Exclusive: Kino Lorber has struck a deal with Paris-based sales firm Wide for North American distribution rights to Carlos Conceição’s Locarno Film Festival war drama Tommy Guns.
The pic will receive a North American premiere at New Directors/New Films, the annual film festival hosted jointly by MoMA and the Film Society of Lincoln Center. Conceição and actor João Arrais will be in attendance, and a theatrical release via Kino Lorber will follow on April 12.
Billed as “a genre-fluid fantasia” that engages with Angola’s colonial past, the pic opens in 1974, one year before the country’s independence from Portuguese rule. Wealthy colonists are fleeing the country as Angolan revolutionaries gradually reclaim land. It’s against this backdrop that a young tribal girl crosses paths with a Portuguese soldier, which introduces her to a new world of love and danger. At the same time, another group of soldiers, completely...
The pic will receive a North American premiere at New Directors/New Films, the annual film festival hosted jointly by MoMA and the Film Society of Lincoln Center. Conceição and actor João Arrais will be in attendance, and a theatrical release via Kino Lorber will follow on April 12.
Billed as “a genre-fluid fantasia” that engages with Angola’s colonial past, the pic opens in 1974, one year before the country’s independence from Portuguese rule. Wealthy colonists are fleeing the country as Angolan revolutionaries gradually reclaim land. It’s against this backdrop that a young tribal girl crosses paths with a Portuguese soldier, which introduces her to a new world of love and danger. At the same time, another group of soldiers, completely...
- 2/28/2023
- by Andreas Wiseman and Zac Ntim
- Deadline Film + TV
Wissam Charaf’s Dirty Difficult Dangerous also won the Europa Cinemas Label.
Graham Foy’s The Maiden has won Venice’s Giornate degli Autori (GdA) Cinema of the Future award.
The Canadian-us film was among seven titles from the GdA sidebar, all first or second features, competing for the €3,000 prize.
Foy’s debut follows three suburban teenagers whose lives are intertwined when one of them disappears and strange occurrences begin cropping up.
The jury was made up of five students from an Italian film school who said: “The film impressed us with its emotional density and the immediacy of its unrestrained,...
Graham Foy’s The Maiden has won Venice’s Giornate degli Autori (GdA) Cinema of the Future award.
The Canadian-us film was among seven titles from the GdA sidebar, all first or second features, competing for the €3,000 prize.
Foy’s debut follows three suburban teenagers whose lives are intertwined when one of them disappears and strange occurrences begin cropping up.
The jury was made up of five students from an Italian film school who said: “The film impressed us with its emotional density and the immediacy of its unrestrained,...
- 9/9/2022
- by Ellie Calnan
- ScreenDaily
MPM Premium has picked up Cláudia Varejão’s queer coming-of-age drama “Wolf and Dog” (Lobo e cão), which has its world premiere in Venice Days, a sidebar to the Venice Film Festival. Variety has been given exclusive access to the trailer.
The film centers on Ana, who was born in São Miguel, an island in the middle of the Atlantic Ocean, ruled by religion and traditions. She is the middle child of a family of three, growing up with her mother and grandmother. As she grew up, Ana realized that girls and boys were given different tasks.
Through her friendship with Luis, her queer best friend who loves dresses as much as pants, Ana questions the world that is promised to her. When her friend Cloé arrives from Canada, Ana embarks on a journey that will take her beyond her limited horizons.
Varejão commented: “What drives me is the struggle for personal freedom,...
The film centers on Ana, who was born in São Miguel, an island in the middle of the Atlantic Ocean, ruled by religion and traditions. She is the middle child of a family of three, growing up with her mother and grandmother. As she grew up, Ana realized that girls and boys were given different tasks.
Through her friendship with Luis, her queer best friend who loves dresses as much as pants, Ana questions the world that is promised to her. When her friend Cloé arrives from Canada, Ana embarks on a journey that will take her beyond her limited horizons.
Varejão commented: “What drives me is the struggle for personal freedom,...
- 8/24/2022
- by Leo Barraclough
- Variety Film + TV
Exclusive: Paris-based sales company Wide has acquired world sales rights to Angola-born Portuguese filmmaker Carlos Conceição’s Angolan War of Independence drama Tommy Guns, which made a well-received debut in Competition at the Locarno Film Festival on Friday.
