Emerging star Lux Pascal, whose credits include Narcos, has joined the cast of Chilean director Alicia Scherson’s next film Summer War.
The co-production reunites Chile’s Araucaria Cine, Le Tiro from Argentina, and Nadador Cine from Uruguay.
Summer War will centre on a US champion of the board game Third Reich whose peaceful summer holiday in 1989 is shattered when a tourist mysteriously disappears at sea.
Scherson is adapting the screenplay from celebrated Chilean author Roberto Bolaño’s novel The Third Reich, which was discovered among his papers following his death in 2010.
Pascal, who is the sister of The Last Of Us...
The co-production reunites Chile’s Araucaria Cine, Le Tiro from Argentina, and Nadador Cine from Uruguay.
Summer War will centre on a US champion of the board game Third Reich whose peaceful summer holiday in 1989 is shattered when a tourist mysteriously disappears at sea.
Scherson is adapting the screenplay from celebrated Chilean author Roberto Bolaño’s novel The Third Reich, which was discovered among his papers following his death in 2010.
Pascal, who is the sister of The Last Of Us...
- 2/19/2024
- ScreenDaily
Chilean film and TV shows scored 309 awards around the world in 2023, CinemaChile announced in January. One month later, CinemaChile, the national promotion board, is turning 15 at Berlin. The consequence of longterm uninterrupted promotion of an industry must not be underestimated.
Over the last 15 years, film and TV have seen two seismic revolutions: Streamers’ Dtc distribution; the explosive rise of production levels across the globe.
The latter has left huge hostages to fortune, suddenly underscoring the significance of national support orgs such as CinemaChile. Below, 10 points on CinemaChile by way of introduction to the often ignored missing link in the latest evolution of the international independent industry: National film agencies.
Why National Film Agencies Are So Useful These Days
In 2005, Argentina released 74 features, Brazil 73, Mexico 33 and Chile 11. Cut to 2022, and those figures had skyrocketed respectively to 230, 173, 88 and 38, a 176% increase in collective levels from 191 films to 529. As slews of films challenge for sales and theatrical release abroad,...
Over the last 15 years, film and TV have seen two seismic revolutions: Streamers’ Dtc distribution; the explosive rise of production levels across the globe.
The latter has left huge hostages to fortune, suddenly underscoring the significance of national support orgs such as CinemaChile. Below, 10 points on CinemaChile by way of introduction to the often ignored missing link in the latest evolution of the international independent industry: National film agencies.
Why National Film Agencies Are So Useful These Days
In 2005, Argentina released 74 features, Brazil 73, Mexico 33 and Chile 11. Cut to 2022, and those figures had skyrocketed respectively to 230, 173, 88 and 38, a 176% increase in collective levels from 191 films to 529. As slews of films challenge for sales and theatrical release abroad,...
- 2/18/2024
- by John Hopewell and Anna Marie de la Fuente
- Variety Film + TV
The Europe-Latin American Co-Production Forum and Wip Latam industry events are showcasing a wealth of new projects.
The Europe-Latin American Co-Production Forum and Wip Latam industry events are showcasing a selection of upcoming projects from Latin America to potential international partners at San Sebastian this month. Regional trends and financing models will also be in the spotlight.
Fifteen titles are in the Forum - from 222 submissions - and six films will showing a first cut in the Wip section. Both sections will take place from September 25-27.
There is a strong showing from Argentina in the Forum, despite the country’s long-running instability,...
The Europe-Latin American Co-Production Forum and Wip Latam industry events are showcasing a selection of upcoming projects from Latin America to potential international partners at San Sebastian this month. Regional trends and financing models will also be in the spotlight.
Fifteen titles are in the Forum - from 222 submissions - and six films will showing a first cut in the Wip section. Both sections will take place from September 25-27.
There is a strong showing from Argentina in the Forum, despite the country’s long-running instability,...
- 9/22/2023
- by Emilio Mayorga
- ScreenDaily
Fifteen projects have been selected for the forum, seven from first or second-time directors.
Juan Pablo González and Sergio Castro San Martín are among the filmmakers returning for San Sebastian’s Europe-Latin America Co-Production forum, which runs from September 25-27.
Mexican filmmaker González is back with Agua Caliente after his first work Dos Estaciones went on to win the best acting award for lead actor Teresa Sánchez in the world cinema dramatic competition at Sundance, following its participation in the forum in 2019 and Wip Latam in 2022. Agua Caliente is co-directed with Ana Isabel Fernández de Alba.
Scroll down for the...
Juan Pablo González and Sergio Castro San Martín are among the filmmakers returning for San Sebastian’s Europe-Latin America Co-Production forum, which runs from September 25-27.
Mexican filmmaker González is back with Agua Caliente after his first work Dos Estaciones went on to win the best acting award for lead actor Teresa Sánchez in the world cinema dramatic competition at Sundance, following its participation in the forum in 2019 and Wip Latam in 2022. Agua Caliente is co-directed with Ana Isabel Fernández de Alba.
Scroll down for the...
- 8/14/2023
- by Mona Tabbara
- ScreenDaily
Multi-prized Latin American directors Federico Veiroj, Theo Court, Alicia Scherson and Daniel Hendler head a muscular project lineup at September’s San Sebastian Europe-Latin America Co-Production Forum, the Spanish festival’s industry centerpiece which underscores this year a welling sea-change in the region’s filmmaking.
“The Moneychanger,” the latest film from Uruguay’s Veiroj, was selected for Toronto’s 2019 Platform; “White on White,” from Chile’s Court, won a best director Silver Lion at 2019’s Venice Horizons; Chile’s Alicia Scherson’s debut “Play” snagged new narrative director at Tribeca in 2005: multi-hyphenate Hendler, from Uruguay, scooped best director at Miami for “The Candidate” in 2017.
