Inaugurated in 2021, the Annecy Residency program takes three selected projects on a six-month journey, beginning with a three-month script workshop before moving to Annecy’s Papeteries Image Factory for a similar bout of tailored mentorships and visual experimentation. At the end, the filmmakers launch their development titles at the MIFA market.
When directors Pierre Le Couviour and Amine El Ouarti brought their residency-honed title “Le Cœur à danser” to last year’s MIFA, they very quickly found an eager partner in French studio Vivement Lundi, teaming with the Rennes-based production house to develop the project even further. That extra work paid off, and when the World War I-set folktale returned to pitch at this year’s MIFA, the project broke out as a serious buzz title, inspiring immediate and ardent distributor attention before claiming two of the three top prizes for best feature pitch.
That’s just a single 2021 residency project.
When directors Pierre Le Couviour and Amine El Ouarti brought their residency-honed title “Le Cœur à danser” to last year’s MIFA, they very quickly found an eager partner in French studio Vivement Lundi, teaming with the Rennes-based production house to develop the project even further. That extra work paid off, and when the World War I-set folktale returned to pitch at this year’s MIFA, the project broke out as a serious buzz title, inspiring immediate and ardent distributor attention before claiming two of the three top prizes for best feature pitch.
That’s just a single 2021 residency project.
- 6/16/2022
- by Ben Croll
- Variety Film + TV
Andy Cabic was exploring the stacks in a Tower Records in Japan when he had an epiphany. The musician, who fronts the folk-rock band Vetiver, was on tour with Devendra Banhart in the mid-2000s when he walked into the store and found displays highlighting Japanese artists from the Seventies and Eighties, like Tatsuro Yamashita, Sugar Babe and Happy End. He spent the next few hours tucked in a listening booth, devouring this music that was at once totally new, yet somehow familiar. It sounded like American soft rock, Aor,...
- 5/2/2019
- by Jon Blistein
- Rollingstone.com
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