Hüller’s character is inspired by numerous accounts of women disguised as men in European history.
The Match Factory has acquired international rights to Austrian writer and director Markus Schleinzer’s new film Rose, with Sandra Hüller cast in the lead role.
A 17th-century drama set in the aftermath of the Thirty Years’ War, the film sees Hüller play the titular Rose, an enigmatic soldier who surfaces in an isolated Protestant village, purporting to be the heir to a long-deserted estate. While attempting to integrate into the village society and pondering an arranged marriage with a local farmer’s daughter,...
The Match Factory has acquired international rights to Austrian writer and director Markus Schleinzer’s new film Rose, with Sandra Hüller cast in the lead role.
A 17th-century drama set in the aftermath of the Thirty Years’ War, the film sees Hüller play the titular Rose, an enigmatic soldier who surfaces in an isolated Protestant village, purporting to be the heir to a long-deserted estate. While attempting to integrate into the village society and pondering an arranged marriage with a local farmer’s daughter,...
- 6/1/2023
- by Tim Dams
- ScreenDaily
Row Pictures is the producer of Emily Atef’s Berlin competition title Someday We’ll Tell Each Other Everything.
Karsten Stöter’s Germany-based Row Pictures, the producer of Emily Atef’s Berlin competition title Someday We’ll Tell Each Other Everything, has unveiled a slate of features from Natja Brunckhorst, Markus Schleinzer and Eliza Petkova.
Brunckhorst’s second feature, Zwei zu Eins, is set to go into production this summer at locations in Central Germany and North Rhine-Westphalia. It will be co-produced by the Lübeck-based arm of zischlermann filmproduktion with backing from broadcasters Zdf and Arte as well as Mdm, the Film- und Medienstiftung Nrw and Bkm.
Karsten Stöter’s Germany-based Row Pictures, the producer of Emily Atef’s Berlin competition title Someday We’ll Tell Each Other Everything, has unveiled a slate of features from Natja Brunckhorst, Markus Schleinzer and Eliza Petkova.
Brunckhorst’s second feature, Zwei zu Eins, is set to go into production this summer at locations in Central Germany and North Rhine-Westphalia. It will be co-produced by the Lübeck-based arm of zischlermann filmproduktion with backing from broadcasters Zdf and Arte as well as Mdm, the Film- und Medienstiftung Nrw and Bkm.
- 2/17/2023
- by Martin Blaney
- ScreenDaily
The trailer for “Someday We’ll Tell Each Other Everything,” French-Iranian filmmaker Emily Atef’s tale of forbidden love, which premieres in Berlinale Competition, has debuted (below). The Match Factory is looking after the film’s international sales, and Pandora Film is handling German distribution.
The film, based on Daniela Krien’s novel, is set in the summer of 1990 in the countryside around Thuringia, in former East Germany.
Maria, who is about to turn 19, lives with her boyfriend Johannes on his parents’ farm and would rather lose herself in books than focus on graduating. There is a sense of a new era dawning with the reunification of Germany.
When she bumps into Henner, the farmer living next door, one touch is all it takes to ignite an all-consuming passion between Maria and the headstrong, charismatic man twice her age. In an atmosphere buzzing with possibilities, love is born: a secret passion...
The film, based on Daniela Krien’s novel, is set in the summer of 1990 in the countryside around Thuringia, in former East Germany.
Maria, who is about to turn 19, lives with her boyfriend Johannes on his parents’ farm and would rather lose herself in books than focus on graduating. There is a sense of a new era dawning with the reunification of Germany.
When she bumps into Henner, the farmer living next door, one touch is all it takes to ignite an all-consuming passion between Maria and the headstrong, charismatic man twice her age. In an atmosphere buzzing with possibilities, love is born: a secret passion...
- 2/10/2023
- by Leo Barraclough
- Variety Film + TV
Irgendwann werden wir uns alles erzählen
Quickly after her Cannes Un Certain Regard premiere of More Than Ever, Emily Atef moved onto her next project – the German language Irgendwann werden wir uns alles erzählen (aka Some Day We Will Tell Each Other Everything). Production took place in June with newcomer Marlene Burow and Felix Kramer. The French-Iranian filmmaker looks at a romance that from today’s perspective might not pass. Rohfilm Factory’s Karsten Stöter (3 Days In Quiberon) reteams with Atef as the film’s producer. It takes place in the backdrop of the first summer after the Berlin wall comes down.…...
Quickly after her Cannes Un Certain Regard premiere of More Than Ever, Emily Atef moved onto her next project – the German language Irgendwann werden wir uns alles erzählen (aka Some Day We Will Tell Each Other Everything). Production took place in June with newcomer Marlene Burow and Felix Kramer. The French-Iranian filmmaker looks at a romance that from today’s perspective might not pass. Rohfilm Factory’s Karsten Stöter (3 Days In Quiberon) reteams with Atef as the film’s producer. It takes place in the backdrop of the first summer after the Berlin wall comes down.…...
- 1/13/2023
- by Eric Lavallée
- IONCINEMA.com
Festival hosts three initiatives to promote links between young filmmakers.
Filmfest Hamburg is hosting three new initiatives to promote closer links between young European filmmakers at the beginning of their careers.
The first initiative sees the festival join forces with Cannes’ Critics’ Week, the Institut Francais and the Association of German Film School Students to launch the #Atelier22 initiative.
16 film students - two each from eight German film schools such as Film University Babelsberg Konrad Wolf, Munich’s University for Television and Film (Hff), Berlin’s German Film & Television Academy and Hamburg Media School - will be in Hamburg from...
Filmfest Hamburg is hosting three new initiatives to promote closer links between young European filmmakers at the beginning of their careers.
The first initiative sees the festival join forces with Cannes’ Critics’ Week, the Institut Francais and the Association of German Film School Students to launch the #Atelier22 initiative.
16 film students - two each from eight German film schools such as Film University Babelsberg Konrad Wolf, Munich’s University for Television and Film (Hff), Berlin’s German Film & Television Academy and Hamburg Media School - will be in Hamburg from...
- 10/4/2022
- by Martin Blaney
- ScreenDaily
French-Iranian director set to shoot ’Someday We’ll Tell Each Other Everything’.
French-Iranian director Emily Atef, who is in town with her Un Certain Regard title More Than Ever, is gearing up to shoot her next film Someday We’ll Tell Each Other Everything.
Newcomer Marlene Burow leads the cast opposite Felix Kramer.
The German-language production will begin filming in Germany in three weeks, produced by Karsten Stöter for Rohfilm Factory, who produced Atef’s seven-time German Film Award winner 3 Days In Quiberon. All funding has come from Germany and Stöter is in Cannes to finalise additional finance.
