The Sleeping Beauty, Cinderella and Coppélia will be released in 500 cinemas worldwide.
Event cinema distributor CinemaLive has partnered with The Australian Ballet to deliver three productions into cinemas worldwide over the coming 12 months.
The trilogy of ballets, dubbed The Fairy Tale Series, will commence with David McAllister’s The Sleeping Beauty, which the Australian company performed in 2015. In October 2016, the production will be screened in 500 cinemas across North America, Europe, Australia, New Zealand and Central and South America.
The second ballet is Cinderella, which will be performed in a limited exclusive London run at the Coliseum from July, before entering cinemas later this year. Alexei Ratmansky choreographed the production, which Jerome Kaplan designed.
The final production of the initial partnership will be Coppélia, which was revived by the company’s founding artistic director Peggy Van Praagh and theatre director George Ogilvie, with costumes by Kristian Fredikson. It will premiere in cinemas in 2017.
Based in Sydney with a...
Event cinema distributor CinemaLive has partnered with The Australian Ballet to deliver three productions into cinemas worldwide over the coming 12 months.
The trilogy of ballets, dubbed The Fairy Tale Series, will commence with David McAllister’s The Sleeping Beauty, which the Australian company performed in 2015. In October 2016, the production will be screened in 500 cinemas across North America, Europe, Australia, New Zealand and Central and South America.
The second ballet is Cinderella, which will be performed in a limited exclusive London run at the Coliseum from July, before entering cinemas later this year. Alexei Ratmansky choreographed the production, which Jerome Kaplan designed.
The final production of the initial partnership will be Coppélia, which was revived by the company’s founding artistic director Peggy Van Praagh and theatre director George Ogilvie, with costumes by Kristian Fredikson. It will premiere in cinemas in 2017.
Based in Sydney with a...
- 6/2/2016
- ScreenDaily
Elba McAllister’s Cineplex of Colombia seems to be everywhere. We met up at the Iff Panama this April and had some time to talk, a rarity at such events as Cannes or Berlin.
It seemed to me she had been in the business forever, though I only met her when Ficg (Guadalajara Film Festival) began its market maybe 10 years ago. Cineplex itself is 23 years old, having begun in 1993 in a partnership with the well-known buyers rep and producer Andre Boissier.
Twenty-three years ago, Colombia screened very few arthouse movies. Cineplex and other indie distributors introduced smaller films from Europe, Asia, Latin America, the Middle East and North America. Now Colombia’s international coproductions are extending viewer’s perspectives even further. Indies captured 5.9% of the market in 2007, compared with a relatively paltry 3.6% in 2003. Local and foreign independent films now share 20% of the market.
About a decade ago, the country had 250 screens and now it has 935. In 2005 there were 15M people going to the cinema per year. Now it’s 58M. In local currency, there was a 71% increase in box office from 2011 to 2015.
Colombia has seen notable growth thanks in part to the construction of more shopping malls. Mexican exhibition giant Cinépolis opened its first megaplex in Colombia in 2008.
Cineplex is one of the leading distributors of independent films in Colombia. In 23 years in the market, it has presented and average of 20 to 25 films a year, over 300 high quality films, selected from major festivals and film markets around the world.
Elba actually began her career in the pharmaceutical industry but later joined her husband and her brother-in-law in a new venture -- film distribution, something she knew nothing about. In Colombia, the films acquired by Cineplex go first into cinemas and progress to all windows including DVD, VOD and TV in all its forms (Pan TV, VOD, Svod, Cable, Free TV).
In 2000 Cineplex expanded its distribution to include Central America & Ecuador. Elba McAllister and her husband, Juan David McAllister, have brought in such directors as Wong Kar Wai, Susanne Bier, Mike Leigh, Lars von trier, Katherine Bigelow, Claude Chabrol, Agnieszka Holland and Ken Loach and others to Colombia and its neighbors.
Cineplex began forming alliances with other Latin American indies and prebuying pan-Latin rights to name some, “Satin Rouge,” “Evil”, ¨Reconstruction¨, “Broken Flowers”, “Brokeback Mountain”, ¨My Blueberry Nights¨ and most recently ¨Mustang¨.