Set against the final violent days of the conflict in 1974, the film gives a dual perspective of the conflict through the tale of a young local girl who discovers love and death when her path crosses that of a young Portuguese soldier.
The film is lead produced by Terratreme Filmes, the Lisbon-based collective created by award-winning Portuguese directors João Matos, Susana Nobre, Tiago Hespanha, Pedro Pinho, Leonor Noivo and Luisa Homem in 2008.
Virginie Lacombe and Arnaud Quesada at Paris-based Virginie Films are on board as co-producers and Conceição and Margarida Ventura take associate producer credits under their Portuguese Mirabilis banner.
Wide head of acquisitions Maxime Montagne, who finalised the deal in Locarno...
Set against the final violent days of the conflict in 1974, the film gives a dual perspective of the conflict through the tale of a young local girl who discovers love and death when her path crosses that of a young Portuguese soldier.
The film is lead produced by Terratreme Filmes, the Lisbon-based collective created by award-winning Portuguese directors João Matos, Susana Nobre, Tiago Hespanha, Pedro Pinho, Leonor Noivo and Luisa Homem in 2008.
Virginie Lacombe and Arnaud Quesada at Paris-based Virginie Films are on board as co-producers and Conceição and Margarida Ventura take associate producer credits under their Portuguese Mirabilis banner.
Wide head of acquisitions Maxime Montagne, who finalised the deal in Locarno...
- 8/5/2022
- by Melanie Goodfellow
- Deadline Film + TV
Andrey Paounov in post-production with January - Production / Funding - Bulgaria/Portugal/Luxembourg
The helmer’s first feature is an absurdist mystery flick set in the snow-capped mountains of Bulgaria. After Kamen Kalev’s February recently received the Cannes label, the Bulgarian film industry seems determined to cover all the months of the year: Bulgarian director Andrey Paounov is currently in post-production with January, an absurdist mystery set in the snow-capped mountains of the country. The film is being staged by Bulgarian outfit Portokal, with Vanya Rainova serving as producer, in co-production with Portugal’s Terratreme (João Matos) and Luxembourgish firm Tarantula (Élise André and Donato Rotunno). The screenplay, written by Alex Barrett and Paounov, follows several men stuck in a lodge in the middle of a snowstorm. One of them has to reach the nearby town, and the next morning he seems to have left, as the tracks from his sleigh are visible in the snow. But then the sleigh returns and the man is.
Upcoming films from Lucrecia Martel, Lisandro Alonso, Lav Diaz and Miguel Gomes selected for special initiative.
The Locarno Film Festival has announced the line-up of 20 features that it has selected for its exceptional The Films After Tomorrow initiative.
The special event was created to support feature films that have stalled at various stages of production due to the Covid-19 pandemic which also led to the cancellation of the physical edition of the 73rd edition of Locarno.
Locarno’s artistic director Lili Hinstin said that 545 projects had been submitted to the initiative in a sign of the impact that the pandemic has had on independent filmmaking.
The Locarno Film Festival has announced the line-up of 20 features that it has selected for its exceptional The Films After Tomorrow initiative.
The special event was created to support feature films that have stalled at various stages of production due to the Covid-19 pandemic which also led to the cancellation of the physical edition of the 73rd edition of Locarno.
Locarno’s artistic director Lili Hinstin said that 545 projects had been submitted to the initiative in a sign of the impact that the pandemic has had on independent filmmaking.
- 6/25/2020
- by 1100388¦Melanie Goodfellow¦69¦
- ScreenDaily
Exclusive: Météore Films acquires feature for France ahead of Cannes premiere.
Paris-based Memento Films International (Mfi) has taken on sales of Portuguese director Pedro Pinho’s delocalisation comedy-drama The Nothing Factory (A Fabrica De Nada) ahead of its premiere in Directors’ Fortnight.
The feature – combining drama, comedy and the occasional musical number - revolves around a group of factory-workers who turn-up for their shift one morning to discover the management has removed its machinery overnight.
It is the first sign of a massive lay-off. Most of the workers refuse to cooperate in redundancy negotiations and start to occupy the site, but when the factory bosses simply disappear, they left are high and dry. As the world around them collapses, new desires start to emerge.