Atef described...
French-Iranian director Emily Atef, who is in town with her Un Certain Regard title More Than Ever, is gearing up to shoot her next film Someday We’ll Tell Each Other Everything.
Newcomer Marlene Burow leads the cast opposite Felix Kramer.
The German-language production will begin filming in Germany in three weeks, produced by Karsten Stöter for Rohfilm Factory, who produced Atef’s seven-time German Film Award winner 3 Days In Quiberon. All funding has come from Germany and Stöter is in Cannes to finalise additional finance.
Atef described...
- 5/19/2022
- by Ben Dalton
- ScreenDaily
Benny Drechsel’s slate includes India-born filmmaker Kanwal Sethi’s ’Between Us’.
Benny Drechsel’s Berlin- and Leipzig-based Rohfilm Productions revealed at this week’s Berlinale Industry Event that he is close to completing the financing for a mix of big-budget TV and film projects aimed at the international market.
Speaking to Screendaily, Drechsel, whose producting credits include Aida Begic’s Snow and Adina Pintilie’s 2018 Golden Bear winner Touch Me Not (the latter as co-producer), said Rohfilm will produce Indian-born director Kanwal Sethi’s third feature Between Us (working title) which he describes as “a daring drama set against...
Benny Drechsel’s Berlin- and Leipzig-based Rohfilm Productions revealed at this week’s Berlinale Industry Event that he is close to completing the financing for a mix of big-budget TV and film projects aimed at the international market.
Speaking to Screendaily, Drechsel, whose producting credits include Aida Begic’s Snow and Adina Pintilie’s 2018 Golden Bear winner Touch Me Not (the latter as co-producer), said Rohfilm will produce Indian-born director Kanwal Sethi’s third feature Between Us (working title) which he describes as “a daring drama set against...
- 3/3/2021
- by Martin Blaney
- ScreenDaily
Berlinale 2020: The coming-of-age road trip beyond the Iron Curtain will also travel to the upcoming Séries Mania Co-Production Pitching Sessions. The German drama series Transitniki has emerged as the winner of the Séries Mania Project Exchange Award at the exclusive Berlinale Co-Pro Series pitching event, which, as every year, is organised by the European Film Market’s Berlinale Co-Production Market. The project competed alongside nine others in front of a handpicked group of professionals, and will have the chance to be presented next month at the Séries Mania Co-Production Pitching Sessions (25-27 March), which are due to be held in Lille. As is customary, one project that was pitched at Séries Mania last year, and which in this case was Capturing Big Mouth, was invited to Berlin for the Co-Pro Series pitch as well. Produced by Karsten Stöter for Germany’s Rohfilm Factory (Heinrich Ambrosch), Transitniki is set in East Germany.
Reciprocating an exchange which saw Series Mania 2019 Co-Pro Pitching winner “Capturing Big Mouth” participate at this year’s Berlin CoPro Series, German project “Transitniki” will make the return trip to Lille next month, having been selected by Series Mania representatives in Berlin.
From Germany’s Rohfilm Factory, “Transitniki” is set in 1985, behind the Iron Curtain, and tracks groups of thrill-seeking young East Germans, feeling trapped in their own country, who find a way to enter the Soviet Union illegally using transit visas. There, they are able to satiate their desires for travel and adventure in Russia’s untamed wilds.
The series is written by an experienced trio of TV screenwriters in Heide Schwochow, Constantin Lieb and Christian Mackrodt. There is no one creator, no showrunner and no head writer. In fact, when producer Karsten Stöter was putting his writers’ room together, some told him his democratic methodology for screenwriting would never work.
From Germany’s Rohfilm Factory, “Transitniki” is set in 1985, behind the Iron Curtain, and tracks groups of thrill-seeking young East Germans, feeling trapped in their own country, who find a way to enter the Soviet Union illegally using transit visas. There, they are able to satiate their desires for travel and adventure in Russia’s untamed wilds.
The series is written by an experienced trio of TV screenwriters in Heide Schwochow, Constantin Lieb and Christian Mackrodt. There is no one creator, no showrunner and no head writer. In fact, when producer Karsten Stöter was putting his writers’ room together, some told him his democratic methodology for screenwriting would never work.
- 2/26/2020
- by Jamie Lang
- Variety Film + TV
The 10th Odesa film festival closed on Saturday, July 20.
Projects from Ukraine, Georgia and Moldova were among the prize winners of this year’s Pitching and Work in Progress competitions at Odesa International Film Festival (Oiff).
Before announcing the winners of the Pitching competition, former Israel Film Fund chief Katriel Schory said that it had ¨not been easy¨ for the international jury, which included producers Karsten Stöter (Rohfilm) and Guillaume de Seille (Arizona Films), to come to a final decision on which would be named the best project among the 12 pitches.
According to Schory, ¨it was one of the longest...
Projects from Ukraine, Georgia and Moldova were among the prize winners of this year’s Pitching and Work in Progress competitions at Odesa International Film Festival (Oiff).
Before announcing the winners of the Pitching competition, former Israel Film Fund chief Katriel Schory said that it had ¨not been easy¨ for the international jury, which included producers Karsten Stöter (Rohfilm) and Guillaume de Seille (Arizona Films), to come to a final decision on which would be named the best project among the 12 pitches.
According to Schory, ¨it was one of the longest...
- 7/21/2019
- by Martin Blaney
- ScreenDaily
Service called KinoHerz is globally accessible but some films will be geo-blocked according to the rights availability.
The German Producers Association (Vdfp) has launched its own TVoD (transactional video on demand) platform, KinoHerz, to achieve a greater visibility and accessibility for its members’ films.
Titles available in this non-exclusive service include international successes such as Maren Ade’s Everyone Else and Toni Erdmann, Emily Atef’s 3 Days In Quiberon, Fatih Akin’s Tschick as well as documentaries like Tristan Ferland Milewski’s Dream Boat and Arne Birkenstock’s Chandani und ihr Elefant.
The Vdfp’s member companies also have a...
The German Producers Association (Vdfp) has launched its own TVoD (transactional video on demand) platform, KinoHerz, to achieve a greater visibility and accessibility for its members’ films.
Titles available in this non-exclusive service include international successes such as Maren Ade’s Everyone Else and Toni Erdmann, Emily Atef’s 3 Days In Quiberon, Fatih Akin’s Tschick as well as documentaries like Tristan Ferland Milewski’s Dream Boat and Arne Birkenstock’s Chandani und ihr Elefant.
The Vdfp’s member companies also have a...
