A blast from the past had the Botched docs ready to rock on tonight's all-new episode on Feb. 15. Drs. Terry Dubrow and Paul Nassif were introduced to new patient David—a musician in desperate need of a solution for his disfigured eye—but within minutes of meeting, Dr. Dubrow learned that he was far more familiar with David than he initially thought. The realization came after the plastic surgeon remarked that David looked like "someone who would've been friends with my brother," who's none other than Kevin Dubrow, the former lead singer of the heavy metal band Quiet Riot. "They had hits like 'Cum on Feel the Noize' and 'Bang Your...
- 2/16/2022
- E! Online
When Sebastian Bach arrived at rock photographer Mark Weiss’ wedding to sing at the reception, he knew he needed to give it his all. He was a then-unknown, 19-year-old singer with mile-high hair and a glass-shattering shriek, and by the time of the wedding — which took place in Red Bank, New Jersey on June 14th, 1987 — he’d been bouncing between hard-rock groups in Canada and the States. He’d hit it off with Weiss at a photo shoot for Bach’s band at the time, Madam X, and the photographer liked him so much,...
- 10/26/2020
- by Kory Grow
- Rollingstone.com
Quiet Riot will carry on touring following the death of drummer Frankie Banali, the group’s strongest thread back to its chart-topping heyday.
The band, which now features former Type O Negative and Danzig drummer Johnny Kelly behind the kit, intends to play a couple of shows next month and a smattering of dates beginning in spring next year. “It was Frankie Banali’s wish that the band continue and we keep the music and the legacy alive,” the group wrote on Facebook.
Banali died in August after a months-long battle with pancreatic cancer.
The band, which now features former Type O Negative and Danzig drummer Johnny Kelly behind the kit, intends to play a couple of shows next month and a smattering of dates beginning in spring next year. “It was Frankie Banali’s wish that the band continue and we keep the music and the legacy alive,” the group wrote on Facebook.
Banali died in August after a months-long battle with pancreatic cancer.
- 9/10/2020
- by Kory Grow
- Rollingstone.com
Frankie Banali, the drummer for Sunset Strip legends Quiet Riot, died of pancreatic cancer on Thursday. He was 68 and his death was announced by his family.
Banali was a public presence on his disease’s progress since his initial diagnosis in April 2019. Although he missed several shows during treatment, he was active on social media. A GoFundMe page was created to assist Banali with his battle, raising more than $47,000.
A statement from his family said that Banali “put up an inspiringly brave and courageous 16-month battle to the end, and continued playing live as long as he could. Standard chemotherapy stopped working, and a series of strokes made the continuation on a clinical trial impossible. He ultimately lost the fight at 7:18 Pm on Aug. 20 in Los Angeles, surrounded by his wife and daughter.”
Katherine Turman, the co-author of Louder Than Hell: The Definitive Oral History of Metal, remembered Banali as “always energetic,...
Banali was a public presence on his disease’s progress since his initial diagnosis in April 2019. Although he missed several shows during treatment, he was active on social media. A GoFundMe page was created to assist Banali with his battle, raising more than $47,000.
A statement from his family said that Banali “put up an inspiringly brave and courageous 16-month battle to the end, and continued playing live as long as he could. Standard chemotherapy stopped working, and a series of strokes made the continuation on a clinical trial impossible. He ultimately lost the fight at 7:18 Pm on Aug. 20 in Los Angeles, surrounded by his wife and daughter.”
Katherine Turman, the co-author of Louder Than Hell: The Definitive Oral History of Metal, remembered Banali as “always energetic,...
- 8/21/2020
- by Bruce Haring
- Deadline Film + TV
Frankie Banali, who played drums on Quiet Riot’s best-selling albums and kept the band going for nearly four decades, died Thursday at the age of 68. He had been diagnosed with stage IV pancreatic cancer last April. The band’s agent, Mark Hyman, confirmed the news to Rolling Stone.
