“Sherlock” star Amanda Abbington has been tapped to appear in Ludovica Musumeci debut feature, “To the Girl I Once Knew.”
The film, which Musumeci writes and directs, has also cast Amelia Eve (“The Haunting of Bly Manor”) and Stella Lelouch (“The Reunion”).
They will join Frances de La Tour (“Harry Potter”), Calvin Demba (“The Rig”), Rhea Norwood (“Heartstopper”) and newcomer Oriane Pick. Amy Blair is casting director.
Production is set to start this summer.
“To the Girl I Once Knew” tells the story of Gabi (played by Pick) who secretly struggles with mental illness. When her long-term boyfriend suggests moving in together, she finds her life becoming even more complicated.
“Whilst addressing the stigma of mental health struggles, ‘To the Girl I Once Knew’ will be an uplifting and touching film about acceptance,” reads the logline.
Musumeci said: “‘To the Girl I Once Knew’ has been in the works for...
The film, which Musumeci writes and directs, has also cast Amelia Eve (“The Haunting of Bly Manor”) and Stella Lelouch (“The Reunion”).
They will join Frances de La Tour (“Harry Potter”), Calvin Demba (“The Rig”), Rhea Norwood (“Heartstopper”) and newcomer Oriane Pick. Amy Blair is casting director.
Production is set to start this summer.
“To the Girl I Once Knew” tells the story of Gabi (played by Pick) who secretly struggles with mental illness. When her long-term boyfriend suggests moving in together, she finds her life becoming even more complicated.
“Whilst addressing the stigma of mental health struggles, ‘To the Girl I Once Knew’ will be an uplifting and touching film about acceptance,” reads the logline.
Musumeci said: “‘To the Girl I Once Knew’ has been in the works for...
- 6/29/2023
- by K.J. Yossman
- Variety Film + TV
Ninety percent of HODs on the film are women, including casting director, production designer.
Frances de la Tour and Screen Star of Tomorrow Calvin Demba will lead the cast of To The Girl I Once Knew, the debut feature for UK production company Candid Broads Productions and writer-director Ludovica Musumeci.
Filming will start this summer, with the cast also including Heartstopper actress Rhea Norwood; and newcomer Oriane Pick, who is CEO of Candid Broads, a company she founded in 2020 to bring female-centric stories to screen.
To The Girl I Once Knew tells the story of Gabi, a young woman secretly living with a mental illness,...
Frances de la Tour and Screen Star of Tomorrow Calvin Demba will lead the cast of To The Girl I Once Knew, the debut feature for UK production company Candid Broads Productions and writer-director Ludovica Musumeci.
Filming will start this summer, with the cast also including Heartstopper actress Rhea Norwood; and newcomer Oriane Pick, who is CEO of Candid Broads, a company she founded in 2020 to bring female-centric stories to screen.
To The Girl I Once Knew tells the story of Gabi, a young woman secretly living with a mental illness,...
- 5/20/2023
- by Ben Dalton
- ScreenDaily
Ninety percent of HODs on the film are women, including casting director, production designer.
Frances de la Tour and Screen Star of Tomorrow Calvin Demba will lead the cast of To The Girl I Once Knew, the debut feature for UK production company Candid Broads Productions and writer-director Ludovica Musumeci.
Filming will start this summer, with the cast also including Heartstopper actress Rhea Norwood; and newcomer Oriane Pick, who is CEO of Candid Broads, a company she founded in 2020 to bring female-centric stories to screen.
To The Girl I Once Knew tells the story of Gabi, a young woman secretly living with a mental illness,...
Frances de la Tour and Screen Star of Tomorrow Calvin Demba will lead the cast of To The Girl I Once Knew, the debut feature for UK production company Candid Broads Productions and writer-director Ludovica Musumeci.
Filming will start this summer, with the cast also including Heartstopper actress Rhea Norwood; and newcomer Oriane Pick, who is CEO of Candid Broads, a company she founded in 2020 to bring female-centric stories to screen.
To The Girl I Once Knew tells the story of Gabi, a young woman secretly living with a mental illness,...
- 5/20/2023
- by Ben Dalton
- ScreenDaily
It was an historic night for female filmmakers at the British Independent Film Awards, with 10 of the night’s biggest awards going to women or films directed by them. The biggest winner of the night was “Aftersun,” which won Best British Independent Film, as well as Best Director, Best Screenplay, and Best Debut Director for Charlotte Wells. The film also took home prizes for cinematography, editing, and music supervision.
Georgia Oakley’s “Blue Jean” also had a strong showing, with Rosy McEwen winning Best Lead Performance and Kerrie Hayes winning Best Supporting Performance and Oakley winning Best Debut Screenwriter. Shaheen Baig also won Best Casting for the film.
Despite facing stiff competition from the likes of “Decision to Leave” and “Everything Everywhere All at Once,” Joachim Trier’s “The Worst Person in the World” won Best International Independent Film.
Keep reading for the complete list of nominees from the 2022 British Independent Film Awards,...
Georgia Oakley’s “Blue Jean” also had a strong showing, with Rosy McEwen winning Best Lead Performance and Kerrie Hayes winning Best Supporting Performance and Oakley winning Best Debut Screenwriter. Shaheen Baig also won Best Casting for the film.
Despite facing stiff competition from the likes of “Decision to Leave” and “Everything Everywhere All at Once,” Joachim Trier’s “The Worst Person in the World” won Best International Independent Film.
Keep reading for the complete list of nominees from the 2022 British Independent Film Awards,...
- 12/4/2022
- by Christian Zilko
- Indiewire
Click here to read the full article.
After the success of her paired portrait-of-the-artist features The Souvenir and The Souvenir Part II, British writer-director Joanna Hogg takes a stylistic swerve with The Eternal Daughter, a melancholy winter’s tale with horror elements.
It’s effectively a third chapter in the Souvenir story, one that jumps into the present day after the 1980s setting of Part II. This time, Tilda Swinton takes over the role of Hogg’s fictional avatar Julie (originally played by Swinton’s daughter, Honor Swinton Byrne) and also reprises the role of Julie’s contained, genteel mother Rosalind, affording the actor a chance to indulge her enthusiasm for complex hair and make-up disguises. The two women travel to a remote hotel in Wales for a sentimental journey, one that stirs up both happy and unhappy memories. In the end, it plays a little too often like an...
After the success of her paired portrait-of-the-artist features The Souvenir and The Souvenir Part II, British writer-director Joanna Hogg takes a stylistic swerve with The Eternal Daughter, a melancholy winter’s tale with horror elements.
It’s effectively a third chapter in the Souvenir story, one that jumps into the present day after the 1980s setting of Part II. This time, Tilda Swinton takes over the role of Hogg’s fictional avatar Julie (originally played by Swinton’s daughter, Honor Swinton Byrne) and also reprises the role of Julie’s contained, genteel mother Rosalind, affording the actor a chance to indulge her enthusiasm for complex hair and make-up disguises. The two women travel to a remote hotel in Wales for a sentimental journey, one that stirs up both happy and unhappy memories. In the end, it plays a little too often like an...
- 9/6/2022
- by Leslie Felperin
- The Hollywood Reporter - Movie News
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