- 4/5/2019
- by Martin Blaney
- ScreenDaily
“The Postman,” the third feature from 2004 Golden Globe winner Siddiq Barmak (“Osama”), will be offered at Locarno’s co-production forum, the Open Doors Hub, one among an eight-project pack selected from the South Asian region.
David Wahab at Kabul-based Star Group produces “The Postman.” He previously worked on Zobair Farghand’s “Neighbors” and Homayoun Morouwat’s “An Apple from Paradise.” Founded in 2006, Star Group is a film company that is strongly rooted in Afghanistan’s present. Karsten Stöter at Germany’s Rohfilm, whose credits include Kirill Serebrennikov’s “Yuri’s Day,” is on to co-produce.
“The Postman” revolves around the devastating effects a son’s death from a rocket attack in Kabul has on his family. The mother buries herself in silence while the daughter runs the house. The father Amir, trying to find some relief, returns to his postman duties in a city surrounded by war. It is set...
David Wahab at Kabul-based Star Group produces “The Postman.” He previously worked on Zobair Farghand’s “Neighbors” and Homayoun Morouwat’s “An Apple from Paradise.” Founded in 2006, Star Group is a film company that is strongly rooted in Afghanistan’s present. Karsten Stöter at Germany’s Rohfilm, whose credits include Kirill Serebrennikov’s “Yuri’s Day,” is on to co-produce.
“The Postman” revolves around the devastating effects a son’s death from a rocket attack in Kabul has on his family. The mother buries herself in silence while the daughter runs the house. The father Amir, trying to find some relief, returns to his postman duties in a city surrounded by war. It is set...
- 8/7/2018
- by Emilio Mayorga
- Variety Film + TV
“It’s a very hardcore, archaic love story set a year after the Berlin Wall came down,” said Atef.
Emily Atef, the award-winning director of 3 Days In Quiberon, is lining up her new project, Some Day We Will Tell Each Other Everything, about the torrid romance between a 17 -year old woman and a 40-year-old man.
“It’s a very hardcore, archaic love story set a year after the Berlin Wall came down,” said Atef. It will be an adaptation of the best-selling German language novel of the same name by Daniela Krien. It will be produced by Karsten Stöter of Rohfilm,...
Emily Atef, the award-winning director of 3 Days In Quiberon, is lining up her new project, Some Day We Will Tell Each Other Everything, about the torrid romance between a 17 -year old woman and a 40-year-old man.
“It’s a very hardcore, archaic love story set a year after the Berlin Wall came down,” said Atef. It will be an adaptation of the best-selling German language novel of the same name by Daniela Krien. It will be produced by Karsten Stöter of Rohfilm,...
- 5/11/2018
- by Geoffrey Macnab
- ScreenDaily
Summer 1993 and My Happy Family also take home prizes from Ukrainian festival.
Peter Brosen and Jessica Woodworth’s fourth feature King Of The Belgians received the Golden Duke Grand Prix - based on voting by festival-goers - at the eighth Odesa International Film Festival (Oiff, July 14 - 22), which came to a close on Saturday evening.
The International Competition jury, headed up by German director Christian Petzold and including actress Sibel Kekilli and Romanian producer-director-festival organiser Tudor Giurgiu, awarded the prize for best international feature film to Catalan director Carla Simón’s autobiographical film Summer 1993.
Handled internationally by New Europe Film Sales, Simón’s film had its world premiere in the Berlinale’s Generation Kplus sidebar where it won the international jury’s grand prix and the Gwff best first feature award.
Meanwhile, My Happy Family by the directorial duo Nana & Simon continued its successful international festival career by picking up the jury’s awards for best director...
Peter Brosen and Jessica Woodworth’s fourth feature King Of The Belgians received the Golden Duke Grand Prix - based on voting by festival-goers - at the eighth Odesa International Film Festival (Oiff, July 14 - 22), which came to a close on Saturday evening.
The International Competition jury, headed up by German director Christian Petzold and including actress Sibel Kekilli and Romanian producer-director-festival organiser Tudor Giurgiu, awarded the prize for best international feature film to Catalan director Carla Simón’s autobiographical film Summer 1993.
Handled internationally by New Europe Film Sales, Simón’s film had its world premiere in the Berlinale’s Generation Kplus sidebar where it won the international jury’s grand prix and the Gwff best first feature award.
Meanwhile, My Happy Family by the directorial duo Nana & Simon continued its successful international festival career by picking up the jury’s awards for best director...
- 7/24/2017
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Nine-person Foreign Language jury selects Cannes hit from director Maren Ade.
Germany has selected Cannes hit Toni Erdmann by Maren Ade as its submission for the Best Foreign Language Film Oscar.
Ade’s well-sold comedy about a father who tries to reconnect with his adult daughter stars Sandra Huller and Peter Simonischek.
The film, considered by many to be a strong contender to make the final shortlist, is a production by Komplizen Film, in co-production with the Austrian coop 99 Filmproduktion, knm (Monaco) and Missing Link Films.
The decision was taken by an independent jury appointed by German Films, comprising Karsten Stöter, Katharina Rinderle, Julia Weber, Jasna Vavra, Christoph Preßmar, Dunja Bialas, Felicitas Darschin, Sven Burgemeister and Heide Schwochow.
The nine-person jury said of its decision: “Toni Erdmann stood out among the eight submitted films with its resolute artistic signature. A bold and stylistically confident cinematic display of character on the pulse of the times. Maren Ade manages...
Germany has selected Cannes hit Toni Erdmann by Maren Ade as its submission for the Best Foreign Language Film Oscar.
Ade’s well-sold comedy about a father who tries to reconnect with his adult daughter stars Sandra Huller and Peter Simonischek.
The film, considered by many to be a strong contender to make the final shortlist, is a production by Komplizen Film, in co-production with the Austrian coop 99 Filmproduktion, knm (Monaco) and Missing Link Films.
The decision was taken by an independent jury appointed by German Films, comprising Karsten Stöter, Katharina Rinderle, Julia Weber, Jasna Vavra, Christoph Preßmar, Dunja Bialas, Felicitas Darschin, Sven Burgemeister and Heide Schwochow.
The nine-person jury said of its decision: “Toni Erdmann stood out among the eight submitted films with its resolute artistic signature. A bold and stylistically confident cinematic display of character on the pulse of the times. Maren Ade manages...
