The Creator won big at the 22nd annual Visual Effects Society Awards Wednesday night.
The awards were handed out during a ceremony, hosted by actor-comedian Jay Pharoah, at the Beverly Hilton in Los Angeles.
The Creator took home five awards in the feature competition, including outstanding visual effects in a photoreal feature. The Last of Us was also a top winner in the series categories, scoring four awards, and Spider-Man: Across the Spider-Verse led the animation competition with four wins.
Other winners of the night included Guardians of the Galaxy Vol. 3, Oppenheimer, Nyad, The Mandalorian and The Flash.
It was previously announced that producer Joyce Cox, who produced VFX on movies including Avatar and The Dark Knight, received the Society’s Lifetime Achievement Award during the ceremony.
Actor-producer-director William Shatner was also previously revealed as the recipient of the award for Creative Excellence in “recognition of his valuable contributions...
The awards were handed out during a ceremony, hosted by actor-comedian Jay Pharoah, at the Beverly Hilton in Los Angeles.
The Creator took home five awards in the feature competition, including outstanding visual effects in a photoreal feature. The Last of Us was also a top winner in the series categories, scoring four awards, and Spider-Man: Across the Spider-Verse led the animation competition with four wins.
Other winners of the night included Guardians of the Galaxy Vol. 3, Oppenheimer, Nyad, The Mandalorian and The Flash.
It was previously announced that producer Joyce Cox, who produced VFX on movies including Avatar and The Dark Knight, received the Society’s Lifetime Achievement Award during the ceremony.
Actor-producer-director William Shatner was also previously revealed as the recipient of the award for Creative Excellence in “recognition of his valuable contributions...
- 2/22/2024
- by Carly Thomas
- The Hollywood Reporter - Movie News
Gareth Edwards’ “The Creator” was the big winner at the 22nd Visual Effects Society Awards (held February 21 at the Beverly Hilton Hotel). The AI-themed, sci-fi actioner earned five awards, including the top photoreal feature VFX prize. The other awards were for modeling (Nomad), created environment (Floating Village), effects simulations, and compositing & lighting (Bar).
“The Creator” utilized an innovative streamlining process in post, in which Ilm designed and placed the naturalistic VFX over the actors playing AI simulants and the photographic plates as set extensions. This made the $80 million indie look like a $200 million blockbuster, with director Edwards shooting the entire film guerilla-style in 80 locations throughout Southeast Asia as the primary camera operator with a small crew and natural light.
Meanwhile, “Spider-Man: Across the Spider-Verse,” the animated feature Oscar favorite (snubbed by the Academy’s VFX branch), took home four awards, including the top animated VFX prize. Sony Pictures Imageworks innovated...
“The Creator” utilized an innovative streamlining process in post, in which Ilm designed and placed the naturalistic VFX over the actors playing AI simulants and the photographic plates as set extensions. This made the $80 million indie look like a $200 million blockbuster, with director Edwards shooting the entire film guerilla-style in 80 locations throughout Southeast Asia as the primary camera operator with a small crew and natural light.
Meanwhile, “Spider-Man: Across the Spider-Verse,” the animated feature Oscar favorite (snubbed by the Academy’s VFX branch), took home four awards, including the top animated VFX prize. Sony Pictures Imageworks innovated...
- 2/22/2024
- by Bill Desowitz
- Indiewire
As had been generally expected, Gareth Edwards’ futuristic sci-fi film “The Creator” proved to be the favorite among visual effects practitioners. The film topped the feature competition at the 22nd Visual Effects Society Awards, claiming five wins including one in the leading category for outstanding VFX in a photoreal feature.
Wednesday night at the Beverly Hilton, it also won the categories for created environment, model, compositing and lighting and effects simulations. Also, in the feature competition, “Guardians of the Galaxy Vol. 3” collected two awards for the digital character (the emotive Rocket) and virtual cinematography. “Oppenheimer” grabbed the trophy for practical effects, and “Nyad” took home the award for supporting VFX. Sony Pictures Animation’s “Spider-Man: Across the Spider-Verse” was the big winner among the animated features, collecting four awards.
“The Creator,” whose VFX was led by Industrial Light + Magic, and Guardians 3, whose work was shared by roughly 10 VFX companies,...