Also making the cut are Mexico’s Juan Pablo González and Ana Isabel Fernández, director and co-writer of 2022 Sundance Special Jury Prize winner “Dos Estaciones.” Ezequiel Yanco’s “La vida en común” took best documentary at the Biarritz Latin American Festival in 2019.
Mixing top cineasts...
“The Moneychanger,” the latest film from Uruguay’s Veiroj, was selected for Toronto’s 2019 Platform; “White on White,” from Chile’s Court, won a best director Silver Lion at 2019’s Venice Horizons; Chile’s Alicia Scherson’s debut “Play” snagged new narrative director at Tribeca in 2005: multi-hyphenate Hendler, from Uruguay, scooped best director at Miami for “The Candidate” in 2017.
Also making the cut are Mexico’s Juan Pablo González and Ana Isabel Fernández, director and co-writer of 2022 Sundance Special Jury Prize winner “Dos Estaciones.” Ezequiel Yanco’s “La vida en común” took best documentary at the Biarritz Latin American Festival in 2019.
Mixing top cineasts...
- 8/14/2023
- by John Hopewell and Emiliano De Pablos
- Variety Film + TV
The Venice Gap-Financing Market (September 1-3), part of the Venice Production Bridge, will present 34 fiction and documentary projects.
The Venice Gap-Financing Market (September 1-3), part of the Venice Production Bridge, will present 34 fiction and documentary projects at the 80th Venice International Film Festival (August 30-Septmber 9), including a new project from Palestinian director Annemarie Jacir, All Before You.
All Before You offers a retelling of the 1963 farner-led revolt against British colonial rule in Palestine. Jacir’s previous director credits include The Oblivion Theory, which won the top prize at the Berlinale co-production market in 2021, Salt Of This Sea, Wajib and When I Saw You,...
The Venice Gap-Financing Market (September 1-3), part of the Venice Production Bridge, will present 34 fiction and documentary projects at the 80th Venice International Film Festival (August 30-Septmber 9), including a new project from Palestinian director Annemarie Jacir, All Before You.
All Before You offers a retelling of the 1963 farner-led revolt against British colonial rule in Palestine. Jacir’s previous director credits include The Oblivion Theory, which won the top prize at the Berlinale co-production market in 2021, Salt Of This Sea, Wajib and When I Saw You,...
- 7/3/2023
- by Mona Tabbara
- ScreenDaily
The 10th edition of the Venice Gap-Financing Market, organized as part of the Venice Film Festival’s industry program Venice Production Bridge, has selected 62 projects in the final stages of development and funding.
Filmmakers taking projects to Venice include Jim Sheridan, an Oscar nominee with “In America,” “In the Name of the Father” and “My Left Foot”; Annemarie Jacir, whose credits include Cannes’ “Salt of This Sea,” Berlin’s “When I Saw You” and Locarno’s “Wajib”; Aisling Walsh, who directed “Maudie” with Sally Hawkins and Ethan Hawke, and “Elizabeth Is Missing” with Glenda Jackson; and Kim Mordaunt, who won best debut at Berlin with “The Rocket.”
Also selected are Roberto Minervini, who directed Cannes’ “The Other Side” and Venice’s “What You Gonna Do When the World’s on Fire?”; Laurynas Bareisa, who won the Venice Horizons Award for “Pilgrims”; Måns Månsson, who was in Berlin competition with “The Real Estate”; György Pálfi,...
Filmmakers taking projects to Venice include Jim Sheridan, an Oscar nominee with “In America,” “In the Name of the Father” and “My Left Foot”; Annemarie Jacir, whose credits include Cannes’ “Salt of This Sea,” Berlin’s “When I Saw You” and Locarno’s “Wajib”; Aisling Walsh, who directed “Maudie” with Sally Hawkins and Ethan Hawke, and “Elizabeth Is Missing” with Glenda Jackson; and Kim Mordaunt, who won best debut at Berlin with “The Rocket.”
Also selected are Roberto Minervini, who directed Cannes’ “The Other Side” and Venice’s “What You Gonna Do When the World’s on Fire?”; Laurynas Bareisa, who won the Venice Horizons Award for “Pilgrims”; Måns Månsson, who was in Berlin competition with “The Real Estate”; György Pálfi,...
- 7/3/2023
- by Leo Barraclough
- Variety Film + TV
New Feature projects by Palestinian director Annemarie Jacir, Ireland’s Aisling Walsh and Jim Sheridan as well as Romanian filmmaker Anca Damian have been selected for the upcoming edition of the Venice Gap-Financing Market.
The 10th edition of the co-financing meeting will run from Sept. 1 to 3 as part as of the Venice Production Bridge, which is the industry component of the Venice Film Festival (Aug 30 to Sept. 9)
The market will present 62 projects in the final stages of development and funding, selected from 280 submissions.
The selection spans 34 feature-length fiction Film and documentary projects, 14 Immersive projects, 11 Biennale College Cinema – Virtual Reality projects and three Biennale College Cinema projects.
To be eligible for inclusion, the fiction films must have at least 70% of funding in place and be looking for minority partners only.
Full List of Feature Film Projects:
After The Evil (doc) by Tamara Erde, Gloria Films Production All Before You (fiction), by Annemarie Jacir,...
The 10th edition of the co-financing meeting will run from Sept. 1 to 3 as part as of the Venice Production Bridge, which is the industry component of the Venice Film Festival (Aug 30 to Sept. 9)
The market will present 62 projects in the final stages of development and funding, selected from 280 submissions.