- 8/25/2016
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
The Burglar
Director: Hagar Ben Asher
Writer: Hagar Ben Asher
Actress turned director Hagar Ben Asher’s first film, The Slut (2011) premiered at Cannes and went onto a rather hushed reception. She’s back with a sophomore feature, which was been backed by Eurimages with the Match Factory picking up international sales in February, 2015. We’re hoping to see the burgeoning Israeli director get a bit more traction with her latest feature which concerns young pretty Yaeli, who lives in a small town by the Dead Sea where she works as a carer for the skin diseased. Her house is a small house, with two small bedrooms. One of them belongs to her absent mother and has not been opened for a long time. Only then, brutal thieves invade the house. The door is now open, but life is impossible to live. With no primal intent, she herself becomes a burglaress.
Director: Hagar Ben Asher
Writer: Hagar Ben Asher
Actress turned director Hagar Ben Asher’s first film, The Slut (2011) premiered at Cannes and went onto a rather hushed reception. She’s back with a sophomore feature, which was been backed by Eurimages with the Match Factory picking up international sales in February, 2015. We’re hoping to see the burgeoning Israeli director get a bit more traction with her latest feature which concerns young pretty Yaeli, who lives in a small town by the Dead Sea where she works as a carer for the skin diseased. Her house is a small house, with two small bedrooms. One of them belongs to her absent mother and has not been opened for a long time. Only then, brutal thieves invade the house. The door is now open, but life is impossible to live. With no primal intent, she herself becomes a burglaress.
- 1/5/2016
- by Nicholas Bell
- IONCINEMA.com
It might be wishful thinking on our part to think that Hager Ben-Asher would somehow submit her sophomore film in January instead of holding out for the month of May. Before The Burglar (which will drop in 2016), there was the Critics’ Week Cannes Film Festival 2011 selected The Slut (see pic above) which helped make a proper name for the filmmaker. This directorial debut was indeed affiliated to the Sundance – as it was selected by the Sundance Institute for what was the 2010 Israel mini lab. Featuring newbie actress, popular Israeli model Lihi Kornowski, The Burglar was on our radar for 2015, but now we’re hopeful it’ll drop in early ’16 with stops at Rotterdam and/or Berlin as a strong possibility. While her debut was a little bit louder than a pin drop, featuring another strong female heroine, this could make a thunderous noise for her national cinema.
Gist: Lihi Kornowski...
Gist: Lihi Kornowski...
- 11/23/2015
- by Eric Lavallee
- IONCINEMA.com
In other Cottbus news, F&Me boards The Disciple and Macedonia backs Sugar Kid.
Projects from Ukraine and Georgia were the award-winners at this year’s edition of the East-West co-production market connecting cottbus (November 5-6).
Ukrainian filmmaker Max Ksjonda’s feature debut Tank received the CoCo Best Pitch Award sponsored by Eurotape Medien Service to the tune of €1,500 plus a free accreditation to the Producers Network at next year’s Cannes Film Festival, while a jury of Film Repubic’s Xavier-Henry Rashid, Sarajevo Film Festival’s Elma Tataragic and The Post Republic’s Jan-Philip Lange chose Rusudan Chkonia’s [pictured] black comedy Venice for the CoCo Post Pitch Award offering a colour correction and Dcp worth €25,000.
Tank, which will be produced by Max Serdiuk’s Kiev-based production outfit Noosphere Films, already has in-kind investment of equipment by Ukraine’s TechnoRent and private equity investment from Cyprus-based Pride Capital.
The project was previously pitched at the Odessa Film Festival...
Projects from Ukraine and Georgia were the award-winners at this year’s edition of the East-West co-production market connecting cottbus (November 5-6).
Ukrainian filmmaker Max Ksjonda’s feature debut Tank received the CoCo Best Pitch Award sponsored by Eurotape Medien Service to the tune of €1,500 plus a free accreditation to the Producers Network at next year’s Cannes Film Festival, while a jury of Film Repubic’s Xavier-Henry Rashid, Sarajevo Film Festival’s Elma Tataragic and The Post Republic’s Jan-Philip Lange chose Rusudan Chkonia’s [pictured] black comedy Venice for the CoCo Post Pitch Award offering a colour correction and Dcp worth €25,000.
Tank, which will be produced by Max Serdiuk’s Kiev-based production outfit Noosphere Films, already has in-kind investment of equipment by Ukraine’s TechnoRent and private equity investment from Cyprus-based Pride Capital.
The project was previously pitched at the Odessa Film Festival...
- 11/6/2015
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
In other Cottbus news, F&Me boards The Disciple and Macedonia backs Sugar Kid.
Projects from Ukraine and Georgia were the award-winners at this year’s edition of the East-West co-production market connecting cottbus (November 5-6).
Ukrainian filmmaker Max Ksjonda’s feature debut Tank received the CoCo Best Pitch Award sponsored by Eurotape Medien Service to the tune of €1,500 plus a free accreditation to the Producers Network at next year’s Cannes Film Festival, while a jury of Film Repubic’s Xavier-Henry Rashid, Sarajevo Film Festival’s Elma Tataragic and The Post Republic’s Jan-Philip Lange chose Rusudan Chkonia’s [pictured] black comedy Venice for the CoCo Post Pitch Award offering a colour correction and Dcp worth €25,000.
Tank, which will be produced by Max Serdiuk’s Kiev-based production outfit Noosphere Films, already has in-kind investment of equipment by Ukraine’s TechnoRent and private equity investment from Cyprus-based Pride Capital.
The project was previously pitched at the Odessa Film Festival...
Projects from Ukraine and Georgia were the award-winners at this year’s edition of the East-West co-production market connecting cottbus (November 5-6).
Ukrainian filmmaker Max Ksjonda’s feature debut Tank received the CoCo Best Pitch Award sponsored by Eurotape Medien Service to the tune of €1,500 plus a free accreditation to the Producers Network at next year’s Cannes Film Festival, while a jury of Film Repubic’s Xavier-Henry Rashid, Sarajevo Film Festival’s Elma Tataragic and The Post Republic’s Jan-Philip Lange chose Rusudan Chkonia’s [pictured] black comedy Venice for the CoCo Post Pitch Award offering a colour correction and Dcp worth €25,000.
Tank, which will be produced by Max Serdiuk’s Kiev-based production outfit Noosphere Films, already has in-kind investment of equipment by Ukraine’s TechnoRent and private equity investment from Cyprus-based Pride Capital.
The project was previously pitched at the Odessa Film Festival...
- 11/6/2015
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Producer-director Andrey Silvestrov’s The Ice Hole was named the winner of the first Screen International Best Pitch Award at the Moscow Business Square (Mbs).
The €400,000 comedy by Silvestrov’s new company Cooperation Propub is based on characters who are typical to the modern world: an artist, an oligarch, the Russian president and an alcoholic.
The ironic and tragic view of modern Russia also received an award sponsored by the Russian company Cosmosfilm.
