For those keeping score, and we know Neon is, it’s four Palme d’Or victories for Neon, who bought “Anatomy of a Fall” out of last year’s Cannes Film Festival. The boutique shingle didn’t stop there, and also acquired “Robot Dreams” and “Perfect Days” as well. Netflix plunked down $11 million for “May December,” and the festival produced sales for other buzzy titles like “Jeanne du Barry” and “The Taste of Things.” All that, and with the specter of the writers strike hanging over it.
So what will sell big this year? Many of the titles in competition as part of this year’s Official Selection are up for grabs, even as Neon, A24, Mubi, and Searchlight are all arriving with at least one contender in the main race. We’ll be tracking everything that gets bought below throughout the festival and beyond.
Films Acquired Before the Festival...
So what will sell big this year? Many of the titles in competition as part of this year’s Official Selection are up for grabs, even as Neon, A24, Mubi, and Searchlight are all arriving with at least one contender in the main race. We’ll be tracking everything that gets bought below throughout the festival and beyond.
Films Acquired Before the Festival...
- 5/9/2024
- by Brian Welk
- Indiewire
A24 has acquired domestic North American rights to “Parthenope,” the new film by Academy Award winner director Paolo Sorrentino, which will premiere in official competition at 77th Festival de Cannes, the company announced on Friday morning.
The official logline is as follows: “Parthenope,” born in the sea of Naples in 1950, searches for happiness over the long summers of her youth, falling in love with her home city and its many memorable characters. From Academy Award-winning filmmaker Paolo Sorrentino comes a monumental and deeply romantic story of a lifetime.
The film stars, in alphabetical order, Dario Aita, Celeste Dalla Porta, Silvia Degrandi, Isabella Ferrari, Lorenzo Gleijeses, Biagio Izzo, Marlon Joubert, Peppe Lanzetta, Nello Mascia, Gary Oldman, Silvio Orlando, Luisa Ranieri, Daniele Rienzo, Stefania Sandrelli and Alfonso Santagata.
The film, shot between Naples and Capri, is an Italian-French co-production written and directed by Paolo Sorrentino.
“Parthenope” is a Fremantle film produced by The Apartment Pictures,...
The official logline is as follows: “Parthenope,” born in the sea of Naples in 1950, searches for happiness over the long summers of her youth, falling in love with her home city and its many memorable characters. From Academy Award-winning filmmaker Paolo Sorrentino comes a monumental and deeply romantic story of a lifetime.
The film stars, in alphabetical order, Dario Aita, Celeste Dalla Porta, Silvia Degrandi, Isabella Ferrari, Lorenzo Gleijeses, Biagio Izzo, Marlon Joubert, Peppe Lanzetta, Nello Mascia, Gary Oldman, Silvio Orlando, Luisa Ranieri, Daniele Rienzo, Stefania Sandrelli and Alfonso Santagata.
The film, shot between Naples and Capri, is an Italian-French co-production written and directed by Paolo Sorrentino.
“Parthenope” is a Fremantle film produced by The Apartment Pictures,...
- 5/3/2024
- by Umberto Gonzalez
- The Wrap
In the first major sale ahead of the Cannes Film Festival, A24 has acquired the North American rights to the competition title “Parthenope” from director Paolo Sorrentino, the distributor announced Friday, May 3.
“Parthenope” is the latest film from the Oscar winner Sorrentino, who will be competing for the Palme d‘Or for the seventh time. A24 describes the film as a “monumental and deeply romantic story of a lifetime.”
The film follows the titular character Parthenope, who is born in the sea of Naples in 1950 and searches for happiness over the long summers of her youth, falling in love with her home city and its many memorable characters. From Sorrentino, who also wrote the script, we expect a lot of lush Italian vistas and colorful, garish interiors.
The film features Gary Oldman and also stars, in alphabetical order, Dario Aita, Celeste Dalla Porta, Silvia Degrandi, Isabella Ferrari, Lorenzo Gleijeses, Biagio Izzo,...
“Parthenope” is the latest film from the Oscar winner Sorrentino, who will be competing for the Palme d‘Or for the seventh time. A24 describes the film as a “monumental and deeply romantic story of a lifetime.”
The film follows the titular character Parthenope, who is born in the sea of Naples in 1950 and searches for happiness over the long summers of her youth, falling in love with her home city and its many memorable characters. From Sorrentino, who also wrote the script, we expect a lot of lush Italian vistas and colorful, garish interiors.
The film features Gary Oldman and also stars, in alphabetical order, Dario Aita, Celeste Dalla Porta, Silvia Degrandi, Isabella Ferrari, Lorenzo Gleijeses, Biagio Izzo,...
- 5/3/2024
- by Brian Welk
- Indiewire
Exclusive: A24 has acquired North American rights to Parthenope, the new film from Oscar winning filmmaker Paolo Sorrentino, ahead of its world premiere at the 77th Festival de Cannes.