The selection spans 34 feature-length fiction Film and documentary projects, 14 Immersive projects, 11 Biennale College Cinema – Virtual Reality projects and three Biennale College Cinema projects.
To be eligible for inclusion, the fiction films must have at least 70% of funding in place and be looking for minority partners only.
Full List of Feature Film Projects:
After The Evil (doc) by Tamara Erde, Gloria Films Production All Before You (fiction), by Annemarie Jacir,...
- 7/3/2023
- by Melanie Goodfellow
- Deadline Film + TV
Mubi Podcast: Encuentros returns this week with a new episode.The fifth episode features:Laura Paredes, an Argentine actress, recognized in the theater scene for being part of Piel de Lava, one of the most outstanding groups inside and outside her country for its strong experimental approach. Paredes has worked in film with Argentine directors such as Martín Rejtman, Santiago Mitre, and Matías Piñeiro. She has starred in Laura Citarella's two feature films: Ostende (2011) and Trenque Lauquen (2022), the latter of which premiered at the most recent edition of the Venice Film Festival. The second guest is Manuela Martelli, a Chilean actress and director whose career began with outstanding performances in films in her country directed by Andrés Wood and Gonzalo Justiniano. Since then, she has appeared in films by renowned Latin American directors such as Sebastián Lelio, Martín Rejtman, and Alicia Scherson, as well as in projects in Italy,...
- 12/21/2022
- MUBI
Camila José Donoso (“Naomi Campbel”) is gearing up to shoot her fourth pic, “Antitropical,” with Roberto Doveris’ Niña Niño Films producing. The docu-fiction hybrid will be filmed much like a documentary over various months, starting late October, that will stretch into the next year. It’s also received some additional support from Chile’s Audiovisual Production Fund.
At the 18th Santiago Int’l Film Festival (Sanfic), Niña Niño Films is screening docu “Me gustaría que vivieras mi juventud de nuevo” (“I’d Like You to Live My Youth Again”), Nicolás Guzmán’s third film, co-produced with Francisca Soto and renowned filmmaker Alicia Scherson (“Il Futuro”).
As in her previous films, Donoso plays on the limits between fiction and documentary. “It is a project that I began to develop when I was researching the world of café brothels [dubbed cafes con pierna in Chile] for my first film, almost 10 years ago,” said Donoso. “There I met two...
At the 18th Santiago Int’l Film Festival (Sanfic), Niña Niño Films is screening docu “Me gustaría que vivieras mi juventud de nuevo” (“I’d Like You to Live My Youth Again”), Nicolás Guzmán’s third film, co-produced with Francisca Soto and renowned filmmaker Alicia Scherson (“Il Futuro”).
As in her previous films, Donoso plays on the limits between fiction and documentary. “It is a project that I began to develop when I was researching the world of café brothels [dubbed cafes con pierna in Chile] for my first film, almost 10 years ago,” said Donoso. “There I met two...
- 8/16/2022
- by Anna Marie de la Fuente
- Variety Film + TV
Focusing on Chile’s large cinematic prowess, Sanfic’s Chilean Film Competition is set to hone in on national filmmaking and a few promising co-productions from budding and established Latin American talent.
Efforts backed by industry leaders Roberto Doveris, Alicia Scherson and Mexico’s Inti Cordera illustrate that Chilean filmmakers are pulling in further support by relaying poignant, far-reaching narratives.
The Chilean Film Competition was announced by the Sanfic 18, Santiago International Film Festival which will run Aug. 14-21 as a hybrid event.
Highly-anticipated projects include “Villa Olímpica,” produced, in part, by Cordera, who’s previously partnered with the likes of National Geographic and Discovery to bring engaging documentary series to the fore, and fantasy feature “Piedra Noche,” which reunites ingenious Argentine filmmaking duo Santiago Loza (“Extraño”) and Iván Fund (“Hoy No Me Tuve Miedo”)
Young talents bowing their first feature attempts are also represented in projects like Fernando Saldivia Yañez...
Efforts backed by industry leaders Roberto Doveris, Alicia Scherson and Mexico’s Inti Cordera illustrate that Chilean filmmakers are pulling in further support by relaying poignant, far-reaching narratives.
The Chilean Film Competition was announced by the Sanfic 18, Santiago International Film Festival which will run Aug. 14-21 as a hybrid event.
Highly-anticipated projects include “Villa Olímpica,” produced, in part, by Cordera, who’s previously partnered with the likes of National Geographic and Discovery to bring engaging documentary series to the fore, and fantasy feature “Piedra Noche,” which reunites ingenious Argentine filmmaking duo Santiago Loza (“Extraño”) and Iván Fund (“Hoy No Me Tuve Miedo”)
Young talents bowing their first feature attempts are also represented in projects like Fernando Saldivia Yañez...
- 7/29/2022
- by Holly Jones
- Variety Film + TV
Following its world debut at Cannes Directors’ Fortnight this May, Kino Lorber has snagged North American distribution rights to “1976,” a gripping Pinochet-era drama directed by Manuela Martelli.
The film is the first feature for Martelli, produced by Chilean writer-directors Omar Zuniga (“The Strong Ones”) and Dominga Sotomayor (“Too Late to Die Young”) for Cinestación, Alejandra Garcia and writer-director Andres Wood (“Violeta Went to Heaven”) for Wood Producciones, and co-produced by Nathalia Videla Peña and Juan Pablo Gugliotta for Argentina’s Magma Cine.
“1976” takes place in a small seaside town where Carmen (Aline Kuppenheim) reflects on her life as she transforms from a side-lined housewife into an integral caretaker. Putting her sanity and the values of her peers on the line, she steps further into uncertainty by aiding a weary and wounded opponent to Pinochet’s regime, Elías (Nicolás Sepúlvda), at her priest’s request.
