When Jerry Herman was pegged by producer Gerard Oestreicher to write the score for a Broadway musical set in the fledgling State of Israel, he was a 28-year-old composerlyricist mostly known for writing clever lyrics and snazzy tunes for Greenwich Village topical reviews like Nightcap and Parade. But now, instead of writing for hip, downtown performers like Charles Nelson Reilly and Dody Goodman, he'd be penning a romantic score for opera stars Mimi Benzell and Robert Weede, with special comic relief material for Yiddish Theatre legend Molly Picon.
- 2/2/2017
- by Michael Dale
- BroadwayWorld.com
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