Cillian Murphy recently had some choice words for his film Red Eye (watch it Here), a Wes Craven-directed thriller that was released back in 2005. But he wasn’t entirely negative. So that got me thinking: Is Red Eye a good film? Or is it more in the so bad it’s good category? I personally saw Red Eye in theaters and have always had a soft spot for it. But if Oppenheimer‘s own Cillian Murphy has an issue with it, maybe it’s worth a second gander. So let’s see whether it’s good, bad, or somewhere in between as we revisit Red Eye in the video embedded above!
Scripted by Carl Ellsworth, who crafted the story with Dan Foos, Red Eye has the following synopsis: In the wake of her grandmother’s funeral, hotel manager Lisa Reisert is waiting to fly back home when she meets charming Jackson Rippner at check-in.
Scripted by Carl Ellsworth, who crafted the story with Dan Foos, Red Eye has the following synopsis: In the wake of her grandmother’s funeral, hotel manager Lisa Reisert is waiting to fly back home when she meets charming Jackson Rippner at check-in.
- 2/22/2024
- by Cody Hamman
- JoBlo.com
One of the more underrated entries on the filmography of the late, great Wes Craven is his 2005 film Red Eye (watch it Here), which packs a lot of thrills, action, and good acting into its perfectly quick 85 minute running time. So I’m glad to hear that Paramount Home Media Distribution is planning to give Red Eye a 4K Blu-ray release on March 21st, with new special features!
Blu-ray.com reports that the special features on this edition of Red Eye will include
New 4K Restoration Of The Film
Dolby Vision/Hdr Presentation Of The Film
New Audio commentary by editor Patrick Lussier
New Filmmaker Focus – Wes Craven and Red Eye
New Wes Craven: In His Own Words – Featurette
Audio commentary by Wes Craven, Producer Marianne Maddalena, and Editor Patrick Lussier
The Making of Red Eye – Featurette
Wes Craven: A New Kind of Thriller – Featurette
Gag Reel
Optional English Sdh,...
Blu-ray.com reports that the special features on this edition of Red Eye will include
New 4K Restoration Of The Film
Dolby Vision/Hdr Presentation Of The Film
New Audio commentary by editor Patrick Lussier
New Filmmaker Focus – Wes Craven and Red Eye
New Wes Craven: In His Own Words – Featurette
Audio commentary by Wes Craven, Producer Marianne Maddalena, and Editor Patrick Lussier
The Making of Red Eye – Featurette
Wes Craven: A New Kind of Thriller – Featurette
Gag Reel
Optional English Sdh,...
- 1/24/2023
- by Cody Hamman
- JoBlo.com
Stars: Trevor Peterson, Persia White, Caitlin Gerard, Demetri Goritsas, Christopher Wolfe, Melinda Lee, Sondra Blake, Adam Carr, Jennifer Christopher, Lenny Citrano, Max Kasch | Written by Matthew D. Ward | Directed by Justyn Ah Chong, Matthew D. Ward
Written by Matthew D. Ward who co-directs with Justyn Ah Chong, American Killing is the feature debut for the both of them. A thriller with elements of horror and drama, this is something both unique, startlingly dark and very interesting indeed. A movie that took me entirely by surprise, and here’s the why’s, what’s and where’s.
The plot itself follows Jeb, whose cartoon program is in danger of being cancelled by the network. Unrecognised nor complimented for his tireless work ethic, Jeb knows that in order to keep his job he needs to go to drastic places. Jeb, along with a team of writers is sent to a house in...
Written by Matthew D. Ward who co-directs with Justyn Ah Chong, American Killing is the feature debut for the both of them. A thriller with elements of horror and drama, this is something both unique, startlingly dark and very interesting indeed. A movie that took me entirely by surprise, and here’s the why’s, what’s and where’s.
The plot itself follows Jeb, whose cartoon program is in danger of being cancelled by the network. Unrecognised nor complimented for his tireless work ethic, Jeb knows that in order to keep his job he needs to go to drastic places. Jeb, along with a team of writers is sent to a house in...
- 10/22/2019
- by Chris Cummings
- Nerdly
'Whiplash' movie review: 'Emotionally explosive film' (photo: J.K. Simmons in 'Whiplash') Damien Chazelle, writer and director of Whiplash, his 2014 Sundance Film Festival-winning second feature, is himself a musical prodigy of sorts. He attended the sort of prestigious musical conservatory his protagonist — played by the acerbic, ascending star Miles Teller — attends in Chazelle's sharply realized, emotionally explosive film. Whiplash, in fact, is a most appropriate title. The “insider's” perspective can sometimes burden a young filmmaker — or a filmmaker of any age, really. Knowing too much can be a trap; the inclination to “get it right” down to the last well-known detail can muddy a story and stifle narrative flow. And there's the possibility — or rather, the likelihood — that the filmmaker's personal experience is actually interesting only to the filmmaker. Chazelle avoids these pitfalls. Whiplash, while stylish and slightly elliptical, is neither muddy nor stifling. It flows freely; it's literally...
