"The problem is you listen to your kids too much." Netflix has unveiled an official trailer for the dramedy titled The Guide to the Perfect Family, a Quebecois film from filmmaker Ricardo Trogi attempting to tackle the question: are we in an "overparenting" society? (Yes.) "The kids? Under pressure. The parents? Exhausted. But at least on social media, they're one #happyfamily." The film follows a few families dealing with the difficulty & complexity of raising children in a society of ultra performance, nurtured by parents who, wanting to give the best to their children, but risk smothering them. This stars Louis Morissette, Catherine Chabot, Émilie Bierre, Xavier Lebel, and Isabelle Guérard. I like hearing all the French-Canadian in this and the Quebecois slang. It's a totally different sound to French from France. This looks like an amusing and honest take on the overparenting problem, but I wish it was just a bit more humorous.
- 6/16/2021
- by Alex Billington
- firstshowing.net
Cousins Stephen Amell and Robbie Amell have sold the sequel to their sci-fi thriller Code 8 to Netflix.
The streaming giant picked up the global rights to Code 8: Part II in a deal with XYZ Films. The acquisition marks Netflix’s first English language original feature from Canada after the streaming giant took the global rights to Canadian director Ricardo Trogi’s Le Guide de la famille parfaite (The Guide to the Perfect Family), the French language dramedy about an over-parenting society that got a theatrical release in Quebec and a simultaneous release in the rest of the world on Netflix.
Jeff Chan, who directed the ...
The streaming giant picked up the global rights to Code 8: Part II in a deal with XYZ Films. The acquisition marks Netflix’s first English language original feature from Canada after the streaming giant took the global rights to Canadian director Ricardo Trogi’s Le Guide de la famille parfaite (The Guide to the Perfect Family), the French language dramedy about an over-parenting society that got a theatrical release in Quebec and a simultaneous release in the rest of the world on Netflix.
Jeff Chan, who directed the ...
- 6/14/2021
- The Hollywood Reporter - Film + TV
Cousins Stephen Amell and Robbie Amell have sold the sequel to their sci-fi thriller Code 8 to Netflix.
The streaming giant picked up the global rights to Code 8: Part II in a deal with XYZ Films. The acquisition marks Netflix’s first English language original feature from Canada after the streaming giant took the global rights to Canadian director Ricardo Trogi’s Le Guide de la famille parfaite (The Guide to the Perfect Family), the French language dramedy about an over-parenting society that got a theatrical release in Quebec and a simultaneous release in the rest of the world on Netflix.
Jeff Chan, who directed the ...
The streaming giant picked up the global rights to Code 8: Part II in a deal with XYZ Films. The acquisition marks Netflix’s first English language original feature from Canada after the streaming giant took the global rights to Canadian director Ricardo Trogi’s Le Guide de la famille parfaite (The Guide to the Perfect Family), the French language dramedy about an over-parenting society that got a theatrical release in Quebec and a simultaneous release in the rest of the world on Netflix.
Jeff Chan, who directed the ...
- 6/14/2021
- The Hollywood Reporter - Movie News
Netflix has taken the global rights to Canadian director Ricardo Trogi’s Le Guide de la famille parfaite (The Guide to the Perfect Family).
The French language dramedy about an over-parenting society will get a theatrical release in Quebec via Les Films Opale and a simultaneous release in the rest of the world on Netflix in 2021. Trogi’s film — with an ensemble cast led by Louis Morissette, Catherine Chabot, Emilie Bierre, Xavier Lebel and Isabelle Guérard — will then reach Netflix in Canada later this year.
“As a parent myself, this is a film that I immediately resonated with....
The French language dramedy about an over-parenting society will get a theatrical release in Quebec via Les Films Opale and a simultaneous release in the rest of the world on Netflix in 2021. Trogi’s film — with an ensemble cast led by Louis Morissette, Catherine Chabot, Emilie Bierre, Xavier Lebel and Isabelle Guérard — will then reach Netflix in Canada later this year.
“As a parent myself, this is a film that I immediately resonated with....
- 2/18/2021
- The Hollywood Reporter - Film + TV
Netflix has taken the global rights to Canadian director Ricardo Trogi’s Le Guide de la famille parfaite (The Guide to the Perfect Family).
The French language dramedy about an over-parenting society will get a theatrical release in Quebec via Les Films Opale and a simultaneous release in the rest of the world on Netflix in 2021. Trogi’s film — with an ensemble cast led by Louis Morissette, Catherine Chabot, Emilie Bierre, Xavier Lebel and Isabelle Guérard — will then reach Netflix in Canada later this year.
“As a parent myself, this is a film that I immediately resonated with....
The French language dramedy about an over-parenting society will get a theatrical release in Quebec via Les Films Opale and a simultaneous release in the rest of the world on Netflix in 2021. Trogi’s film — with an ensemble cast led by Louis Morissette, Catherine Chabot, Emilie Bierre, Xavier Lebel and Isabelle Guérard — will then reach Netflix in Canada later this year.
“As a parent myself, this is a film that I immediately resonated with....