Parthenope is the seventh Sorrentino movie to play the Croisette following 2004’s The Consequences of Love, 2008’s Il Divo which won the Jury Prize and the Ecumenical Jury Prize, 2011’s This Must Be the Place starring Sean which also won the Ecumenical Jury Prize, 2013’s The Great Beauty and 2015’s Youth. The Great Beauty would go on to win the Best Foreign Language Film Oscar in 2014.
Sorrentino’s previous directorial, The Hand of God, inspired by his youth, received a 2022 Oscar nomination for Best International Film and was released on Netflix stateside.
Pathe is handling foreign sales and is releasing the movie in France and Switzerland.
The movie follows Parthenope, who born in the sea of Naples in 1950, searches for happiness...
Parthenope is the seventh Sorrentino movie to play the Croisette following 2004’s The Consequences of Love, 2008’s Il Divo which won the Jury Prize and the Ecumenical Jury Prize, 2011’s This Must Be the Place starring Sean which also won the Ecumenical Jury Prize, 2013’s The Great Beauty and 2015’s Youth. The Great Beauty would go on to win the Best Foreign Language Film Oscar in 2014.
Sorrentino’s previous directorial, The Hand of God, inspired by his youth, received a 2022 Oscar nomination for Best International Film and was released on Netflix stateside.
Pathe is handling foreign sales and is releasing the movie in France and Switzerland.
The movie follows Parthenope, who born in the sea of Naples in 1950, searches for happiness...
- 5/3/2024
- by Anthony D'Alessandro
- Deadline Film + TV
The Academy of Motion Picture Arts and Sciences said Tuesday that it is inviting 397 artists and executives to join the Oscar organizer’s membership ranks. The prospective 2022 class includes 71 Oscar nominees and 15 winners, with 44 of the invitees women, and 37 of the group belongs to underrepresented communities.
See the full list below.
Among this year’s Oscar winners on the list are Ariana DeBose and Troy Kotsur, and Kotsur’s Coda writer-director Siân Heder, who has been invited into both the Directors and Writers branches. Among those invited into multiple branches, the new member must pick one. There are a total of 17 AMPAS branches, along with 25 who today received members-at-large invitations.
Others on the list include this year’s Oscar Original Song winners Billie Eilish and brother Finneas O’Connell; actors Caitríona Balfe, Jamie Dornan, Jesse Buckley, Michael Greyeyes, Olga Merediz, Jesse Plemons, Sheryl Lee Ralph, Kodi Smit-McPhee and Anya Taylor-Joy; writers Zach Baylin,...
See the full list below.
Among this year’s Oscar winners on the list are Ariana DeBose and Troy Kotsur, and Kotsur’s Coda writer-director Siân Heder, who has been invited into both the Directors and Writers branches. Among those invited into multiple branches, the new member must pick one. There are a total of 17 AMPAS branches, along with 25 who today received members-at-large invitations.
Others on the list include this year’s Oscar Original Song winners Billie Eilish and brother Finneas O’Connell; actors Caitríona Balfe, Jamie Dornan, Jesse Buckley, Michael Greyeyes, Olga Merediz, Jesse Plemons, Sheryl Lee Ralph, Kodi Smit-McPhee and Anya Taylor-Joy; writers Zach Baylin,...
- 6/28/2022
- by Patrick Hipes
- Deadline Film + TV
Academy Invites 397 New Members, Including Billie Eilish, Anya Taylor-Joy, Jamie Dornan, Dana Walden
Anya Taylor-Joy, Billie Eilish, Sheryl Lee Ralph, Caitríona Balfe, Jamie Dornan and Disney exec Dana Walden are among the 397 artists and executives invited to join the membership of the Academy of Motion Pictures Arts and Sciences. If all of this year’s invitees accept membership, it will bring the total number of Academy members to 10,665, with 9,665 eligible to vote for the 95th Oscars set to take place on March 12, 2023.
The 2022 class is 44 women, 37 belong to underrepresented ethnic/racial communities, and 50 are from 53 countries and territories outside the United States. There are 71 Oscar nominees, including 15 winners, among the invitees. Some of the big names invited are recent winners Ariana DeBose (“West Side Story”) and Troy Kotsur (“Coda”), and nominees Jessie Buckley (“The Lost Daughter”), Jesse Plemons and Kodi Smit-McPhee (“The Power of the Dog”). Also invited are a slew of global artists and artisans such as actors Robin de Jesús, Olga Merediz...
The 2022 class is 44 women, 37 belong to underrepresented ethnic/racial communities, and 50 are from 53 countries and territories outside the United States. There are 71 Oscar nominees, including 15 winners, among the invitees. Some of the big names invited are recent winners Ariana DeBose (“West Side Story”) and Troy Kotsur (“Coda”), and nominees Jessie Buckley (“The Lost Daughter”), Jesse Plemons and Kodi Smit-McPhee (“The Power of the Dog”). Also invited are a slew of global artists and artisans such as actors Robin de Jesús, Olga Merediz...
