By Anjelica Oswald
Managing Editor
Virunga National Park — a Unesco World Heritage Site in the Democratic Republic of the Congo and Africa’s oldest national park — is home to the world’s last mountain gorillas. Director Orlando von Einsiedel presents the troubling and dangerous situation the park rangers face as they try to protect the endangered wildlife from poachers and militant rebels in Virunga, a Netflix documentary. Additionally, the film explores the environmental threat posed by the oil industry, particularly the oil exploration done by the British company Soco International. (In June, Soco International announced that they would cease operations.)
Though the filming of the documentary took place in 2011 and 2012, Leonardo DiCaprio teamed up with Netflix as an executive producer on the film, which was released simultaneously on Netflix and in theaters in New York and Los Angeles on Nov. 7. He recently told The Hollywood Reporter that he wants to...
Managing Editor
Virunga National Park — a Unesco World Heritage Site in the Democratic Republic of the Congo and Africa’s oldest national park — is home to the world’s last mountain gorillas. Director Orlando von Einsiedel presents the troubling and dangerous situation the park rangers face as they try to protect the endangered wildlife from poachers and militant rebels in Virunga, a Netflix documentary. Additionally, the film explores the environmental threat posed by the oil industry, particularly the oil exploration done by the British company Soco International. (In June, Soco International announced that they would cease operations.)
Though the filming of the documentary took place in 2011 and 2012, Leonardo DiCaprio teamed up with Netflix as an executive producer on the film, which was released simultaneously on Netflix and in theaters in New York and Los Angeles on Nov. 7. He recently told The Hollywood Reporter that he wants to...
- 11/28/2014
- by Anjelica Oswald
- Scott Feinberg
This is not to be confused with the post apocalyptic zombedy of the same name, this is a straight horror film which was announced long before. We had posted info that the crew was scouting locations, and now James has given us permission to announce shooting will begin in November. It will be shot on location in France, but will be done in English. It will star Brad Dourif (we all know him), Arly Jover, Beatrice Rosen (The Dark Knight). Music will be done by award winning composer Klaus Schulze, with special FX being done by Christophe Spadaccini (Immortal, Irreversible, Dante 01, Eden Log). And probably the biggest news of all is that the director of photgraphy will be Laurent Chalet who lensed March of the Penguins. "The movie's about a retired funeral director who turns his vast funeral home into a museum of death where you get to stroll...
- 8/27/2008
- QuietEarth.us
What is it about the emperor penguin and its home in the bitterly inhospitable terrain of the Antarctic that makes us stare slack-jawed with wonder? Surely this is one of nature's oddest creations. This creature, a bird actually, is both comical and noble in appearance. Once it leaves its natural home in the coastal sea, the penguin must struggle to accomplish any task on the icy land. Yet the stoic, resolute heroes and heroines of Luc Jacquet's March of the Penguins captivate the viewer.
Warner Independent, which acquired the French documentary at this year's Sundance Film Festival, has added a new Alex Wurman score and an English-language narration by Morgan Freeman for the American market. (The film opened Jan. 26 in Paris.) Gone is the gimmick of actors providing dialogue for the penguins. Instead the American release reverts to the purity of the birds staring at each other or gazing silently on their precious chicks, leaving the viewer to intuit the emotional context. Wurman's upbeat music is a major plus, attentive to the humor and gravity of penguins' traditional mating ritual.
Jacquet insists upon viewing this almost suicidal ritual as a "love story." The anthropomorphic approach might put off a biologist, but who can deny the close bond between mates necessary to produce and protect a single egg or the agony suffered by a parent when a chick is lost?
After filming in 16mm over a daunting 13 months in conditions that only can be imagined, the director and his editor, Sabine Emiliani, shape the footage into a compelling tale of survival, an annual race against time on which the survival of the species itself depends. When the birds turn 5, they leave behind the relative safety of the food-filled sea as the polar winter descends each March. They trek single-file for more than 70 miles on their feet or sliding on bellies to their traditional breeding ground. Here males and females pair off. (The film never tells us what happens to those without a mate.)
As the weather worsens, the female produces a single egg. In a delicate juggling act that often fails, the female must transfer the egg to the male for safeguarding on the top of his feet and beneath a fold of warm flesh and feathers. The egg cannot otherwise survive as the temperature drops to 80 below and winds can exceed 100 mph. Starved and exhausted, the females trek back to the sea to fill their bellies for the newborn. Meanwhile, the males huddle together, going 125 days without food, waiting for the eggs to hatch and their mates to return with food. Many females do not return, falling victim to the exhausting march or predators such as the leopard seal.
