“Bridgerton” Season 3 is here, and with it comes a new collection of string covers of iconic pop songs. The Shondaland Netflix series made a mark with its first season by packing the regency-era period story with string quartet covers of modern pop songs, and the trend continues in the new season that puts the focus on a romance between Penelope (Nicola Coughlan) and Colin (Luke Newton).
“Bridgerton” Season 3 Part 1 also features the Netflix show’s first-ever original song: “All I Want” is written by Rogét Chahayed (Doja Cat’s “Kiss Me More”), Wesley Singerman (Jennifer Lopez’s “Butterfly”), Taylor Dexter (Joji’s “Die for You”) and Nicole Cohen (Meghan Trainor’s “Sensitive”). Tori Kelly performs the song on the soundtrack, and the orchestral version was arranged by “Bridgerton” composer Kris Bowers.
Past seasons featured hits by Ariana Grande, Shawn Mendes, Nirvana, Madonna, Rihanna, Robyn and Harry Styles. For Season 3, the...
“Bridgerton” Season 3 Part 1 also features the Netflix show’s first-ever original song: “All I Want” is written by Rogét Chahayed (Doja Cat’s “Kiss Me More”), Wesley Singerman (Jennifer Lopez’s “Butterfly”), Taylor Dexter (Joji’s “Die for You”) and Nicole Cohen (Meghan Trainor’s “Sensitive”). Tori Kelly performs the song on the soundtrack, and the orchestral version was arranged by “Bridgerton” composer Kris Bowers.
Past seasons featured hits by Ariana Grande, Shawn Mendes, Nirvana, Madonna, Rihanna, Robyn and Harry Styles. For Season 3, the...
- 5/25/2024
- by Adam Chitwood
- The Wrap
The Guild of Music Supervisors released on Thursday the nominees for the group’s 12th annual awards ceremony, honoring music supervisors in film, television, advertising and video games.
Among the nominees for the film categories are “Being the Ricardos,” “Encanto,” “Barb and Star Go to Vista Del Mar,” “The Harder They Fall,” “The Tender Bar” and “Tick, Tick… Boom.” Meanwhile, some of the Television nominees include “The Crown,” “Cruel Summer,” and “Genius: Aretha.”
Nominees for music supervision in trailers include “The Matrix Resurrections” and “Spencer,” while video game nominees include “Grand Theft Auto: Online — The Contract” and “FIFA 22.”
As previously announced, Diane Warren will receive the Icon Award, while Mitchell Leib will receive the Legacy Award, which honors “music supervisors who have excelled within the craft of music supervision.”
Read the complete list of nominees below:
Film
Best Music Supervision for Film Budgeted Over $25 Million
Mary Ramos – Being The Ricardos...
Among the nominees for the film categories are “Being the Ricardos,” “Encanto,” “Barb and Star Go to Vista Del Mar,” “The Harder They Fall,” “The Tender Bar” and “Tick, Tick… Boom.” Meanwhile, some of the Television nominees include “The Crown,” “Cruel Summer,” and “Genius: Aretha.”
Nominees for music supervision in trailers include “The Matrix Resurrections” and “Spencer,” while video game nominees include “Grand Theft Auto: Online — The Contract” and “FIFA 22.”
As previously announced, Diane Warren will receive the Icon Award, while Mitchell Leib will receive the Legacy Award, which honors “music supervisors who have excelled within the craft of music supervision.”
Read the complete list of nominees below:
Film
Best Music Supervision for Film Budgeted Over $25 Million
Mary Ramos – Being The Ricardos...
- 2/11/2022
- by Ross A. Lincoln
- The Wrap
The Guild of Music Supervisors today unveiled the nominees for its 12th annual award ceremony, celebrating outstanding achievement in the craft of Music Supervision in film, television, games, documentaries, advertising, and trailers, with such notable songwriters and performers as Beyoncé, Jay-Z, Kid Cudi, Lin-Manuel Miranda, Eddie Vedder, Anderson .Paak, Bruno Mars, H.E.R. and Demi Lovato making the cut.