- 6/28/2022
- by Clayton Davis
- Variety Film + TV
The David di Donatello Awards were held in Rome on Tuesday evening, the first time Italy’s equivalent to the Oscar has had a fully in-person ceremony in the pandemic era. Taking top honors was Paolo Sorrentino’s The Hand Of God which scooped Best Film and Director as well as Best Supporting Actress for Teresa Saponangelo and a tie for Best Cinematography. In the latter category, The Hand Of God shared the win with Freaks Out, a fantasy drama that likewise debuted in Venice.
Sorrentino’s autobiographical drama launched on the Lido last September where it won the Grand Jury Prize. A Netflix title, it went on to myriad festival and critics prizes and was also nominated for an Oscar as Best International Feature.
Freaks Out, directed by Gabriele Mainetti, also picked up prizes for Producer, Production Design, Hair and Makeup. Other titles to figure in the David di...
Sorrentino’s autobiographical drama launched on the Lido last September where it won the Grand Jury Prize. A Netflix title, it went on to myriad festival and critics prizes and was also nominated for an Oscar as Best International Feature.
Freaks Out, directed by Gabriele Mainetti, also picked up prizes for Producer, Production Design, Hair and Makeup. Other titles to figure in the David di...
- 5/4/2022
- by Nancy Tartaglione
- Deadline Film + TV
Paolo Sorrentino’s Oscar-nominated autobiographical drama “The Hand of God” took top honors at Italy’s 67th David di Donatello Awards, winning best picture, director, supporting actress and tying for the best cinematography statuette.
Sorrentino’s Naples-set film about the personal tragedy and other vicissitudes that drove him to become a top notch film director had been the frontrunner along with young helmer Gabriele Mainetti’s second feature, the elegant effects-laden historical fantasy “Freaks Out.”
“Freaks Out” won six prizes, including for its producer, Andrea Occhipinti, as well as cinematographer, set design, and effects.
The cinematography prize, which was a tie, was split between “Hand of God” Dp Daria D’Antonio, marking the first time this David goes to a woman, and Michele Attanasio for “Freaks Out.”
The Davids were held as a fully in-person ceremony at Rome’s Cinecittà studios just as the famed facilities undergo a radical renewal being...
Sorrentino’s Naples-set film about the personal tragedy and other vicissitudes that drove him to become a top notch film director had been the frontrunner along with young helmer Gabriele Mainetti’s second feature, the elegant effects-laden historical fantasy “Freaks Out.”
“Freaks Out” won six prizes, including for its producer, Andrea Occhipinti, as well as cinematographer, set design, and effects.
The cinematography prize, which was a tie, was split between “Hand of God” Dp Daria D’Antonio, marking the first time this David goes to a woman, and Michele Attanasio for “Freaks Out.”
The Davids were held as a fully in-person ceremony at Rome’s Cinecittà studios just as the famed facilities undergo a radical renewal being...
- 5/3/2022
- by Nick Vivarelli
- Variety Film + TV
As they celebrate being held as a physical event, Italy’s upcoming 67th David di Donatello Awards epitomize the ongoing shift in generations and genres that is underway in Cinema Italiano.
Leading the pack this year are seasoned auteur Paolo Sorrentino’s most personal film “The Hand of God” and young helmer Gabriele Mainetti’s second feature, the elegant effects-laden historical fantasy “Freaks Out,” which is set in 1943 Rome and involves four “freaks” working in a circus when the Eternal City is bombed by Allied Forces. Both pics scored 16 nominations each.
Close behind are Mario Martone’s classic biopic “The King of Laughter,” about popular early 20th-century Neapolitan actor and playwright Eduardo Scarpetta, with 14 noms. Then come Leonardo Di Costanzo’s subtle prison drama “Ariaferma” and “Diabolik,” an adaptation of a comic book about a charming master thief, directed by Marco and Antonio Manetti, both with 11 noms a piece.
“We...
Leading the pack this year are seasoned auteur Paolo Sorrentino’s most personal film “The Hand of God” and young helmer Gabriele Mainetti’s second feature, the elegant effects-laden historical fantasy “Freaks Out,” which is set in 1943 Rome and involves four “freaks” working in a circus when the Eternal City is bombed by Allied Forces. Both pics scored 16 nominations each.
Close behind are Mario Martone’s classic biopic “The King of Laughter,” about popular early 20th-century Neapolitan actor and playwright Eduardo Scarpetta, with 14 noms. Then come Leonardo Di Costanzo’s subtle prison drama “Ariaferma” and “Diabolik,” an adaptation of a comic book about a charming master thief, directed by Marco and Antonio Manetti, both with 11 noms a piece.
“We...
- 4/30/2022
- by Nick Vivarelli
- Variety Film + TV
Paolo Sorrentino’s “The Hand of God” and Gabriele Mainetti’s “Freaks Out” lead the pack at the David di Donatello Awards this year with 16 nominations each.
