Filmmaker Stuart Gordon is well-known for adapting the works of H.P. Lovecraft, but four decades ago, he also helped bring Kurt Vonnegut Jr.'s The Sirens of Titan to life on the stage, and La's Sacred Fools Theater Company will celebrate the adaptation's 40th anniversary by performing a new version of the play, updated by Gordon himself, to conclude their 20th season.
Press Release: In 1977, acclaimed writer/director Stuart Gordon adapted Kurt Vonnegut, Jr.’s classic novel for Chicago’s Organic Theater with the approval and input of the author himself. Now Sacred Fools will close its 20th season with the recently rediscovered adaptation, newly updated by Gordon and more timely than ever.
Director Ben Rock ("Baal," "Occupation”) brings to the stage this visually dazzling and darkly humorous sci-fi epic about what happens when the richest man in the world loses everything, sets out on an unbelievable journey through space and time,...
Press Release: In 1977, acclaimed writer/director Stuart Gordon adapted Kurt Vonnegut, Jr.’s classic novel for Chicago’s Organic Theater with the approval and input of the author himself. Now Sacred Fools will close its 20th season with the recently rediscovered adaptation, newly updated by Gordon and more timely than ever.
Director Ben Rock ("Baal," "Occupation”) brings to the stage this visually dazzling and darkly humorous sci-fi epic about what happens when the richest man in the world loses everything, sets out on an unbelievable journey through space and time,...
- 3/22/2017
- by Derek Anderson
- DailyDead
The fourth annual Strange Beauty Film Festival will screen on January 24-26 at the Manbites Dog Theater in Durham, North Carolina. The fest primarily screens avant-garde and experimental short films.
Special Events: On Jan. 25, Tom Whiteside’s Circle Spiral Slow, featuring films from Whiteside’s film collection accompanied by live music by local band Arrows Out. And on Jan. 26, give your eyes a rest and your ears a workout with the “Strange Beauty Aural Fixation” experimental audio program.
Bad Lit picks: Leslie Supnet’s The Animated Heavy Metal Parking Lot (Jan. 24), which is quite frankly one of the most charming animated films of all time; and Clint Enns’ psychosexual 8-bit adventure ♥++ (Jan. 24). Also be on the lookout for films by Aaron Zeghers, Kelly Sears, Bill Brown, Robert Todd and Roger Beebe.
For more info and to buy tickets, please visit the official Strange Beauty Film Festival website.
Full lineup below:
January 24
8:15 p.
Special Events: On Jan. 25, Tom Whiteside’s Circle Spiral Slow, featuring films from Whiteside’s film collection accompanied by live music by local band Arrows Out. And on Jan. 26, give your eyes a rest and your ears a workout with the “Strange Beauty Aural Fixation” experimental audio program.
Bad Lit picks: Leslie Supnet’s The Animated Heavy Metal Parking Lot (Jan. 24), which is quite frankly one of the most charming animated films of all time; and Clint Enns’ psychosexual 8-bit adventure ♥++ (Jan. 24). Also be on the lookout for films by Aaron Zeghers, Kelly Sears, Bill Brown, Robert Todd and Roger Beebe.
For more info and to buy tickets, please visit the official Strange Beauty Film Festival website.
Full lineup below:
January 24
8:15 p.
- 1/22/2013
- by Mike Everleth
- Underground Film Journal
Jaime Andrews moved to New York five years ago to pursue a film degree at the School of Visual Arts. When she graduated last year, she found that she no longer had to worry about balancing her two part-time jobs (coordinating an Sva film festival and doing the blue polo shirt thing at Best Buy) with school. Instead, she suddenly had to worry about balancing real-world work with her creative pursuits. Like so many performers trying to catch their first breaks in New York, Andrews—a comic who performs with the sketch group Pink Axe at venues such as the Upright Citizens Brigade Theatre and the Peoples Improv Theater—found that a full-time job wasn't leaving her the spare time she needed."I of course started looking for jobs in my industry, in the film world," Andrews says. "I worked for a production company for a couple months, and it's kind of difficult.
- 7/27/2011
- by help@backstage.com (Daniel Holloway)
- backstage.com
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