In a first deal for Mfi, Mathieu Berthon’s Paris-based Météore Films has snapped up rights for France ahead of its Cannes debut.
It is a timely acquisition for the company on the...
Paris-based Memento Films International (Mfi) has taken on sales of Portuguese director Pedro Pinho’s delocalisation comedy-drama The Nothing Factory (A Fabrica De Nada) ahead of its premiere in Directors’ Fortnight.
The feature – combining drama, comedy and the occasional musical number - revolves around a group of factory-workers who turn-up for their shift one morning to discover the management has removed its machinery overnight.
It is the first sign of a massive lay-off. Most of the workers refuse to cooperate in redundancy negotiations and start to occupy the site, but when the factory bosses simply disappear, they left are high and dry. As the world around them collapses, new desires start to emerge.
In a first deal for Mfi, Mathieu Berthon’s Paris-based Météore Films has snapped up rights for France ahead of its Cannes debut.
It is a timely acquisition for the company on the...
- 5/3/2017
- ScreenDaily
Exclusive: Météore Films acquires feature for France ahead of Cannes premiere.
Paris-based Memento Films International (Mfi) has taken on sales of Portuguese director Pedro Pinho’s delocalisation comedy-drama The Nothing Factory (A Fabrica De Nada) ahead of its premiere in Directors’ Fortnight.
The feature – combining drama, comedy and the occasional musical number - revolves around a group of factory-workers who turn-up for their shift one morning to discover the management has removed its machinery overnight.
It is the first sign of a massive lay-off. Most of the workers refuse to cooperate in redundancy negotiations and start to occupy the site, but when the factory bosses simply disappear, they left are high and dry. As the world around them collapses, new desires start to emerge.
In a first deal for Mfi, Mathieu Berthon’s Paris-based Météore Films has snapped up rights for France ahead of its Cannes debut.
It is a timely acquisition for the company on the...
Paris-based Memento Films International (Mfi) has taken on sales of Portuguese director Pedro Pinho’s delocalisation comedy-drama The Nothing Factory (A Fabrica De Nada) ahead of its premiere in Directors’ Fortnight.
The feature – combining drama, comedy and the occasional musical number - revolves around a group of factory-workers who turn-up for their shift one morning to discover the management has removed its machinery overnight.
It is the first sign of a massive lay-off. Most of the workers refuse to cooperate in redundancy negotiations and start to occupy the site, but when the factory bosses simply disappear, they left are high and dry. As the world around them collapses, new desires start to emerge.
In a first deal for Mfi, Mathieu Berthon’s Paris-based Météore Films has snapped up rights for France ahead of its Cannes debut.
It is a timely acquisition for the company on the...
- 5/3/2017
- ScreenDaily
Comedy-drama added to Cannes sidebar.
Cannes Film Festival’s Directors’ Fortnight sidebar has added Portuguese director Pedro Pinho’s feature debut The Nothing Factory to its 2017 selection.
The comedy-drama (with an occasional music number, according to a Cannes release) will play as a special screening. The majority of the Directors’ Fortnight line-up was revealed last week.
The film was produced by João Matos and Jorge Silva Melo for Portuguese outfit Terratreme. Pinho co-wrote the script with Leonor Noivo, Tiago Hespanha and Luisa Homem.
It follows a group of factory workers who go on strike in an attempt to block the relocation of their workplace by its crooked owners.
Vasco Viana was the cinematographer and the film was shot on 16mm. Cláudia Oliveira was the editor and João Gazua handled sound.
According to a statement from Directors’ Fortnight artistic director Édouard Waintrop, the film “dissects and riffs on the subject of de-industrialization, unemployment, and the...
Cannes Film Festival’s Directors’ Fortnight sidebar has added Portuguese director Pedro Pinho’s feature debut The Nothing Factory to its 2017 selection.
The comedy-drama (with an occasional music number, according to a Cannes release) will play as a special screening. The majority of the Directors’ Fortnight line-up was revealed last week.
The film was produced by João Matos and Jorge Silva Melo for Portuguese outfit Terratreme. Pinho co-wrote the script with Leonor Noivo, Tiago Hespanha and Luisa Homem.
It follows a group of factory workers who go on strike in an attempt to block the relocation of their workplace by its crooked owners.
Vasco Viana was the cinematographer and the film was shot on 16mm. Cláudia Oliveira was the editor and João Gazua handled sound.