“As the tone of Manuela Martelli...
The film is the first feature for Martelli, produced by Chilean writer-directors Omar Zuniga (“The Strong Ones”) and Dominga Sotomayor (“Too Late to Die Young”) for Cinestación, Alejandra Garcia and writer-director Andres Wood (“Violeta Went to Heaven”) for Wood Producciones, and co-produced by Nathalia Videla Peña and Juan Pablo Gugliotta for Argentina’s Magma Cine.
“1976” takes place in a small seaside town where Carmen (Aline Kuppenheim) reflects on her life as she transforms from a side-lined housewife into an integral caretaker. Putting her sanity and the values of her peers on the line, she steps further into uncertainty by aiding a weary and wounded opponent to Pinochet’s regime, Elías (Nicolás Sepúlvda), at her priest’s request.
“As the tone of Manuela Martelli...
- 6/15/2022
- by Holly Jones
- Variety Film + TV
Prestige French distribution house Dulac Distribution has closed rights to France on “1976,” one of the most awaited of films to come out of Chile this year, which will world premiere next month at Cannes Directors’ Fortnight.
The buzzed up title represents the first feature from young Chilean actor-turned-director Manuela Martelli, star of Andrés Wood’s “Machuca” and Alicia Scherson’s “Il Futuro.”
Worldwide sales rights on “1976” are represented by Paris-based Luxbox, adding to its lengthening list of high profile pick-ups from Latin America which include Nathalie Alvarez Mesén’s “Clara Sola,” Alejandra Márquez’s “The Good Girls,” Marcelo Martinessi’s “The Heiresses” and Benjamín Naishtat’s “Rojo.”
The acquisition in a key territory for non English-language art films comes just weeks after “1976” walked off with three of the biggest awards at the Toulouse Latin American Festival’s Films in Progress, including the pix-in-post competition’s Grand Prix and Cine Plus...
The buzzed up title represents the first feature from young Chilean actor-turned-director Manuela Martelli, star of Andrés Wood’s “Machuca” and Alicia Scherson’s “Il Futuro.”
Worldwide sales rights on “1976” are represented by Paris-based Luxbox, adding to its lengthening list of high profile pick-ups from Latin America which include Nathalie Alvarez Mesén’s “Clara Sola,” Alejandra Márquez’s “The Good Girls,” Marcelo Martinessi’s “The Heiresses” and Benjamín Naishtat’s “Rojo.”
The acquisition in a key territory for non English-language art films comes just weeks after “1976” walked off with three of the biggest awards at the Toulouse Latin American Festival’s Films in Progress, including the pix-in-post competition’s Grand Prix and Cine Plus...
- 4/25/2022
- by Holly Jones
- Variety Film + TV
10 projects will receive €10,000 Hbf Script and Project Development support.
International Film Festival Rotterdam (IFFR) development resource the Hubert Bals Fund has chosen 10 projects for its autumn selection – the final one under the stewardship of outgoing IFFR Pro head Marit van den Elshout.
The projects, selected from 520 submissions, will each receive a €10,000 grant to be spent on project development.
Scroll down for the selected titles
Titles include Blackbird Blackbird Blackberry from Georgian filmmaker Elene Naveriani, based on a novel by Georgian author and feminist activist Tamta Melashili. The film tells the story of a single woman in her late 40s who...
International Film Festival Rotterdam (IFFR) development resource the Hubert Bals Fund has chosen 10 projects for its autumn selection – the final one under the stewardship of outgoing IFFR Pro head Marit van den Elshout.
The projects, selected from 520 submissions, will each receive a €10,000 grant to be spent on project development.
Scroll down for the selected titles
Titles include Blackbird Blackbird Blackberry from Georgian filmmaker Elene Naveriani, based on a novel by Georgian author and feminist activist Tamta Melashili. The film tells the story of a single woman in her late 40s who...
- 11/17/2021
- by Ben Dalton
- ScreenDaily
Women’s History Month could not be more significant for Chile’s fledgling Academy of Cinematographic Arts, which is proud to have selected Maite Alberdi’s acclaimed documentary “The Mole Agent” to fly the Chilean flag at the Oscars.
“Our first year of operation has been auspicious,” said Academy founder-president Giancarlo Nasi who pointed out that this was only the second time in Chile’s film history that it has sent a woman-directed film to represent the country, following Alicia Scherson’s “Play” in 2005.
“The Mole Agent” was also submitted to Spain’s prominent Goya awards, where it vies for the best Ibero-American film prize, and to Mexico’s Ariel awards.
Shortlisted for both the best international feature and documentary Oscar categories, the retirement center-set spy docu landed among the five nominees in the documentary category. “This is the first time that Chile has been nominated in this category and...
“Our first year of operation has been auspicious,” said Academy founder-president Giancarlo Nasi who pointed out that this was only the second time in Chile’s film history that it has sent a woman-directed film to represent the country, following Alicia Scherson’s “Play” in 2005.
“The Mole Agent” was also submitted to Spain’s prominent Goya awards, where it vies for the best Ibero-American film prize, and to Mexico’s Ariel awards.
Shortlisted for both the best international feature and documentary Oscar categories, the retirement center-set spy docu landed among the five nominees in the documentary category. “This is the first time that Chile has been nominated in this category and...