- 10/12/2014
- by Tim Cogshell
- Alt Film Guide
The 39th Toronto International Film Festival has announced its initial slate of galas and special presentations, which includes 37 world premieres and several films with Oscar ambitions. The Judge, which stars Robert Downey Jr. as a big-city lawyer who reluctantly returns home and ends up defending his revered father (Robert Duvall) against criminal charges, will have its world premiere in Toronto. His Avengers pal, Chris Evans, will unveil his own directorial debut in Toronto, titled Before We Go.
Also noteworthy: James Gandolfini’s final film, The Drop, which also stars Tom Hardy and Noomi Rapace; another Jason Reitman Toronto world premiere,...
Also noteworthy: James Gandolfini’s final film, The Drop, which also stars Tom Hardy and Noomi Rapace; another Jason Reitman Toronto world premiere,...
- 7/22/2014
- by Jeff Labrecque
- EW - Inside Movies
The Toronto International Film Festival announced its initial wave of 2014 premieres and galas this morning and it features some familiar awards titles, some big stars and some unexpected studio titles. Among the major studio films, David Dobkin's "The Judge" with Robert Downey Jr. and Antoine Fuqua's "The Equalizer" each received gala slots and should premiere over the festival's opening weekend. Other announced galas so far include Bennett Miller's acclaimed "Foxcatcher," which debuted at Cannes, and Mike Binder's "Black and White" starring Kevin Costner, Octavia Spencer and Anthony Mackie. Toronto has also scheduled special gala screenings for David Cronenberg's "Map to the Stars" with Julianne Moore and Robert Pattinson, François Ozon's "The New Girlfriend," Ed Zwick's "Pawn Sacrifice" with Tobey Maguire, Lone Scherfig's "The Riot Club," Jean-Marc Vallée's "Wild," Olivier Nakache and Eric Toledano's "Samba" and Shawn Levy's "This is Where I Leave You...
- 7/22/2014
- by Gregory Ellwood
- Hitfix
Consider the ellipsis in the title a warning. Between a couple of funny scenes and a bunch of unfunny gags, there's not much going on in "Waiting ... ". The comedy uses gross-out "humor" with little inventiveness to ply the familiar territory of twentysomething limbo and workplace hell. Despite a solid ensemble, this would-be "Kitchen Confidential" for the chain-steakhouse set, which boasts as many producers as cast members, doesn't serve up enough laughs to build a theatrical following but could find life on video as a takeout item.
There comes a moment for many thinking people when job security takes on life-threatening proportions: a clear-eyed look at unhappy co-workers and the inept boss signals something's gotta give. For 22-year-old Dean (Justin Long), that moment of truth occurs four years into his job waiting tables at ShenaniganZ. Obsessed with the apparent success of a former classmate -- helpfully brought to his attention by his mother -- Dean feels himself languishing at work and at the community college where he and best friend Monty (Ryan Reynolds) are on-again, off-again students.
Dangling benies and "power" before him, clueless manager Dan (David Koechner), who conducts dispiriting staff meetings by the Dumpster, offers the hard-working but directionless Dean a promotion to assistant manager. He is shocked when Dean asks for time to think it over. Where this is headed is as predictable as the dinner-hour rush.
The ShenaniganZ staff spend most nights partying together after long days slinging baked potatoes, and co-worker couplings are inevitable. Dean avoids commitment to earnest waitress Amy (Kaitlin Doubleday), while Dan and Monty eye the underage hostess (Vanessa Lengies). Monty, whose snarkiness is his identity (a cameo by Wendie Malick as his mother makes clear where he gets it), also spends time being humiliated by his feisty ex, waitress Serena (Anna Faris), and showing the ropes to wide-eyed new guy Mitch (John Francis Daley).
Mainly the ropes consist of learning how to play a behind-the-scenes time-waster that Serena rightly calls "an exercise in retarded homophobia." Sleazeball cook Raddimus (Luis Guzman), the mastermind of the Penis-Showing Game, provides demos for Mitch using raw chicken parts. Besides workplace dystopia, this exhibitionist stupidity is the script's central thread.
First-time writer-director Rob McKittrick demonstrates a feel for the systematic hysteria of restaurant dynamics, but his observations lack the absurdist edge of "Clerks" and the truly idiosyncratic detail that would make his characters three-dimensional. Within limited roles, the cast does what it can. Chi McBride, an actor capable of sublime understatement, plays the sage philosopher-king dishwasher, dispensing wisdom to a crew that includes two gangsta-wannabe pothead busboys (Andy Milonakis and Max Kasch), the angriest waitress in the world (Alanna Ubach) and a spineless virgin Robert Patrick Benedict). Is it any wonder that -- in the film's funniest gag -- their birthday serenade to a young boy makes him cry?
Filmed in New Orleans but with no sense of the place, "Waiting ..". unfolds mainly within appropriately generic restaurant interiors. Refreshingly, McKittrick doesn't lean on canned pop tracks as mortar, but neither does he craft enough of a story to hold together the shtick.
WAITING ...