According to a statement from Directors’ Fortnight artistic director Édouard Waintrop, the film “dissects and riffs on the subject of de-industrialization, unemployment, and the...
- 4/25/2017
- by tom.grater@screendaily.com (Tom Grater)
- ScreenDaily
European Film Promotion has special programs highlighting talent in Berlin (Shooting Stars), a Producer Lab in Toronto, 10 Directors to Watch at Karlovy Vary, European Directors at Busan and a great networking party at Afm. For 14 years Efp has hosted Producers on the Move in Cannes. This year 29 producers from 29 different European countries will take part in the event from 18 to 21 May, 2013. The Republic of Kosovo* and Montenegro will both be represented for the first time this year with a producer. These are the producers who set the ball rolling on projects, forge coalitions and conjure up a film out of an idea. Film producers are increasingly looking past their national borders. In order to facilitate an exchange with similarly ambitious colleagues from other European countries and showcase their range of achievements, European Film Promotion (Efp) offers a platform for networking to carefully selected producers. 12 of the 29 producers are women ♀.
Looking back at the 2012 edition of Producers on the Move, almost all of the producers are still in contact with one another to follow up on ideas. 17 from last year's 25 participants (68%) are already working on 15 co-productions.
The group of former participants includes such internationally known and award-winning producers as Ada Solomon from Romania (Child's Pose), Bettina Brokemper from Germany (Bal), Louise Vesth from Denmark (Melancholia) and Siniša Juričić from Croatia (Sofia’s Last Ambulance).
Scheduled during the Cannes International Film Festival, the program provides its participants with an additional visibility they get at this melting pot for filmmakers, sales agents, financiers and the international media. Producers On The Move's schedule with pitching sessions, one-on-one speed-dating meetings and various opportunities to build up business relationships and to exchange knowledge enables the selected filmmakers to return home with advanced film projects and, sometimes, with a co-production deal. At the Producers' Lunch, they can, moreover, get in contact with participants from previous years.
The participants have already realized joint European film projects which were noticed on the international radar, but they still are on their way to becoming international players. Many of them produced feature films as well as documentaries, and some are additionally active in the field of animation films.
For the fourth time, Efp will be cooperating for Producers On The Move with the pan-European co-production fund Eurimages.
The following producers were selected by Efp member organizations from their respective countries:
Belgium
Anton Iffland Stettner, Need Productions
i.e. Home by Ursula Meier ♀
selected by Wallonie Bruxelles Image
Bulgaria
Konstantin Bojanov, Argentum Lux Films
i.e. Avé by Konstantin Bojanov
selected by the Bulgarian National Film Centre
Croatia
Zdenka Gold, ♀ Spiritus Movens Production
i.e. A Stranger by Bobo Jelčić
selected by the Croatian Audiovisual Centre
Czech Republic
Viktor Tauš, Fog’n’Desire Films
i.e. House by Zuzana Liová
selected by the Czech Film Center
Denmark
Mikael Chr. Rieks, Nordisk Film Production
i.e. A Funny Man by Martin Zandvliet
selected by The Danish Film Institute
Estonia
Kiur Aarma, Traumfabrik
i.e. Disco & Atomic War by Jaak Kilmi & Kiur Aarma
selected by Baltic Films
Finland
Jussi Rantamäki, Aamu Filmcompany
i.e. The Painting Sellers by Juho Kuosmanen
selected by the Finnish Film Foundation
France
Mathieu Robinet, Révérence
i.e. Love is in the Air by Alexandre Castagnetti
selected by Unifrance films
Georgia
Zaza Rusadze, Zazarfilm
i.e. A Fold in my Blanket by Zaza Rusadze
selected by the Georgian National Film Center
