This past weekend (before 8:25 pm Saturday evening, if the comments on their Facebook page are accurate), Atom’s newest original series, Quitters, hit 100,000 views since the first episode premiered July 16. That’s no small feat in the increasingly crowded web series world, so I decided to check out the three episodes they have available for myself to see what makes the show tick. First off, the show is produced by Jamie Bullock of No Mimes Media. They are primarily known for their ARGs, but No Mimes seems to have a great handle on how to market their content on the web to not just create awareness, but actually bring the eyeballs to where they need them. One thing that has to help with that is the appearance of Jane Seymour as a regular. The show’s Facebook page is full of links to interviews that Jane has done where...
- 8/23/2010
- by Josh Weiss-Roessler
- Tubefilter.com
National Lampoon Films
There once was a time, many years ago, when the name National Lampoon in front of a movie would have indicated a certain level of humorous content.
Based on more recent output bearing the branding, funny no longer seems to be a prerequisite.
Witness National Lampoon Presents The Beach Party at the Threshold of Hell, an insufferably one-note, postapocalyptic "satire" set in the aftermath of the nuclear destruction of the U.S.
Written and directed by newcomer Kevin Wheatley, the slipshod production wears a smug smirk on its face as it piles on all the allusions to our founding fathers combined with Shakespeare, but there's precious little here, if anything, that would provoke laughter.
It's the end of the 21st century and the world as we know it, but rising from the ashes of an irradiated America are a handful of rebuilders, including Tex Kennedy Wheatley), who forges a campaign trail accompanied by a pair of robots (Chandler Parker, Paul Whitty).
Along the way they meet up with a female cannibal (Jamie Bullock), a deadly sea snake and a descendant of Fidel Castro, but apparently not a decent writer who could have made something remotely entertaining out of this waste of time that looks and sounds like it made it all up as it went along.
While it's being released in theaters with a bloodshot eye toward the college crowd, this would-be midnight movie should have beaten a path directly to video, where it could have partied next to forsaken copies of "National Lampoon Presents Dorm Daze" and "National Lampoon's Van Wilder: The Rise of Taj."...
There once was a time, many years ago, when the name National Lampoon in front of a movie would have indicated a certain level of humorous content.
Based on more recent output bearing the branding, funny no longer seems to be a prerequisite.
Witness National Lampoon Presents The Beach Party at the Threshold of Hell, an insufferably one-note, postapocalyptic "satire" set in the aftermath of the nuclear destruction of the U.S.
Written and directed by newcomer Kevin Wheatley, the slipshod production wears a smug smirk on its face as it piles on all the allusions to our founding fathers combined with Shakespeare, but there's precious little here, if anything, that would provoke laughter.
It's the end of the 21st century and the world as we know it, but rising from the ashes of an irradiated America are a handful of rebuilders, including Tex Kennedy Wheatley), who forges a campaign trail accompanied by a pair of robots (Chandler Parker, Paul Whitty).
Along the way they meet up with a female cannibal (Jamie Bullock), a deadly sea snake and a descendant of Fidel Castro, but apparently not a decent writer who could have made something remotely entertaining out of this waste of time that looks and sounds like it made it all up as it went along.
While it's being released in theaters with a bloodshot eye toward the college crowd, this would-be midnight movie should have beaten a path directly to video, where it could have partied next to forsaken copies of "National Lampoon Presents Dorm Daze" and "National Lampoon's Van Wilder: The Rise of Taj."...
- 10/19/2007
- The Hollywood Reporter - Movie News
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