchise-spawning novel.
Kneale’s television play, first broadcast in 1972 as a BBC Christmas ghost story, tells the tale of a group of scientists investigating a haunted mansion whose walls are thought to have absorbed and recorded past events. It’s...
- 9/25/2015
- by louisamellor
- Den of Geek
Rob Leane Louisa Mellor Feb 21, 2017
Steven Moffat says "not doing [Sherlock] again would be fine. If that was it, then that would be it"...
This Broadcast interview with Steven Moffat is well worth a read. In it, he discusses leaving Doctor Who, his original plan to exit after Peter Capaldi's second series, the show's scheduling issues last year, new Executive Producer Chris Chibnall, and more.
See related Dragon's Lair movie hits crowdfunding goal
It's his comments on Sherlock though, that fans are keen to hear amid a feeling that the series four finale may have been a permanent end to the hit BBC show.
"The ratings were extremely good," said Moffat "so I guess they’ll ask us again, and then we’ll have to see first of all if we have three films we want to make, and then if Benedict and Martin have the time, schedule and inclination.
Steven Moffat says "not doing [Sherlock] again would be fine. If that was it, then that would be it"...
This Broadcast interview with Steven Moffat is well worth a read. In it, he discusses leaving Doctor Who, his original plan to exit after Peter Capaldi's second series, the show's scheduling issues last year, new Executive Producer Chris Chibnall, and more.
See related Dragon's Lair movie hits crowdfunding goal
It's his comments on Sherlock though, that fans are keen to hear amid a feeling that the series four finale may have been a permanent end to the hit BBC show.
"The ratings were extremely good," said Moffat "so I guess they’ll ask us again, and then we’ll have to see first of all if we have three films we want to make, and then if Benedict and Martin have the time, schedule and inclination.
- 3/29/2015
- Den of Geek
Androids, magic, parallel worlds, ghostly crime, and the apocalypse. Here’s a raft of new forthcoming UK sci-fi and fantasy TV…
The superhero genre may be taking up residence in cinemas for the foreseeable, and Game Of Thrones and The Walking Dead are leading Us TV's genre output, but what can fans of UK sci-fi and fantasy look forward to seeing on television over the next year?
There’s Doctor Who of course, which appears to be in rude health and going nowhere, a Christmas Special from Black Mirror, and a hint of new Red Dwarf on its way. (And of course, if there’s anything like justice in the world, the terrific In The Flesh will be recommissioned for a third series.)
If though, you’re thirsting for something new, 2015 is promising to deliver a handful of geek TV gems. We’ve scoured the new UK commission announcements for anything spooky,...
The superhero genre may be taking up residence in cinemas for the foreseeable, and Game Of Thrones and The Walking Dead are leading Us TV's genre output, but what can fans of UK sci-fi and fantasy look forward to seeing on television over the next year?
There’s Doctor Who of course, which appears to be in rude health and going nowhere, a Christmas Special from Black Mirror, and a hint of new Red Dwarf on its way. (And of course, if there’s anything like justice in the world, the terrific In The Flesh will be recommissioned for a third series.)
If though, you’re thirsting for something new, 2015 is promising to deliver a handful of geek TV gems. We’ve scoured the new UK commission announcements for anything spooky,...
- 11/20/2014
- by louisamellor
- Den of Geek
New projects from Screen Stars of Tomorrow, playwrights, TV talent.
UK low-budget filmmaking scheme iFeatures has selected 18 projects (below) for its next development slate.
The scheme, backed by Creative England, BFI Film Fund, BBC Films and Creative Skillset, selected 18 - instead of the usual 16 - feature-length projects from more than 400 submissions.
Three films will be ‘greenlit’ in March 2015 at budgets of £350,000.
The roster of writing and directing talent includes Lynsey Miller, Hope Dickson Leach and Dan Gitsham, all recent Screen Stars of Tomorrow; Rachel De-lahay, winner of 2013 Evening Standard’s Most Promising Playwright; Dominic Leclerc, director of Skins and The Village; Alice Birch, winner of this year’s George Devine Award for Most Promising Playwright; Olivia Poulet, star of The Thick Of It; BAFTA Scotland winner Zam Salim; Broadcast Hotshots Abby Ajayi and Alex Kalymnios; and William Oldroyd whose short Best won the 2013 Sundance London Short Film Competition.
Producers include Nfts graduates Jessica Levick and Fodhla Cronin...
UK low-budget filmmaking scheme iFeatures has selected 18 projects (below) for its next development slate.
The scheme, backed by Creative England, BFI Film Fund, BBC Films and Creative Skillset, selected 18 - instead of the usual 16 - feature-length projects from more than 400 submissions.
Three films will be ‘greenlit’ in March 2015 at budgets of £350,000.