Lions Gate Films
An Element Films and Eden Rock Media production in association with Wisenheimer Films
Credits:
Director-screenwriter: Rob McKittrick
Producers: Adam Rosenfelt, Stavros Merjos, Jay Rifkin, Jeff Balis, Rob Green
Executive producers: Chris Moore, Jon Shestack, Sam Nazarian, Malcolm Petal, Marc Schaberg, Thomas Augsberger, Paul Fiore
Director of photography: Matthew Irving
Production designer: Devorah Herbert
Music: Adam Gorgoni
Co-producers: Chris Fenton, Dean Shull, Randy Winograd
Costume designer: Jillian Kreiner
Editors: David Finfer, Andy Blumenthal
Cast:
Monty: Ryan Reynolds
Serena: Anna Faris
Dean: Justin Long
Dan: David Koechner
Mitch: John Francis Daley
Tyla: Emmanuelle Chriqui
Amy: Kaitlin Doubleday
Nick: Andy Milonakis
T-Dog: Max Kasch
Naomi: Alanna Ubach
Calvin: Robert Patrick Benedict
Natasha: Vanessa Lengies
Bishop: Chi McBride
Raddimus: Luis Guzman
Monty's Mom: Wendie Malick
MPAA rating: R
Running time -- 93 minutes...
There comes a moment for many thinking people when job security takes on life-threatening proportions: a clear-eyed look at unhappy co-workers and the inept boss signals something's gotta give. For 22-year-old Dean (Justin Long), that moment of truth occurs four years into his job waiting tables at ShenaniganZ. Obsessed with the apparent success of a former classmate -- helpfully brought to his attention by his mother -- Dean feels himself languishing at work and at the community college where he and best friend Monty (Ryan Reynolds) are on-again, off-again students.
Dangling benies and "power" before him, clueless manager Dan (David Koechner), who conducts dispiriting staff meetings by the Dumpster, offers the hard-working but directionless Dean a promotion to assistant manager. He is shocked when Dean asks for time to think it over. Where this is headed is as predictable as the dinner-hour rush.
The ShenaniganZ staff spend most nights partying together after long days slinging baked potatoes, and co-worker couplings are inevitable. Dean avoids commitment to earnest waitress Amy (Kaitlin Doubleday), while Dan and Monty eye the underage hostess (Vanessa Lengies). Monty, whose snarkiness is his identity (a cameo by Wendie Malick as his mother makes clear where he gets it), also spends time being humiliated by his feisty ex, waitress Serena (Anna Faris), and showing the ropes to wide-eyed new guy Mitch (John Francis Daley).
Mainly the ropes consist of learning how to play a behind-the-scenes time-waster that Serena rightly calls "an exercise in retarded homophobia." Sleazeball cook Raddimus (Luis Guzman), the mastermind of the Penis-Showing Game, provides demos for Mitch using raw chicken parts. Besides workplace dystopia, this exhibitionist stupidity is the script's central thread.
First-time writer-director Rob McKittrick demonstrates a feel for the systematic hysteria of restaurant dynamics, but his observations lack the absurdist edge of "Clerks" and the truly idiosyncratic detail that would make his characters three-dimensional. Within limited roles, the cast does what it can. Chi McBride, an actor capable of sublime understatement, plays the sage philosopher-king dishwasher, dispensing wisdom to a crew that includes two gangsta-wannabe pothead busboys (Andy Milonakis and Max Kasch), the angriest waitress in the world (Alanna Ubach) and a spineless virgin Robert Patrick Benedict). Is it any wonder that -- in the film's funniest gag -- their birthday serenade to a young boy makes him cry?
Filmed in New Orleans but with no sense of the place, "Waiting ..". unfolds mainly within appropriately generic restaurant interiors. Refreshingly, McKittrick doesn't lean on canned pop tracks as mortar, but neither does he craft enough of a story to hold together the shtick.
WAITING ...
Lions Gate Films
An Element Films and Eden Rock Media production in association with Wisenheimer Films
Credits:
Director-screenwriter: Rob McKittrick
Producers: Adam Rosenfelt, Stavros Merjos, Jay Rifkin, Jeff Balis, Rob Green
Executive producers: Chris Moore, Jon Shestack, Sam Nazarian, Malcolm Petal, Marc Schaberg, Thomas Augsberger, Paul Fiore
Director of photography: Matthew Irving
Production designer: Devorah Herbert
Music: Adam Gorgoni
Co-producers: Chris Fenton, Dean Shull, Randy Winograd
Costume designer: Jillian Kreiner
Editors: David Finfer, Andy Blumenthal
Cast:
Monty: Ryan Reynolds
Serena: Anna Faris
Dean: Justin Long
Dan: David Koechner
Mitch: John Francis Daley
Tyla: Emmanuelle Chriqui
Amy: Kaitlin Doubleday
Nick: Andy Milonakis
T-Dog: Max Kasch
Naomi: Alanna Ubach
Calvin: Robert Patrick Benedict
Natasha: Vanessa Lengies
Bishop: Chi McBride
Raddimus: Luis Guzman
Monty's Mom: Wendie Malick
MPAA rating: R
Running time -- 93 minutes...
- 10/13/2005
- The Hollywood Reporter - Movie News
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