In addition, the Finnish post-production house Post Control offered production services as a prize to Elizaveta Stishova’s Suleiman Mountain by Trikita Entertainment, which is being developed as part of the B’Est training programme.
The Mgap entertainment legal practice donated a prize of legal advice to the documentary project Baubxy about the Bauhaus and Vkhutemas movements by Sergei Shanovich.
Valeriy Polienko’s 1990s-set drama Kosa was selected by the Russian crowdfunding platform Planeta.ru to receive professional advice on its production.
The award-winning...
The €400,000 comedy by Silvestrov’s new company Cooperation Propub is based on characters who are typical to the modern world: an artist, an oligarch, the Russian president and an alcoholic.
The ironic and tragic view of modern Russia also received an award sponsored by the Russian company Cosmosfilm.
In addition, the Finnish post-production house Post Control offered production services as a prize to Elizaveta Stishova’s Suleiman Mountain by Trikita Entertainment, which is being developed as part of the B’Est training programme.
The Mgap entertainment legal practice donated a prize of legal advice to the documentary project Baubxy about the Bauhaus and Vkhutemas movements by Sergei Shanovich.
Valeriy Polienko’s 1990s-set drama Kosa was selected by the Russian crowdfunding platform Planeta.ru to receive professional advice on its production.
The award-winning...
- 6/24/2015
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
The Burglar
Director: Hagar Ben Asher // Writer: Hagar Ben Asher
Actress turned director Hagar Ben Asher’s first film, The Slut (2011) premiered at Cannes (we were there at its Critics’ Week premiere) and went onto a rather hushed reception. She’s back with a sophomore feature, which has recently been backed by Eurimages and is in pre-production. While it’s unclear when filming begins on The Burglar, we’re hoping to see the burgeoning Israeli director get a bit more traction with her latest feature which concerns young pretty Yaeli, who lives in a small town by the dead sea where she works as a carer for the skin diseased. Her house is a small house, with two small bedrooms. One of them belongs to her absent mother and has not been opened for a long time. Only then, brutal thieves invade the house. The door is now open, but life is impossible to live.
Director: Hagar Ben Asher // Writer: Hagar Ben Asher
Actress turned director Hagar Ben Asher’s first film, The Slut (2011) premiered at Cannes (we were there at its Critics’ Week premiere) and went onto a rather hushed reception. She’s back with a sophomore feature, which has recently been backed by Eurimages and is in pre-production. While it’s unclear when filming begins on The Burglar, we’re hoping to see the burgeoning Israeli director get a bit more traction with her latest feature which concerns young pretty Yaeli, who lives in a small town by the dead sea where she works as a carer for the skin diseased. Her house is a small house, with two small bedrooms. One of them belongs to her absent mother and has not been opened for a long time. Only then, brutal thieves invade the house. The door is now open, but life is impossible to live.
- 1/5/2015
- by Nicholas Bell
- IONCINEMA.com
Described as a defining film in the history of Indian cinema, The Lunchbox which has won numerous domestic and international accolades in its slight over a year’s run at the box office wins yet another award. Produced by Arun Rangachari, Anurag Kashyap, and Guneet Monga, Ritesh Batra’s directorial debut which stars Irrfan, Nawazuddin Siddiqui and Nimrat Kaur was recently conferred the ‘Film with the Best Return on Investment’ award at the Star Box Office India’s 2014 awards. Mr. Vivek Rangachari, Producer, Dar Motion Pictures and Guneet Monga from Sikhya Entertainment were present on the occasion to receive the award.
Critically acclaimed and globally loved The Lunchbox is a story about a mistaken delivery in Mumbai’s famously efficient lunchbox delivery system connects a young housewife to a stranger in the dusk of his life. They build a fantasy world together through notes in the lunchbox. Gradually, this fantasy threatens to overwhelm their reality.
Critically acclaimed and globally loved The Lunchbox is a story about a mistaken delivery in Mumbai’s famously efficient lunchbox delivery system connects a young housewife to a stranger in the dusk of his life. They build a fantasy world together through notes in the lunchbox. Gradually, this fantasy threatens to overwhelm their reality.
- 10/18/2014
- by Press Releases
- Bollyspice
Last Broadcast director Lance Weiler among those set to deliver masterclasses at the St Petersburg International Media Forum, which opens tonight with Mommy [pictured].
Lance Weiler, Adam Sigel and Andy Green are among the international guests set to give masterclasses at the inaugural St Petersburg International Media Forum (Spimf) which kicks off tonight (Oct 1) with the Russian premiere of Xavier Dolan’s Mommy.
Film director Weiler (The Last Broadcast, Pandemic), who is also the co-founder of Columbia University’s Digital Storytelling Lab, will speak about interactive storytelling as part of Spimf’s business programme (Oct 6-8), while writer-producer and content strategist Adam Sigel of La-based Cutbait Productions will explore storytelling across platforms, and Andy Green, a co-founder of the viral distribution platform Distrify, will discuss the influence of scientific and technological innovation on cultural strategy.
In other master classes, the creative technologist Clint Beharry of New York-based Harmony Institute will look at ways of optimising stories for social...
Lance Weiler, Adam Sigel and Andy Green are among the international guests set to give masterclasses at the inaugural St Petersburg International Media Forum (Spimf) which kicks off tonight (Oct 1) with the Russian premiere of Xavier Dolan’s Mommy.
Film director Weiler (The Last Broadcast, Pandemic), who is also the co-founder of Columbia University’s Digital Storytelling Lab, will speak about interactive storytelling as part of Spimf’s business programme (Oct 6-8), while writer-producer and content strategist Adam Sigel of La-based Cutbait Productions will explore storytelling across platforms, and Andy Green, a co-founder of the viral distribution platform Distrify, will discuss the influence of scientific and technological innovation on cultural strategy.
In other master classes, the creative technologist Clint Beharry of New York-based Harmony Institute will look at ways of optimising stories for social...
- 10/1/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Noaz Deshe’s feature debut White Shadow was the big winner at this year’s T-Mobile New Horizons in Poland’s Wroclaw.
The International Jury - including Polish director Tomasz Wasilewski, the Austrian Film Commission’s managing director Martin Schweighofer and Cannes Film Festival’s Christian Jeune - presented the €20,000 ($27,000) Grand Prix to the Tanzanian-German-Italian co-production, which was also voted by New Horizons’ festival-goers as the recipient of the Audience Award.
Berlin-based Deshe’s tale of albinos in Tanzania was premiered at last year’s Venice Film Festival, where it received the Luigi de Laurentis Award for the best debut.
