This year, all five Oscar nominees in the sound category have also scored Motion Picture Sound Editors nominations at the 69th annual Golden Reel Awards. For the second year in a row, the Oscar category combines sound editing and sound mixing.
The Mpse Golden Reel Awards, to be held as a virtual global ceremony March 13, recognizes the craft of sound editing, dividing those accolades into three disciplines for the awards category.
“Dune,” “Nightmare Alley,” “No Time to Die” and “Spider-Man: No Way Home” all received nominations. “Dune,” a leading contender in the Oscar race for sound, as well as other crafts, leads the way with three nominations for achievement in sound editing, which includes feature effects/Foley, feature dialogue/Adr and feature underscore.
“Sound effects are everything from doors opening and closing and car sounds to dinosaurs and aliens,” says Mark Lanza, president of the Mpse. “These can be recordings...
The Mpse Golden Reel Awards, to be held as a virtual global ceremony March 13, recognizes the craft of sound editing, dividing those accolades into three disciplines for the awards category.
“Dune,” “Nightmare Alley,” “No Time to Die” and “Spider-Man: No Way Home” all received nominations. “Dune,” a leading contender in the Oscar race for sound, as well as other crafts, leads the way with three nominations for achievement in sound editing, which includes feature effects/Foley, feature dialogue/Adr and feature underscore.
“Sound effects are everything from doors opening and closing and car sounds to dinosaurs and aliens,” says Mark Lanza, president of the Mpse. “These can be recordings...
- 3/14/2022
- by Jazz Tangcay
- Variety Film + TV
“Dune,” “Nightmare Alley,” “No Time to Die” and “Spider-Man: No Way Home” are among the nominees for this year’s Golden Reel Awards, presented by the Motion Picture Sound Editors (Mpse).
“Dune,” a frontrunner in the Oscar race for best sound, leads the way with three nominations for outstanding achievement in sound editing including feature effects/foley, feature dialogue/Adr and feature underscore.
“It’s been a fantastic year for sound, and we look forward to celebrating the incredible work sound editors have performed for movies, television, games, documentaries and other creative media last year,” said Mpse president Mark Lanza. “We are excited this year to recognize Ron Howard with our Filmmaker Award and Chic Ciccolini as our Career Achievement recipient. Building on the success of our first-ever virtual ceremony last year, we are planning an even more spectacular night of fun, surprises and great achievements in sound.”
The Mpse...
“Dune,” a frontrunner in the Oscar race for best sound, leads the way with three nominations for outstanding achievement in sound editing including feature effects/foley, feature dialogue/Adr and feature underscore.
“It’s been a fantastic year for sound, and we look forward to celebrating the incredible work sound editors have performed for movies, television, games, documentaries and other creative media last year,” said Mpse president Mark Lanza. “We are excited this year to recognize Ron Howard with our Filmmaker Award and Chic Ciccolini as our Career Achievement recipient. Building on the success of our first-ever virtual ceremony last year, we are planning an even more spectacular night of fun, surprises and great achievements in sound.”
The Mpse...
- 1/24/2022
- by Jazz Tangcay
- Variety Film + TV
Re-recording mixer Tara Webb and dialogue supervisor Leah Katz worked on Jane Campion’s “The Power of the Dog,” with Webb delivering a powerful soundscape based on strategically stripping the sound away while Katz protected the spare dialogue, delivered by characters incapable of facing their feelings.
A lot of their early conversations with Campion centered around creating the sound of Montana and the sound of the Burbank family house, which is a pivotal part of the film’s ambiance.
Ultimately, Campion was focused on the characters and the tension that underlined the relationship between the Burbank brothers Phil (Benedict Cumberbatch) and George (Jesse Plemons), as well as their interaction with George’s wife, Rose (Kirsten Dunst), or the tense dynamic between Phil and Rose’s son Peter (Kodi Smith-McPhee).
For the vast landscape shots captured by the film’s cinematographer, Ari Wegner, Webb says, “There’s not much sound. We laid it out quite sparse,...
A lot of their early conversations with Campion centered around creating the sound of Montana and the sound of the Burbank family house, which is a pivotal part of the film’s ambiance.
Ultimately, Campion was focused on the characters and the tension that underlined the relationship between the Burbank brothers Phil (Benedict Cumberbatch) and George (Jesse Plemons), as well as their interaction with George’s wife, Rose (Kirsten Dunst), or the tense dynamic between Phil and Rose’s son Peter (Kodi Smith-McPhee).
For the vast landscape shots captured by the film’s cinematographer, Ari Wegner, Webb says, “There’s not much sound. We laid it out quite sparse,...
- 1/19/2022
- by Jazz Tangcay
- Variety Film + TV
Variety's Awards Circuit is home to the official predictions for the upcoming Oscars and Emmys ceremonies from film awards editor Clayton Davis. Following history, buzz, news, reviews and sources, the Oscar and Emmy predictions are updated regularly with the current year's list of contenders in all categories. Variety's Awards Circuit Prediction schedule consists of four phases, running all year long: Draft, Pre-Season, Regular Season and Post Season. The eligibility calendar and dates of awards will determine how long each phase lasts and is subject to change.
