"Some people just want to be left alone. I didn't want any trouble. But after what he did to Charlie..." This is one hobo you don't want to mess with! After Hobo with a Shotgun comes a high kickin' hobo from New York City. Check out this badass short film Hobo with the High Kick, made for fun by filmmaker Bill Teck and the Wrong Reel podcast crew. The 8-minute short stars Moose Matson as the titular "hobo with the high kick", and Moose also wrote the script. Also starring Dion Baia and Stephen Koepfer. This isn't a particularly high quality production, but that's the point - just some movie geek friends having fun making a throwback short film honoring hobos that kick ass and take out the trash. I do hope Jason Eisener one day makes a Hobo with a Shotgun sequel, but until then, this is the next...
- 11/26/2020
- by Alex Billington
- firstshowing.net
The 10th Lumière Festival this year will honor filmmaker, film historian and heritage film enthusiast Peter Bogdanovich, director of such classics as “The Last Picture Show” and “Paper Moon,” with a film showcase and celebration of his recent works.
The tribute will include the French premiere of his restored 1979 drama “Saint Jack” and the presentation of “The Great Buster,” his new documentary about Buster Keaton.
The festival, which runs Oct. 13-21 in Lyon, France, will also screen 1971’s “The Last Picture Show”; the 1971 documentary “Directed by John Ford” (which the director revised and re-edited for a 2006 version); 1972’s “What’s Up, Doc?” and “Paper Moon,” from 1973.
A major voice of the New Hollywood wave, Bogdanovich will also discuss his long career as part of a master class in Lyon. Also screening for the first time in France as part of the tribute will be Bill Teck’s 2014 documentary “One Day...
The tribute will include the French premiere of his restored 1979 drama “Saint Jack” and the presentation of “The Great Buster,” his new documentary about Buster Keaton.
The festival, which runs Oct. 13-21 in Lyon, France, will also screen 1971’s “The Last Picture Show”; the 1971 documentary “Directed by John Ford” (which the director revised and re-edited for a 2006 version); 1972’s “What’s Up, Doc?” and “Paper Moon,” from 1973.
A major voice of the New Hollywood wave, Bogdanovich will also discuss his long career as part of a master class in Lyon. Also screening for the first time in France as part of the tribute will be Bill Teck’s 2014 documentary “One Day...
- 7/27/2018
- by Ed Meza
- Variety Film + TV
Peter Bogdanovich will light up Lyon later this year, with the Oscar nominee giving a master class and receiving a career honor at Cannes festival boss Thierry Fremaux’s Lumiere Film Festival.
The director of Paper Moon and The Last Picture Show will be honored at a ceremony on Oct. 17.
It will also kick off a handful of Bogdanovich-related events in France, with the festival premiering the restored version of 1979’s Saint Jack ahead of its theatrical release, as well as screen his new documentary The Great Buster about Buster Keaton, which will premiere in Venice.
Bill Teck’s 2014 documentary ...
The director of Paper Moon and The Last Picture Show will be honored at a ceremony on Oct. 17.
It will also kick off a handful of Bogdanovich-related events in France, with the festival premiering the restored version of 1979’s Saint Jack ahead of its theatrical release, as well as screen his new documentary The Great Buster about Buster Keaton, which will premiere in Venice.
Bill Teck’s 2014 documentary ...
- 7/27/2018
- The Hollywood Reporter - Movie News
Peter Bogdanovich will light up Lyon later this year, with the Oscar nominee giving a master class and receiving a career honor at Cannes festival boss Thierry Fremaux’s Lumiere Film Festival.
The director of Paper Moon and The Last Picture Show will be honored at a ceremony on Oct. 17.
It will also kick off a handful of Bogdanovich-related events in France, with the festival premiering the restored version of 1979’s Saint Jack ahead of its theatrical release, as well as screen his new documentary The Great Buster about Buster Keaton, which will premiere in Venice.
Bill Teck’s 2014 documentary ...
The director of Paper Moon and The Last Picture Show will be honored at a ceremony on Oct. 17.
It will also kick off a handful of Bogdanovich-related events in France, with the festival premiering the restored version of 1979’s Saint Jack ahead of its theatrical release, as well as screen his new documentary The Great Buster about Buster Keaton, which will premiere in Venice.
Bill Teck’s 2014 documentary ...
- 7/27/2018
- The Hollywood Reporter - Film + TV
Chicago – It’s Week One of the 52nd Chicago International Film Festival, and with so many film opportunities to experience, what are some of the highlights? The intrepid film reviewers of HollywoodChicago.com has been sampling the cinema fare for the first week, and offers the following capsule summaries.