- 3/26/2021
- by Anna Marie de la Fuente
- Variety Film + TV
Chilean producers to track, who will be forming part of the Berlinale’s 2020 Country in Focus dedicated to Chile. Five are well-known, another five on the rise :
Up-and-coming
María José Díaz
Dos Be Producciones
An executive producer and investigative journalist for TV series and doc-features, Diaz is an executive producer at Dos Be Prods. and founder of Galgo Storytelling, a transmedia content producer. Projects in development: Doc “Haganse la Luz,” Ignacia Merino and Isabel Reyes’ debuts, and docu series “Nepen” about Chile’s indigenous Mapuches.
Yeniffer Fasciani
Niebla Producciones
A 2015 Berlinale Talents participant, Fasciani is a partner/co-founder of Niebla Prods. In 2016 she produced TV series “Martin, Man and Legend” for La Santé Films and was executive director of Dci, a Chilean film distributor. Upcoming projects: Carola Quezada’s “Perros sin Cola,” Chilean-Japanese co-production “Green Grass” by Ignacio Ruiz, and pregnant boxer drama “A La Deriva.”
Cynthia García
Cyan Prods
Founder of Cyan Prods.
Up-and-coming
María José Díaz
Dos Be Producciones
An executive producer and investigative journalist for TV series and doc-features, Diaz is an executive producer at Dos Be Prods. and founder of Galgo Storytelling, a transmedia content producer. Projects in development: Doc “Haganse la Luz,” Ignacia Merino and Isabel Reyes’ debuts, and docu series “Nepen” about Chile’s indigenous Mapuches.
Yeniffer Fasciani
Niebla Producciones
A 2015 Berlinale Talents participant, Fasciani is a partner/co-founder of Niebla Prods. In 2016 she produced TV series “Martin, Man and Legend” for La Santé Films and was executive director of Dci, a Chilean film distributor. Upcoming projects: Carola Quezada’s “Perros sin Cola,” Chilean-Japanese co-production “Green Grass” by Ignacio Ruiz, and pregnant boxer drama “A La Deriva.”
Cynthia García
Cyan Prods
Founder of Cyan Prods.
- 2/20/2020
- by Anna Marie de la Fuente
- Variety Film + TV
New York-based sales company Visit Films has acquired worldwide rights for Mexican feature “Summer White,” world premiering in Sundance’s World Cinema Dramatic Competition on Sunday Jan. 26. Visit will also be screening the film at Berlinale’s European Film, Market.
Now a key North American sales company for Latin American films, Visit’s catalog includes other major Sundance titles such as Lucía Garibaldi’s World Cinema Directing Award-winner “The Sharks,” World Cinema Jury Prize-winners “The Queen of Fear” from Valeria Bertuccelli and Fabiana Tiscornia and “Time Share” from Sebastián Hofmann, and Cristián Jiménez and Alicia Scherson’s “Family Life.”
From debut director Rodrigo Ruiz Patterson, “Summer White” features newcomer Adrián Rossi as 13-year-old Rodrigo, a lonesome teenager living on the outskirts of Mexico City who has an unhealthily close relationship with his mother Valeria, played by Mexican Academy Ariel Award-nominated actress Sophie Alexander-Katz (“The Darkest Days of Us”).
When Valeria...
Now a key North American sales company for Latin American films, Visit’s catalog includes other major Sundance titles such as Lucía Garibaldi’s World Cinema Directing Award-winner “The Sharks,” World Cinema Jury Prize-winners “The Queen of Fear” from Valeria Bertuccelli and Fabiana Tiscornia and “Time Share” from Sebastián Hofmann, and Cristián Jiménez and Alicia Scherson’s “Family Life.”
From debut director Rodrigo Ruiz Patterson, “Summer White” features newcomer Adrián Rossi as 13-year-old Rodrigo, a lonesome teenager living on the outskirts of Mexico City who has an unhealthily close relationship with his mother Valeria, played by Mexican Academy Ariel Award-nominated actress Sophie Alexander-Katz (“The Darkest Days of Us”).
When Valeria...
- 1/21/2020
- by Jamie Lang
- Variety Film + TV
San Sebastian — Rouge International co-founder Nadia Turincev, whose credits included the Oscar-nominated “The Insult,” “Raw” and “Mimosas,” has teamed with Omar El Kadi, head of acquisitions and sales, Emea, at Lebanon’s Mc Distribution, to launch Easy Riders Films, a new Paris-based production company.
If Easy Riders Films first titles are anything to go by – Latin American co-production “Perros,” 1941 Lebanon-set comedy “The Fifteen,” political romantic drama series “L’Âge d’Or,” Easy Riders looks set to pursue the adventurous, unconventional production line which has come to distinguish Turincev.
At the same time she and El Kadi have linked from the get-go with prestigious production partners around the globe and are backing projects put through the most illustrious of development programs.
“Perros,” for example, is directed by Cannes Cinéfondation Résidence 2019 winner Vinko Tomičić, is also produced by Chile’s Jirafa Films, behind Christopher Murray’s “The Blind Christ” and Alicia Scherson’s “Il Futuro,...
If Easy Riders Films first titles are anything to go by – Latin American co-production “Perros,” 1941 Lebanon-set comedy “The Fifteen,” political romantic drama series “L’Âge d’Or,” Easy Riders looks set to pursue the adventurous, unconventional production line which has come to distinguish Turincev.
At the same time she and El Kadi have linked from the get-go with prestigious production partners around the globe and are backing projects put through the most illustrious of development programs.
“Perros,” for example, is directed by Cannes Cinéfondation Résidence 2019 winner Vinko Tomičić, is also produced by Chile’s Jirafa Films, behind Christopher Murray’s “The Blind Christ” and Alicia Scherson’s “Il Futuro,...
- 9/26/2019
- by John Hopewell
- Variety Film + TV
Adding to the momentum of Chile’s energetic push into upscale TV production, the Santiago Intl. Film Festival (Sanfic) is adding a TV strand, Sanfic Series.
