Fauda is a series created by Lior Raz and Avi Issacharoff. With Lior Raz, Hisham Suliman and Shadi Mar’i. You can watch the fourth season starting January 20 on Netflix.
Fauda in its fourth season in a mix of action, political thriller and the (evident) touch of social conflict. Beyond the evident confrontation (this is not a product about politics), this is a very entertaining series that has rhythm and intelligence and has known how to captivate the viewer with its complex plot, it elaborate characters and above all, its frenetic rhythm and elaborate construction in the parallel stories that have known how to reach an audience seeking big thrills.
This is a great success and excellent entertainment. The action scenes are very elaborate.
This season is just as good as the past ones: more of the same, more than one expects have made Fauda a phenomenon worth watching.
Storyline
A...
Fauda in its fourth season in a mix of action, political thriller and the (evident) touch of social conflict. Beyond the evident confrontation (this is not a product about politics), this is a very entertaining series that has rhythm and intelligence and has known how to captivate the viewer with its complex plot, it elaborate characters and above all, its frenetic rhythm and elaborate construction in the parallel stories that have known how to reach an audience seeking big thrills.
This is a great success and excellent entertainment. The action scenes are very elaborate.
This season is just as good as the past ones: more of the same, more than one expects have made Fauda a phenomenon worth watching.
Storyline
A...
- 1/20/2023
- by Veronica Loop
- Martin Cid - TV
Exclusive: A+E Studios/Ananey Studios’ supernatural thriller series The Malevolent Bride has set cast and commenced production in Israel, with Valley of Tears’ Tom Avni and Her Dance’s Lioz Levy playing the leads.
The show from Our Boys creator and Fauda writer Noah Stollman will air on Israel’s Kan 11 later this year, with A+E taking distribution rights in the rest of the world. The Malevolent Bride is the first co-production between A+E and Israeli studio Ananey.
Joining Avni and Levy are Maya Wertheimer (Shababnikim), Hisham Suliman (Fauda), Dar Zuzovsky (The Greenhouse), Esti Zakheim (The Commune), Shai Avivi (Pillars of Smoke), Lir Katz (Shababnikim), Adi Gilat (The Arbitrator) and Elisha Banai (Fullmoon).
The eight-part modern supernatural thriller, which commences production this week, follows the hunt for a vengeful spirit terrorizing an unsuspecting Hasidic community in present-day Jerusalem. A pair of unlikely demon-hunters – Hasidic psychologist Malki Price...
The show from Our Boys creator and Fauda writer Noah Stollman will air on Israel’s Kan 11 later this year, with A+E taking distribution rights in the rest of the world. The Malevolent Bride is the first co-production between A+E and Israeli studio Ananey.
Joining Avni and Levy are Maya Wertheimer (Shababnikim), Hisham Suliman (Fauda), Dar Zuzovsky (The Greenhouse), Esti Zakheim (The Commune), Shai Avivi (Pillars of Smoke), Lir Katz (Shababnikim), Adi Gilat (The Arbitrator) and Elisha Banai (Fullmoon).
The eight-part modern supernatural thriller, which commences production this week, follows the hunt for a vengeful spirit terrorizing an unsuspecting Hasidic community in present-day Jerusalem. A pair of unlikely demon-hunters – Hasidic psychologist Malki Price...
- 1/5/2022
- by Max Goldbart
- Deadline Film + TV
Club Fattoush is a real-life bar and arts space in the Israeli port city of Haifa: a kind of bohemian, liberal-minded gathering point for a broad array of residents, be they Israeli or Palestinian, Jewish or Arabic, gay or straight, and so on. Veteran Haifa-born filmmaker Amos Gitai is sufficiently enamored of the venue to have made a feature-length fictional celebration of its diversity and cultural import. Enter “Laila in Haifa,” a spaghetti pile of connected and disconnected narrative strands, revolving around a series of Fattoush employees and patrons over a single evening of business. It’s enough to convince you to drop into the place should you ever find yourself in town: It’d almost certainly offer a better time than “Laila in Haifa,” which, for all its good intentions and social interests, is among Gitai’s most listless films, not even propped up by his usual formal rigor.
- 9/8/2020
- by Guy Lodge
- Variety Film + TV
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