Banali joined Quiet Riot in 1982, one year before the band released its blockbuster breakthrough album, Metal Health. The singles “Cum On Feel the Noize” and “Metal Health (Bang Your Head)” featured Banali’s hard-hitting drumming, and the group’s mixture of...
Banali joined Quiet Riot in 1982, one year before the band released its blockbuster breakthrough album, Metal Health. The singles “Cum On Feel the Noize” and “Metal Health (Bang Your Head)” featured Banali’s hard-hitting drumming, and the group’s mixture of...
- 8/21/2020
- by Kory Grow
- Rollingstone.com
Quiet Riot drummer Frankie Banali has revealed that he has been battling stage-four pancreatic cancer since this past April. Since the 2007 death of singer Kevin DuBrow, Banali has been the only member of the band’s classic lineup to continue to play with the band. He’s also been the group’s most consistent band member since 1982.
“The original prognosis was very scary,” he said in a statement posted to podcast host Mitch Lafon’s Facebook page. “I had quite a battle on my hands and it took a lot,...
“The original prognosis was very scary,” he said in a statement posted to podcast host Mitch Lafon’s Facebook page. “I had quite a battle on my hands and it took a lot,...
- 10/21/2019
- by Kory Grow
- Rollingstone.com
Is Heather Dubrow ready to pick up an orange and return to reality TV?
It’s been a full year since Heather last appeared on The Real Housewives of Orange County, and many fans felt her absence on the just-wrapped season.
“You know, I think it was really good to take a break and take a step back,” Heather tells Et. “It's been a crazy year. You know, I have 'Heather Dubrow's World' and 'Dr. and Mrs. Guinea Pig' podcasts, my YouTube Channel, Heather's Closet, our skincare line … and Terry and I just finished our second book, a diet book, that'll be out next year in 2018. So, there's a lot of fun stuff going on.”
“Of course, I still keep in touch with the girls on the show that were always my friends,” she adds, but notes she did not watch the show this year.
While Heather says “oh, dear” to the idea...
It’s been a full year since Heather last appeared on The Real Housewives of Orange County, and many fans felt her absence on the just-wrapped season.
“You know, I think it was really good to take a break and take a step back,” Heather tells Et. “It's been a crazy year. You know, I have 'Heather Dubrow's World' and 'Dr. and Mrs. Guinea Pig' podcasts, my YouTube Channel, Heather's Closet, our skincare line … and Terry and I just finished our second book, a diet book, that'll be out next year in 2018. So, there's a lot of fun stuff going on.”
“Of course, I still keep in touch with the girls on the show that were always my friends,” she adds, but notes she did not watch the show this year.
While Heather says “oh, dear” to the idea...
- 11/21/2017
- Entertainment Tonight
Heather Dubrow’s daughter is a rock star in the making -- maybe.
Only Et was invited inside 13-year-old Max Dubrow’s soundcheck at the iconic Whisky-a-Go-Go in Hollywood over the weekend, ahead of her debut performance with legendary rock band Quiet Riot.
“[Drummer] Frankie Banali and James Durbin, who's the new lead singer of Quiet Riot, and who you remember from American Idol … came on my podcast,” Heather explains. “We were talking and hanging out … and then we started talking about it, and Frankie said, 'Is Max still singing?' And I said, yes. And he said, 'Would she ever want to perform with us?' And I went, 'Yeah! That sounds pretty awesome.’”
Max’s uncle, her dad Terry’s brother, Kevin Dubrow, was the lead singer of the band until he died in 2007 -- and Terry and Heather have stayed close with Frankie, Kevin’s best friend. Max’s performance with the band actually came 10 years...
Only Et was invited inside 13-year-old Max Dubrow’s soundcheck at the iconic Whisky-a-Go-Go in Hollywood over the weekend, ahead of her debut performance with legendary rock band Quiet Riot.
