“You’re it. Whatever it is. That’s you,” someone tells aspiring actor Aden (Nabhaan Rizwan). It’s a thought that echoes throughout a film that will present an increasingly slippery sense of ‘self’. By the end you might not only ask yourself if someone is losing their marbles but whose marbles, in fact, are the ones that are being lost.
Aden - or No 2408 as he is frequently referenced - is, as all actors must be, something of a blank slate. We see him performing a ‘reflection’ exercise with another wannabe, as he mirrors back her words, echoing her, “I’m embarrassed” with “You’re embarrassed” repeatedly. But what starts as a film with strong ties to the acting world, soon slips into a consideration of modern societal roles more generally, what they might or might not mean and who is responsible for their construction.
Aden is low on the pecking order.
Aden - or No 2408 as he is frequently referenced - is, as all actors must be, something of a blank slate. We see him performing a ‘reflection’ exercise with another wannabe, as he mirrors back her words, echoing her, “I’m embarrassed” with “You’re embarrassed” repeatedly. But what starts as a film with strong ties to the acting world, soon slips into a consideration of modern societal roles more generally, what they might or might not mean and who is responsible for their construction.
Aden is low on the pecking order.
- 7/4/2023
- by Amber Wilkinson
- eyeforfilm.co.uk
The thing Aden likes about acting, he tells someone who cares enough to ask, is “how organized it is.” You know where you stand, quite literally, because someone tells you; you’re given things to say, and told how to say them. Order and certainty aren’t typically seen as benefits of the thespian calling, and even Aden doesn’t sound entirely convinced of his own words. But then Aden — played, in a performance of brilliant, diamantine versatility, by Nabhaan Rizwan — is never entirely convinced of himself, period, when he hasn’t a script to follow or a character to inhabit. A simultaneously playful and savagely pointed satire from first-time feature director Naqqash Khalid, “In Camera” traces how its young British-Asian protagonist’s sense of identity is progressively diminished by the cynicism and tokenism of the industry he’s trying to crack — though as it turns out, when you lose yourself entirely,...
- 7/3/2023
- by Guy Lodge
- Variety Film + TV
“Prince Aden,” a new drama by Italian directing duo Gianluca and Massimiliano De Serio, known internationally for their immigration-themed “Seven Acts of Mercy,” is among projects selected by Locarno’s Alliance for Development initiative.
The platform, now in its 8th year, is geared towards fostering co-productions between France, Germany, Italy and Switzerland.
Inspired by the book “Partigiani d’Oltremare,” by Italian historian Matteo Petracci, the De Serio twins’ new colonial-era film follows the vicissitudes of a 16-year-old Somali named Aden Sicré who in 1935 becomes a soldier in the Italian army that invaded Ethiopia on Mussolini’s orders. In an unexpected turn, he becomes hailed as a war hero by the Fascist regime. Then a few years later Aden and other African fighters play a pivotal role in the partisan struggle against fascism in Europe.
The Aug. 4-6 Alliance 4 Development goes beyond being a mere co-production platform since it allows for...
The platform, now in its 8th year, is geared towards fostering co-productions between France, Germany, Italy and Switzerland.
Inspired by the book “Partigiani d’Oltremare,” by Italian historian Matteo Petracci, the De Serio twins’ new colonial-era film follows the vicissitudes of a 16-year-old Somali named Aden Sicré who in 1935 becomes a soldier in the Italian army that invaded Ethiopia on Mussolini’s orders. In an unexpected turn, he becomes hailed as a war hero by the Fascist regime. Then a few years later Aden and other African fighters play a pivotal role in the partisan struggle against fascism in Europe.
The Aug. 4-6 Alliance 4 Development goes beyond being a mere co-production platform since it allows for...
- 6/22/2023
- by Nick Vivarelli
- Variety Film + TV
Click here to read the full article.
David Davis, the Emmy-winning writer and producer whose heyday in the 1970s included invaluable work on the enduring network sitcoms The Mary Tyler Moore Show, Rhoda, The Bob Newhart Show and Taxi, has died. He was 86.
Davis died Friday in Los Angeles, his daughter Samantha Davis-Friedman told The Hollywood Reporter.
Survivors include his wife, actress Julie Kavner, best known as the voice of Marge Simpson on The Simpsons. Davis recommended her for the part of Brenda Morgenstern, Valerie Harper‘s insecure sister on Rhoda — it was her first paying job as an actress — and they were together since 1976.
Rhoda “gave me my life, it gave me my career, it gave me the love of my life, David Davis,” Kavner said in a 2009 interview.
A member of the Mtm Enterprises production company founded by Grant Tinker and Mary Tyler Moore, Davis started out on Mtm’s inaugural series,...
David Davis, the Emmy-winning writer and producer whose heyday in the 1970s included invaluable work on the enduring network sitcoms The Mary Tyler Moore Show, Rhoda, The Bob Newhart Show and Taxi, has died. He was 86.
Davis died Friday in Los Angeles, his daughter Samantha Davis-Friedman told The Hollywood Reporter.
Survivors include his wife, actress Julie Kavner, best known as the voice of Marge Simpson on The Simpsons. Davis recommended her for the part of Brenda Morgenstern, Valerie Harper‘s insecure sister on Rhoda — it was her first paying job as an actress — and they were together since 1976.
Rhoda “gave me my life, it gave me my career, it gave me the love of my life, David Davis,” Kavner said in a 2009 interview.
A member of the Mtm Enterprises production company founded by Grant Tinker and Mary Tyler Moore, Davis started out on Mtm’s inaugural series,...
- 11/5/2022
- by Mike Barnes
- The Hollywood Reporter - Movie News
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