- 2/18/2021
- The Hollywood Reporter - Movie News
Ricardo Trogi’s 1991 was the top prize winner at 2019 Gala Quebec Cinema Awards. Winning Best Film, Best Director and Best Supporting Actress (Sandrine Bisson), the film edged out Une colonie picked up a pair of awards in Best Supporting Actor (Robin Aubert) and Best Newcomer (Émilie Bierre) and Yan Giroux who won Best First Feature, Best Actor and Best Screenplay for À tous ceux qui ne me lisent pas. Here are the noms and winners:
Best Film
1991 – Go Films – Nicole Robert – Winner
À tous ceux qui ne me lisent pas – micro_scope – Luc Déry, Élaine Hébert, Kim McCraw
La Bolduc – Caramel Films – Valérie d’Auteuil, André Rouleau
Genèse – L’Unité centrale – Galilé Marion-Gauvin
La grande noirceur – Metafilms – Sylvain Corbeil
Répertoire des villes disparues – Couzin Films – Ziad Touma
Une colonie – Colonelle films – Fanny Drew, Sarah Mannering
Best Director
Denis Côté – Répertoire des villes disparues
Geneviève Dulude-De Celles – Une colonie
Maxime Giroux...
Best Film
1991 – Go Films – Nicole Robert – Winner
À tous ceux qui ne me lisent pas – micro_scope – Luc Déry, Élaine Hébert, Kim McCraw
La Bolduc – Caramel Films – Valérie d’Auteuil, André Rouleau
Genèse – L’Unité centrale – Galilé Marion-Gauvin
La grande noirceur – Metafilms – Sylvain Corbeil
Répertoire des villes disparues – Couzin Films – Ziad Touma
Une colonie – Colonelle films – Fanny Drew, Sarah Mannering
Best Director
Denis Côté – Répertoire des villes disparues
Geneviève Dulude-De Celles – Une colonie
Maxime Giroux...
- 6/3/2019
- by Eric Lavallée
- IONCINEMA.com
The 15th anniversary celebration of the Whistler Film Festival wrapped Sunday night, living up to its title as ‘Canada’s coolest film fest’ by hosting more premieres, filmmakers, industry executives, and celebrities than ever before, including unique experiences from films, music and parties to high adrenaline races.
The Whistler Film Festival’s Pandora Audience Award went to British-American romantic drama "Carol," directed by Todd Haynes from the screenplay by Phyllis Nagy (Variety 10 Screenwriters to Watch class of 2014) starring Cate Blanchett and Rooney Mara, which received its Canadian premiere at Whistler. The Wff Audience Award runner-ups were "The Legend of Barney Thomson," character-actor Robert Carlyle's first theatrical feature and directorial debut, which received its North American premiere at the festival, followed by Ricardo Trogi’s mid-life crisis dramedy, Quebec film "Le Mirage," the highest grossing and most popular Canadian film of the year so far. The Wff Audience Award is a non-cash prize presented to the highest-rated film as voted by the audience.
Paul Gratton, Director of Programming had this to say about this year’s event: "We were very fortunate to open this year's fest with the Canadian premiere of "Carol," a film we are convinced will be a major contender in this year's awards season race. The festival took off from there, with many sold out screenings, packed and newsworthy industry sessions, and over 450 guests who made a point of trekking out to beautiful Whistler to support their films and talk business with the high-level movers and shakers also in attendance. 2015 represented another step forward towards making Wff the coolest festival in the world. Can't wait 'til next year.”
Total attendance for this year’s fest was 13,233 attendees (a 18% increase over 11,273 in 2014) . This included 7,740 film-screening attendees and 3,533 special event attendees (Signature Series, Music Café, ShortWork Showcase, R-Rated Party, Awards Brunch, L’Oreal Men Expert Bobsleigh Race and Celebrity Challenge Ski Race), in addition to 2,530 Summit attendees. Several of the feature films were at or near capacity, including: "Born to be Blue," "Chasing Bansky," "Forsaken," "How to Plan and Orgy in a Small Town," "Legend,""Legend of Barney Thomson," "Numb," "The Lady in the Van," "the Steps," and "Trumbo."
Designed to facilitate international alliances and financial partnerships, Wff’s industry Summit program presented 30 interactive sessions that addressed a range of issues affecting the film, television, and digital media industry. Overall Summit attendance was at 86% capacity with 2,530 attendees (a 13% increase over 2,231 in 2014) including 855 delegates (on par with 2014). The Whistler Summit directly connects to Wff’s slate of project development programs designed to provide creative and business immersion experiences for 42 Canadian artists including its Feature Project Lab, Praxis Screenwriters Lab, Aboriginal Filmmaker Fellowship, and Music Café. Wff also collaborates with several industry organizations by hosting specific third party initiatives at the Whistler Summit including the Women in the Director’s Chair Industry Immersion, Women in Film & Television Film Market Preparation Mentorship, and the Mppia Short Film Award Pitch with the Motion Picture Production Industry Association and Creative BC. In addition to the
204 scheduled meetings (a 10% increase over 186 in 2014) that took place during the Summit, there was again a notable increase in unscheduled meetings that took place outside of scheduled blocks proving the festival remains an important place for the industry to meet and do business. Industry guests came from Canada, USA, UK, India, and China to participate, and included some of the top talent and executives in the business.