Wednesday night at the Beverly Hilton, it also won the categories for created environment, model, compositing and lighting and effects simulations. Also, in the feature competition, “Guardians of the Galaxy Vol. 3” collected two awards for the digital character (the emotive Rocket) and virtual cinematography. “Oppenheimer” grabbed the trophy for practical effects, and “Nyad” took home the award for supporting VFX. Sony Pictures Animation’s “Spider-Man: Across the Spider-Verse” was the big winner among the animated features, collecting four awards.
“The Creator,” whose VFX was led by Industrial Light + Magic, and Guardians 3, whose work was shared by roughly 10 VFX companies,...
- 2/22/2024
- by Carolyn Giardina and Diego Ramos Bechara
- Variety Film + TV
Exclusive: UK-based VFX and animation company Jellyfish Pictures has appointed Archie Donato as Managing Director of Animation.
Donato, who previously served as Creative Director of Animation at Jellyfish Pictures, has over 30 years of experience within the industry, 17 of which were spent at DreamWorks Animation. During his career, he has worked on film franchises such as Star Wars, Terminator, Godzilla, and Kung Fu Panda, with his most recent credits as VFX Supervisor on the Emmy-winning Entergalactic and multi-Annie award-nominated Nimona.
In his new role, Donato will lead the senior creative, production, and operation teams across all Jellyfish Pictures animation productions to deliver “artistic excellence and drive creative innovation.” Donato succeeds Natalie Llewellyn, who will also be taking on a new leadership role as Managing Director for Jellyfish Originals.
“It’s an exciting time within our business for Archie to be stepping up into this new role. Archie’s considerable industry...
Donato, who previously served as Creative Director of Animation at Jellyfish Pictures, has over 30 years of experience within the industry, 17 of which were spent at DreamWorks Animation. During his career, he has worked on film franchises such as Star Wars, Terminator, Godzilla, and Kung Fu Panda, with his most recent credits as VFX Supervisor on the Emmy-winning Entergalactic and multi-Annie award-nominated Nimona.
In his new role, Donato will lead the senior creative, production, and operation teams across all Jellyfish Pictures animation productions to deliver “artistic excellence and drive creative innovation.” Donato succeeds Natalie Llewellyn, who will also be taking on a new leadership role as Managing Director for Jellyfish Originals.
“It’s an exciting time within our business for Archie to be stepping up into this new role. Archie’s considerable industry...
- 1/23/2024
- by Zac Ntim
- Deadline Film + TV
“Oppenheimer,” “Spider-Man: Across the Spider-Verse” and “The Last of Us” are among the nominees for the Visual Effects Society (Ves) Awards.
Gareth Edwards’ “The Creator” leads the feature film field with seven nominations. “Spider-Man: Across the Spider-Verse” is the top animated contender with seven nominations and 24-time Emmy-nominated drama “The Last of Us” leads the episodic field with six nominations.
“The artistry, ingenuity and passion of visual effects practitioners around the world have come together to create remarkable imagery,” Ves chair Kim Davidson said. “We are seeing best-in-class work that elevates the art of storytelling and exemplifies the spirit of innovation. The Ves Awards is the only venue that showcases and honors these outstanding artists across a wide range of disciplines, and we are extremely proud of our nominees.”
The Ves is a global honorary society dedicated to “advancing the arts, sciences and applications of visual effects and to upholding...
Gareth Edwards’ “The Creator” leads the feature film field with seven nominations. “Spider-Man: Across the Spider-Verse” is the top animated contender with seven nominations and 24-time Emmy-nominated drama “The Last of Us” leads the episodic field with six nominations.
“The artistry, ingenuity and passion of visual effects practitioners around the world have come together to create remarkable imagery,” Ves chair Kim Davidson said. “We are seeing best-in-class work that elevates the art of storytelling and exemplifies the spirit of innovation. The Ves Awards is the only venue that showcases and honors these outstanding artists across a wide range of disciplines, and we are extremely proud of our nominees.”
The Ves is a global honorary society dedicated to “advancing the arts, sciences and applications of visual effects and to upholding...