“[Drummer] Frankie Banali and James Durbin, who's the new lead singer of Quiet Riot, and who you remember from American Idol … came on my podcast,” Heather explains. “We were talking and hanging out … and then we started talking about it, and Frankie said, 'Is Max still singing?' And I said, yes. And he said, 'Would she ever want to perform with us?' And I went, 'Yeah! That sounds pretty awesome.’”
Max’s uncle, her dad Terry’s brother, Kevin Dubrow, was the lead singer of the band until he died in 2007 -- and Terry and Heather have stayed close with Frankie, Kevin’s best friend. Max’s performance with the band actually came 10 years...
- 11/20/2017
- Entertainment Tonight
“I will always regret that Kevin’s gone, but it’s out of my control. Regina helped me to accept the fact that he’s not coming back, and to enjoy what we had. There’s value in that.”-Frankie Banali, Drummer of Quiet Riot
Regina Russell’s solid and impressive directorial debut “Quiet Riot: Well Now You're Here, There's No Way Back" is a compelling journey into the history and heavy metal heart of legendary band Quiet Riot, and how the band’s drummer Frankie Banali picks up the pieces after losing his lead singer and lifelong best friend Kevin DuBrow to a drug overdose in 2007.
This film is an enthralling ride that seamlessly weaves rock and roll glamour, grit, humor and drama from start to finish, while transcending all subcultures and musical genres to expose the rawness of loss. It explores Banali’s personal challenges with anger and regret during his ongoing search to find the right singer who could help to keep the band’s legacy alive.
Although unforeseen in the production’s beginnings, Russell’s process as a filmmaker gives Banali the opportunity to process the death of his best friend and move on.
In a fascinating and candid conversation, Regina Russell and Frankie Banali share how they first met over thirty years ago, the gifts and challenges of making a film together while being in relationship, and the power of film to heal, through the scope of Banali’s personal experience:
How did you meet Frankie?
Regina: In 1983, I was still in high school and had braces on my teeth. I was this skinny little girl in South Carolina, and Quiet Riot, one of the biggest bands at the time, came to town. I had a friend who knew them, and she actually set us up. I was a kid, so he didn’t put the moves on me, but I hung out with him and went to three shows on their tour bus. For a high school girl who was playing their album from back to front until it wore out, that was a really thrilling time. I moved to New York, and didn’t see him again for twenty-seven years. We reconnected again in 2009.
So the idea of the film came long after you met?
Regina: We had been dating for about a year, and it was around that time when he said he was considering meeting with Kevin’s mother to get her blessing to go on with the band. I thought that sounded like a documentary, and he said “No! That’s going to be a lot of trouble,” but I talked him into it and started following him around with a camera.
Frankie: (Smiles) Yeah, she followed me around like I owed her money.
Did you want to make films prior to this?
Regina: I had been an actress for twenty something years, so I had learned how to make movies from being on film sets for my entire adult life. I had always wanted to make a documentary. I saw “Roger & Me”, and thought this is really my genre. I tried out a couple of things, but never had a good story. This sounded like such a great story.
(To Frankie) So you resisted the documentary at first?
Frankie: Being Sicilian, I don’t like people peering into my life. I don’t like being followed around, but after a while, I just ignored the camera. It was just something else that was in my office, in my car, or at a show. And I’m so committed to Quiet Riot, that I’m way too caught up to really pay attention to that. It was unimportant compared to the everyday functioning of the band and how do I get from point A to point B. After a while, it just didn’t exist anymore and I stopped caring that she was filming.
Did you use a lot of hidden cameras?
Regina: The band was hard to film, because they were either frozen or hamming it up. It was really hard to get them to be natural and just ignore the camera. The night of the show when Mark Huff had train wrecked (shown in the film), I knew they were going to have an argument in the dressing room. I setup the cameras while they were finishing the show, and stayed out of the room so they could have their argument without being guarded.
Frankie: Yeah, she got me on that one.
Regina: I had the camera turned on for some of the stuff filmed in his office, but would leave the red light off. He had no idea it was on.