Two recent stand-out films include “Mustang” and “Land and Shade” the Cannes 2015 Camera d’Or and Critics’ Week Winner sold by France’s Pyramide. Lead produced by Diana Bustamante’s Burning Blue, (Diana Bustamente, currently the Director of Cartagena Film Festival as well) “Land and Shade” also won two prizes at Cannes Critics’ Week: the France 4 Visionary Award and Society of Dramatic Authors and Composers Sacd Prize. Other new releases include Academy Award winners and contenders “Carol”, “Theeb” and “Brooklyn”.
Anne Marie De La Fuente in Variety quotes Elba as saying,
“Bringing art house films to Colombia and shifting moviegoers’ attention from Hollywood blockbusters requires close work with universities, embassies and cultural institutions and creating original grassroots campaigns. Whenever possible, Cineplex gets the directors and/ or actors to fly in to help promote their pictures.”
With Ang Lee’s “Brokeback Mountain,” which Cineplex pre-bought for Latam, it organized marketing tie-ins with Levis, Universal Music (for the soundtrack) and a gay rights foundation. Marlboro sponsored the premiere in Bogota.
Additionally Cineplex helps Colombian filmmakers representing their films for Latin America and advising the world sales agent, depending their films to name a few, Ciro Guerra, William Vega, Oscar Ruiz, Dago Garcia among others.
Last year, Diana Salcedo (Elba´s daughter) joined the family business to strengthen the distribution in different platforms (theatrical, TV, VOD, Ott) for Colombian and Latin American films in different markets. Diana is bringing wide experience after working for a major Latin American Pay TV and Ott broadcaster.
“We believe in the potential of independent cinema with the participation of strategic partners that make marketing a global business. We want to make each of our friends, colleagues, competitors and customers a community that allows a film to reach its greatest potential. We believe humanity has a chance to think and act without borders and that its only limit is in its own desire to achieve the best result using innovation and partnership with strategic partners that will be part of each project.”
“We’ve brought in what we wanted: films that don’t need pretty faces, multimillion-dollar budgets, special effects or predictable endings. Marketing Independent cinema is our passion¨.
It seemed to me she had been in the business forever, though I only met her when Ficg (Guadalajara Film Festival) began its market maybe 10 years ago. Cineplex itself is 23 years old, having begun in 1993 in a partnership with the well-known buyers rep and producer Andre Boissier.
Twenty-three years ago, Colombia screened very few arthouse movies. Cineplex and other indie distributors introduced smaller films from Europe, Asia, Latin America, the Middle East and North America. Now Colombia’s international coproductions are extending viewer’s perspectives even further. Indies captured 5.9% of the market in 2007, compared with a relatively paltry 3.6% in 2003. Local and foreign independent films now share 20% of the market.
About a decade ago, the country had 250 screens and now it has 935. In 2005 there were 15M people going to the cinema per year. Now it’s 58M. In local currency, there was a 71% increase in box office from 2011 to 2015.
Colombia has seen notable growth thanks in part to the construction of more shopping malls. Mexican exhibition giant Cinépolis opened its first megaplex in Colombia in 2008.
Cineplex is one of the leading distributors of independent films in Colombia. In 23 years in the market, it has presented and average of 20 to 25 films a year, over 300 high quality films, selected from major festivals and film markets around the world.
Elba actually began her career in the pharmaceutical industry but later joined her husband and her brother-in-law in a new venture -- film distribution, something she knew nothing about. In Colombia, the films acquired by Cineplex go first into cinemas and progress to all windows including DVD, VOD and TV in all its forms (Pan TV, VOD, Svod, Cable, Free TV).
In 2000 Cineplex expanded its distribution to include Central America & Ecuador. Elba McAllister and her husband, Juan David McAllister, have brought in such directors as Wong Kar Wai, Susanne Bier, Mike Leigh, Lars von trier, Katherine Bigelow, Claude Chabrol, Agnieszka Holland and Ken Loach and others to Colombia and its neighbors.
Cineplex began forming alliances with other Latin American indies and prebuying pan-Latin rights to name some, “Satin Rouge,” “Evil”, ¨Reconstruction¨, “Broken Flowers”, “Brokeback Mountain”, ¨My Blueberry Nights¨ and most recently ¨Mustang¨.