- 1/16/2024
- by Diego Ramos Bechara
- Variety Film + TV
The Visual Effects Society has composited the nominees for its 22nd annual Ves Awards, which will be handed out next month. Disney’s The Creator and Sony’s Spider-Man: Across the Spider-Verse lead the field with seven noms apiece, and HBO’s The Last of Us tops TV with six. See the full list below.
The annual Ves Awards will be handed out during the group’s 22nd annual ceremony February 21 at the Beverly Hilton. They recognize outstanding visual effects artistry and innovation in 25 categories spanning features, animation, television, commercials and video games and the VFX supervisors, VFX producers and hands-on artists who bring this work to life.
“The artistry, ingenuity and passion of visual effects practitioners around the world have come together to create remarkable imagery,” said Kim Davidson, newly elected Ves Chair. “We are seeing best-in-class work that elevates the art of storytelling and exemplifies the spirit of innovation.
The annual Ves Awards will be handed out during the group’s 22nd annual ceremony February 21 at the Beverly Hilton. They recognize outstanding visual effects artistry and innovation in 25 categories spanning features, animation, television, commercials and video games and the VFX supervisors, VFX producers and hands-on artists who bring this work to life.
“The artistry, ingenuity and passion of visual effects practitioners around the world have come together to create remarkable imagery,” said Kim Davidson, newly elected Ves Chair. “We are seeing best-in-class work that elevates the art of storytelling and exemplifies the spirit of innovation.
- 1/16/2024
- by Erik Pedersen
- Deadline Film + TV
The Spider-Society has webbed in a few honors. The Visual Effects Society has announced their nominations for the 22nd annual Ves Awards, with “Spider-Man: Across the Spider-Verse” leading the pack.
Held every winter, the Ves Awards honor the best achievements in visual effects artistry over the previous calendar year, with VFX professionals in film, television, video games, and commercials receiving recognition. Nominees in 25 categories are selected by Ves members through a process of 39 in-person and virtual nomination events, held worldwide and conducted during a 36-hour period. A minimum of three judging panels review each submission for the awards, looking at “Before and Afters” for each prospective nominee. Ves judging panels this year included members of the society from 25 different countries.
“Spider-Man: Across the Spider-Verse” was the top animated film to receive nominations this year, gaining seven nominations including Outstanding Effects in an Animated Feature and specific nods for modeling, character animation,...
Held every winter, the Ves Awards honor the best achievements in visual effects artistry over the previous calendar year, with VFX professionals in film, television, video games, and commercials receiving recognition. Nominees in 25 categories are selected by Ves members through a process of 39 in-person and virtual nomination events, held worldwide and conducted during a 36-hour period. A minimum of three judging panels review each submission for the awards, looking at “Before and Afters” for each prospective nominee. Ves judging panels this year included members of the society from 25 different countries.
“Spider-Man: Across the Spider-Verse” was the top animated film to receive nominations this year, gaining seven nominations including Outstanding Effects in an Animated Feature and specific nods for modeling, character animation,...
- 1/16/2024
- by Wilson Chapman
- Indiewire
Since the first Academy Award for Best Animated Feature was awarded in 2002 to DreamWorks’ Shrek, the animation industry has made incredible strides. This awards season, such films are pushing the boundaries of what animation can be, and VFX plays a huge part in infusing new artistic styles into every frame.
Spider-Man: Across the Spider-Verse pushed the animated comic book style of the 2018 film even further with six new, distinct worlds and a visually complex villain. Nimona eschews depth of field for “depth of detail” to give a graphic-novel quality to its medieval future. Teenage Mutant Ninja Turtles: Mutant Mayhem integrates 2D elements in a 3D space to fight against the clean CG look.
Spider-Man: Across the Spider-Verse
Spider-Man: Into the Spider-Verse amazed everyone in 2018 with an interpretation of animated comics, and set a bar for what animation could look like. Spider-Man: Across the Spider-Verse exceeded expectations with the introduction of six new worlds,...
Spider-Man: Across the Spider-Verse pushed the animated comic book style of the 2018 film even further with six new, distinct worlds and a visually complex villain. Nimona eschews depth of field for “depth of detail” to give a graphic-novel quality to its medieval future. Teenage Mutant Ninja Turtles: Mutant Mayhem integrates 2D elements in a 3D space to fight against the clean CG look.