It has since won the best director award at the Tarkovsky ¨Zerkalo¨ festival and the best feature film at London’s East End Film Festival as well as a special mention at the Transilvania International Film Festival.
White Shadow is handled internationally by Premium Films.
The Fipresci International Critics Prize went to another feature debut by Argentinian...
The International Jury - including Polish director Tomasz Wasilewski, the Austrian Film Commission’s managing director Martin Schweighofer and Cannes Film Festival’s Christian Jeune - presented the €20,000 ($27,000) Grand Prix to the Tanzanian-German-Italian co-production, which was also voted by New Horizons’ festival-goers as the recipient of the Audience Award.
Berlin-based Deshe’s tale of albinos in Tanzania was premiered at last year’s Venice Film Festival, where it received the Luigi de Laurentis Award for the best debut.
It has since won the best director award at the Tarkovsky ¨Zerkalo¨ festival and the best feature film at London’s East End Film Festival as well as a special mention at the Transilvania International Film Festival.
White Shadow is handled internationally by Premium Films.
The Fipresci International Critics Prize went to another feature debut by Argentinian...
- 8/4/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Exclusive: Berlin-based production house to team up with The Slut director on Deadsea.
Berlin-based production house Rohfilm is to reunited with Israeli film-maker Hagar Ben Asher (The Slut) on her next feature Deadsea which is set to shoot at locations in Israel from this autumn.
Speaking exclusively to ScreenDaily, co-managing director Benny Drechsel said that the co-production will be made with France’s Les Films du Poisson and Israel’s Cinema Group.
Drechsel and his business partner Karsten Stöter were the German co-producers on Asher’s debut feature The Slut, which had its world premiere at Cannes’ Critics’ Week in 2011, and they returned to this sidebar last year with Ritesh Batra’s international bestseller The Lunchbox.
Beforehand, this summer will see Rohfilm rolling principal photography on Axel Koenzen’s feature film debut Deadweight set completely on a container ship.
“Koenzen’s short films Firn and the previous Wax’n’Wane were both invited to the festival in Cannes...
Berlin-based production house Rohfilm is to reunited with Israeli film-maker Hagar Ben Asher (The Slut) on her next feature Deadsea which is set to shoot at locations in Israel from this autumn.
Speaking exclusively to ScreenDaily, co-managing director Benny Drechsel said that the co-production will be made with France’s Les Films du Poisson and Israel’s Cinema Group.
Drechsel and his business partner Karsten Stöter were the German co-producers on Asher’s debut feature The Slut, which had its world premiere at Cannes’ Critics’ Week in 2011, and they returned to this sidebar last year with Ritesh Batra’s international bestseller The Lunchbox.
Beforehand, this summer will see Rohfilm rolling principal photography on Axel Koenzen’s feature film debut Deadweight set completely on a container ship.
“Koenzen’s short films Firn and the previous Wax’n’Wane were both invited to the festival in Cannes...
- 5/18/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Dok Leipzig’s Golden Dove for Best International Documentary went to the Us, while Norway scored a hat-trick at the Nordic Film Days in Lübeck.
The top award in Leipzig’s International Documentary Competition went to Italian-born, Us-based film-maker Roberto Minervini’s Stop The Pounding Heart whose portrayal of a strict religious family was described by the jury as ¨refreshing and unsettling at the same time.¨
The Us-Belgian-Italian co-production is handled internationally by Doc & Film.
The Golden Dove in the German Documentary Competition was awarded to Carlo Zoratti for his feature-length debut The Special Need, while the newly-created Golden Dove for the animation-documentary hybrid form was presented to French director Daniela De Felice’s Casa.
A total of 18 prizes with cash awards totalling almost €70,000 ($95,000) included the Fipresci Prize for Gang Zhao’s A Folk Troupe; the Mdr Film Prize for Vitaly Mansky’s Pipeline; and the Youth Jury Prize to Joanna by Aneta Kopacz, a graduate...
The top award in Leipzig’s International Documentary Competition went to Italian-born, Us-based film-maker Roberto Minervini’s Stop The Pounding Heart whose portrayal of a strict religious family was described by the jury as ¨refreshing and unsettling at the same time.¨
The Us-Belgian-Italian co-production is handled internationally by Doc & Film.
The Golden Dove in the German Documentary Competition was awarded to Carlo Zoratti for his feature-length debut The Special Need, while the newly-created Golden Dove for the animation-documentary hybrid form was presented to French director Daniela De Felice’s Casa.
A total of 18 prizes with cash awards totalling almost €70,000 ($95,000) included the Fipresci Prize for Gang Zhao’s A Folk Troupe; the Mdr Film Prize for Vitaly Mansky’s Pipeline; and the Youth Jury Prize to Joanna by Aneta Kopacz, a graduate...
- 11/4/2013
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
The recently created Saint-Petersburg-based Point Of View (Pov) Development Fund has backed three film projects a total of $86,000 (€65,000).
An international expert group of producers that selected the projects included Sergei Selyanov (Ctb Film Company), Artem Vasiliev (Metrafilms), Riina Sildos (Amrion), Konstantinos Kontovrakis (Heretic) and Berlin-based sales agent Jean-Christophe Simon of Films Boutique.
The films they selected each have the fate of a woman at their centre:
The Woman From Ingria, to be produced by Pavel Odynin, is based on the biography of a simple woman in the north-western corner of Russia during the 20th century (€25,000);
Svetlana follows the real love story between Stalin’s daughter Svetlana Alliluyeva and the Indian raj Brajesh Singh in the mid-1960s. It will be produced by Anastasia Perova, Olga Kolegaeva and Konstantin Nafikov with Karsten Stöter of Germany’s Rohfilm,which was a co-producer of Ritesh Batra’s Cannes hit The Lunchbox (€25,000);
Manifestation, the feature debut by Georgian-born film-maker Anna Sarukhanova...
An international expert group of producers that selected the projects included Sergei Selyanov (Ctb Film Company), Artem Vasiliev (Metrafilms), Riina Sildos (Amrion), Konstantinos Kontovrakis (Heretic) and Berlin-based sales agent Jean-Christophe Simon of Films Boutique.
The films they selected each have the fate of a woman at their centre:
The Woman From Ingria, to be produced by Pavel Odynin, is based on the biography of a simple woman in the north-western corner of Russia during the 20th century (€25,000);
Svetlana follows the real love story between Stalin’s daughter Svetlana Alliluyeva and the Indian raj Brajesh Singh in the mid-1960s. It will be produced by Anastasia Perova, Olga Kolegaeva and Konstantin Nafikov with Karsten Stöter of Germany’s Rohfilm,which was a co-producer of Ritesh Batra’s Cannes hit The Lunchbox (€25,000);
Manifestation, the feature debut by Georgian-born film-maker Anna Sarukhanova...