Film met music when Morning Show, one of the ten-featured BC artists from Wff’s Music Café, performed the live score for "He Hated Pigeons." Wff’s Music Café, which expanded to include two showcases over two days and featured five music supervisors, was well received with several deals in the works and over 526 guests in attendance.
Toronto’s first-time feature director Jamie M. Dagg’s "River" dominated Whistler prize-giving, winning for best Canadian feature, Best Director and Best Screenplay in the Borsos Competition for Best Canadian Feature presented by the Directors Guild of Canada – British Columbia. The jury also awarded French-Canadian actor Paul Savoie with Best Performance in a Borsos Film for his performance in "The Diary of an Old Man," as well as provided honorable mention for Rossif Sutherland’s work in "River" and Laura Abramsen’s roles in "Basic human Needs" and "The Sabbatical." Lastly, Best Cinematography in a Borsos Film, presented by I.A.T.S.E. Local 669, went to cinematographer Dylan Macleod for "He Hated Pigeons," directed by Ingrid Veninger. The Borsos Jury was comprised of three accomplished film industry artists that included the highly versatile director and screenwriter and WFF15 Alumni Carl Bessai ("Rehearsal), beloved actor and director Marc-André Grondin , and award-winning producer extraordinaire, Kim McCraw.
Other Whistler award winners included "Last Harvest" by first-time female director Hui (Jane) Wang that won the World Documentary Award presented by Tribute.ca with honorable mention for Brian D. Johnson’s "Al Purdy Was Here." The Best Mountain Culture Film presented by Whistler Blackcomb went to Anthony Bonello’s "Eclipse." The Canadian ShortWork Award went to "Withheld" directed by Johnathan Sousa, with an honorable mention to Amanda Strong and Bracken Hanuse Corlett’s Mia’. The International ShortWork Award was awarded to "Dissonance" by Germany filmmaker Till Nowak, with Langara College’s Canadian ShortWork Award for Best Screenplay given to Jem Garrard’s "The World Who Came to Dinner." Emily Carr University of Art and Design’s Lawrence Lam won the ShortWork Student Award presented by Capilano University Film Centre for "The Blue Jet," and Maja Aro won the Mppia Short Film Award for "Hoods" presented by Mppia and Creative BC, which consists of a $15,000 cash award plus up to $100,000 in services. The Alliance of Women Film Journalists (Awfj) Eda Awards gave Best Female-Directed Narrative Feature to Valerie Weiss’ "A Light Beneath Their Feet," Best Female-Directed Documentary to Hui (Jane) Wang’s "Last Harvest," with a special mention for Brian D. Johnson’s "Al Purdy Was Here." In addition, Céline Devaux’s "Sunday Lunch" took home the Best Female-Directed Short Award.
Receiving Wff’s Trailblazer Award and Tribute presented by Pandora, British-born Canadian actor, film producer, and film director Kiefer Sutherland discussed his extensive acting career spanning film, stage and television, with CTV Film Critic Jim Gordon , followed by the Western Canadian Premiere of his latest film, "Forsaken." Scottish-born Robert Carlyle , one of the most recognizable actors today, graced the Festival’s red carpet at this year’s Spotlight event as Wff’s Maverick Award honoree and sat down with Jim Gordon to discuss his bold choices that have led to the creation of some of the most dynamic, memorable, and beloved characters of our time before the North American Premiere of his directorial debut, "The Legend the Barny Thomson." One of Canada's hardest working and most accomplished character actors, Bruce Greenwood was the recipient of Wff’s Career Achievement Award, at the World Premiere of his latest film "Rehearsal," directed by admired Wff Alumni Carl Bessai.
The Whistler Film Festival proudly hosted the Variety 10 Screenwriters to Watch for the fourth consecutive year hosted by Variety Vice President and Executive Editor, Steven Gaydos . This year’s slate of screenwriters in attendance included Bryan Sipe ("Demolition"), John Scott III ("Maggie"), Meg LeFauve ("Inside Out"), Mike Le ("Patient Zero"), and Emma Donoghue ("Room"), who also delivered a Master Class for the Wff Praxis Screenwriters Lab participants.
To top it all off, Lauren Lee Smith ("How to Plan an Orgy in a Small Town"), Jakob Davies ("The Birdwatcher"), Taylor Russell and Rustin Gresiuk ("Suspension") were recognized as Wff’s Rising Stars sponsored by Ubcp/Actra at this year’s Keynote Filmmaker Luncheon presented by Pacific Northwest Pictures, and all had films premiering at the fest.
Over 400 guests attended the fest with other notable talent in attendance with films premiering at the fest including: actor Rossif Sutherland ("River"), director Jon Cassar ("Forsaken"), actor Callum Keith Rennie ("Born to Be Blue"), director/writer Sandy Wilson ("My American Cousin), actors Aleks Paunovic, Stefanie von Pfetten, Marie Avgeropoulos and Colin Cunningham ("Numb"), actors Chelah Horsdal and Alex Zahara ("Patterson's Wager"), actor Sage Brocklebank ("Suspension"), actors Gabrielle Rose and Camille Sullivan ("The Birdwatcher"), actor Rebecca Dalton ("The Colossal Failure of the Modern Relationship"), actor Paul Savoie ("The Diary of an Old Man"), director and founder of the Toronto Film Critics Association Brian D. Johnson ("Al Purdy Was Here"), director and co-founder of World Elephant Day Patricia Sims and co-director Michael Clark ("When Elephants Were Young"), "The Steps" director Andrew Currie and actor Steven McCarthy , and award-winning directors Philippe Lesage ("The Demons") and Ricardo Trogi ("The Miracle"). Veteran director Bruce McDonald attended as a mentor of the Wff Praxis Screenwriters Lab, as well as Canadian actress, writer, filmmaker, comedian, and social activist Mary Walsh , who participated in the Women In The Director’s Chair program and got a standing ovation as Wff’s Keynote Speaker at the Filmmaker Luncheon.