Spider-Man: Across the Spider-Verse
Spider-Man: Into the Spider-Verse amazed everyone in 2018 with an interpretation of animated comics, and set a bar for what animation could look like. Spider-Man: Across the Spider-Verse exceeded expectations with the introduction of six new worlds,...
- 12/23/2023
- by Ryan Fleming
- Deadline Film + TV
[Editor’s note: The following interview contains spoilers for “Nimona.”]
Netflix’s “Nimona” (now streaming) represents the latest post “Spider-Verse” animated breakthrough in handmade-looking 2D stylization. The twist here was creating a futuristic medieval fantasy that mixes “Sleeping Beauty” with “Blade Runner.” Fortunately, Dneg Animation (“Entergalactic”) answered the Sos after the trouble-plagued adaptation of Nd Stevenson’s queer graphic novel about the titular teen shapeshifter (Chloë Grace Moretz) came back from the dead. That’s because Annapurna Animation and the streamer rescued the Blue Sky feature after Disney shuttered the Fox-owned animation studio in 2021.
“We obviously followed it really closely, what happened to Blue Sky,” Dneg VFX supervisor Archie Donato told IndieWire. “We knew that they were shutting down. It was all over media and everything, so it was incredibly heartbreaking because we had many, many friends working there. We actually hired a lot of their animators and people in lighting and compositing and other departments. So we managed...
Netflix’s “Nimona” (now streaming) represents the latest post “Spider-Verse” animated breakthrough in handmade-looking 2D stylization. The twist here was creating a futuristic medieval fantasy that mixes “Sleeping Beauty” with “Blade Runner.” Fortunately, Dneg Animation (“Entergalactic”) answered the Sos after the trouble-plagued adaptation of Nd Stevenson’s queer graphic novel about the titular teen shapeshifter (Chloë Grace Moretz) came back from the dead. That’s because Annapurna Animation and the streamer rescued the Blue Sky feature after Disney shuttered the Fox-owned animation studio in 2021.
“We obviously followed it really closely, what happened to Blue Sky,” Dneg VFX supervisor Archie Donato told IndieWire. “We knew that they were shutting down. It was all over media and everything, so it was incredibly heartbreaking because we had many, many friends working there. We actually hired a lot of their animators and people in lighting and compositing and other departments. So we managed...
- 6/30/2023
- by Bill Desowitz
- Indiewire
Exclusive: Tenet and Dune VFX firm Dneg has promoted Tom Jacomb to President, Dneg Animation.
Previously serving as Managing Director, Jacomb helped launch the Feature Animation division at Dneg in 2014. Based in London, he has guided the growth of the team to more than 500 employees across Dneg’s animation studios in London, Los Angeles, Montréal and Mumbai.
In his new role as President, Jacomb will oversee further worldwide investment and expansion of Dneg Animation, including expansion into Vancouver and the creation of up to 100 new animation roles in the city.
Jacomb’s promotion to President is effective concurrently with the appointment of five new members of Dneg Animation’s team and the studio’s expanding slate of new feature film and episodic animation productions.
The five hires comprise: Freddy Chaleur (Sherlock Gnomes) and Yancy Lindquist (The Boss Baby) joining Dneg Animation’s team of VFX Supervisors, which includes Philippe Denis,...
Previously serving as Managing Director, Jacomb helped launch the Feature Animation division at Dneg in 2014. Based in London, he has guided the growth of the team to more than 500 employees across Dneg’s animation studios in London, Los Angeles, Montréal and Mumbai.
In his new role as President, Jacomb will oversee further worldwide investment and expansion of Dneg Animation, including expansion into Vancouver and the creation of up to 100 new animation roles in the city.
Jacomb’s promotion to President is effective concurrently with the appointment of five new members of Dneg Animation’s team and the studio’s expanding slate of new feature film and episodic animation productions.
The five hires comprise: Freddy Chaleur (Sherlock Gnomes) and Yancy Lindquist (The Boss Baby) joining Dneg Animation’s team of VFX Supervisors, which includes Philippe Denis,...
- 8/31/2021
- by Andreas Wiseman
- Deadline Film + TV
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.