Each year the Guadalajara Film Festival (Ficg) invites a crop of the most exciting projects from around Latin America to participate in its Co-Production Meetings. This year, organizers are excited to welcome back in-person visitors for its rescheduled 17th edition of the event, where teams representing 24 feature film projects will meet with potential partners, financing organizations, sales agents and more.
Below, a look at this year’s participating projects.
“Animals,”
From Waissbluth, whose enterprising 2016 “A Horse Called Elephant” marked a rare Southern American movie play for family ads. Billed as a near-future dark dramedy, his latest pictures a world where animal rights begin to be widespread and upheld by law.
“The Bad Mother,”
Victoria, a successful journalist, decides to have a baby, regrets it later, which plunges her into depression.She writes a book, “The Bad Mother,” which creates a movement. A horror drama marking the director’s first feature.
Below, a look at this year’s participating projects.
“Animals,”
From Waissbluth, whose enterprising 2016 “A Horse Called Elephant” marked a rare Southern American movie play for family ads. Billed as a near-future dark dramedy, his latest pictures a world where animal rights begin to be widespread and upheld by law.
“The Bad Mother,”
Victoria, a successful journalist, decides to have a baby, regrets it later, which plunges her into depression.She writes a book, “The Bad Mother,” which creates a movement. A horror drama marking the director’s first feature.
- 10/1/2021
- by John Hopewell, Jamie Lang and Anna Marie de la Fuente
- Variety Film + TV
Chile’s Santiago International Film Festival (Sanfic), which is preparing for its rescheduled, entirely digital industry section which will run March 18-25, ahead of its traditional in-person festival, scheduled for August, has revealed the projects’ lineup for its Santiago Lab Fiction, Documentary and Series sections.
Sanfic’s brand new Series Lab, headed by Agustina Lumi and Alejandra Marano, has selected six Chilean productions or co-productions representative of the region’s impressive push into original TV production with the legs to travel to international broadcasters and platforms – see Fabula’s Amazon Prime Video pickup “La Jauria” or Germany-Chile co-production “Dignity” for German platform Joyn.
Santiago Series Lab is highlighted by Kathy Harder’s “Silver Bridges,” from “Invisible Heroes” producers Parox. The series was first announced at MipCancun 2018 and dramatizes the origins of Chile’s cocaine trade. Another standout can be found in International Emmy winner Hernán Caffiero’s “Anonymous Voices,” produced by Btf Media.
Sanfic’s brand new Series Lab, headed by Agustina Lumi and Alejandra Marano, has selected six Chilean productions or co-productions representative of the region’s impressive push into original TV production with the legs to travel to international broadcasters and platforms – see Fabula’s Amazon Prime Video pickup “La Jauria” or Germany-Chile co-production “Dignity” for German platform Joyn.
Santiago Series Lab is highlighted by Kathy Harder’s “Silver Bridges,” from “Invisible Heroes” producers Parox. The series was first announced at MipCancun 2018 and dramatizes the origins of Chile’s cocaine trade. Another standout can be found in International Emmy winner Hernán Caffiero’s “Anonymous Voices,” produced by Btf Media.
- 3/5/2021
- by Jamie Lang
- Variety Film + TV
Pamplona, Spain — Now in post-production on HBO Latin America’s action horror thriller “Mil Colmillos,” one of the biggest series the pay TV operator has made out of Latin America, Colombia’s Rhayuela is advancing on development of two new TV dramas:“Agencia de Detectives” and “Casting.”
Set in an unidentified Latin American country, and based on an original idea by Rhayuela founder and partner José Luis Rugeles, whose “Alias, María,” world premiered at the Cannes Festival’s Un Certain Regard in 2015, comedy series “Agencia de detectives” is set in a contemporary world, turning on “two gumshoes who get into all sorts of problems,” Rhayuela producer Federico Durán told Variety at Conecta Fiction.
The series revisits the world of private eyes, film noir, but with a strong lacing of black comedy, he added. Regular is currently developing the series with co-screenwriter Alberto Quiroga. Rhayuela aims to structure the series as a co-production with Mexico.
Set in an unidentified Latin American country, and based on an original idea by Rhayuela founder and partner José Luis Rugeles, whose “Alias, María,” world premiered at the Cannes Festival’s Un Certain Regard in 2015, comedy series “Agencia de detectives” is set in a contemporary world, turning on “two gumshoes who get into all sorts of problems,” Rhayuela producer Federico Durán told Variety at Conecta Fiction.
The series revisits the world of private eyes, film noir, but with a strong lacing of black comedy, he added. Regular is currently developing the series with co-screenwriter Alberto Quiroga. Rhayuela aims to structure the series as a co-production with Mexico.
- 6/24/2019
- by John Hopewell
- Variety Film + TV
Children’s and Family films often get short shrift from the professional film community. They are shunted to a special section. But at some festivals, they get their due. Panama International Film Festival is one of Latin America’s best stages to show these films.