Here’s the complete list of nominees:
Picture
“Ariaferma” (The Inner Cage), Leonardo Di Costanzo
“The Hand of God,” Paolo Sorrentino
“Ennio,” Giuseppe Tornatore
“Freaks Out,” Gabriele Mainetti
“Qui Rido Io” (The King of Laughter), Mario Martone
Director
“Ariaferma” (The Inner Cage), Leonardo Di Costanzo
“The Hand of God,” Paolo Sorrentino
“Ennio,” Giuseppe Tornatore
“Freaks Out,” Gabriele Mainetti
“Qui Rido Io” (The King of Laughter), Mario Martone
Debut Director
“The Bad Poet,” Gianluca Jodice
“Maternal,” Maura Delpero
“Small Body,” Laura Samani
“Re Granchio” (The Legend of King Crab), Alessio Rigo De Righi, Matteo Zoppis
“Una Femmina” (The Code of Silence), Francesco Constabile
Producer
“A Chiara,” Jon Coplon, Paolo Carpignano, Ryan Zacarias, Jonas Carpignano (Stayblack Productions) — Rai Cinema
“Ariaferma” (The Inner Cage), Carlo Cresto...
Here’s the complete list of nominees:
Picture
“Ariaferma” (The Inner Cage), Leonardo Di Costanzo
“The Hand of God,” Paolo Sorrentino
“Ennio,” Giuseppe Tornatore
“Freaks Out,” Gabriele Mainetti
“Qui Rido Io” (The King of Laughter), Mario Martone
Director
“Ariaferma” (The Inner Cage), Leonardo Di Costanzo
“The Hand of God,” Paolo Sorrentino
“Ennio,” Giuseppe Tornatore
“Freaks Out,” Gabriele Mainetti
“Qui Rido Io” (The King of Laughter), Mario Martone
Debut Director
“The Bad Poet,” Gianluca Jodice
“Maternal,” Maura Delpero
“Small Body,” Laura Samani
“Re Granchio” (The Legend of King Crab), Alessio Rigo De Righi, Matteo Zoppis
“Una Femmina” (The Code of Silence), Francesco Constabile
Producer
“A Chiara,” Jon Coplon, Paolo Carpignano, Ryan Zacarias, Jonas Carpignano (Stayblack Productions) — Rai Cinema
“Ariaferma” (The Inner Cage), Carlo Cresto...
- 4/30/2022
- by Nick Vivarelli
- Variety Film + TV
In 1997, UCLA cinematography professor William McDonald was home with his newborn daughter. As he looked into her eyes in his sleep-deprived state he began to wonder what her life would be like if she grew up and wanted to become a cinematographer. Would she have the same opportunities as men who wanted to study cinematography? Would she be able to find work after getting a degree and experience?
At the time, female cinematography students were few and far between. Things looked similarly bleak for working female DPs during that period. McDonald thought that could change if more women had the opportunity to study and train in the field, so he set a goal of admitting 50% female students into cinematography studies each year.
“The simple premise is that if you make a generational commitment — and about 25 to 30 years is a generational commitment — to flooding the market with exceedingly talented people from...
At the time, female cinematography students were few and far between. Things looked similarly bleak for working female DPs during that period. McDonald thought that could change if more women had the opportunity to study and train in the field, so he set a goal of admitting 50% female students into cinematography studies each year.
“The simple premise is that if you make a generational commitment — and about 25 to 30 years is a generational commitment — to flooding the market with exceedingly talented people from...
- 3/9/2022
- by Karen Idelson
- Variety Film + TV
“Dune,” “Belfast,” “Nightmare Alley,” “The Tragedy of Macbeth” and “The Power of the Dog” are among the films nominated by the American Society of Cinematographers in the feature film category.
The ASC nominees for feature film, documentary and television cinematography represent the organization’s picks for the most compelling visual filmmaking. Last year’s ASC feature film winner was “Mank” cinematographer Erik Messerschmidt who upset “Nomadland” Dp Joshua James Richards, the Oscar favorite. Messerschmidt went on to win the Best Cinematography Oscar.
Cinematographer Ari Wegner was nominated in the theatrical film category for her work on Netflix’s “The Power of the Dog,” becoming the second woman ever nominated by the guild, after Rachel Morrison for Dee Rees’ “Mudbound” (2017).
“Power of the Dog” director Jane Campion made history almost 30 years ago when she became the second woman ever to be nominated for best director for “The Piano” (1993) after Lina Wertmüller...
The ASC nominees for feature film, documentary and television cinematography represent the organization’s picks for the most compelling visual filmmaking. Last year’s ASC feature film winner was “Mank” cinematographer Erik Messerschmidt who upset “Nomadland” Dp Joshua James Richards, the Oscar favorite. Messerschmidt went on to win the Best Cinematography Oscar.
Cinematographer Ari Wegner was nominated in the theatrical film category for her work on Netflix’s “The Power of the Dog,” becoming the second woman ever nominated by the guild, after Rachel Morrison for Dee Rees’ “Mudbound” (2017).
“Power of the Dog” director Jane Campion made history almost 30 years ago when she became the second woman ever to be nominated for best director for “The Piano” (1993) after Lina Wertmüller...
