From the moment that Thomas Salvador’s The Mountain opens on robotic engineer Pierre (Salvador) standing in his modern Paris apartment sipping a morning espresso, we understand him to be a man unmoored. At work, as his attention trails off in the midst of a presentation, he seems every bit as lost as the stray deer that he later notices roaming the empty streets of a mountainside town. Throughout the film, Pierre will often stare off into the distance, as if looking for something—but good luck figuring out what that actually is.
The Mountain tracks Pierre’s day-to-day life of self-isolation with dry precision after he travels into the Alps for his work and decides to turn his back on his life in the city for good. But whatever motivation underpins his decision is as nebulous as the clouds over the mountains, as Salvador frustratingly never offers a concrete...
The Mountain tracks Pierre’s day-to-day life of self-isolation with dry precision after he travels into the Alps for his work and decides to turn his back on his life in the city for good. But whatever motivation underpins his decision is as nebulous as the clouds over the mountains, as Salvador frustratingly never offers a concrete...
- 8/27/2023
- by Greg Nussen
- Slant Magazine
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