Read More: Panama: The Next Big Country for Latin American Films?
Andrés Waissbluth’s "Elephant, the Horse" is inspired by the lives of Lalo and Roberto Parra. 80’, Chile/Mexico/Colombia, 2016. World Premiere.
Lalo wants nothing more than to grow up to be a valiant adventurer, just like his grandfather was. Grandpa who is on his deathbed—for the third time— charges Lalo and his brother Roberto with a task of great importance: the boys must promise to look after Grandpa’s beloved horse Elephant, that has been abducted by a traveling circus. Lalo and Roberto set out to rescue Elephant, but wind up involved in an even bigger quest than either could have imagined. Blending live-action with an alluring animation style that resembles a comic book come to life, “Elephant, the Horse” is fun, suspenseful, and light-hearted even when dealing with more serious plot developments. Chilean-American director Andrés Waissbluth’s delightful third feature fuses fantasy with stories taken from the childhoods of Lalo and Roberto Parra, the brothers of Chile’s legendary singer Violeta Parra.
Read More: How 'Boy and the World' Ale Abreu Handcrafted His Heartfelt Dazzling Animated Masterpiece
“Caroline and the Magic Potion” is Virginia Curiá’s feature debut. Brazil/Spain, 78’, 2015. Isa: Latido. USA: Viva.
Everyone in the neighborhood turns to Caroline’s grandmother for sure-fire home remedies. But for Caroline, being a healer’s apprentice, learning about what cream to apply to what allergy, can get dull. Caroline is a restless girl. She would rather fly through the air than fiddle with herbs—and she gets her chance to do just that when she discovers a magic potion amongst her granny’s cache of cures. As it happens, Caroline starts to master her new power just in time: a nefarious cosmetic company has kidnapped Granny with the hope of stealing her recipes. With her umbrella-turned-flying broomstick and mischievous pet cat in tow, Caroline is determined to come to the rescue. Fun, witty and bursting with surprises, “Caroline and the Magic Potion” is an animated adventure set in a rapidly changing world, where witchy powers and high-tech gizmos come into conflict, but in the end it’s a combination of smarts, courage and love that provide our heroine with her best chance at defeating her foes. “Caroline and the Magic Potion” is Galician Virginia Curiá’s feature debut.
Read More: Why Ale Abreu's Sublime 'Boy and the World' is the Best Animated Film of the Year
“Boy & the World” by Alê Abreu was an Oscar-Nominee this year for Best Animated Feature Film Brazil, 80’, 2013. Isa: Elo. USA: GKIds
Nominated for Best Animated Feature Film at the 88th Academy Awards, Alê Abreu’s “Boy & the World” will be screened at Iff Panama’s Family Corner. This dialogue-free, picaresque film about a country boy searching for his father fuses endearingly primitive, crayon-like visual elements with highly sophisticated imagery. Equal parts dread and wonder, Alê Abreu’s powerful feature warns against the corruption and contamination that threaten our world while retaining a stubborn belief in some fundamental goodness that can keep our hope alive.
Read More: Panama: The Next Big Country for Latin American Films?
Andrés Waissbluth’s "Elephant, the Horse" is inspired by the lives of Lalo and Roberto Parra. 80’, Chile/Mexico/Colombia, 2016. World Premiere.
Lalo wants nothing more than to grow up to be a valiant adventurer, just like his grandfather was. Grandpa who is on his deathbed—for the third time— charges Lalo and his brother Roberto with a task of great importance: the boys must promise to look after Grandpa’s beloved horse Elephant, that has been abducted by a traveling circus. Lalo and Roberto set out to rescue Elephant, but wind up involved in an even bigger quest than either could have imagined. Blending live-action with an alluring animation style that resembles a comic book come to life, “Elephant, the Horse” is fun, suspenseful, and light-hearted even when dealing with more serious plot developments. Chilean-American director Andrés Waissbluth’s delightful third feature fuses fantasy with stories taken from the childhoods of Lalo and Roberto Parra, the brothers of Chile’s legendary singer Violeta Parra.
Read More: How 'Boy and the World' Ale Abreu Handcrafted His Heartfelt Dazzling Animated Masterpiece
“Caroline and the Magic Potion” is Virginia Curiá’s feature debut. Brazil/Spain, 78’, 2015. Isa: Latido. USA: Viva.
Everyone in the neighborhood turns to Caroline’s grandmother for sure-fire home remedies. But for Caroline, being a healer’s apprentice, learning about what cream to apply to what allergy, can get dull. Caroline is a restless girl. She would rather fly through the air than fiddle with herbs—and she gets her chance to do just that when she discovers a magic potion amongst her granny’s cache of cures. As it happens, Caroline starts to master her new power just in time: a nefarious cosmetic company has kidnapped Granny with the hope of stealing her recipes. With her umbrella-turned-flying broomstick and mischievous pet cat in tow, Caroline is determined to come to the rescue. Fun, witty and bursting with surprises, “Caroline and the Magic Potion” is an animated adventure set in a rapidly changing world, where witchy powers and high-tech gizmos come into conflict, but in the end it’s a combination of smarts, courage and love that provide our heroine with her best chance at defeating her foes. “Caroline and the Magic Potion” is Galician Virginia Curiá’s feature debut.