Beyoncé was among those recognized for the Oscar-nominated King Richard song “Be Alive,” with Jay-Z, Kid Cudi, filmmaker Jeymes Samuel and music supervisor Michelle Silverman noted for the song “Guns Go Bang” from The Harder They Fall, and Miranda cited for his Oscar-nominated Encanto song “Dos Oruguitas.” Vedder was nominated alongside Glen Hansard, his performer daughter Olivia and music supervisor Tracy McKnight for the Flag Day tune “My Father’s Daughter,” with Anderson .Paak and Bruno Mars among those sharing a nom for the Shang-Chi song “Fire In the Sky.” H.E.
Beyoncé was among those recognized for the Oscar-nominated King Richard song “Be Alive,” with Jay-Z, Kid Cudi, filmmaker Jeymes Samuel and music supervisor Michelle Silverman noted for the song “Guns Go Bang” from The Harder They Fall, and Miranda cited for his Oscar-nominated Encanto song “Dos Oruguitas.” Vedder was nominated alongside Glen Hansard, his performer daughter Olivia and music supervisor Tracy McKnight for the Flag Day tune “My Father’s Daughter,” with Anderson .Paak and Bruno Mars among those sharing a nom for the Shang-Chi song “Fire In the Sky.” H.E.
- 2/10/2022
- by Matt Grobar
- Deadline Film + TV
Nominees for the 12th annual Guild of Music Supervisors (Gms) Awards have been revealed, recognizing the craft of music supervision in film, television, games, advertising and trailers.
Among the film nominees for the 2022 edition of the Gms Awards are “Encanto,” “The Eyes of Tammy Faye” and “Being the Ricardos,” each of which also scored Oscar nominations this week. Television shows that scored nods include “The White Lotus,” “Blindspotting” and “Lovecraft Country.”
Songwriters, artists and music supervisors will be recognized together for the category of best song written and/or recorded for film.
As previously announced, Diane Warren will receive the organization’s prestigious Icon Award, and Mitchell Leib will receive the Legacy Award honoring those music supervisors who have excelled within the craft of music supervision.
The 12th annual ceremony will take place virtually on Sunday, March 20.
Film
Best Music Supervision for Film Budgeted Over $25 Million
Mary Ramos – “Being the Ricardos...
Among the film nominees for the 2022 edition of the Gms Awards are “Encanto,” “The Eyes of Tammy Faye” and “Being the Ricardos,” each of which also scored Oscar nominations this week. Television shows that scored nods include “The White Lotus,” “Blindspotting” and “Lovecraft Country.”
Songwriters, artists and music supervisors will be recognized together for the category of best song written and/or recorded for film.
As previously announced, Diane Warren will receive the organization’s prestigious Icon Award, and Mitchell Leib will receive the Legacy Award honoring those music supervisors who have excelled within the craft of music supervision.
The 12th annual ceremony will take place virtually on Sunday, March 20.
Film
Best Music Supervision for Film Budgeted Over $25 Million
Mary Ramos – “Being the Ricardos...
- 2/10/2022
- by Jazz Tangcay
- Variety Film + TV
Release Date: Nov. 8, 2011
Price: 3-Disc Combo Pack (Blu-ray 3D/Blu-ray/DVD) $44.99
Studio: Walt Disney Studios Home Entertainment
Lewis is all smiles at the beginning of his great adventure in Meet the Robinsons.
On Blu-ray 3D, Disney’s animated movie Meet the Robinsons is a 3-Disc Blu-ray 3D/Blu-ray/DVD combo pack.
The 2007 family film, featuring the voices of Daniel Hansen (Stuart Little 2), Wesley Singerman (Just for Kicks), Laurie Metcalf (TV’s Roseanne) and Angela Bassett (What’s Love Got to Do with It), unleashes the high-energy tale of a brilliant inventor who meets a stranger named Wilbur Robinson. The mystery man subsequently whisks Lewis away in a time machine to track down an even more mysterious stranger known as “Bowler Hat Guy.”
Meet the Robinsons Blu-ray 3D contains a number of special features, all of which have appeared on previous releases of the film.
Here’s a list of...
Price: 3-Disc Combo Pack (Blu-ray 3D/Blu-ray/DVD) $44.99
Studio: Walt Disney Studios Home Entertainment
Lewis is all smiles at the beginning of his great adventure in Meet the Robinsons.
