There’s a spectacular contradiction at the heart of art forgery. Forgeries, which pretend to be paintings by timeless artists, hang in museums all over the world; there are more of them than anyone knows, all hiding in plain sight. When a case of forgery comes to light, it tends to be greeted with moral outrage. The act of imitating a famous artist’s work, and profiting off it, is seen as a sleazy low-life con, as well as a major crime. Yet art forgery isn’t just about the eye candy of duplicity and profit. As Orson Welles caught in his jump-cut meditation “F for Fake” (1973), there’s a fantasy behind it: What if you had the daring, and the talent, to produce a fake work of art so drop-dead authentic that no one alive could tell it was fake? There’s an audacity to that, a kind of grand illusion.
- 2/24/2021
- by Owen Gleiberman
- Variety Film + TV
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