Germany
Jochen Laube, teamWorx Ludwigsburg
i.e. Five Years by Stefan Schaller
selected by German Films
Greece
Giorgos Karnavas, Heretic
i.e. Boy Eating The Bird’s Food by Ektoras Lygizos
selected by the Greek Film Centre
Hungary
Andrea Taschler, ♀ Mirage Film Studio
i.e. Bibliothèque Pascal by Szabolcs Hajdu
selected by Magyar Filmunió / Hungarian National Film Fund
Iceland
Thorkell Hardarson, Markell Productions
i.e. Feathered Cocaine by Thorkell Hardarson & Örn Marinó Arnarson
selected by the Icelandic Fim Centre
Ireland
Conor Barry, Sp Films
i.e. Love Eternal by Brendan Muldowney
selected by the Irish Film Board
Italy
Viola Prestieri, Buena Onda
i.e. The Great Beauty by Paolo Sorrentino ♀
selected by Istituto Luce Cinecittà
Republic of Kosovo*
Valon Jakupaj, Gegnia Film
i.e. Adventures of Santa Clause by Valon Jakupaj
selected by the Kosova Cinematography Center
Luxembourg
Gilles Chanial, Red Lion
i.e. Le goût des myrtilles by Thomas de Thier
selected by Film Fund Luxembourg
Fyr of Macedonia
Labina Mitevska, ♀ Sisters and Brother Mitevski Production
i.e. The Woman Who Brushed Off Her Tears by Teona Mitevska ♀
selected by Macedonian Film Fund
Montenegro
Sehad Čekić, Cut-Up Production
i.e. The Ascent by Neminja Becanovic
selected by the Ministry of Culture of Montenegro
The Netherlands
Marleen Slot, ♀ Viking Film
i.e. Zurich by Sacha Polak ♀
selected by Eye International / Netherlands
Norway
Hans-Jørgen Osnes, Motlys
i.e. Oslo, August 31st by Joachim Trier
selected by the Norwegian Film Institute
Poland
Agnieszka Kurzydło, ♀ MD 4
i.e. In The Name Of by Małgośka Szumowska ♀
selected by the Polish Film Institute
Portugal
João Matos, Terratreme filmes
i.e. Lacrau by João Vladimiro
selected by Ica I.P. / Portugal
Romania
Anca Puiu, ♀ Mandragora
i.e. Rocker by Marian Crisan ♀
selected by the Romanian Film Promotion
Slovak Republic
Mira Fornay, ♀ Mirafox
i.e. My Dog Killer by Mira Fornay ♀
selected by Slovak Film Institute
Spain
María Zamora, ♀ Avalon P.C.
i.e. Todos están muertos by Beatriz Sanchis ♀
selected by Icaa / Spain
Sweden
Erika Wasserman, ♀ Idyll
i.e. Avalon by Axel Petersén
selected by the Swedish Film Institute
Switzerland
Joëlle Bertossa, ♀ Close Up Film
i.e. Body by Halima Ouardiri ♀
selected by Swiss Films
United Kingdom
Andrea Cornwell, ♀ Lobo Films Ltd
i.e. The Last Days On Mars by Ruairi Robinson ♀
selected by the British Council...
Looking back at the 2012 edition of Producers on the Move, almost all of the producers are still in contact with one another to follow up on ideas. 17 from last year's 25 participants (68%) are already working on 15 co-productions.
The group of former participants includes such internationally known and award-winning producers as Ada Solomon from Romania (Child's Pose), Bettina Brokemper from Germany (Bal), Louise Vesth from Denmark (Melancholia) and Siniša Juričić from Croatia (Sofia’s Last Ambulance).
Scheduled during the Cannes International Film Festival, the program provides its participants with an additional visibility they get at this melting pot for filmmakers, sales agents, financiers and the international media. Producers On The Move's schedule with pitching sessions, one-on-one speed-dating meetings and various opportunities to build up business relationships and to exchange knowledge enables the selected filmmakers to return home with advanced film projects and, sometimes, with a co-production deal. At the Producers' Lunch, they can, moreover, get in contact with participants from previous years.
The participants have already realized joint European film projects which were noticed on the international radar, but they still are on their way to becoming international players. Many of them produced feature films as well as documentaries, and some are additionally active in the field of animation films.
For the fourth time, Efp will be cooperating for Producers On The Move with the pan-European co-production fund Eurimages.