- 1/25/2022
- by Jazz Tangcay and Clayton Davis
- Variety Film + TV
To shoot “The Hand of God,” Paolo Sorrentino returned to his roots and did a lot of things backwards.
“After 20 years of filmmaking I was perhaps a bit tired of the spot I was in,” he says. So in tackling the autobiographical story — which brought him back to his native Naples two decades after his debut “L’Uomo in Più” — he decided to proceed differently.
“Visually this film is the opposite of my other films,” Sorrentino notes, pointing out that in his other works, such as “The Great Beauty” and “Youth,” it was the choice of settings — the city of Rome and the Swiss Alps, respectively — and also the light, that had to “bend to an aesthetic idea that I had in mind.”
But in “Hand of God” “it’s exactly the reverse,” he says. “It’s the aesthetic aspects that had to adapt to the locations,” which were dictated by...
“After 20 years of filmmaking I was perhaps a bit tired of the spot I was in,” he says. So in tackling the autobiographical story — which brought him back to his native Naples two decades after his debut “L’Uomo in Più” — he decided to proceed differently.
“Visually this film is the opposite of my other films,” Sorrentino notes, pointing out that in his other works, such as “The Great Beauty” and “Youth,” it was the choice of settings — the city of Rome and the Swiss Alps, respectively — and also the light, that had to “bend to an aesthetic idea that I had in mind.”
But in “Hand of God” “it’s exactly the reverse,” he says. “It’s the aesthetic aspects that had to adapt to the locations,” which were dictated by...
- 1/15/2022
- by Nick Vivarelli
- Variety Film + TV
Paolo Sorrentino had the idea for “The Hand of God” in mind for many years, but he wasn’t ready to write the screenplay, “until a couple of years ago,” he admits.
The film is his most personal yet as it tells the story of Fabietto Schisa, an awkward Italian teen whose life and vibrant, eccentric family are suddenly upended — namely by the electrifying arrival of soccer legend Diego Maradona, who inadvertently saves Fabietto, setting his future as a filmmaker in motion. Sorrentino drew on his memories of friends, family and his parents. “I finally found the right distance from facts and feelings,” Sorrentino says of finding the ability to share his youth and memories of growing up in Naples in the 1980s. “It’s a coming-of-age story split into two parts. The first is a story of joy and happiness. The second is a long goodbye to youth.”
To...
The film is his most personal yet as it tells the story of Fabietto Schisa, an awkward Italian teen whose life and vibrant, eccentric family are suddenly upended — namely by the electrifying arrival of soccer legend Diego Maradona, who inadvertently saves Fabietto, setting his future as a filmmaker in motion. Sorrentino drew on his memories of friends, family and his parents. “I finally found the right distance from facts and feelings,” Sorrentino says of finding the ability to share his youth and memories of growing up in Naples in the 1980s. “It’s a coming-of-age story split into two parts. The first is a story of joy and happiness. The second is a long goodbye to youth.”
To...
- 1/5/2022
- by Jazz Tangcay
- Variety Film + TV
Director Paolo Sorrentino’s gorgeous new film, The Hand of God (“È stata la mano di Dio“), is an interesting piece of work in that it is a deeply emotional and autobiographical piece that unfortunately strays a little too much in its middle section before finding its way again in the final act.
The film follows a teenage boy named Fabietto Schisa (Filippo Scotti) in 1980s Naples. There, Fabietto lives with his parents Saverio and Maria (Toni Servillo and Teresa Saponangelo), brother, and sister (who spends a considerable portion of the film in the bathroom). The family is introduced via a much larger gathering including the extended family before switching over to the more intimate setting of the immediate Schisa family. Essentially a coming-of-age tale – albeit with an unfortunate intrusion of fate deciding how soon young Fabietto does, in fact, come of age – the film runs through a myriad of...
The film follows a teenage boy named Fabietto Schisa (Filippo Scotti) in 1980s Naples. There, Fabietto lives with his parents Saverio and Maria (Toni Servillo and Teresa Saponangelo), brother, and sister (who spends a considerable portion of the film in the bathroom). The family is introduced via a much larger gathering including the extended family before switching over to the more intimate setting of the immediate Schisa family. Essentially a coming-of-age tale – albeit with an unfortunate intrusion of fate deciding how soon young Fabietto does, in fact, come of age – the film runs through a myriad of...
- 12/15/2021
- by Mike Tyrkus
- CinemaNerdz
Paolo Sorrentino said the experience of turning 50 two years ago helped encourage him to depict the experiences of his youth onscreen. That led to the Netflix film The Hand of God.
The Oscar-winning director of The Great Beauty reflected on the decision to look inward during a panel session at Deadline Contenders New York on Saturday. “The time was right,” he recalled feeling, because 50 is “an important moment in life in order to look back and not to look at the future. But at the same time, this movie is giving me a future.”