Frankie (He says with a grin): Yeah, she’s sneaky. That’s why I have good attorneys… There’s stuff in the film that I didn’t know about until I actually saw it, stuff that happened long after I thought we were no longer filming; I’d blow up about something or make a cynical comment, and yeah, she got it.
How did the filming affect your relationship?
Regina: It was hard on our relationship. Imagine when something is going wrong, and he’s exploding and freaking out. I would have this look on my face, like, “Oh god, where’s my camera? How come he never says this stuff when I’m filming?” I always had that on my mind.
He would say, “Why do you always have that look on your face like you wish you could film this? Why can’t you be sympathetic to my situation???”
I just didn’t care, and I would say, “I’m sorry for what you’re going through, but I really wish I had my camera, because you don’t say this stuff when I’m filming. This is what I need for that spot…”
Did you ever expect the film would take four years to make?
Frankie: It just went on and on. It was a surprise to her, and even a bigger surprise to me. I didn’t hire the first singer we got just to fire him. It doesn’t make any sense. I didn’t hire the second singer just to fire him. That also doesn’t make any sense, but this is life. None of this was planned. It just kept going on and on, but this is the reality of the film.
Regina: When Mark Huff was new, Frankie asked, “If I fire him, is this going to fuck up your movie?” I said, “No, that’s just the story,” but I was thinking, “Yes, please don’t do that.” At that point he (Mark Huff) was train wrecking, but I was still trying to make a movie where there was a happy ending with him.
Frankie: I have a pretty good sense of individuals and their moods. I take into consideration what people say during the day, their mood, their body language, and I knew the days when he (Mark Huff) was going to suck. And those were the days that I didn’t want in the film. It’s not good for Quiet Riot.
I gave two different talented individuals the opportunity to walk into this situation, to stand on the stage with an iconic band, and sign the songs that Kevin DuBrow made famous. I gave them the opportunity, and they threw it away, so I had no remorse about it. They did it to themselves. They may blame me, because I’m the one who has to say, “You’re done” when they drop the ball. I spent over three decades of my professional life with this band. I’m not going to let anyone do anything less.
Things are great now. If there’s one regret that I have, it’s that I don’t have Kevin DuBrow. He’s my best friend. I am never going to have another best friend like that. I am not going to live long enough to have a friend like that again. That I will always regret, but do I regret Quiet Riot now? Absolutely not. I will not apologize for Quiet Riot going on. Absolutely not. Never have. Never will.
Did you experience any personal healing in the making of this film?
Frankie: Whether it was intentional or not, Regina forced me to deal with Kevin’s death. Before the film was all said and done, I can’t tell you how many mornings I would sit in my office and thought Kevin was calling when the phone started to ring. She made it possible for me to finally let go, not to stop missing Kevin, but to let go and accept the fact that he’s gone. He’s not coming back, and although he died because of his choices in life, I don’t fault him for that.
I will always regret that Kevin’s gone, but it’s out of my control. Regina helped me to accept the fact that he’s not coming back, and to enjoy what we had. There’s value in that. As expensive as this film has been, it’s definitely been cheaper than therapy.
I always go to visit Kevin on his birthday, not on the day that he died. I always celebrate his birthday. I don’t mark his death, and it was during the filming when his birthday rolled around. That was the first time that I could sit there and see it from a different perspective. I’m always going to miss him, but at least I can frame it into something that I can understand. Before, it was this illusive, foggy kind of thing that I couldn’t’ really get my hands on.
When did you realize that you were helping Frankie to face Kevin’s death?
Regina: It was well into filming. I didn’t know where the story was going, or what was at the heart of it. I thought about the core journey; it couldn’t just be about hiring and firing band members. It had to be about what’s inside. I got down to the fact that Frankie was dealing with his loss, and a part of him having problems with these guys in the band is that they weren’t Kevin.
Did this process of filming bring you guys closer?