If and when the females do return and a chick has survived -- both are big ifs -- it is now the famished fathers' turn to stagger back to the sea for food. This cycle continues until the young can make the journey to the coast and take their first dive into the Antarctic waters. Surprisingly, at least to those who buy into the "love story," the family unit now breaks apart. The young penguin might never see its parents again, and parents rarely mate a second winter.
Jacquet's crews, filming underwater and in a white wasteland that looks like a frozen Monument Valley, get amazingly close shots of the birds battling the elements. Only at the end credit roll do we glimpse the crew in action, clumsily setting up their tripods and being observed with curiosity by the penguins. Perhaps the film is a love story, after all. What else can explain the dedication of these crazy French filmmakers?
MARCH OF THE PENGUINS
Warner Independent Pictures
Warner Independent and National Geographic Features films present a Bonne Pioche production in association with Wild Bunch
Credits:
Director: Luc Jacquet
Narration: Jordan Roberts
Based on a screenplay by: Luc Jacquet, Michel Fessler
Producers: Yves Darondeau, Christophe Lioud, Emmanuel Priou
Executive producer: Ilann Girard
Directors of photography: Laurent Chalet, Jerome Maison
Music: Alex Wurman
Editor: Sabine Emiliani
Narrator: Morgan Freeman
MPAA rating: G
Running time -- 80 minutes...
Warner Independent, which acquired the French documentary at this year's Sundance Film Festival, has added a new Alex Wurman score and an English-language narration by Morgan Freeman for the American market. (The film opened Jan. 26 in Paris.) Gone is the gimmick of actors providing dialogue for the penguins. Instead the American release reverts to the purity of the birds staring at each other or gazing silently on their precious chicks, leaving the viewer to intuit the emotional context. Wurman's upbeat music is a major plus, attentive to the humor and gravity of penguins' traditional mating ritual.
Jacquet insists upon viewing this almost suicidal ritual as a "love story." The anthropomorphic approach might put off a biologist, but who can deny the close bond between mates necessary to produce and protect a single egg or the agony suffered by a parent when a chick is lost?
After filming in 16mm over a daunting 13 months in conditions that only can be imagined, the director and his editor, Sabine Emiliani, shape the footage into a compelling tale of survival, an annual race against time on which the survival of the species itself depends. When the birds turn 5, they leave behind the relative safety of the food-filled sea as the polar winter descends each March. They trek single-file for more than 70 miles on their feet or sliding on bellies to their traditional breeding ground. Here males and females pair off. (The film never tells us what happens to those without a mate.)
As the weather worsens, the female produces a single egg. In a delicate juggling act that often fails, the female must transfer the egg to the male for safeguarding on the top of his feet and beneath a fold of warm flesh and feathers. The egg cannot otherwise survive as the temperature drops to 80 below and winds can exceed 100 mph. Starved and exhausted, the females trek back to the sea to fill their bellies for the newborn. Meanwhile, the males huddle together, going 125 days without food, waiting for the eggs to hatch and their mates to return with food. Many females do not return, falling victim to the exhausting march or predators such as the leopard seal.
If and when the females do return and a chick has survived -- both are big ifs -- it is now the famished fathers' turn to stagger back to the sea for food. This cycle continues until the young can make the journey to the coast and take their first dive into the Antarctic waters. Surprisingly, at least to those who buy into the "love story," the family unit now breaks apart. The young penguin might never see its parents again, and parents rarely mate a second winter.
Jacquet's crews, filming underwater and in a white wasteland that looks like a frozen Monument Valley, get amazingly close shots of the birds battling the elements. Only at the end credit roll do we glimpse the crew in action, clumsily setting up their tripods and being observed with curiosity by the penguins. Perhaps the film is a love story, after all. What else can explain the dedication of these crazy French filmmakers?
MARCH OF THE PENGUINS
Warner Independent Pictures
Warner Independent and National Geographic Features films present a Bonne Pioche production in association with Wild Bunch
Credits:
Director: Luc Jacquet
Narration: Jordan Roberts
Based on a screenplay by: Luc Jacquet, Michel Fessler
Producers: Yves Darondeau, Christophe Lioud, Emmanuel Priou
Executive producer: Ilann Girard
Directors of photography: Laurent Chalet, Jerome Maison
Music: Alex Wurman
Editor: Sabine Emiliani
Narrator: Morgan Freeman
MPAA rating: G
Running time -- 80 minutes...
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