Returning to his hometown of Naples, writer-director Sorrentino draws from his own upbringing as the source for the Italian-language drama. Set in the ’80s, The Hand of God tells the story of Fabietto Schisa (Filippo Scotti), whose tumultuous life is filled with unexpected highs and lows. The film won the Grand Jury Prize at the Venice Film Festival in September.
The Oscar-winning director of The Great Beauty reflected on the decision to look inward during a panel session at Deadline Contenders New York on Saturday. “The time was right,” he recalled feeling, because 50 is “an important moment in life in order to look back and not to look at the future. But at the same time, this movie is giving me a future.”
Returning to his hometown of Naples, writer-director Sorrentino draws from his own upbringing as the source for the Italian-language drama. Set in the ’80s, The Hand of God tells the story of Fabietto Schisa (Filippo Scotti), whose tumultuous life is filled with unexpected highs and lows. The film won the Grand Jury Prize at the Venice Film Festival in September.
- 12/4/2021
- by Dade Hayes
- Deadline Film + TV
Deadline’s Contenders Film returns to New York this morning with a hybrid in-person and livestreamed showcase at the Museum of the Moving Image in Queens, and a lineup of 23 films spotlighting the best motion pictures this awards season has to offer. The in-person event kicks off with a breakfast sponsored by United Artists Releasing at 8 a.m. Et, with panels and livestream coverage kicking off at 9:30 a.m.
Click here to register and watch the livestream.
While last year’s supply of movies during a Covid-embattled awards season may have slimmed down, this year, the studios aren’t holding back. This year’s lineup features films from A24, Amazon, Apple Original Films, Focus Features, MGM/United Artists, Netflix, Neon and Warner Bros, and a roster of panelists that includes stars Matt Damon, Mahershala Ali, Tessa Thompson, Dakota Johnson, Amy Schumer, Andre Holland, Richard Jenkins, Ruth Negga, Oscar Isaac,...
Click here to register and watch the livestream.
While last year’s supply of movies during a Covid-embattled awards season may have slimmed down, this year, the studios aren’t holding back. This year’s lineup features films from A24, Amazon, Apple Original Films, Focus Features, MGM/United Artists, Netflix, Neon and Warner Bros, and a roster of panelists that includes stars Matt Damon, Mahershala Ali, Tessa Thompson, Dakota Johnson, Amy Schumer, Andre Holland, Richard Jenkins, Ruth Negga, Oscar Isaac,...
- 12/4/2021
- by Anthony D'Alessandro
- Deadline Film + TV
(l-r) Filippo Scotti, Toni Servillo and Teresa Saponangelo, in The Hand Of God by Paolo Sorrentino. Photo by Gianni Fiorito. Courtesy of Netflix.
Memory can be a powerful thing. The vivid autobiographical tale from Oscar-winning writer/director Paolo Sorrentino, The Hand Of God is a coming-of-age tale about an awkward teenage boy growing up in 1980s Naples, a sun-splashed, gritty, quirky place where he is surrounded by loving family and colorful characters, a place where the mundane and the magical exist side-by-side. Soccer and cinema are his obsessions but fate or luck – the hand of God – steps in and shapes the direction of his life.
Fabietto Schisa (Filippo Scotti) lives with his parents Saverio Schisa (Toni Servillo) and Maria Schisa (Teresa Saponangelo), older brother Marchino Schisa (Marlon Joubert) and a sister we never see because she is always in the bathroom, sharing an apartment near the the port city’s old harbor.
Memory can be a powerful thing. The vivid autobiographical tale from Oscar-winning writer/director Paolo Sorrentino, The Hand Of God is a coming-of-age tale about an awkward teenage boy growing up in 1980s Naples, a sun-splashed, gritty, quirky place where he is surrounded by loving family and colorful characters, a place where the mundane and the magical exist side-by-side. Soccer and cinema are his obsessions but fate or luck – the hand of God – steps in and shapes the direction of his life.
Fabietto Schisa (Filippo Scotti) lives with his parents Saverio Schisa (Toni Servillo) and Maria Schisa (Teresa Saponangelo), older brother Marchino Schisa (Marlon Joubert) and a sister we never see because she is always in the bathroom, sharing an apartment near the the port city’s old harbor.
- 12/3/2021
- by Cate Marquis
- WeAreMovieGeeks.com
Paolo Sorrentino returns to the Oscar fray eight years after he bagged the International Feature prize for The Great Beauty. His latest film, The Hand of God, has been one of the buzz films of the fall festivals, taking home the Venice Grand Jury Prize and also playing at Telluride and London.
Sorrentino’s most personal work to date touches on his own tumultuous childhood growing up in 1980s Naples, where his world was upended first by the electrifying arrival of soccer legend Diego Maradona, and then by a shocking accident.
As he tells us during the film’s panel at Deadline’s Contenders Film: International awards-season event, newcomer Fillipo Scotti had to go through a lengthy process to get the lead role, but throughout the production was keen to create a certain distance from Sorrentino’s own experience of the character:
“I tried to catch as much as I...
