“Time stands still, here in the Valley” - Mr Rhys the Innkeeper.
When we think of the legacy of Ealing Studios, film fans will always remember the classic comedies Passport to Pimlico (1949), The Lavender Hill Mob (1951) and The Man in the White Suit (1951). Long considered the Studios' finest cinema achievements, the beauty of an Ealing comedy is its realist style. Whereas The Carry On films and the Boulting Brothers relied on caricature, Ealing always focused on the ordinary man, notably Stanley Holloway and Alec Guinness, being placed in an extraordinary situation.
Such was their comedy success it’s easy to forget that Ealing dabbled in more serious, and at times, much darker stuff. Horror was never a genre associated with the studio, although the black humour of the excellent Kind Hearts and Coronets (1949) - with its imaginative murders - pre-dated the ghoulish Theatre of Blood (1973) by nearly 25 years; and yet...
When we think of the legacy of Ealing Studios, film fans will always remember the classic comedies Passport to Pimlico (1949), The Lavender Hill Mob (1951) and The Man in the White Suit (1951). Long considered the Studios' finest cinema achievements, the beauty of an Ealing comedy is its realist style. Whereas The Carry On films and the Boulting Brothers relied on caricature, Ealing always focused on the ordinary man, notably Stanley Holloway and Alec Guinness, being placed in an extraordinary situation.
Such was their comedy success it’s easy to forget that Ealing dabbled in more serious, and at times, much darker stuff. Horror was never a genre associated with the studio, although the black humour of the excellent Kind Hearts and Coronets (1949) - with its imaginative murders - pre-dated the ghoulish Theatre of Blood (1973) by nearly 25 years; and yet...
- 6/14/2011
- Shadowlocked
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