On Blu-ray 3D, Disney’s animated movie Meet the Robinsons is a 3-Disc Blu-ray 3D/Blu-ray/DVD combo pack.
The 2007 family film, featuring the voices of Daniel Hansen (Stuart Little 2), Wesley Singerman (Just for Kicks), Laurie Metcalf (TV’s Roseanne) and Angela Bassett (What’s Love Got to Do with It), unleashes the high-energy tale of a brilliant inventor who meets a stranger named Wilbur Robinson. The mystery man subsequently whisks Lewis away in a time machine to track down an even more mysterious stranger known as “Bowler Hat Guy.”
Meet the Robinsons Blu-ray 3D contains a number of special features, all of which have appeared on previous releases of the film.
Here’s a list of...
- 8/8/2011
- by Laurence
- Disc Dish
This review was written for the theatrical release of "Meet the Robinsons".Walt Disney himself is evoked twice in the new digital animation feature from the Disney Studios, "Meet the Robinsons". At the beginning, a scene from his first Mickey Mouse cartoon, 1928's "Steamboat Willie", briefly hits the screen. Then at the end, a quote attributed to Disney appears on the screen in which he observes that no one at his studio spends much time looking backwards. "We keep moving forward", he declares.
What is strange about this film's attempt to establish a linkage with Disney's spirit is that "Robinsons" is the most un-Disneylike cartoon yet from Disney animation. The thing is a hellzapoppin' of eccentric characters, zany situations and wacky gizmos, but little effort has gone into making any of this connect with an audience.
More troubling is that director Stephen Anderson seems not to have asked himself who is his audience. Some plot mechanics, especially a delay in establishing the back story until deep into the movie, may bewilder younger children. Yet the "zaniness" plays far too young to sustain much interest in older children or adults.
"Robinsons" points up just how much Disney's two animation units are heading in opposite directions. Pixar, which Disney acquired in a stock swap last year, continues to produce intriguing, cutting-edge CG animation that entertains people of all ages the world over. But the older Disney animation unit in Burbank, the one Walt established, can't seem to find stories or approaches that will gain traction with audiences any more.
The Disney name means solid opening weekend boxoffice for "Robinsons", but thereafter the film's performance may fall below average. That the film is getting released in 3-D, which is scarcely used in the storytelling, seems like a gimmick, perhaps one springing from desperation.
Initially, the story revolves around a 12-year-old orphan, Lewis (voiced by Daniel Hansen and Jordan Fry), a boy genius whose nerdiness keeps him from getting adopted. So he invents the Memory Scanner, a machine that will extract a memory from his mind of the mother who abandoned him when he was a baby.
Then, abruptly, a cocky youth named Wilbur Robinson (Wesley Singerman) crashes the scene and whisks Lewis away in a time machine to the future. This Future World is a rainbow-colored playland created by a company called Robinson Industries, run by Wilbur's dad, and filled with robots, monorails, singing frogs and machines that squirt peanut butter and jelly. Eventually, it becomes clear that Wilbur is showing Lewis his own future -- that is, if he will stop worrying about the past and instead, as Disney would say, "keep moving forward."
This Future World is a cross between Oz and Alice's wonderland, only without the wit or sophistication. It's a continually goofy world that, frankly, proves too much of a good thing. Adults all act like children, and everything is devoted to play. There is a nominal villain, called simply the Bowler Hat Guy, but he is too bumbling and inept to present much of a threat. A crazed dinosaur is kind of funny, at least as funny as anything in a movie filled with mirthless gags and food fights.
Danny Elfman supplies a jaunty musical score that helps to propel the story in a caffeinated rush. (Keep moving forward!) "Robinsons" has one real connection to Uncle Walt: It makes you long for the good old days when Mickey and Minnie could simply crank a goat's tail and play a happy tune. Cartoon madness shouldn't be so much work.