The Whistler Film Festival’s Pandora Audience Award went to British-American romantic drama "Carol," directed by Todd Haynes from the screenplay by Phyllis Nagy (Variety 10 Screenwriters to Watch class of 2014) starring Cate Blanchett and Rooney Mara, which received its Canadian premiere at Whistler. The Wff Audience Award runner-ups were "The Legend of Barney Thomson," character-actor Robert Carlyle's first theatrical feature and directorial debut, which received its North American premiere at the festival, followed by Ricardo Trogi’s mid-life crisis dramedy, Quebec film "Le Mirage," the highest grossing and most popular Canadian film of the year so far. The Wff Audience Award is a non-cash prize presented to the highest-rated film as voted by the audience.
Paul Gratton, Director of Programming had this to say about this year’s event: "We were very fortunate to open this year's fest with the Canadian premiere of "Carol," a film we are convinced will be a major contender in this year's awards season race. The festival took off from there, with many sold out screenings, packed and newsworthy industry sessions, and over 450 guests who made a point of trekking out to beautiful Whistler to support their films and talk business with the high-level movers and shakers also in attendance. 2015 represented another step forward towards making Wff the coolest festival in the world. Can't wait 'til next year.”
Total attendance for this year’s fest was 13,233 attendees (a 18% increase over 11,273 in 2014) . This included 7,740 film-screening attendees and 3,533 special event attendees (Signature Series, Music Café, ShortWork Showcase, R-Rated Party, Awards Brunch, L’Oreal Men Expert Bobsleigh Race and Celebrity Challenge Ski Race), in addition to 2,530 Summit attendees. Several of the feature films were at or near capacity, including: "Born to be Blue," "Chasing Bansky," "Forsaken," "How to Plan and Orgy in a Small Town," "Legend,""Legend of Barney Thomson," "Numb," "The Lady in the Van," "the Steps," and "Trumbo."
Designed to facilitate international alliances and financial partnerships, Wff’s industry Summit program presented 30 interactive sessions that addressed a range of issues affecting the film, television, and digital media industry. Overall Summit attendance was at 86% capacity with 2,530 attendees (a 13% increase over 2,231 in 2014) including 855 delegates (on par with 2014). The Whistler Summit directly connects to Wff’s slate of project development programs designed to provide creative and business immersion experiences for 42 Canadian artists including its Feature Project Lab, Praxis Screenwriters Lab, Aboriginal Filmmaker Fellowship, and Music Café. Wff also collaborates with several industry organizations by hosting specific third party initiatives at the Whistler Summit including the Women in the Director’s Chair Industry Immersion, Women in Film & Television Film Market Preparation Mentorship, and the Mppia Short Film Award Pitch with the Motion Picture Production Industry Association and Creative BC. In addition to the
204 scheduled meetings (a 10% increase over 186 in 2014) that took place during the Summit, there was again a notable increase in unscheduled meetings that took place outside of scheduled blocks proving the festival remains an important place for the industry to meet and do business. Industry guests came from Canada, USA, UK, India, and China to participate, and included some of the top talent and executives in the business.
Film met music when Morning Show, one of the ten-featured BC artists from Wff’s Music Café, performed the live score for "He Hated Pigeons." Wff’s Music Café, which expanded to include two showcases over two days and featured five music supervisors, was well received with several deals in the works and over 526 guests in attendance.
Toronto’s first-time feature director Jamie M. Dagg’s "River" dominated Whistler prize-giving, winning for best Canadian feature, Best Director and Best Screenplay in the Borsos Competition for Best Canadian Feature presented by the Directors Guild of Canada – British Columbia. The jury also awarded French-Canadian actor Paul Savoie with Best Performance in a Borsos Film for his performance in "The Diary of an Old Man," as well as provided honorable mention for Rossif Sutherland’s work in "River" and Laura Abramsen’s roles in "Basic human Needs" and "The Sabbatical." Lastly, Best Cinematography in a Borsos Film, presented by I.A.T.S.E. Local 669, went to cinematographer Dylan Macleod for "He Hated Pigeons," directed by Ingrid Veninger. The Borsos Jury was comprised of three accomplished film industry artists that included the highly versatile director and screenwriter and WFF15 Alumni Carl Bessai ("Rehearsal), beloved actor and director Marc-André Grondin , and award-winning producer extraordinaire, Kim McCraw.
