Brussels-based distributor’s first release is Quentin Dupieux comedy Yannick.
Brussels-based producers Joao Vinhas and Benjamin Honoré and lawyer Camille Doyen are launching distribution outfit Case Départ into the Benelux market with the release of Quentin Dupieux’s comedy Yannick in September.
Sold by Kinology, the film won the Europa Cinemas Label as best European film at this month’s Locarno Film Festival.
Case Départ has also acquired Dupieux’s comedy Daaaaaali! which is screening out of competitin at the Venice film festival, to be released in spring 2024.
Further releases include Edouard A. Tremblay’s fantasy comedy Farador on November...
Brussels-based producers Joao Vinhas and Benjamin Honoré and lawyer Camille Doyen are launching distribution outfit Case Départ into the Benelux market with the release of Quentin Dupieux’s comedy Yannick in September.
Sold by Kinology, the film won the Europa Cinemas Label as best European film at this month’s Locarno Film Festival.
Case Départ has also acquired Dupieux’s comedy Daaaaaali! which is screening out of competitin at the Venice film festival, to be released in spring 2024.
Further releases include Edouard A. Tremblay’s fantasy comedy Farador on November...
- 8/31/2023
- by Tim Dams
- ScreenDaily
Christophe Honoré has landed quite the cast for his next feature film. Re-teaming with daughter-mother team of Chiara Mastroianni and Catherine Deneuve, Honoré also adds Benjamin Biolay, Melvil Poupaud, Nicole Garcia and Fabrice Luchini to the mix. Les inrocks folks confirm (what we had mentioned last week), filming does take place in late August in Paris and it’ll then move to Rome (Marcello Mastroianni’s home turf). We can chalk what will likely be a meta exercise as a Cannes competition hopeful. Les Films Pelléas’ Philippe Martin and David Thion are producing the currently untitled feature.
Honoré will likely take an intimate approach into Chiara Mastroianni’s world tackling identity and possibly the splitting of two personas — he is in a good position to do so as he has worked with the actress on six prior occasions – their last collaboration being the Un Certain Regard Best Actress awarded for...
Honoré will likely take an intimate approach into Chiara Mastroianni’s world tackling identity and possibly the splitting of two personas — he is in a good position to do so as he has worked with the actress on six prior occasions – their last collaboration being the Un Certain Regard Best Actress awarded for...
- 6/26/2023
- by Eric Lavallée
- IONCINEMA.com
Grief is the centerpiece of Christopher Honoré’s coming-of-age drama, which features a seventeen-year-old boy trying to stay afloat amidst the various worldly forces while being acutely aware of the transience of life. Following his father’s untimely death in a car accident, Lucas (Paul Kircher) desperately tries to seek answers to the greater questions of existence. Awkward yet wondrous, his tale of suffering seems to be an open letter that is borne into the unknown. It is no wonder that Honoré dedicates Winter Boy to his own father, as is revealed in the end credits.
In Winter Boy, Honoré explores sexuality against the backdrop of the all-pervasive motifs of death and love. The plot revolves around Lucas, his grieving mother (Juliette Binoche), and his brother Quentin (Vincent Lacoste) coping with their mutual loss—a loss that brings them together (at least in the loose sense of the term). But soon,...
In Winter Boy, Honoré explores sexuality against the backdrop of the all-pervasive motifs of death and love. The plot revolves around Lucas, his grieving mother (Juliette Binoche), and his brother Quentin (Vincent Lacoste) coping with their mutual loss—a loss that brings them together (at least in the loose sense of the term). But soon,...
- 5/5/2023
- by Sourima Chakraborty
- Film Fugitives
Christophe Honoré's Winter Boy is now showing exclusively on Mubi starting April 28, 2023, in many countries in the series Luminaries.When Antoine Doinel first dons his checkered jacket and roams the streets of Paris in François Truffaut’s The 400 Blows (1959), the city air is so cold that his breath clouds the frame. Truffaut’s wintry film is a tale of isolation and frustration in the life of the young Doinel, a misbehaving schoolboy bored by la dictée and the stifling teachings of his professor. Out in the frostbitten night, he sleeps in a printing press and steals a typewriter, evoking his search for his own liberation and words to live by. To everyone else, he appears a troubled youth in need of institutionalization. To Truffaut, he is his younger self looking for his identity and the means to express it, a memory committed to film. When a filmmaker sets...