MEET THE ROBINSONS
Buena Vista Pictures
Walt Disney Pictures
Credits:
Director: Stephen Anderson
Writers: Jon Bernstein, Michelle Spitz, Don Hall, Nathan Greno, Aurian Redson, Joe Mateo, Stephen Anderson
Based on the book by: William Joyce
Producer: Dorothy McKim
Executive producers: John Lasseter, William Joyce, Clark Spencer
Art director: Robh Ruppel
Music: Danny Elfman
Visual effects supervisors: Steve Goldberg, Chris Peterson
CG supervisors: Corey Smith, Marcus Hobbs
Editor: Ellen Keneshea
Cast:
Mildred: Angela Bassett
Lewis: Daniel Hansen, Jordan Fry
Goob: Matthew Josten
Wilbur: Wesley Singerman
Cornelius Robinson: Tom Selleck
Carl: Harland Williams
Franny: Nicole Sullivan
Uncle Art: Adam West
Running time -- 95 minutes
MPAA rating: G...
What is strange about this film's attempt to establish a linkage with Disney's spirit is that "Robinsons" is the most un-Disneylike cartoon yet from Disney animation. The thing is a hellzapoppin' of eccentric characters, zany situations and wacky gizmos, but little effort has gone into making any of this connect with an audience.
More troubling is that director Stephen Anderson seems not to have asked himself who is his audience. Some plot mechanics, especially a delay in establishing the back story until deep into the movie, may bewilder younger children. Yet the "zaniness" plays far too young to sustain much interest in older children or adults.
"Robinsons" points up just how much Disney's two animation units are heading in opposite directions. Pixar, which Disney acquired in a stock swap last year, continues to produce intriguing, cutting-edge CG animation that entertains people of all ages the world over. But the older Disney animation unit in Burbank, the one Walt established, can't seem to find stories or approaches that will gain traction with audiences any more.
The Disney name means solid opening weekend boxoffice for "Robinsons", but thereafter the film's performance may fall below average. That the film is getting released in 3-D, which is scarcely used in the storytelling, seems like a gimmick, perhaps one springing from desperation.
Initially, the story revolves around a 12-year-old orphan, Lewis (voiced by Daniel Hansen and Jordan Fry), a boy genius whose nerdiness keeps him from getting adopted. So he invents the Memory Scanner, a machine that will extract a memory from his mind of the mother who abandoned him when he was a baby.
Then, abruptly, a cocky youth named Wilbur Robinson (Wesley Singerman) crashes the scene and whisks Lewis away in a time machine to the future. This Future World is a rainbow-colored playland created by a company called Robinson Industries, run by Wilbur's dad, and filled with robots, monorails, singing frogs and machines that squirt peanut butter and jelly. Eventually, it becomes clear that Wilbur is showing Lewis his own future -- that is, if he will stop worrying about the past and instead, as Disney would say, "keep moving forward."
This Future World is a cross between Oz and Alice's wonderland, only without the wit or sophistication. It's a continually goofy world that, frankly, proves too much of a good thing. Adults all act like children, and everything is devoted to play. There is a nominal villain, called simply the Bowler Hat Guy, but he is too bumbling and inept to present much of a threat. A crazed dinosaur is kind of funny, at least as funny as anything in a movie filled with mirthless gags and food fights.
Danny Elfman supplies a jaunty musical score that helps to propel the story in a caffeinated rush. (Keep moving forward!) "Robinsons" has one real connection to Uncle Walt: It makes you long for the good old days when Mickey and Minnie could simply crank a goat's tail and play a happy tune. Cartoon madness shouldn't be so much work.
MEET THE ROBINSONS
Buena Vista Pictures
Walt Disney Pictures
Credits:
Director: Stephen Anderson
Writers: Jon Bernstein, Michelle Spitz, Don Hall, Nathan Greno, Aurian Redson, Joe Mateo, Stephen Anderson
Based on the book by: William Joyce
Producer: Dorothy McKim
Executive producers: John Lasseter, William Joyce, Clark Spencer
Art director: Robh Ruppel
Music: Danny Elfman
Visual effects supervisors: Steve Goldberg, Chris Peterson
CG supervisors: Corey Smith, Marcus Hobbs
Editor: Ellen Keneshea
Cast:
Mildred: Angela Bassett
Lewis: Daniel Hansen, Jordan Fry
Goob: Matthew Josten
Wilbur: Wesley Singerman
Cornelius Robinson: Tom Selleck
Carl: Harland Williams
Franny: Nicole Sullivan
Uncle Art: Adam West
Running time -- 95 minutes
MPAA rating: G...
- 3/30/2007
- The Hollywood Reporter - Movie News
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