Other Whistler award winners included "Last Harvest" by first-time female director Hui (Jane) Wang that won the World Documentary Award presented by Tribute.ca with honorable mention for Brian D. Johnson’s "Al Purdy Was Here." The Best Mountain Culture Film presented by Whistler Blackcomb went to Anthony Bonello’s "Eclipse." The Canadian ShortWork Award went to "Withheld" directed by Johnathan Sousa, with an honorable mention to Amanda Strong and Bracken Hanuse Corlett’s Mia’. The International ShortWork Award was awarded to "Dissonance" by Germany filmmaker Till Nowak, with Langara College’s Canadian ShortWork Award for Best Screenplay given to Jem Garrard’s "The World Who Came to Dinner." Emily Carr University of Art and Design’s Lawrence Lam won the ShortWork Student Award presented by Capilano University Film Centre for "The Blue Jet," and Maja Aro won the Mppia Short Film Award for "Hoods" presented by Mppia and Creative BC, which consists of a $15,000 cash award plus up to $100,000 in services. The Alliance of Women Film Journalists (Awfj) Eda Awards gave Best Female-Directed Narrative Feature to Valerie Weiss’ "A Light Beneath Their Feet," Best Female-Directed Documentary to Hui (Jane) Wang’s "Last Harvest," with a special mention for Brian D. Johnson’s "Al Purdy Was Here." In addition, Céline Devaux’s "Sunday Lunch" took home the Best Female-Directed Short Award.
Receiving Wff’s Trailblazer Award and Tribute presented by Pandora, British-born Canadian actor, film producer, and film director Kiefer Sutherland discussed his extensive acting career spanning film, stage and television, with CTV Film Critic Jim Gordon , followed by the Western Canadian Premiere of his latest film, "Forsaken." Scottish-born Robert Carlyle , one of the most recognizable actors today, graced the Festival’s red carpet at this year’s Spotlight event as Wff’s Maverick Award honoree and sat down with Jim Gordon to discuss his bold choices that have led to the creation of some of the most dynamic, memorable, and beloved characters of our time before the North American Premiere of his directorial debut, "The Legend the Barny Thomson." One of Canada's hardest working and most accomplished character actors, Bruce Greenwood was the recipient of Wff’s Career Achievement Award, at the World Premiere of his latest film "Rehearsal," directed by admired Wff Alumni Carl Bessai.
The Whistler Film Festival proudly hosted the Variety 10 Screenwriters to Watch for the fourth consecutive year hosted by Variety Vice President and Executive Editor, Steven Gaydos . This year’s slate of screenwriters in attendance included Bryan Sipe ("Demolition"), John Scott III ("Maggie"), Meg LeFauve ("Inside Out"), Mike Le ("Patient Zero"), and Emma Donoghue ("Room"), who also delivered a Master Class for the Wff Praxis Screenwriters Lab participants.
To top it all off, Lauren Lee Smith ("How to Plan an Orgy in a Small Town"), Jakob Davies ("The Birdwatcher"), Taylor Russell and Rustin Gresiuk ("Suspension") were recognized as Wff’s Rising Stars sponsored by Ubcp/Actra at this year’s Keynote Filmmaker Luncheon presented by Pacific Northwest Pictures, and all had films premiering at the fest.
Over 400 guests attended the fest with other notable talent in attendance with films premiering at the fest including: actor Rossif Sutherland ("River"), director Jon Cassar ("Forsaken"), actor Callum Keith Rennie ("Born to Be Blue"), director/writer Sandy Wilson ("My American Cousin), actors Aleks Paunovic, Stefanie von Pfetten, Marie Avgeropoulos and Colin Cunningham ("Numb"), actors Chelah Horsdal and Alex Zahara ("Patterson's Wager"), actor Sage Brocklebank ("Suspension"), actors Gabrielle Rose and Camille Sullivan ("The Birdwatcher"), actor Rebecca Dalton ("The Colossal Failure of the Modern Relationship"), actor Paul Savoie ("The Diary of an Old Man"), director and founder of the Toronto Film Critics Association Brian D. Johnson ("Al Purdy Was Here"), director and co-founder of World Elephant Day Patricia Sims and co-director Michael Clark ("When Elephants Were Young"), "The Steps" director Andrew Currie and actor Steven McCarthy , and award-winning directors Philippe Lesage ("The Demons") and Ricardo Trogi ("The Miracle"). Veteran director Bruce McDonald attended as a mentor of the Wff Praxis Screenwriters Lab, as well as Canadian actress, writer, filmmaker, comedian, and social activist Mary Walsh , who participated in the Women In The Director’s Chair program and got a standing ovation as Wff’s Keynote Speaker at the Filmmaker Luncheon.
- 12/9/2015
- by Peter Belsito
- Sydney's Buzz
Xavier Dolan tied contemporaries Philippe Falardeau and Denis Villeneuve by winning his second Best Feature award at the 17th annual Jutra Awards. Quebec’s answer to the Oscars was a rather suspense-less affair as Mommy claimed nine (plus the top box office award honor) awards winning in all major categories with the exclusion of Best Supporting Actor category win, which would only end up going to Dolan’s other nominated film, Tom at the Farm. Pierre-Yves Cardinal was sublime in his predatory type role and as was the case for several nominees, was hard at work on another project and therefore not on hand for trophyware. Ricardo Trogi’s throwback to awkward teen years tale 1987 did win a trio of awards, but if there were any surprises in the Dolan camp it was the acceptance speeches: Dolan delivered a keynote speech type quality for the last win of the night...