- 5/2/2023
- MUBI
A young boy comes of age after his father’s sudden death in Christophe Honoré’s “Winter Boy.” A bleak portrait of grief, the film may earn points for crafting an empathetic, subjective portrayal of one boy’s emotional spiral. Yet, the film also makes several odd formal and aesthetic choices that, ultimately, make Honoré’s film feel more hackneyed than resonant. The strangest of which is the decision to allow Lucas (Paul Kircher), an openly gay 17-year-old, to directly address the camera, explaining and contextualizing his feelings to an unseen audience.
Continue reading ‘Winter Boy’ Review: Christophe Honoré’s Latest With Juliette Binoche Is An Affecting & Occasionally Hackneyed Portrait Of Grief at The Playlist.
Continue reading ‘Winter Boy’ Review: Christophe Honoré’s Latest With Juliette Binoche Is An Affecting & Occasionally Hackneyed Portrait Of Grief at The Playlist.
- 4/29/2023
- by Christian Gallichio
- The Playlist
Hazy Shade of Winter: Honore Deals with a Death in the Family in Sincere Coming-of-Age
Christophe Honoré has built an intricate filmography on the backs of characters consumed with loss and exploring their identities for the past two decades, only occasionally breaking from familiar themes to explore the inherent decadence and taboo of classic literature (such as his adaptations of Georges Bataille or Ovid). His latest, Le Lycéen (Winter Boy), unites coming-of-age tropes paralleled with loss, guilt, and sexuality through a semi-autobiographical lens in his particular talents for loquacious wisdom punctuated by observational sensibilities defining complex human relationships.
Honoré hands relative newcomer Paul Kircher the reins for this quietly poignant narrative about not taking those we love for granted and the inherent power in re-defining ourselves after tragedy shatters the fragile reality of preconceived notions.…...
Christophe Honoré has built an intricate filmography on the backs of characters consumed with loss and exploring their identities for the past two decades, only occasionally breaking from familiar themes to explore the inherent decadence and taboo of classic literature (such as his adaptations of Georges Bataille or Ovid). His latest, Le Lycéen (Winter Boy), unites coming-of-age tropes paralleled with loss, guilt, and sexuality through a semi-autobiographical lens in his particular talents for loquacious wisdom punctuated by observational sensibilities defining complex human relationships.
Honoré hands relative newcomer Paul Kircher the reins for this quietly poignant narrative about not taking those we love for granted and the inherent power in re-defining ourselves after tragedy shatters the fragile reality of preconceived notions.…...
- 4/28/2023
- by Nicholas Bell
- IONCINEMA.com
Grief is by no means a universally relatable subject; we may all encounter it, but the manner in which we process it very rarely translates directly to somebody else’s personal experiences. This is something filmmaker Christophe Honoré has an innate awareness of, with his latest film Winter Boy attempting to address his own formative experience of grief without simply resorting to a semi-autobiographical work. So he doesn’t leave these still-raw emotions confined within a period setting, rendering that adolescent pain a distant memory. He’s attempting to address them via a contemporary coming-of-age tale––one that may share resemblances to his own youth but refuses to simply revisit it.
It’s an intriguing approach for the writer-director to take, and one that didn’t entirely work. Though many moments are keenly felt, especially whenever the sibling relationship takes center stage, there are just as many that lack an...
It’s an intriguing approach for the writer-director to take, and one that didn’t entirely work. Though many moments are keenly felt, especially whenever the sibling relationship takes center stage, there are just as many that lack an...
- 4/27/2023
- by Alistair Ryder
- The Film Stage
AIDS is ever present in Christophe Honoré’s 2018 film Sorry Angel. But rather than dictate the choices and emotions of the characters, the disease simply colors their experiences, serving as a filter through which they see the world. In Winter Boy, Honoré approaches grief in a similarly subtle, intriguingly indirect manner. Where many films show grief merely as a crippling hindrance, Winter Boy sees it as an emotional state that constantly rises and recedes, disrupting the flow and morphing the meaning of everyday experience.
Honoré himself plays a soon-to-be-deceased father, Claude, immediately alluding to the personal nature of the film, which is based on his experiences after losing his own father. Winter Boy’s main focus, though, is Claude’s 17-year-old son, Lucas (Paul Kircher), who’s the same age that Honoré was when his father died, and who faces the aftermath of this loss with his mother, Isabelle (Juliette Binoche), and older brother,...
Honoré himself plays a soon-to-be-deceased father, Claude, immediately alluding to the personal nature of the film, which is based on his experiences after losing his own father. Winter Boy’s main focus, though, is Claude’s 17-year-old son, Lucas (Paul Kircher), who’s the same age that Honoré was when his father died, and who faces the aftermath of this loss with his mother, Isabelle (Juliette Binoche), and older brother,...
- 4/24/2023
- by Derek Smith
- Slant Magazine
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