HollywoodChicago.com reviewers Jon Espino (Je) and Patrick McDonald (Pm) has taken in the previews, and offer these recommendations for the first week of the festival. For a Pdf connection to the complete schedule, click here.
“The Confessions” (Italy/France)
’The Confessions,’ Directed by Roberto Ando
Photo credit: Chicago International Film Festival
The world is in fiscal meltdown, and a G8 summit of the world’s greatest economists is taking place in a remote coastal resort in Germany. One of economists has invited an Italian monk to the meetings, in order to make a confession. When that vital world leader turns up dead the next morning,...
HollywoodChicago.com reviewers Jon Espino (Je) and Patrick McDonald (Pm) has taken in the previews, and offer these recommendations for the first week of the festival. For a Pdf connection to the complete schedule, click here.
“The Confessions” (Italy/France)
’The Confessions,’ Directed by Roberto Ando
Photo credit: Chicago International Film Festival
The world is in fiscal meltdown, and a G8 summit of the world’s greatest economists is taking place in a remote coastal resort in Germany. One of economists has invited an Italian monk to the meetings, in order to make a confession. When that vital world leader turns up dead the next morning,...
- 10/14/2016
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
How fitting that 32 years after the Venice Film Festival opened with They All Laughed, Peter Bogdanovich’s swirling love letter to love and to New York City, the director is back on the Lido as the subject of a documentary focusing on that long-overlooked romantic caper comedy and its turbulent backstory. This is engrossing material, and its specificity alone makes One Day Since Yesterday worth watching. But while there’s no doubting director Bill Teck’s passion for the project, his inexperience as a filmmaker shows in the disorganized, technically rough study, which outstays its usefulness by a good half-hour,
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- 9/1/2014
- by David Rooney
- The Hollywood Reporter - Movie News
The Venice Film Festival has added two new documentaries about cinema to its Classics section. One Day Since Yesterday: Peter Bogdanovich & The Lost American Film by Bill Teck and Mise En Scène With Arthur Penn (A Conversation) by Amir Naderi will screen in the program that kicks off later this month. Coincidentally, Bogdanovich has a feature, She’s Funny That Way, running out of competition at the fest. One Day Since Yesterday reconstructs the grim story of Bogdanovich’s They All Laughed, which was presented in Venice in 1981. The movie went through a series of distribution problems only to be […]...
- 8/7/2014
- Deadline
One of the great things about my job is the chance to travel and meet and talk to a range of cinematic artists. And I've been fortunate to get to know both Peter Bogdanovich ("The Last Picture Show") and the late great Arthur Penn ("Bonnie and Clyde"), with whom I attended the Havana Film Festival in 1987. Both are erudite filmmakers who have a great deal to share; it's fun listening to them talk about cinema past and present. So I look forward indeed to two documentary tributes to two great American directors that are playing La Biennale di Venezia in the Venice Classics section: "One Day Since Yesterday: Peter Bogdanovich & The Lost American Film," the first documentary from Bill Teck, and "Mise en scène with Arthur Penn (a conversation)" by Amir Naderi. The 71st Venice Film Festival, directed by Alberto Barbera and organized by Biennale chair Paolo Baratta, will...
- 8/6/2014
- by Anne Thompson
- Thompson on Hollywood
Two new documentaries about cinema, centred on the work of Us directors Peter Bogdanovich and Arthur Penn, have been added to the Venice Classics strand of the 71st Venice International Film Festival (Aug 27 - Sept 6).One Day Since Yesterday: Peter Bogdanovich & The Lost American Film by Bill Teck reconstructs the grim story of Peter Bogdanovich film They All Laughed, presented at the Venice Film Festival in 1981.Bogdanovich’s fi
Two new documentaries about cinema, centred on the work of Us directors Peter Bogdanovich and Arthur Penn, have been added to the Venice Classics strand of the 71st Venice International Film Festival (Aug 27 - Sept 6).
One Day Since Yesterday: Peter Bogdanovich & The Lost American Film by Bill Teck reconstructs the grim story of Peter Bogdanovich film They All Laughed, presented at the Venice Film Festival in 1981.
Bogdanovich’s film was caught up in a series of distribution problems only to be rediscoveredby directors such as Quentin Tarantino, [link...
Two new documentaries about cinema, centred on the work of Us directors Peter Bogdanovich and Arthur Penn, have been added to the Venice Classics strand of the 71st Venice International Film Festival (Aug 27 - Sept 6).
One Day Since Yesterday: Peter Bogdanovich & The Lost American Film by Bill Teck reconstructs the grim story of Peter Bogdanovich film They All Laughed, presented at the Venice Film Festival in 1981.
Bogdanovich’s film was caught up in a series of distribution problems only to be rediscoveredby directors such as Quentin Tarantino, [link...
- 8/6/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
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