- 3/16/2015
- by Eric Lavallee
- IONCINEMA.com
Following previous announcements of their film lineup, the Fantasia International Film Festival has released their full lineup of movies to be shown at the 18th Annual festival, starting July 17.
New additions to the lineup include 2014 Cannes Selection When Animals Dream, directed by Jonas Alexander Amby and the return of Fantasia’s showcase of animated films, Axis.
Tickets for the festival go on sale starting July 16, and the festival runs through August 5.
View the whole press release of additional announcements below:
Fantasia Celebrates Its 18th Birthday
With Over 160 Feature Films Montreal, Thursday July 10, 2014 – 2014 is the year that Fantasia turns 18. We can’t believe it either. Fantasia’s 18th birthday means over 160 features and something in the neighborhood of 300 shorts, many being shown for the first time on this continent, a good number screening here for the first time anywhere in the world.In addition to being stacked with a multitude of breathtaking debut filmmaker discoveries,...
New additions to the lineup include 2014 Cannes Selection When Animals Dream, directed by Jonas Alexander Amby and the return of Fantasia’s showcase of animated films, Axis.
Tickets for the festival go on sale starting July 16, and the festival runs through August 5.
View the whole press release of additional announcements below:
Fantasia Celebrates Its 18th Birthday
With Over 160 Feature Films Montreal, Thursday July 10, 2014 – 2014 is the year that Fantasia turns 18. We can’t believe it either. Fantasia’s 18th birthday means over 160 features and something in the neighborhood of 300 shorts, many being shown for the first time on this continent, a good number screening here for the first time anywhere in the world.In addition to being stacked with a multitude of breathtaking debut filmmaker discoveries,...
- 7/10/2014
- by Brian Welk
- SoundOnSight
The ninth annual promotional showcase runs during the Cannes market and features competition entries from David Cronenberg, Atom Egoyan and Xavier Dolan.
The films in Perspective Canada are: Ricardo Trogi’s 1987; Adam Macdonald’s Backcountry; Dane Clark and Linsey Stewart’s I Put A Hit On You; Denis Côté’s Joy Of Man’s Desiring; Jaret Belliveau’s Kung Fu Elliot; Matthew Komalchuk’s Lawrence & Holloman; David Cronenberg’s Map To The Stars; and Daniel Grou (Podz)’s Miraculum.
The roster continues with Xavier Dolan’s Mommy; Craig Goodwill’s Patch Town; Deanne Foley’s Relative Happiness; Yan Lanouette Turgeon’s Rock Paper Scissors; Atom Egoyan’s The Captive; Pat Kiely’s Three Night Stand; Andrew Huculiak’s Violent; and Stéphane Lafleur’s Directors’ Fortnight entry Tu Dors Nicole (You’re Sleeping Nicole).
The Telefilm line-up includes the Not Short On Talent short film spotlight.
“Cannes is also vital in terms of deal making,” said Telefilm...
The films in Perspective Canada are: Ricardo Trogi’s 1987; Adam Macdonald’s Backcountry; Dane Clark and Linsey Stewart’s I Put A Hit On You; Denis Côté’s Joy Of Man’s Desiring; Jaret Belliveau’s Kung Fu Elliot; Matthew Komalchuk’s Lawrence & Holloman; David Cronenberg’s Map To The Stars; and Daniel Grou (Podz)’s Miraculum.
The roster continues with Xavier Dolan’s Mommy; Craig Goodwill’s Patch Town; Deanne Foley’s Relative Happiness; Yan Lanouette Turgeon’s Rock Paper Scissors; Atom Egoyan’s The Captive; Pat Kiely’s Three Night Stand; Andrew Huculiak’s Violent; and Stéphane Lafleur’s Directors’ Fortnight entry Tu Dors Nicole (You’re Sleeping Nicole).
The Telefilm line-up includes the Not Short On Talent short film spotlight.
“Cannes is also vital in terms of deal making,” said Telefilm...
- 5/5/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
The nominations for the 26th Gémeaux Awards, Quebec's equivalent of the Emmy Awards, have been revealed today.
1. Best dramatic TV series:
* 19-2.
* Les rescapés.
* Malenfant.
* Prozac, La Maladie Du Bonheur.
2. Best soap opera:
* Destinées.
* La promesse.
* Providence.
* Yamaska.
3. Best comedy series:
* La galère.
* Les Parent.
* Mauvais Karma.
* Penthouse 5-0.
* Tout sur moi.
4. Best actor in a dramatic TV series:
* Claude Legault in 19-2.
* Réal Bossé in 19-2.
* Roy Dupuis in Les rescapés.
* Luc Picard in Malenfant.
* Éric Bruneau in Toute la vérité.
5. Best actress in a dramatic TV series:
* Maude Guérin in Belle-Baie.
* Guylaine Tremblay in Les rescapés.
* Julie McClemens in Malenfant.
* Isabelle Blais in Prozac, la maladie du bonheur.
* Maude Guérin in Toute la vérité.
6. Best actor in a soap opera:
* Sébastien Delorme in La promesse.
* Bernard Fortin in Providence.
* Hugo Dubé in Providence.
* Normand d'Amour in Yamasca.
* Denis Bernard in Yamaska.