Focusing on drama series and part of the Sanfic Industry forum – after Ventana Sur now one of the biggest of any festival in South America – the section will bow at this August’s festival with the South American premiere of the first two episodes of “Invisible Heroes,” a MipTV and Conecta Fiction hit and flagship title in Chile’s drive into international co-production.
A Yle Original Series produced by Finland’s Kahio Republic and Chile’s Parox, one of Chile’s most established TV production houses, and backed by Finland’s Yle and Chile’s Chilevision, “Invisible Heroes” is a prime example of a series with a highly specific setting, the eve and mostly aftermath of Augusto Pinochet’s bloody 1973 coup in Chile, rendered...
Focusing on drama series and part of the Sanfic Industry forum – after Ventana Sur now one of the biggest of any festival in South America – the section will bow at this August’s festival with the South American premiere of the first two episodes of “Invisible Heroes,” a MipTV and Conecta Fiction hit and flagship title in Chile’s drive into international co-production.
A Yle Original Series produced by Finland’s Kahio Republic and Chile’s Parox, one of Chile’s most established TV production houses, and backed by Finland’s Yle and Chile’s Chilevision, “Invisible Heroes” is a prime example of a series with a highly specific setting, the eve and mostly aftermath of Augusto Pinochet’s bloody 1973 coup in Chile, rendered...
- 7/23/2019
- by John Hopewell and Jamie Lang
- Variety Film + TV
Pamplona, Spain — In an early and memorable dramatic beat in “Invisible Heroes,” a Original Series of Finnish broadcaster Yle, in partnership with Chilean network Chilevision, the former head of international trade under Chile’s Salvador Allende clambers over the garden wall of the chalet of a Finnish diplomat to seek asylum after Augusto Pinochet’s bloody 1973 military coup.
Suitcase in hand, he looses his footing,, and falls straight into Tapani Brotherus’ swimming pool.
Much admired at MipTV by those who caught it, “Invisible Heroes” opened to warm applause on Monday night at Conecta Fiction, the world’s foremost Europe-Latin America TV co-production forum, which runs June.17-20 in Pamplona, Northern Spain.
Chile is one of Conecta Fiction’s two 2019 countries in focus. If the quality on paper of some of its projects is born out by their pitches, in public events or one-to-one meetings, it will also be one of its stars.
Suitcase in hand, he looses his footing,, and falls straight into Tapani Brotherus’ swimming pool.
Much admired at MipTV by those who caught it, “Invisible Heroes” opened to warm applause on Monday night at Conecta Fiction, the world’s foremost Europe-Latin America TV co-production forum, which runs June.17-20 in Pamplona, Northern Spain.
Chile is one of Conecta Fiction’s two 2019 countries in focus. If the quality on paper of some of its projects is born out by their pitches, in public events or one-to-one meetings, it will also be one of its stars.
- 6/18/2019
- by John Hopewell
- Variety Film + TV
Cannes— Chile’s Jirafa Films, producer of Christopher Murray’s “The Blind Christ” and Alicia Scherson’s “Il Futuro” has teamed with Zafiro Cinema in Mexico, Chile’s Calamar Cine and Bolivia’s Color Monster to produce Vinko Tomičić sophomore outing, “Dogs” (“Perros”).
“Dogs” won the Best Pitch Award at the spring session of Cannes’ Cinéfondation Résidence. It will follow 13-year-old Martín, an orphan shoeshine boy from La Paz, Bolivia, who has lived his entire life on the streets and still hopes to find his father. Driven by his imagination, Martín begins to suspect that one of his best clients – Mr. Novoa, a lonely tailor– might be his father. Martín devises a plan: to kidnap Mr. Novoa’s dog so as to be able to be closer to him.
“Through documentary techniques, the director immerses the spectator in the world of young shoe shines from La Paz.
Second, he has an ethical take,...
“Dogs” won the Best Pitch Award at the spring session of Cannes’ Cinéfondation Résidence. It will follow 13-year-old Martín, an orphan shoeshine boy from La Paz, Bolivia, who has lived his entire life on the streets and still hopes to find his father. Driven by his imagination, Martín begins to suspect that one of his best clients – Mr. Novoa, a lonely tailor– might be his father. Martín devises a plan: to kidnap Mr. Novoa’s dog so as to be able to be closer to him.
“Through documentary techniques, the director immerses the spectator in the world of young shoe shines from La Paz.
Second, he has an ethical take,...
- 5/18/2019
- by Emilio Mayorga
- Variety Film + TV
Guadalajara, Mexico — This week, Mexico’s Guadalajara Festival will honor Chile as its guest country. That serves as further recognition of an extraordinary 15 years after the so-called Newest Chilean Cinema broke out at 2005’s Valparaíso Festival with Matías Bize, Sebastián Lelio and Alicia Scherson bowing first features.
During that stretch, Chile, just the seventh-largest country in Latin America with an 18 million population, has punched in international terms far above its weight, winning major prizes at Cannes, Sundance, Berlin and Venice, and breaking out to sizable box office on select titles abroad. Last year Sebastian Lelio’s “A Fantastic Woman” won him and producers Pablo and Juan de Dios Larraín an Oscar.
Now, however, Chile’s top talent is crossing over into TV, as TV producers return to cinema. The wall between both is fast coming down.
Chile certainly isn’t abandoning cinema. It has six or seven titles which could...
During that stretch, Chile, just the seventh-largest country in Latin America with an 18 million population, has punched in international terms far above its weight, winning major prizes at Cannes, Sundance, Berlin and Venice, and breaking out to sizable box office on select titles abroad. Last year Sebastian Lelio’s “A Fantastic Woman” won him and producers Pablo and Juan de Dios Larraín an Oscar.