Frankie: It has because I know she’s got my back, but sometimes getting to that point was really hard to accept. I come from a background where we don’t share our emotions and feelings. Whatever is going on in the home stays at home. We don’t put anything out there, but when you make a movie like this, you have to put it out there. I’m not just putting it out there for her; I’m putting it out there for the world to see. I understand it. She did a phenomenal job, but it’s been a difficult process for me.
Regina: I didn’t know that I was going to expose his life and emotions so much. It wasn’t what he signed up for, and it was definitely a battle. It’s hard to be in a relationship with the person you’re most connected to, and you can’t really open up to them because they’re thinking, “how can I get this in the movie?” I wasn’t really that good of a girlfriend at that point, but we have become closer now that it’s done.
Frankie: In retrospect, I think it was easier to open up to Regina - even though the camera was her evil second head - because I trust and love her. In that regard, it was a lot easier to be honest and not put on a show with someone I didn’t know.
Regina: (To Frankie) You wouldn’t have talked openly with anyone else... He’s really private.
Frankie: Never. The camera was not in the equation. It was Regina and I talking. The camera just didn’t exist anymore. I would have never have said this, if I was conscious of the camera… We were at a shit gig and I said, “Welcome to nowhere.” That’s not the image I’m trying to show. The image that I’m trying to portray is that Quiet Riot is still on top. I would never have said that, if I had been aware of the camera. Therein lies the honesty of the film.
Regina has done a phenomenal job, in that she was able to capture the beginnings of the band, even going back and touching on its original history and legacy, to dealing with the death of Kevin, the band’s continuation and how we just don’t stop. She has managed to capture all of it.
Regina Russell’s solid and impressive directorial debut “Quiet Riot: Well Now You're Here, There's No Way Back" is a compelling journey into the history and heavy metal heart of legendary band Quiet Riot, and how the band’s drummer Frankie Banali picks up the pieces after losing his lead singer and lifelong best friend Kevin DuBrow to a drug overdose in 2007.
This film is an enthralling ride that seamlessly weaves rock and roll glamour, grit, humor and drama from start to finish, while transcending all subcultures and musical genres to expose the rawness of loss. It explores Banali’s personal challenges with anger and regret during his ongoing search to find the right singer who could help to keep the band’s legacy alive.
Although unforeseen in the production’s beginnings, Russell’s process as a filmmaker gives Banali the opportunity to process the death of his best friend and move on.
In a fascinating and candid conversation, Regina Russell and Frankie Banali share how they first met over thirty years ago, the gifts and challenges of making a film together while being in relationship, and the power of film to heal, through the scope of Banali’s personal experience:
How did you meet Frankie?
Regina: In 1983, I was still in high school and had braces on my teeth. I was this skinny little girl in South Carolina, and Quiet Riot, one of the biggest bands at the time, came to town. I had a friend who knew them, and she actually set us up. I was a kid, so he didn’t put the moves on me, but I hung out with him and went to three shows on their tour bus. For a high school girl who was playing their album from back to front until it wore out, that was a really thrilling time. I moved to New York, and didn’t see him again for twenty-seven years. We reconnected again in 2009.
So the idea of the film came long after you met?
Regina: We had been dating for about a year, and it was around that time when he said he was considering meeting with Kevin’s mother to get her blessing to go on with the band. I thought that sounded like a documentary, and he said “No! That’s going to be a lot of trouble,” but I talked him into it and started following him around with a camera.
Frankie: (Smiles) Yeah, she followed me around like I owed her money.
Did you want to make films prior to this?
Regina: I had been an actress for twenty something years, so I had learned how to make movies from being on film sets for my entire adult life. I had always wanted to make a documentary. I saw “Roger & Me”, and thought this is really my genre. I tried out a couple of things, but never had a good story. This sounded like such a great story.
(To Frankie) So you resisted the documentary at first?
Frankie: Being Sicilian, I don’t like people peering into my life. I don’t like being followed around, but after a while, I just ignored the camera. It was just something else that was in my office, in my car, or at a show. And I’m so committed to Quiet Riot, that I’m way too caught up to really pay attention to that. It was unimportant compared to the everyday functioning of the band and how do I get from point A to point B. After a while, it just didn’t exist anymore and I stopped caring that she was filming.