Two recent stand-out films include “Mustang” and “Land and Shade” the Cannes 2015 Camera d’Or and Critics’ Week Winner sold by France’s Pyramide. Lead produced by Diana Bustamante’s Burning Blue, (Diana Bustamente, currently the Director of Cartagena Film Festival as well) “Land and Shade” also won two prizes at Cannes Critics’ Week: the France 4 Visionary Award and Society of Dramatic Authors and Composers Sacd Prize. Other new releases include Academy Award winners and contenders “Carol”, “Theeb” and “Brooklyn”.
Anne Marie De La Fuente in Variety quotes Elba as saying,
“Bringing art house films to Colombia and shifting moviegoers’ attention from Hollywood blockbusters requires close work with universities, embassies and cultural institutions and creating original grassroots campaigns. Whenever possible, Cineplex gets the directors and/ or actors to fly in to help promote their pictures.”
With Ang Lee’s “Brokeback Mountain,” which Cineplex pre-bought for Latam, it organized marketing tie-ins with Levis, Universal Music (for the soundtrack) and a gay rights foundation. Marlboro sponsored the premiere in Bogota.
Additionally Cineplex helps Colombian filmmakers representing their films for Latin America and advising the world sales agent, depending their films to name a few, Ciro Guerra, William Vega, Oscar Ruiz, Dago Garcia among others.
Last year, Diana Salcedo (Elba´s daughter) joined the family business to strengthen the distribution in different platforms (theatrical, TV, VOD, Ott) for Colombian and Latin American films in different markets. Diana is bringing wide experience after working for a major Latin American Pay TV and Ott broadcaster.
“We believe in the potential of independent cinema with the participation of strategic partners that make marketing a global business. We want to make each of our friends, colleagues, competitors and customers a community that allows a film to reach its greatest potential. We believe humanity has a chance to think and act without borders and that its only limit is in its own desire to achieve the best result using innovation and partnership with strategic partners that will be part of each project.”
“We’ve brought in what we wanted: films that don’t need pretty faces, multimillion-dollar budgets, special effects or predictable endings. Marketing Independent cinema is our passion¨.
- 4/22/2016
- by Sydney Levine
- Sydney's Buzz
Experiential agency Play Communications has created a pop-up exhibition to commemorate 50 years of the Australian Ballet and the company’s relationship with Qantas. The touring exhibition is part of the new Qantas ‘Uplifting’ campaign, which is intended to showcase Qantas’ support of arts and cultural institutions.
The exhibition, which comprises costumes, photographs, ballet shoes and so on, will be on show at airports in Melbourne, Brisbane and Sydney throughout September and October. It’s the first work created by Play Communications for the airline brand since being added to the roster in June.
The Artistic Director of The Australian Ballet, David McAllister, said it was a wonderful way of expressing the partnership.
“Qantas has supported us for many years and we love flying with them. In our 50th anniversary year we have travelled to almost every corner of Australia with them, as well as to New York, so it’s...
The exhibition, which comprises costumes, photographs, ballet shoes and so on, will be on show at airports in Melbourne, Brisbane and Sydney throughout September and October. It’s the first work created by Play Communications for the airline brand since being added to the roster in June.
The Artistic Director of The Australian Ballet, David McAllister, said it was a wonderful way of expressing the partnership.
“Qantas has supported us for many years and we love flying with them. In our 50th anniversary year we have travelled to almost every corner of Australia with them, as well as to New York, so it’s...
- 9/27/2012
- by Cathie McGinn
- Encore Magazine
See the trailer here. Today I was treated to, or better expressed, awarded, an intimate lunch where I got to sit at a table for six which included Even the Rain's director Iciar Bollain ♀ and its producer Juan Gordon, its U.S. distributor Vitagraph's David Schultz, and one of its most important theatrical exhibitors Landmark Theater's buyer David McAllister, Maya's Tonantzin Esparza and a critic (whose name I did not catch). The discussion was sociable, stimulating and sometimes acutely focused on the film itself. Luckily for Vitagraph, a small and very well connected distributor whose output is some 15 films…...
- 1/7/2011
- Sydney's Buzz
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