Now, however, Chile’s top talent is crossing over into TV, as TV producers return to cinema. The wall between both is fast coming down.
Chile certainly isn’t abandoning cinema. It has six or seven titles which could...
- 3/11/2019
- by John Hopewell and Jamie Lang
- Variety Film + TV
Buenos Aires — Oscar-winning Chilean producer Juan de Dios Larraín (“A Fantastic Woman”), Sebastián Freund, co-creator of Chile’s biggest ever B.O. hit, “Stefan vs. Kramer,” and Gabriela Sandoval, co-director of Sanfic, Chile’s biggest film event, Sanfic festival, are joining forces to haul Chile’s much vaunted cinema into the 21st century.
They will be joined by Sergio Gándara, Chile’s top TV producer, Macarena Cardone, from Invercine&Wood, and Gastón Chedufa, from Las Minas.
A hint of their roadmap looks likely to be heard Wednesday evening at Ventana Sur, when Freund and Sandoval deliver a short speech before a CinemaChile cocktail, traditionally a mid-market social milestone at Latin America’s biggest movie-tv market. If it ain’t broke….? Since a new generation of filmmakers, making up the so-called Newest Chilean Cinema – Sebastián Lelio, Alicia Scherson, Matías Bize – burst onto the scene at the 2005 Valdivia Festival, Chilean filmmakers have won...
They will be joined by Sergio Gándara, Chile’s top TV producer, Macarena Cardone, from Invercine&Wood, and Gastón Chedufa, from Las Minas.
A hint of their roadmap looks likely to be heard Wednesday evening at Ventana Sur, when Freund and Sandoval deliver a short speech before a CinemaChile cocktail, traditionally a mid-market social milestone at Latin America’s biggest movie-tv market. If it ain’t broke….? Since a new generation of filmmakers, making up the so-called Newest Chilean Cinema – Sebastián Lelio, Alicia Scherson, Matías Bize – burst onto the scene at the 2005 Valdivia Festival, Chilean filmmakers have won...
- 12/12/2018
- by John Hopewell
- Variety Film + TV
San Sebastian — Chilean actress Paulina García, winner of a Berlin best actress Silver Bear for Sebastian Lelio’s 2013 ”Gloria,” which inspired his Toronto hit “Gloria Bell,” with Julianne Moore, is attached to star in the second feature of Pepa San Martín, “Happiness.”
The project will be pitched at the 7th Europe-Latin America Co-Production Forum of Spain’s San Sebastian Film Festival.
The feature is produced by Macarena López at Santiago de Chile’s Manufactura de Películas, the same production outfit behind San Martín’s debut, “Rara,” which world premiered at 2016’s Berlin Fest Generation Kplus section, winning its Jury Grand Prix. It went on to take the Horizontes Latinos and Sebastiane Awards at San Sebastian the same year.
García praised San Martín’s debut and her capacity to build “new kinds of stories,” underscoring “it’s very difficult for an actress to find strong and challenging women roles nowadays, and even more for mature women.
The project will be pitched at the 7th Europe-Latin America Co-Production Forum of Spain’s San Sebastian Film Festival.
The feature is produced by Macarena López at Santiago de Chile’s Manufactura de Películas, the same production outfit behind San Martín’s debut, “Rara,” which world premiered at 2016’s Berlin Fest Generation Kplus section, winning its Jury Grand Prix. It went on to take the Horizontes Latinos and Sebastiane Awards at San Sebastian the same year.
García praised San Martín’s debut and her capacity to build “new kinds of stories,” underscoring “it’s very difficult for an actress to find strong and challenging women roles nowadays, and even more for mature women.
- 9/23/2018
- by Emilio Mayorga
- Variety Film + TV
Lleida, Spain — The feature directorial debut of producer Sebastián Perillo “Amateur” scooped both best feature and director at the 24th Lleida Catalonia Latin America Festival, hosted by the city known by gourmets as the Mecca of grilled snails.
Internationally sold by Switzerland-based Kafilms, “Amateur” is an erotic thriller produced by Argentina’s Rispo Films, Amada Films and Tecno Films, and world-premiered at Mar del Plata festival where it took the best original music award.
“Amateur” follows Martin (Esteban Lamothe), a solitary TV director who becomes obsessed with his neighbor and boss’ wife Isabel (Jazmín Stuart), when he finds a porno in which she appears. The jury described Perillo’s debut as “a surprising genre feature made with courage, and without prejudices.”
Best screenplay was granted to “Family Life,” co-helmed by Alicia Scherson (“Il futuro”) and Alejandro Zambra (co-writer of Cristián Jiménez’s “Bonsái”). International sales on “Family Life” are handled...
Internationally sold by Switzerland-based Kafilms, “Amateur” is an erotic thriller produced by Argentina’s Rispo Films, Amada Films and Tecno Films, and world-premiered at Mar del Plata festival where it took the best original music award.
“Amateur” follows Martin (Esteban Lamothe), a solitary TV director who becomes obsessed with his neighbor and boss’ wife Isabel (Jazmín Stuart), when he finds a porno in which she appears. The jury described Perillo’s debut as “a surprising genre feature made with courage, and without prejudices.”
Best screenplay was granted to “Family Life,” co-helmed by Alicia Scherson (“Il futuro”) and Alejandro Zambra (co-writer of Cristián Jiménez’s “Bonsái”). International sales on “Family Life” are handled...