The roster of writing and directing talent includes Lynsey Miller, Hope Dickson Leach and Dan Gitsham, all recent Screen Stars of Tomorrow; Rachel De-lahay, winner of 2013 Evening Standard’s Most Promising Playwright; Dominic Leclerc, director of Skins and The Village; Alice Birch, winner of this year’s George Devine Award for Most Promising Playwright; Olivia Poulet, star of The Thick Of It; BAFTA Scotland winner Zam Salim; Broadcast Hotshots Abby Ajayi and Alex Kalymnios; and William Oldroyd whose short Best won the 2013 Sundance London Short Film Competition.
Producers include Nfts graduates Jessica Levick and Fodhla Cronin...
- 6/30/2014
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
Peter Strickland’s British horror deconstruction Berberian Sound Studio opened yesterday in a crowded field of fifteen new releases, but if graphic design was all it took to get people into theaters Bss should be way ahead of the field. The startling grayscale collage of the Us one sheet was designed by the suddenly prolific Brandon Schaefer who, as IFC Films’ new house designer, has designed two of my other favorite posters of the year so far, for Simon Killer and Gimme the Loot. He has also started giving me a run for my money writing about movie posters for Film.com. I particularly like his introduction about his personal design education, his process piece about Simon Killer, and his rant against the facile nature of fan art minimalism (though I do think there he omits giving praise where praise is occasionally due).
Berberian Sound Studio is a mysterious and...
Berberian Sound Studio is a mysterious and...
- 6/15/2013
- by Adrian Curry
- MUBI
When someone says a new movie is "made for horror fans," what they usually mean is that it's fun, fast-paced, nostalgic, and probably pretty self-deprecating or subversive. Movies like Scream, Slither, and The Cabin in the Woods are "made for horror fans" in that way.
Then there are films like Berberian Sound Studio, which is made for horror fans who take the genre very seriously. Not only does this movie hearken back to an era and location that means a lot to the history of horror films, but it also knows what seasoned viewers expect from a conventional terror tale -- and then it messes with those expectations in a series of highly compelling ways.
Set in 1970, Berberian Sound Studio is about a reputable British sound designer who arrives in Italy to begin post-production work on a new film. Unfortunately for the uncomfortable Gilderoy (Toby Jones), the project he's working...
Then there are films like Berberian Sound Studio, which is made for horror fans who take the genre very seriously. Not only does this movie hearken back to an era and location that means a lot to the history of horror films, but it also knows what seasoned viewers expect from a conventional terror tale -- and then it messes with those expectations in a series of highly compelling ways.
Set in 1970, Berberian Sound Studio is about a reputable British sound designer who arrives in Italy to begin post-production work on a new film. Unfortunately for the uncomfortable Gilderoy (Toby Jones), the project he's working...
- 6/5/2013
- by Scott Weinberg
- FEARnet
Third film from Scottish director Lynne Ramsay, adapted from Lionel Shriver's novel, will feature music by Radiohead guitarist
It may not be the week's biggest bit of Radiohead news, but the band's Jonny Greenwood has been announced as the composer for a new film starring Tilda Swinton. Greenwood will score We Need to Talk About Kevin, the third feature by Scottish director Lynne Ramsay.
This is not Greenwood's first time writing music for the big screen. His debut soundtrack, for Paul Thomas Anderson's There Will Be Blood, won an Ivor Novello award. This was a minimalist work featuring tense, dissonant strings and tribal drumming. Greenwood also scored a Japanese adaptation of Haruki Murakami's Norwegian Wood, which is due for release in the UK on 11 March.
We Need to Talk About Kevin is based on a novel by Lionel Shriver. It follows the story of a mother, played by Swinton,...
It may not be the week's biggest bit of Radiohead news, but the band's Jonny Greenwood has been announced as the composer for a new film starring Tilda Swinton. Greenwood will score We Need to Talk About Kevin, the third feature by Scottish director Lynne Ramsay.
This is not Greenwood's first time writing music for the big screen. His debut soundtrack, for Paul Thomas Anderson's There Will Be Blood, won an Ivor Novello award. This was a minimalist work featuring tense, dissonant strings and tribal drumming. Greenwood also scored a Japanese adaptation of Haruki Murakami's Norwegian Wood, which is due for release in the UK on 11 March.
We Need to Talk About Kevin is based on a novel by Lionel Shriver. It follows the story of a mother, played by Swinton,...
- 2/15/2011
- by Sean Michaels
- The Guardian - Film News
Trish Keenan, singer for the British electronic pop duo Broadcast, has died from complications of pneumonia. As reported yesterday, Keenan had been hospitalized and was said to be suffering from a strain of the H1N1 flu. Though they were a fairly obscure act, Broadcast were widely admired in indie and electronic music circles. The band, which began releasing singles in 1995, was active up through 2009 when they issued a collaboration with the Focus Group titled "Broadcast and the Focus Group Investigate Witch Cults of the Radio Age." Read more from Rolling...
- 1/14/2011
- by Dylan Stableford
- The Wrap
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