Did you use a lot of hidden cameras?
Regina: The band was hard to film, because they were either frozen or hamming it up. It was really hard to get them to be natural and just ignore the camera. The night of the show when Mark Huff had train wrecked (shown in the film), I knew they were going to have an argument in the dressing room. I setup the cameras while they were finishing the show, and stayed out of the room so they could have their argument without being guarded.
Frankie: Yeah, she got me on that one.
Regina: I had the camera turned on for some of the stuff filmed in his office, but would leave the red light off. He had no idea it was on.
Frankie (He says with a grin): Yeah, she’s sneaky. That’s why I have good attorneys… There’s stuff in the film that I didn’t know about until I actually saw it, stuff that happened long after I thought we were no longer filming; I’d blow up about something or make a cynical comment, and yeah, she got it.
How did the filming affect your relationship?
Regina: It was hard on our relationship. Imagine when something is going wrong, and he’s exploding and freaking out. I would have this look on my face, like, “Oh god, where’s my camera? How come he never says this stuff when I’m filming?” I always had that on my mind.
He would say, “Why do you always have that look on your face like you wish you could film this? Why can’t you be sympathetic to my situation???”
I just didn’t care, and I would say, “I’m sorry for what you’re going through, but I really wish I had my camera, because you don’t say this stuff when I’m filming. This is what I need for that spot…”
Did you ever expect the film would take four years to make?
Frankie: It just went on and on. It was a surprise to her, and even a bigger surprise to me. I didn’t hire the first singer we got just to fire him. It doesn’t make any sense. I didn’t hire the second singer just to fire him. That also doesn’t make any sense, but this is life. None of this was planned. It just kept going on and on, but this is the reality of the film.
Regina: When Mark Huff was new, Frankie asked, “If I fire him, is this going to fuck up your movie?” I said, “No, that’s just the story,” but I was thinking, “Yes, please don’t do that.” At that point he (Mark Huff) was train wrecking, but I was still trying to make a movie where there was a happy ending with him.
Frankie: I have a pretty good sense of individuals and their moods. I take into consideration what people say during the day, their mood, their body language, and I knew the days when he (Mark Huff) was going to suck. And those were the days that I didn’t want in the film. It’s not good for Quiet Riot.
I gave two different talented individuals the opportunity to walk into this situation, to stand on the stage with an iconic band, and sign the songs that Kevin DuBrow made famous. I gave them the opportunity, and they threw it away, so I had no remorse about it. They did it to themselves. They may blame me, because I’m the one who has to say, “You’re done” when they drop the ball. I spent over three decades of my professional life with this band. I’m not going to let anyone do anything less.
Things are great now. If there’s one regret that I have, it’s that I don’t have Kevin DuBrow. He’s my best friend. I am never going to have another best friend like that. I am not going to live long enough to have a friend like that again. That I will always regret, but do I regret Quiet Riot now? Absolutely not. I will not apologize for Quiet Riot going on. Absolutely not. Never have. Never will.
Did you experience any personal healing in the making of this film?
Frankie: Whether it was intentional or not, Regina forced me to deal with Kevin’s death. Before the film was all said and done, I can’t tell you how many mornings I would sit in my office and thought Kevin was calling when the phone started to ring. She made it possible for me to finally let go, not to stop missing Kevin, but to let go and accept the fact that he’s gone. He’s not coming back, and although he died because of his choices in life, I don’t fault him for that.
I will always regret that Kevin’s gone, but it’s out of my control. Regina helped me to accept the fact that he’s not coming back, and to enjoy what we had. There’s value in that. As expensive as this film has been, it’s definitely been cheaper than therapy.