Read More: Why Ale Abreu's Sublime 'Boy and the World' is the Best Animated Film of the Year
“Boy & the World” by Alê Abreu was an Oscar-Nominee this year for Best Animated Feature Film Brazil, 80’, 2013. Isa: Elo. USA: GKIds
Nominated for Best Animated Feature Film at the 88th Academy Awards, Alê Abreu’s “Boy & the World” will be screened at Iff Panama’s Family Corner. This dialogue-free, picaresque film about a country boy searching for his father fuses endearingly primitive, crayon-like visual elements with highly sophisticated imagery. Equal parts dread and wonder, Alê Abreu’s powerful feature warns against the corruption and contamination that threaten our world while retaining a stubborn belief in some fundamental goodness that can keep our hope alive.
- 4/1/2016
- by Sydney Levine
- Sydney's Buzz
Lorenzo Vigas’ Venice Golden Lion winner From Afar and César Augusto Acevedo’s Cannes Critics Week France 4 Visionary Award winner Land And Shade will screen at the International Film Festival of Panama.
Both selections will play in the Ibero American Showcase under the auspices of Iff Panama 2016, which runs from April 7-13.
Italian actress Lucía Bosé will be guest of honour at the festival’s fifth edition when three of films will screen — Death Of A Cyclist, Story Of A Love Affair, and No Peace Under The Olive Tree. High Heels will screen in special presentation.
Ibero American Showcase entries include Anna Muylaert’s Brazilian foreign language Oscar submission My Second Mother, Álex de la Iglesia’s My Big Night (Spain), 3 Beauties (Venezuela) by Carlos Caridad-Montero, and Spy Time (Spain) by Javier Ruiz Caldera.
Rounding out the section are: The Apostate (Spain-France-Uruguay) by Federico Veiroj; Road To La Paz (Argentina) by Francisco Varone; Semana Santa (Mexico) by [link...
Both selections will play in the Ibero American Showcase under the auspices of Iff Panama 2016, which runs from April 7-13.
Italian actress Lucía Bosé will be guest of honour at the festival’s fifth edition when three of films will screen — Death Of A Cyclist, Story Of A Love Affair, and No Peace Under The Olive Tree. High Heels will screen in special presentation.
Ibero American Showcase entries include Anna Muylaert’s Brazilian foreign language Oscar submission My Second Mother, Álex de la Iglesia’s My Big Night (Spain), 3 Beauties (Venezuela) by Carlos Caridad-Montero, and Spy Time (Spain) by Javier Ruiz Caldera.
Rounding out the section are: The Apostate (Spain-France-Uruguay) by Federico Veiroj; Road To La Paz (Argentina) by Francisco Varone; Semana Santa (Mexico) by [link...
- 3/23/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Year: 2009
Directors: Andrés Waissbluth
Writers: Andrés Waissbluth & Nona Fernández & Cristián Jiménez & Marcelo Leonart
IMDb: link
Trailer: link
Review by: projectcyclops
Rating: 7.5 out of 10
Andrés Waissbluth's film centers on a group of depressed middle-class intellectuals living in Barcelona. Tomas works in publishing and his wife, Helena, is suffering after the recent death of her little brother Milo, who was swimming on holiday with his girlfriend Sandra when he drowned. After a posthumous postcard arrives from Milo, it throws Helena deeper into her funk, and it's only when Sandra arrives unannounced at their doorstep, that the couple begin to take stock of their lives, and look at what's making them so unhappy. A plethora of European art-house erotica follows, as a love triangle forms between these strange characters.
Jordi is one of Tomas' clients, an author whose book '199 Tips to Be Happy' is due to be published, although his preferred...
Directors: Andrés Waissbluth
Writers: Andrés Waissbluth & Nona Fernández & Cristián Jiménez & Marcelo Leonart
IMDb: link
Trailer: link
Review by: projectcyclops
Rating: 7.5 out of 10
Andrés Waissbluth's film centers on a group of depressed middle-class intellectuals living in Barcelona. Tomas works in publishing and his wife, Helena, is suffering after the recent death of her little brother Milo, who was swimming on holiday with his girlfriend Sandra when he drowned. After a posthumous postcard arrives from Milo, it throws Helena deeper into her funk, and it's only when Sandra arrives unannounced at their doorstep, that the couple begin to take stock of their lives, and look at what's making them so unhappy. A plethora of European art-house erotica follows, as a love triangle forms between these strange characters.
Jordi is one of Tomas' clients, an author whose book '199 Tips to Be Happy' is due to be published, although his preferred...
- 11/24/2009
- QuietEarth.us
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