- 9/2/2013
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
As this year’s Moscow International Film Festival readies for launch, Germany’s Media Luna New Films has picked up international distribution rights to a title in competition at the 35th edition.
The Cologne-based sales agent has secured teenage drama The Kids From The Port, the second feature from Spanish director Alberto Morais.
It will see Morais return to Moscow’s main competition, having won the Golden George and the Fipresci International Critics’ Prize at the Russian festival two years ago for his feature debut Las Olas, which also received the Silver George for actor Carlos Álvarez-Nóvia.
Media Luna has also secured the rights to Slovenian director Nejc Gazvoda’s Dual, which will have its world premiere in Karlovy Vary’s East of the West Competition on July 3.
The love story between two young women is Gazvoda’s second feature after his internationally acclaimed debut A Trip.
Media Luna will also have the international premiere of [link...
The Cologne-based sales agent has secured teenage drama The Kids From The Port, the second feature from Spanish director Alberto Morais.
It will see Morais return to Moscow’s main competition, having won the Golden George and the Fipresci International Critics’ Prize at the Russian festival two years ago for his feature debut Las Olas, which also received the Silver George for actor Carlos Álvarez-Nóvia.
Media Luna has also secured the rights to Slovenian director Nejc Gazvoda’s Dual, which will have its world premiere in Karlovy Vary’s East of the West Competition on July 3.
The love story between two young women is Gazvoda’s second feature after his internationally acclaimed debut A Trip.
Media Luna will also have the international premiere of [link...
- 6/19/2013
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Sony Pictures Classics today acquired North American rights to "The Lunchbox," winner of the Viewer's Choice Award, Grand Rail d'Or, at the 2013 Cannes Critics' Week. Full release below: Sony Pictures Classics Acquires Critics’ Week Grand Rail D’Or Winner The Lunchbox New York (May 24, 2013) - Sony Pictures Classics announced today that they have acquired all North American rights to the Viewer’s Choice Award, Grand Rail d’Or, winner at the 2013 Critics’ Week, The Lunchbox. The film, written and directed by Ritesh Batra, stars Irrfan Khan (Life Of Pi), Nimrat Kaur and Nakul Vaid. The Lunchbox is produced by Gunneet Monga and Anurag Kashyap of Sikhya Entertainment (India) and Arun Rangachari of Dar Motion Pictures (India), co-produced by Nina Lath Gupta of Nfdc (India), Shanaab Alam, Vivek Rangachari, Sunil John, Nittin Keni, Karsten Stöter and Benny Drechsel of Rohfilm (Germany), Cedomir Kolar and Marc Baschet...
- 5/24/2013
- by Indiewire
- Indiewire
Sony Pictures Classics announced today that they have acquired all North American rights to the Viewer.s Choice Award, Grand Rail d'Or, winner at the 2013 Critics' Week, The Lunchbox . The film, written and directed by Ritesh Batra, stars Irrfan Khan ( Life of Pi ), Nimrat Kaur and Nakul Vaid. The Lunchbox is produced by Gunneet Monga and Anurag Kashyap of Sikhya Entertainment (India) and Arun Rangachari of Dar Motion Pictures (India), co-produced by Nina Lath Gupta of Nfdc (India), Shanaab Alam, Vivek Rangachari, Sunil John, Nittin Keni, Karsten Stöter and Benny Drechsel of Rohfilm (Germany), Cedomir Kolar and Marc Baschet of Asap Films (France), Danis Tanovic and executive produced by Lydia Dean Pilcher of CineMosaic, Irrfan Khan and Ritesh Batra. In The Lunchbox , a mistaken...
- 5/24/2013
- Comingsoon.net
Two Australian short films, Men of the Earth and Faraways, and feature Lore will screen at the 42nd International Film Festival Rotterdam (Iffr), one of the largest audience-driven film festivals in the world.
The ten-minute short Men of the Earth, which will also be shown at the upcoming Clermont Ferrand International Short Film Festival in France, attempts to explore tribalism and ritual in contemporary society. The film takes the audiences behind a roadwork site and presents the sombre ritual of working men. Men of the Earth is written and directed by Andrew Kavanagh. It is his second collaboration with creative producer Ramona Telecican.
Another short film Faraways, from writer/director/producer Audrey Lam, will also screen at this year.s Rotterdam. The story takes place in the empty urban landscapes of Brisbane which echoes the isolation of two girls far from home.
Iffr 2013 program will also present the German/Australian co-production Lore,...
The ten-minute short Men of the Earth, which will also be shown at the upcoming Clermont Ferrand International Short Film Festival in France, attempts to explore tribalism and ritual in contemporary society. The film takes the audiences behind a roadwork site and presents the sombre ritual of working men. Men of the Earth is written and directed by Andrew Kavanagh. It is his second collaboration with creative producer Ramona Telecican.
Another short film Faraways, from writer/director/producer Audrey Lam, will also screen at this year.s Rotterdam. The story takes place in the empty urban landscapes of Brisbane which echoes the isolation of two girls far from home.
Iffr 2013 program will also present the German/Australian co-production Lore,...
- 1/18/2013
- by Yuan Liu
- IF.com.au
Hit musical drama The Sapphires has scored 12 nominations at the 2012 Australian Academy of Cinema and Television Arts (Aacta) Awards including in the coveted best feature film category.
The Sapphires, which follows four indigenous singers during the Vietnam war, has grossed more than $14 million in Australia to become the biggest local film of the year.
Three other films will be also be vying for the best feature film award: Burning Man (10 nominations in total), Lore (eight nominations in total) and Wish You Were Here (eight nominations in total) at the main Aacta ceremony, which will be held on January 30, 2013, at The Star Event Centre. Last year's event was held at the iconic Sydney Opera House.
P.J. Hogan's Mental also scored eight nominations including Best Lead Actress (Toni Collette), Best Supporting Actor (Liev Schreiber) Best Young Actor (Lily Sullivan) and Best Supporting Actress for Rebecca Gibney and Deborah Mailman.
Not Suitable for Children...
The Sapphires, which follows four indigenous singers during the Vietnam war, has grossed more than $14 million in Australia to become the biggest local film of the year.
Three other films will be also be vying for the best feature film award: Burning Man (10 nominations in total), Lore (eight nominations in total) and Wish You Were Here (eight nominations in total) at the main Aacta ceremony, which will be held on January 30, 2013, at The Star Event Centre. Last year's event was held at the iconic Sydney Opera House.