I always go to visit Kevin on his birthday, not on the day that he died. I always celebrate his birthday. I don’t mark his death, and it was during the filming when his birthday rolled around. That was the first time that I could sit there and see it from a different perspective. I’m always going to miss him, but at least I can frame it into something that I can understand. Before, it was this illusive, foggy kind of thing that I couldn’t’ really get my hands on.
When did you realize that you were helping Frankie to face Kevin’s death?
Regina: It was well into filming. I didn’t know where the story was going, or what was at the heart of it. I thought about the core journey; it couldn’t just be about hiring and firing band members. It had to be about what’s inside. I got down to the fact that Frankie was dealing with his loss, and a part of him having problems with these guys in the band is that they weren’t Kevin.
Did this process of filming bring you guys closer?
Frankie: It has because I know she’s got my back, but sometimes getting to that point was really hard to accept. I come from a background where we don’t share our emotions and feelings. Whatever is going on in the home stays at home. We don’t put anything out there, but when you make a movie like this, you have to put it out there. I’m not just putting it out there for her; I’m putting it out there for the world to see. I understand it. She did a phenomenal job, but it’s been a difficult process for me.
Regina: I didn’t know that I was going to expose his life and emotions so much. It wasn’t what he signed up for, and it was definitely a battle. It’s hard to be in a relationship with the person you’re most connected to, and you can’t really open up to them because they’re thinking, “how can I get this in the movie?” I wasn’t really that good of a girlfriend at that point, but we have become closer now that it’s done.
Frankie: In retrospect, I think it was easier to open up to Regina - even though the camera was her evil second head - because I trust and love her. In that regard, it was a lot easier to be honest and not put on a show with someone I didn’t know.
Regina: (To Frankie) You wouldn’t have talked openly with anyone else... He’s really private.
Frankie: Never. The camera was not in the equation. It was Regina and I talking. The camera just didn’t exist anymore. I would have never have said this, if I was conscious of the camera… We were at a shit gig and I said, “Welcome to nowhere.” That’s not the image I’m trying to show. The image that I’m trying to portray is that Quiet Riot is still on top. I would never have said that, if I had been aware of the camera. Therein lies the honesty of the film.
Regina has done a phenomenal job, in that she was able to capture the beginnings of the band, even going back and touching on its original history and legacy, to dealing with the death of Kevin, the band’s continuation and how we just don’t stop. She has managed to capture all of it.
- 1/5/2015
- by Erin Grover
- Sydney's Buzz
Looks like Quiet Riot is back.
That's right, you heard me, Quiet Riot, the 1980s heavy metal band famous for their cover of Slade's "Cum On Feel The Noize," is back on tour and with new singer Mark Huff.
Check out the band's MySpace page to listen to a sampler of classic tunes they re-recorded with Huff on vocals. The sample track has "Cum On Feel The Noize," "Metal Health/Bang Your Head," and "Slick Black Cadillac," and I have to say, it sounds damn good. Also, below, you can watch a video of Huff performing "Metal Health/Bang Your Head" with Quiet Riot at a show they played last month in Denver.
Except for a one-year break-up between 2003 and 2004, Quiet Riot has still been making albums and touring all these years up until original singer Kevin Dubrow's death from an accidental overdose of cocaine in 2007 [...]...
That's right, you heard me, Quiet Riot, the 1980s heavy metal band famous for their cover of Slade's "Cum On Feel The Noize," is back on tour and with new singer Mark Huff.
Check out the band's MySpace page to listen to a sampler of classic tunes they re-recorded with Huff on vocals. The sample track has "Cum On Feel The Noize," "Metal Health/Bang Your Head," and "Slick Black Cadillac," and I have to say, it sounds damn good. Also, below, you can watch a video of Huff performing "Metal Health/Bang Your Head" with Quiet Riot at a show they played last month in Denver.
Except for a one-year break-up between 2003 and 2004, Quiet Riot has still been making albums and touring all these years up until original singer Kevin Dubrow's death from an accidental overdose of cocaine in 2007 [...]...
- 12/3/2010
- by Empress Eve
- Geeks of Doom
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