Sorrentino’s most personal work to date touches on his own tumultuous childhood growing up in 1980s Naples, where his world was upended first by the electrifying arrival of soccer legend Diego Maradona, and then by a shocking accident.
As he tells us during the film’s panel at Deadline’s Contenders Film: International awards-season event, newcomer Fillipo Scotti had to go through a lengthy process to get the lead role, but throughout the production was keen to create a certain distance from Sorrentino’s own experience of the character:
“I tried to catch as much as I...
- 11/20/2021
- by Anuj Radia and Andreas Wiseman
- Deadline Film + TV
Deadline’s Contenders Film: International kicks off this morning, offering up the opportunity to hear from filmmakers who have been making waves around the world in 2021. The second annual event spotlighting international feature films begins at 9 a.m. Pt and will showcase the cream of the crop from this year’s festival awards winners, box office hits and International Feature Oscar hopefuls as the teams behind them discuss their work and inspirations.
Click here to register and watch the livestream.
For Contenders Film: International, we’ve again pivoted to a virtual event, which will boast a robust lineup. In total, talent will appear to discuss 26 titles that will represent their home countries as the official submissions for the International Feature Film category at the 94th Academy Awards. A total of 19 studios, streamers and distributors be on hand with presentations including clips and Q&As moderated by Deadline’s crack crew...
Click here to register and watch the livestream.
For Contenders Film: International, we’ve again pivoted to a virtual event, which will boast a robust lineup. In total, talent will appear to discuss 26 titles that will represent their home countries as the official submissions for the International Feature Film category at the 94th Academy Awards. A total of 19 studios, streamers and distributors be on hand with presentations including clips and Q&As moderated by Deadline’s crack crew...
- 11/20/2021
- by Nancy Tartaglione
- Deadline Film + TV
The cinematography field is packed with immeasurable talent but not equal opportunities, particularly for women. When a tragedy occurs such as the loss of Halyna Hutchins, who died at 42 after being shot by a prop firearm on the set of the indie film “Rust,” the absence is felt throughout the industry.
In the 93 years of the Academy Awards, Rachel Morrison is the only woman ever to be nominated for cinematography, for her work on Dee Rees’ “Mudbound.” And the cinematographers’ branch has a poor track record for honoring diverse and inclusive artists. Case in point: A Black cinematographer has never won the category, and only two have been nominated (Remi Adefarasin for 1998’s “Elizabeth” and Bradford Young for 2016’s “Arrival”).
This year, multiple women are bringing their A-game to high-profile films. Ari Wegner creates distinct visions in Jane Campion’s “The Power of the Dog” from Netflix and Janicza Bravo’s “Zola” from A24.
In the 93 years of the Academy Awards, Rachel Morrison is the only woman ever to be nominated for cinematography, for her work on Dee Rees’ “Mudbound.” And the cinematographers’ branch has a poor track record for honoring diverse and inclusive artists. Case in point: A Black cinematographer has never won the category, and only two have been nominated (Remi Adefarasin for 1998’s “Elizabeth” and Bradford Young for 2016’s “Arrival”).
This year, multiple women are bringing their A-game to high-profile films. Ari Wegner creates distinct visions in Jane Campion’s “The Power of the Dog” from Netflix and Janicza Bravo’s “Zola” from A24.
- 11/4/2021
- by Clayton Davis
- Variety Film + TV
With Venice Grand Jury Prize winner The Hand Of God, Paolo Sorrentino wanted to make a change. “For 20 years, I did a precise kind of movie and I was a little bit tired about that… When I turned 50, I thought it was the right moment to change everything, to change the producer, the crew, the tone, the style. Even the cinema can run the risk to be a routine,” he told Deadline’s Contenders Film: London event today.
The Great Beauty Oscar laureate ultimately turned back to his own youth and the tragedy of losing his parents as a teenager for The Hand Of God, which is his most personal work to date. Sorrentino said, “I had this story I was scared to do because it’s very personal, but because it’s a painful story — even if there is a part of comedy — I thought it was a good...
The Great Beauty Oscar laureate ultimately turned back to his own youth and the tragedy of losing his parents as a teenager for The Hand Of God, which is his most personal work to date. Sorrentino said, “I had this story I was scared to do because it’s very personal, but because it’s a painful story — even if there is a part of comedy — I thought it was a good...
- 10/9/2021
- by Nancy Tartaglione
- Deadline Film + TV
After a pandemic-hobbled 2020 awards season that was fittingly capped off by a numbingly dull Oscarcast, it really is wonderful to be back with an in-person Contenders Film: London event that for many of us portends a much-hoped-for return to normalcy. This year’s event, featuring 44 panelists repping 19 movies from nine studios and streamers, gets underway today at 8 a.m. London time for our in-person event at the Ham Yard Hotel.
For those who cannot attend, the Contenders London livestream starts at 9:35 a.m. local time (1:35 a.m. Pt).
Click here to register and watch the livestream.
A look at the films participating in this year’s event gives a sense of escalating creative ambitions as audiences slowly return to theaters, even as windows continue to shrink and more of us consume quality content from home.