7. Best actress in a soap opera:
* Marie-Chantal Perron in Destinées.
1. Best dramatic TV series:
* 19-2.
* Les rescapés.
* Malenfant.
* Prozac, La Maladie Du Bonheur.
2. Best soap opera:
* Destinées.
* La promesse.
* Providence.
* Yamaska.
3. Best comedy series:
* La galère.
* Les Parent.
* Mauvais Karma.
* Penthouse 5-0.
* Tout sur moi.
4. Best actor in a dramatic TV series:
* Claude Legault in 19-2.
* Réal Bossé in 19-2.
* Roy Dupuis in Les rescapés.
* Luc Picard in Malenfant.
* Éric Bruneau in Toute la vérité.
5. Best actress in a dramatic TV series:
* Maude Guérin in Belle-Baie.
* Guylaine Tremblay in Les rescapés.
* Julie McClemens in Malenfant.
* Isabelle Blais in Prozac, la maladie du bonheur.
* Maude Guérin in Toute la vérité.
6. Best actor in a soap opera:
* Sébastien Delorme in La promesse.
* Bernard Fortin in Providence.
* Hugo Dubé in Providence.
* Normand d'Amour in Yamasca.
* Denis Bernard in Yamaska.
7. Best actress in a soap opera:
* Marie-Chantal Perron in Destinées.
- 6/16/2011
- by anhkhoido@gmail.com (Anh Khoi Do)
- The Cultural Post
Yesterday, the Jutra Awards, Quebec's Oscars, were presented. I personally didn't have the time to watch it, because I was finishing some research papers. However, here's the list of winners for this year's Jutra Awards.
Best feature film:
* 1981.
* Dédé, à travers les brumes.
* [Winner] J'ai tué ma mère.
* Polytechnique.
* Le jour avant le lendemain (Before Tomorrow).
Best director:
* Ricardo Trogi for 1981.
* Marie-Hélène Cousineau et Madeline Piujuq for Before Tomorrow.
* Jean-Philippe Duval for Dédé à travers les brumes.
* Xavier Dolan for J’ai tué ma mère.
* [Winner] Denis Villeneuve for Polytechnique.
Best actress:
* Céline Bonnier in Je me souviens.
* Marie-Thérèse Fortin in Les grandes chaleurs.
* Élise Guilbault in La Donation.
* [Winner] Anne Dorval in J’ai tué ma mère.
* Isabelle Guérard in Détour.
Best actor:
* Jean-Carl Boucher in 1981.
* Michel Côté in De Père en flic.
* Normand D’Amour in 5150, rue des Ormes.
* Xavier Dolan in J’ai tué ma mère.
* [Winner] Sébastien Ricard in Dédé à travers les brumes.
Best feature film:
* 1981.
* Dédé, à travers les brumes.
* [Winner] J'ai tué ma mère.
* Polytechnique.
* Le jour avant le lendemain (Before Tomorrow).
Best director:
* Ricardo Trogi for 1981.
* Marie-Hélène Cousineau et Madeline Piujuq for Before Tomorrow.
* Jean-Philippe Duval for Dédé à travers les brumes.
* Xavier Dolan for J’ai tué ma mère.
* [Winner] Denis Villeneuve for Polytechnique.
Best actress:
* Céline Bonnier in Je me souviens.
* Marie-Thérèse Fortin in Les grandes chaleurs.
* Élise Guilbault in La Donation.
* [Winner] Anne Dorval in J’ai tué ma mère.
* Isabelle Guérard in Détour.
Best actor:
* Jean-Carl Boucher in 1981.
* Michel Côté in De Père en flic.
* Normand D’Amour in 5150, rue des Ormes.
* Xavier Dolan in J’ai tué ma mère.
* [Winner] Sébastien Ricard in Dédé à travers les brumes.
- 3/29/2010
- by anhkhoido@hotmail.com (Anh Khoi Do)
- The Cultural Post
Now that you've seen director Yves Pelletier talk about the story of Le baiser du barbu, his upcoming film, you're going to have a look at the trailer of it. Moreover, I'd like to remind you that Le baiser du barbu will be released in Quebec on June 18.
Synopsis:
The film talks about an actor (David Savard) who is struggling to make a name for himself. After he had grown a beard, his career becomes sucessful and many women are attracted by him. However, this actor's long-time girlfriend (Isabelle Blais) can hardly endure his beard. Moreover, she'll give him an ultimatum: he either chooses her or his beard (i.e. success).
The film also star Louis-José Houde, Ricardo Trogi, David Boutin, Pierre-François Legendre, Bénédicte Décary, Hélène Bourgeois Leclerc, Brigitte Pogonat, Alexis Martin, Benoît Gouin and Claude Larouche.
The producers are Nicole Robert and Martine Beauchemin.
Synopsis:
The film talks about an actor (David Savard) who is struggling to make a name for himself. After he had grown a beard, his career becomes sucessful and many women are attracted by him. However, this actor's long-time girlfriend (Isabelle Blais) can hardly endure his beard. Moreover, she'll give him an ultimatum: he either chooses her or his beard (i.e. success).
The film also star Louis-José Houde, Ricardo Trogi, David Boutin, Pierre-François Legendre, Bénédicte Décary, Hélène Bourgeois Leclerc, Brigitte Pogonat, Alexis Martin, Benoît Gouin and Claude Larouche.