To see all the latest predictions, of all the categories, in one place, visit The Oscars Collective
Visit each category, per the individual awards show from The Oscars Hub
Revisit the prediction archive of the 2021 season The Archive
Link to television awards is atTHE Emmys Hub
2022 Oscars Predictions:
Best Sound
Updated: Dec 27, 2021
Awards Prediction Commentary: Ten films remain in the running for best achievement in sound.
To see all the latest predictions, of all the categories, in one place, visit The Oscars Collective
Visit each category, per the individual awards show from The Oscars Hub
Revisit the prediction archive of the 2021 season The Archive
Link to television awards is atTHE Emmys Hub
2022 Oscars Predictions:
Best Sound
Updated: Dec 27, 2021
Awards Prediction Commentary: Ten films remain in the running for best achievement in sound.
- 12/27/2021
- by Clayton Davis
- Variety Film + TV
The Water Diviner and The Dressmaker dominated the feature categories at the 19th Australian Screen Sound Guild Awards held at The Establishment hotel ballroom in Sydney.
Russell Crowe.s drama won the prizes for feature film soundtrack of the year, best sound design and Assg members. choice for best film soundtrack.
Jocelyn Moorhouse.s dramedy was feted for best film sound recording and sound mixing .
The Syd Butterworth lifetime achievement award went to James Currie, whose career spans 38 years and includes A Month of Sundays, Charlie's Country, Red Dog, Ten Canoes, Man of Flowers, Incident at Raven.s Gate and Bad Boy Bubby.
The Principal was named best sound for a TV drama series while Deadline Gallipoli — episode 2 was best sound for a telefeature and Only the Dead best documentary sound.
The Greg Bell student encouragement award was given to Alex Gastrell, a recent North Sydney Tafe graduate. The full...
Russell Crowe.s drama won the prizes for feature film soundtrack of the year, best sound design and Assg members. choice for best film soundtrack.
Jocelyn Moorhouse.s dramedy was feted for best film sound recording and sound mixing .
The Syd Butterworth lifetime achievement award went to James Currie, whose career spans 38 years and includes A Month of Sundays, Charlie's Country, Red Dog, Ten Canoes, Man of Flowers, Incident at Raven.s Gate and Bad Boy Bubby.
The Principal was named best sound for a TV drama series while Deadline Gallipoli — episode 2 was best sound for a telefeature and Only the Dead best documentary sound.
The Greg Bell student encouragement award was given to Alex Gastrell, a recent North Sydney Tafe graduate. The full...
- 11/23/2015
- by Don Groves
- IF.com.au
Tomorrow, When the War Began took the Soundtrack of the Year and Best Film Sound Recording trophies at the Australian Screen Sound Guild (Assg) Sound Awards
Beneath Hill 60 won the Sound Design Category, while the Sound Mixing prize went to Daybreakers.
The ceremony took place last Friday in North Sydney.
These are the 2010 winners:
Feature Film Soundtrack of the Year.
Tomorrow When The War Began
Best Achievement in Sound for Film Sound Recording.
Tomorrow When The War Began
David Lee, Gerry Nucifora, Emma Barham.
Best Achievement in Sound for Film Sound Design.
Beneath Hill 60
Liam Egan, Tony Murtagh, Alicia Slusarski,
Leah Katz, Blair Slater, Mario Vaccaro,
Liesl Pieterse, Andy Wright, Jennifer Sochackyj,
Ruth Vance, Michelle Child, Cara Harvey.
Best Achievement in Sound for Film Sound Mixing.
Daybreakers
Phil Heywood, Wayne Pashley.
Best Achievement in Sound for a Television Commercial or Program.
Centrebet “Don’t Just Watch itâ€.
Scott Collins...
Beneath Hill 60 won the Sound Design Category, while the Sound Mixing prize went to Daybreakers.
The ceremony took place last Friday in North Sydney.
These are the 2010 winners:
Feature Film Soundtrack of the Year.
Tomorrow When The War Began
Best Achievement in Sound for Film Sound Recording.
Tomorrow When The War Began
David Lee, Gerry Nucifora, Emma Barham.
Best Achievement in Sound for Film Sound Design.
Beneath Hill 60
Liam Egan, Tony Murtagh, Alicia Slusarski,
Leah Katz, Blair Slater, Mario Vaccaro,
Liesl Pieterse, Andy Wright, Jennifer Sochackyj,
Ruth Vance, Michelle Child, Cara Harvey.
Best Achievement in Sound for Film Sound Mixing.
Daybreakers
Phil Heywood, Wayne Pashley.
Best Achievement in Sound for a Television Commercial or Program.
Centrebet “Don’t Just Watch itâ€.
Scott Collins...
- 10/31/2010
- by Miguel Gonzalez
- Encore Magazine
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