This year, we’ve got almost all of the films that electrified the Telluride,...
For those who cannot attend, the Contenders London livestream starts at 9:35 a.m. local time (1:35 a.m. Pt).
Click here to register and watch the livestream.
A look at the films participating in this year’s event gives a sense of escalating creative ambitions as audiences slowly return to theaters, even as windows continue to shrink and more of us consume quality content from home.
This year, we’ve got almost all of the films that electrified the Telluride,...
- 10/9/2021
- by Mike Fleming Jr
- Deadline Film + TV
Netflix has released a first trailer for Academy Award-winning director Paolo Sorrentino’s newest film, “The Hand of God,” and it looks just as beautiful and full of life as the Italian auteur’s previous masterpieces. Set in 1980s Naples, the director’s hometown, and following a coming of age story of an awkward teenage boy, “The Hand of God” is said to be Sorrentino’s most personal film yet. As one of Italy’s most renowned contemporary filmmakers, it’s not surprise that “The Hand of God” will premiere in competition at the 78th Venice Film Festival, which this year takes place from September 1-11.
Here’s the official synopsis: “From Academy Award-winning writer and director Paolo Sorrentino comes the story of a young man’s heartbreak and liberation in 1980s Naples, Italy. ‘The Hand of God’ follows Fabietto Schisa, an awkward Italian teen whose life and vibrant, eccentric...
Here’s the official synopsis: “From Academy Award-winning writer and director Paolo Sorrentino comes the story of a young man’s heartbreak and liberation in 1980s Naples, Italy. ‘The Hand of God’ follows Fabietto Schisa, an awkward Italian teen whose life and vibrant, eccentric...
- 8/19/2021
- by Jude Dry
- Indiewire
Netflix has dropped the teaser trailer and art for Paolo Sorrentino’s upcoming The Hand Of God. The latest from the maker of Oscar winner The Great Beauty will world premiere in competition at the Venice Film Festival on September 2. It then releases in select cinemas in Italy on November 24, followed by the rest of the world on December 3 and on Netflix on December 15. Check out the powerful teaser above and the new poster below.
For the film, Sorrentino returned to his hometown to shoot what is billed as his most personal story yet, that of a young man’s heartbreak and liberation in 1980s Naples. The Hand Of God centers on Fabietto Schisa (newcomer Filippo Scotti), an awkward Italian teen whose life and vibrant, eccentric family are suddenly upended — first by the electrifying arrival of soccer legend Diego Maradona, and then by a shocking accident from which Maradona inadvertently saves Fabietto,...
For the film, Sorrentino returned to his hometown to shoot what is billed as his most personal story yet, that of a young man’s heartbreak and liberation in 1980s Naples. The Hand Of God centers on Fabietto Schisa (newcomer Filippo Scotti), an awkward Italian teen whose life and vibrant, eccentric family are suddenly upended — first by the electrifying arrival of soccer legend Diego Maradona, and then by a shocking accident from which Maradona inadvertently saves Fabietto,...
- 8/19/2021
- by Nancy Tartaglione
- Deadline Film + TV
Michela Occhipinti on June Carter and Ring Of Fire in Flesh Out (Il Corpo Della Sposa): "She fell in love with Johnny Cash and she dedicated this song to him." Photo: Anne-Katrin Titze
In the second half of my conversation with Flesh Out (Il Corpo Della Sposa) director Michela Occhipinti at the Park South Hotel in New York, we discussed her work with Paolo Sorrentino's longtime editor Cristiano Travaglioli, Johnny Cash and June Carter's Ring of Fire, and Christophe Lambert in Marco Ferreri's I Love You.
Michela Occhipinti on Verida's (Verida Beitta Ahmed Deiche) heart-shaped lamp in Flesh Out: "It's an homage to Marco Ferreri, the great director [of I Love You]."
Flesh Out, co-written with Simona Coppini, shot by Daria D'Antonio, and produced by Gregorio Paonessa and Marta Donzelli stars Verida Beitta Ahmed Deiche as a Mauritanian girl who is going through the customary three-month preparation for her arranged marriage,...
In the second half of my conversation with Flesh Out (Il Corpo Della Sposa) director Michela Occhipinti at the Park South Hotel in New York, we discussed her work with Paolo Sorrentino's longtime editor Cristiano Travaglioli, Johnny Cash and June Carter's Ring of Fire, and Christophe Lambert in Marco Ferreri's I Love You.
Michela Occhipinti on Verida's (Verida Beitta Ahmed Deiche) heart-shaped lamp in Flesh Out: "It's an homage to Marco Ferreri, the great director [of I Love You]."
Flesh Out, co-written with Simona Coppini, shot by Daria D'Antonio, and produced by Gregorio Paonessa and Marta Donzelli stars Verida Beitta Ahmed Deiche as a Mauritanian girl who is going through the customary three-month preparation for her arranged marriage,...
- 7/19/2019
- by Anne-Katrin Titze
- eyeforfilm.co.uk
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