The producers are Nicole Robert and Martine Beauchemin.
- 3/26/2010
- by anhkhoido@hotmail.com (Anh Khoi Do)
- The Cultural Post
This afternoon, the nominees for the Jutra Award, Quebec's own Oscars, were announced. Unlike last year, there are two new things that we should expect to see. The first one being that the jury will be formed by 18 people. Secondly, all members of the jury have seen the films that are nominated. Besides, the host of evening will be Patrice L'Écuyer and the ceremony will take place at La Tohu on March 28. Also note that the Jutra Award will be broadcasted live on Radio-Canada. Anyway, the following is the list of nominees.
Best feature film:
* 1981.
* Dédé, à travers les brumes.
* J'ai tué ma mère.
* Polytechnique.
* Le jour avant le lendemain (Before Tomorrow).
Best director:
* Ricardo Trogi for 1981
* Marie-Hélène Cousineau et Madeline Piujuq for Before Tomorrow.
* Jean-Philippe Duval for Dédé à travers les brumes.
* Xavier Dolan for J’ai tué ma mère.
* Denis Villeneuve for Polytechnique.
Best actress:
* Céline Bonnier in Je me souviens.
Best feature film:
* 1981.
* Dédé, à travers les brumes.
* J'ai tué ma mère.
* Polytechnique.
* Le jour avant le lendemain (Before Tomorrow).
Best director:
* Ricardo Trogi for 1981
* Marie-Hélène Cousineau et Madeline Piujuq for Before Tomorrow.
* Jean-Philippe Duval for Dédé à travers les brumes.
* Xavier Dolan for J’ai tué ma mère.
* Denis Villeneuve for Polytechnique.
Best actress:
* Céline Bonnier in Je me souviens.
- 2/17/2010
- by anhkhoido@hotmail.com (Anh Khoi Do)
- The Cultural Post
Montreal -- The Montreal World Film Festival looks to have its mojo back, as it enters its first weekend.
"Everyone is back and everyone is behind us," Montreal festival director Serge Losique said Friday as he counted the local politicians and sponsors once again underwriting his festival after years of fractious infighting between the city's summer film festivals.
Losique made good on his promise to glam up his 33rd edition by including an acrobatic performance by Cirque Eloise just before the opening ceremony Thursday night, which was followed by the upbeat Quebecois comedy "1981" from local filmmaker Ricardo Trogi.
And the paparazzi had a field day at the afterparty at the Intercontinental Hotel in old Montreal, where the attendees were decidedly younger and hipper than in past years when the Canadian industry shunned Losique and his event.
Summed up one local distributor as he considered the return of celebrity-studded premieres and...
"Everyone is back and everyone is behind us," Montreal festival director Serge Losique said Friday as he counted the local politicians and sponsors once again underwriting his festival after years of fractious infighting between the city's summer film festivals.
Losique made good on his promise to glam up his 33rd edition by including an acrobatic performance by Cirque Eloise just before the opening ceremony Thursday night, which was followed by the upbeat Quebecois comedy "1981" from local filmmaker Ricardo Trogi.
And the paparazzi had a field day at the afterparty at the Intercontinental Hotel in old Montreal, where the attendees were decidedly younger and hipper than in past years when the Canadian industry shunned Losique and his event.
Summed up one local distributor as he considered the return of celebrity-studded premieres and...
- 8/28/2009
- by By Etan Vlessing
- The Hollywood Reporter - Movie News
Toronto -- More evidence that the Canadian government and Serge Losique's Montreal World Film Festival have kissed and made up emerged Friday as Ottawa said it will inject Can$445,000 ($411,500) into this year's Aug. 27-Sept. 7 edition.
Mwff president Losique welcomed the cash infusion from Ottawa, adding "I hope that this program will be extended beyond 2010."
The Mwff has been starved of public subsidies by Telefilm Canada, the federal government film financier, since 2005 as taxpayer money that year was diverted to the ill-fated New Montreal Film Festival.
Losique subsequently filed a Can$2.5 million lawsuit against Telefilm Canada, alleging the federal agency had damaged his festival's reputation by withdrawing long-standing taxpayer support.
Montreal suffered as a result of its summer film festival fracas as local distributors opted for the Toronto International Film Festival as a preferred launch pad.
But with the legal woes and personal enmity between Losique and Ottawa behind them, Christian Paradis,...
Mwff president Losique welcomed the cash infusion from Ottawa, adding "I hope that this program will be extended beyond 2010."
The Mwff has been starved of public subsidies by Telefilm Canada, the federal government film financier, since 2005 as taxpayer money that year was diverted to the ill-fated New Montreal Film Festival.
Losique subsequently filed a Can$2.5 million lawsuit against Telefilm Canada, alleging the federal agency had damaged his festival's reputation by withdrawing long-standing taxpayer support.
Montreal suffered as a result of its summer film festival fracas as local distributors opted for the Toronto International Film Festival as a preferred launch pad.
But with the legal woes and personal enmity between Losique and Ottawa behind them, Christian Paradis,...
- 7/31/2009
- by By Etan Vlessing
- The Hollywood Reporter - Movie News
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