P.J. Hogan's Mental also scored eight nominations including Best Lead Actress (Toni Collette), Best Supporting Actor (Liev Schreiber) Best Young Actor (Lily Sullivan) and Best Supporting Actress for Rebecca Gibney and Deborah Mailman.
Not Suitable for Children...
- 12/3/2012
- by Brendan Swift
- IF.com.au
The Sapphires has led the Academy of Australian Cinema and Television Arts Awards nominations being nominated in 12 categories.
Awards will be handed out over two events, with an awards luncheon, focused on craft categories on Monday January 28 and the main event on January 30. Both events will be held at the Star Event Centre, the first public events for the venue.
The Sapphires, distributed by Hopscotch/eOne has been nominated for Best Film, Best Direction and best adapted screenplay as well as Best Lead Actor and Actress for Chris O’Dowd and Deborah Mailman, and Best Supporting Actress for Jessica Mauboy.
Burning Man was not far behind on 10 nominations including best film and best direction as well as best lead actor for Matthre Goode and Best Supporting Actress for Essie Davis.
Three more films, Lore, Mental and Wish You Were Here received eight nominations while Not Suitable For Children received four.
Awards will be handed out over two events, with an awards luncheon, focused on craft categories on Monday January 28 and the main event on January 30. Both events will be held at the Star Event Centre, the first public events for the venue.
The Sapphires, distributed by Hopscotch/eOne has been nominated for Best Film, Best Direction and best adapted screenplay as well as Best Lead Actor and Actress for Chris O’Dowd and Deborah Mailman, and Best Supporting Actress for Jessica Mauboy.
Burning Man was not far behind on 10 nominations including best film and best direction as well as best lead actor for Matthre Goode and Best Supporting Actress for Essie Davis.
Three more films, Lore, Mental and Wish You Were Here received eight nominations while Not Suitable For Children received four.
- 12/3/2012
- by Colin Delaney
- Encore Magazine
Uzbekistan isn’t the first nation that comes to mind when we think of a fest that is chock-full in American Independent film offerings, but over the years, the Sundance Labs have been including residents with different colored passports. Supported by the January Screenwriters Lab and June Screenwriters Labs along with the Directors Lab of 2010 ( Saodat Ismailova blogged about the experience with Filmmaker Mag), 40 Days of Silence is currently in post-production and is the type of micro-project with a lot of clout – it landed support from Rotterdam, Cannes and Torino.
Gist: Bibicha is a young woman who suddenly refuses to speak, and conceals herself from villagers in the house of her grandmother Khanjarmomo. Khanjarmomo lives with her illegally born granddaughter Sharifa; they both support Bibicha in her vow of 40 days of silence, which she carries out in hopes of being rejoined by her recently disappeared lover. Yet Khanjarmomo doubts the...
Gist: Bibicha is a young woman who suddenly refuses to speak, and conceals herself from villagers in the house of her grandmother Khanjarmomo. Khanjarmomo lives with her illegally born granddaughter Sharifa; they both support Bibicha in her vow of 40 days of silence, which she carries out in hopes of being rejoined by her recently disappeared lover. Yet Khanjarmomo doubts the...
- 11/19/2012
- by Eric Lavallee
- IONCINEMA.com
Screen Australia has announced an investment of $15m on 13 productions, including a German/Australian co-production directed by Cate Shortland and development for Bruce Beresford, Sarah Watt and Phillip Noyce projects.
In terms of films, Fred Schepisi’s The Eye of the Storm - which began production without financial support from Screen Australia – is one of the beneficiaries.
Shortland’s co-production Lore will be produced by Liz Watts, Karsten Stöter, Benny Drechsel, Paul Welsh and Gabriele Kranzelbinder and set in 1945 Germany.
The third feature to receive support is Kieran Darcy-Smith’s debut Say Nothing, written in conjuction with Felicity Price and produced by Angie Felder.
TV series The Slap, Cleo and Blood Brother, as well as series two of Spirited. also received financial support.
The agency estimates that these projects will generate production worth $72m.
The projects are:
The Eye Of The Storm
Paper Bark Films Eos Pty Ltd
Executive Producers Jonathan Shteinman,...
In terms of films, Fred Schepisi’s The Eye of the Storm - which began production without financial support from Screen Australia – is one of the beneficiaries.
Shortland’s co-production Lore will be produced by Liz Watts, Karsten Stöter, Benny Drechsel, Paul Welsh and Gabriele Kranzelbinder and set in 1945 Germany.
The third feature to receive support is Kieran Darcy-Smith’s debut Say Nothing, written in conjuction with Felicity Price and produced by Angie Felder.
TV series The Slap, Cleo and Blood Brother, as well as series two of Spirited. also received financial support.
The agency estimates that these projects will generate production worth $72m.
The projects are:
The Eye Of The Storm
Paper Bark Films Eos Pty Ltd
Executive Producers Jonathan Shteinman,...
- 7/9/2010
- by Miguel Gonzalez
- Encore Magazine
- Fish Tank, Everyone Else, Dogtooth, Police Adjective, A Prophet and White Ribbon are just a half a dozen titles among the 48 films that have a shot at being nominated among several categories for 22nd The European Film Awards. Among those that mysteriously didn't make the list are a pair of films that played at Cannes in Romania's Tales From the Golden Age and France's The Father of My Children. The way it works is, 2000 members of the European Film Academy will vote for the nominations in the different award categories which will be announced on the 7th of November with the winners announced on the 12th of December. Here is the complete list below. 33 Scenes From Life Poland / Germany, 96 min Written & directed by Ma½goÊka Szumowska Produced by Raimond Goebel & Karl Baumgartner Broken Embraces Spain, 129 min Written & directed by: Pedro Almodóvar Produced by: Agustín Almodóvar Everyone Else Germany, 119 min
- 9/7/2009
- IONCINEMA.com
- Lots of glossy business cards will be exchanged during the 4th edition of International Financing Forum (Iff) (which takes place during Tiff). In what I imagine is like a speed dating between producers looking for coin and those looking to finance the next hot film project. There are a slew of names/projects from established filmmakers (Hany Abu-Assad, Terrence Davies and Kevin Macdonald) and some first-time directors among the 43 listed below that have caught over attention. Hany Abu-Assad is taking on what I imagine would be a controversial biopic - attaching himself to Arafat with his Paradise Now producer, Roman Paul. Paul produced Waltz with Bashir, and the upcoming (we'll be talking about this one in 2010), Womb. I'd be surprised if Tony Grisoni took a day off in the past 24 months, he has penned a truck load of projects and would embark on his feature filmmaking debut with Kingsland.
- 9/2/2009
- IONCINEMA.com
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