The Beautiful Summer (La Bella Estate) lives up to its title: The screen is alive with the sensual glow of balmy days and nights — and, specifically, with the youthful giddiness that the warmest season rouses. In the uneven period drama, a country girl starts to make her way in the big city and is drawn into a bohemian circle, intrigued by the impetuous painters who turn out to be cads and especially by a free-spirited, sad-eyed model. The romance at the movie’s core doesn’t deliver the intended emotional impact, but there’s a tender, potent resonance to other aspects of the story.
“Freely inspired” by the 1940 novel of the same name by Cesare Pavese, the third feature from writer-director Laura Luchetti (Twin Flower) sometimes slides into cliché or loses momentum, but it also offers some sharp coming-of-age observations and a delectable physicality, and it’s anchored by the...
“Freely inspired” by the 1940 novel of the same name by Cesare Pavese, the third feature from writer-director Laura Luchetti (Twin Flower) sometimes slides into cliché or loses momentum, but it also offers some sharp coming-of-age observations and a delectable physicality, and it’s anchored by the...
- 8/4/2023
- by Sheri Linden
- The Hollywood Reporter - Movie News
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