The following producers were selected by Efp member organizations from their respective countries:
Belgium
Anton Iffland Stettner, Need Productions
i.e. Home by Ursula Meier ♀
selected by Wallonie Bruxelles Image
Bulgaria
Konstantin Bojanov, Argentum Lux Films
i.e. Avé by Konstantin Bojanov
selected by the Bulgarian National Film Centre
Croatia
Zdenka Gold, ♀ Spiritus Movens Production
i.e. A Stranger by Bobo Jelčić
selected by the Croatian Audiovisual Centre
Czech Republic
Viktor Tauš, Fog’n’Desire Films
i.e. House by Zuzana Liová
selected by the Czech Film Center
Denmark
Mikael Chr. Rieks, Nordisk Film Production
i.e. A Funny Man by Martin Zandvliet
selected by The Danish Film Institute
Estonia
Kiur Aarma, Traumfabrik
i.e. Disco & Atomic War by Jaak Kilmi & Kiur Aarma
selected by Baltic Films
Finland
Jussi Rantamäki, Aamu Filmcompany
i.e. The Painting Sellers by Juho Kuosmanen
selected by the Finnish Film Foundation
France
Mathieu Robinet, Révérence
i.e. Love is in the Air by Alexandre Castagnetti
selected by Unifrance films
Georgia
Zaza Rusadze, Zazarfilm
i.e. A Fold in my Blanket by Zaza Rusadze
selected by the Georgian National Film Center
Germany
Jochen Laube, teamWorx Ludwigsburg
i.e. Five Years by Stefan Schaller
selected by German Films
Greece
Giorgos Karnavas, Heretic
i.e. Boy Eating The Bird’s Food by Ektoras Lygizos
selected by the Greek Film Centre
Hungary
Andrea Taschler, ♀ Mirage Film Studio
i.e. Bibliothèque Pascal by Szabolcs Hajdu
selected by Magyar Filmunió / Hungarian National Film Fund
Iceland
Thorkell Hardarson, Markell Productions
i.e. Feathered Cocaine by Thorkell Hardarson & Örn Marinó Arnarson
selected by the Icelandic Fim Centre
Ireland
Conor Barry, Sp Films
i.e. Love Eternal by Brendan Muldowney
selected by the Irish Film Board
Italy
Viola Prestieri, Buena Onda
i.e. The Great Beauty by Paolo Sorrentino ♀
selected by Istituto Luce Cinecittà
Republic of Kosovo*
Valon Jakupaj, Gegnia Film
i.e. Adventures of Santa Clause by Valon Jakupaj
selected by the Kosova Cinematography Center
Luxembourg
Gilles Chanial, Red Lion
i.e. Le goût des myrtilles by Thomas de Thier
selected by Film Fund Luxembourg
Fyr of Macedonia
Labina Mitevska, ♀ Sisters and Brother Mitevski Production
i.e. The Woman Who Brushed Off Her Tears by Teona Mitevska ♀
selected by Macedonian Film Fund
Montenegro
Sehad Čekić, Cut-Up Production
i.e. The Ascent by Neminja Becanovic
selected by the Ministry of Culture of Montenegro
The Netherlands
Marleen Slot, ♀ Viking Film
i.e. Zurich by Sacha Polak ♀
selected by Eye International / Netherlands
Norway
Hans-Jørgen Osnes, Motlys
i.e. Oslo, August 31st by Joachim Trier
selected by the Norwegian Film Institute
Poland
Agnieszka Kurzydło, ♀ MD 4
i.e. In The Name Of by Małgośka Szumowska ♀
selected by the Polish Film Institute
Portugal
João Matos, Terratreme filmes
i.e. Lacrau by João Vladimiro
selected by Ica I.P. / Portugal
Romania
Anca Puiu, ♀ Mandragora
i.e. Rocker by Marian Crisan ♀
selected by the Romanian Film Promotion
Slovak Republic
Mira Fornay, ♀ Mirafox
i.e. My Dog Killer by Mira Fornay ♀
selected by Slovak Film Institute
Spain
María Zamora, ♀ Avalon P.C.
i.e. Todos están muertos by Beatriz Sanchis ♀
selected by Icaa / Spain
Sweden
Erika Wasserman, ♀ Idyll
i.e. Avalon by Axel Petersén
selected by the Swedish Film Institute
Switzerland
Joëlle Bertossa, ♀ Close Up Film
i.e. Body by Halima Ouardiri ♀
selected by Swiss Films
United Kingdom
Andrea Cornwell, ♀ Lobo Films Ltd
i.e. The Last Days On Mars by Ruairi Robinson ♀
selected by the British Council...
- 4/26/2013
- by Sydney Levine
- Sydney's Buzz
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