- 4/28/2018
- by Emilio Mayorga
- Variety Film + TV
Although there’s no shortage of regional film festivals throughout the year, few — if any — are better curated than the Maryland Film Festival. With a slate organized by Director of Programming Eric Allen Hatch, the downtown Baltimore festival, which takes place from May 3-7, offers the finest in independent and international cinema of the past year, as well as some of our most-anticipated world premieres.
Now in its 19th year, we’re pleased to debut the full line-up for the 6-screen festival, and can exclusively reveal that Brett Haley‘s The Hero (one of our favorite films from Sundance) will be the Closing Night film. World premiering at the festival is Stephen Cone‘s Princess Cyd, his follow-up to one of last year’s finest films, Henry Gamble’s Birthday Party, along with Josh Crockett‘s Dr. Brinks & Dr. Brinks.
We can also exclusively reveal the Opening Night Shorts — 5 short...
Now in its 19th year, we’re pleased to debut the full line-up for the 6-screen festival, and can exclusively reveal that Brett Haley‘s The Hero (one of our favorite films from Sundance) will be the Closing Night film. World premiering at the festival is Stephen Cone‘s Princess Cyd, his follow-up to one of last year’s finest films, Henry Gamble’s Birthday Party, along with Josh Crockett‘s Dr. Brinks & Dr. Brinks.
We can also exclusively reveal the Opening Night Shorts — 5 short...
- 4/21/2017
- by Jordan Raup
- The Film Stage
Keep up with the always-hopping film festival world with our weekly Film Festival Roundup column. Check out last week’s Roundup right here.
Lineup Announcements
– Exclusive: The 12th Annual Sunscreen Film Festival announced its official selections for the 2017 event featuring films with Alec Baldwin, Dylan McDermott, John Cleese, Daphne Zuniga and more. Opening night will feature Michael Mailer’s newest film, “Blind,” a romantic-drama, starring Alec Baldwin, Demi Moore and Dylan McDermott. Closing night will wrap up the festival with “Albion: The Enchanted Stallion,” a family fantasy adventure, starring John Cleese, Debra Messing, Jennifer Morrison and Stephen Dorff.
Retrospective Screenings will include Daphne Zuniga appearance at the festival honoring the 30th anniversary of “Spaceballs.” Also in this category will be “The Greatest Show on Earth,” from 1952 directed by Cecile B. DeMille, which won the Oscar for Best Pictures and Best Writing in 1953. The screening will honor the closing of the Ringling Bros.
Lineup Announcements
– Exclusive: The 12th Annual Sunscreen Film Festival announced its official selections for the 2017 event featuring films with Alec Baldwin, Dylan McDermott, John Cleese, Daphne Zuniga and more. Opening night will feature Michael Mailer’s newest film, “Blind,” a romantic-drama, starring Alec Baldwin, Demi Moore and Dylan McDermott. Closing night will wrap up the festival with “Albion: The Enchanted Stallion,” a family fantasy adventure, starring John Cleese, Debra Messing, Jennifer Morrison and Stephen Dorff.
Retrospective Screenings will include Daphne Zuniga appearance at the festival honoring the 30th anniversary of “Spaceballs.” Also in this category will be “The Greatest Show on Earth,” from 1952 directed by Cecile B. DeMille, which won the Oscar for Best Pictures and Best Writing in 1953. The screening will honor the closing of the Ringling Bros.
- 3/30/2017
- by Kate Erbland
- Indiewire
Exclusive: Ryan Kampe and his team have closed multiple territories on a raft of recent festival picks.
Shanghai Jushi Films has acquired Chinese rights to Sundance and Rotterdam selection Columbus, Sundance and Berlinale selection Dayveon, SXSW and Rotterdam documentary Rat Film, Rotterdam and Toronto selection X500, and Tribeca award winner Kicks.
Kogonda’s comedy Columbus starring John Cho, Parker Posey, and Haley Lu Richardson, has also gone to Front Row for the Middle East, while FilmRise has picked up North American rights to Amman Abbasi’s Arkansas-set rites-of-passage drama Dayveon.
Binci / Lemon Tree Media has acquired Chinese rights to a slew of titles, including Sundance and Rotterdam selection Family Life directed by Alicia Scherson and Cristián Jiménez, and SXSW and Champs-Élysées award winner From Nowhere by Matthew Newton.
The distributor has also picked up two titles in post-production: Ira prison escape drama Maze starring Tom Vaughan-Lawlor, Barry Ward, and Martin McCann, and thriller...
Shanghai Jushi Films has acquired Chinese rights to Sundance and Rotterdam selection Columbus, Sundance and Berlinale selection Dayveon, SXSW and Rotterdam documentary Rat Film, Rotterdam and Toronto selection X500, and Tribeca award winner Kicks.
Kogonda’s comedy Columbus starring John Cho, Parker Posey, and Haley Lu Richardson, has also gone to Front Row for the Middle East, while FilmRise has picked up North American rights to Amman Abbasi’s Arkansas-set rites-of-passage drama Dayveon.
Binci / Lemon Tree Media has acquired Chinese rights to a slew of titles, including Sundance and Rotterdam selection Family Life directed by Alicia Scherson and Cristián Jiménez, and SXSW and Champs-Élysées award winner From Nowhere by Matthew Newton.
The distributor has also picked up two titles in post-production: Ira prison escape drama Maze starring Tom Vaughan-Lawlor, Barry Ward, and Martin McCann, and thriller...
- 3/20/2017
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
What a surprising city Rotterdam is and the Festival and Cinemart are full of surprises too.
Being in The Netherlands is like a homecoming for me. My first major job in the film industry was with 20th Century Fox International and City Fox Films in Amsterdam in 1975 which is when I first attended the International Film Festival of Rotterdam, three years after its founding by Huub Bals. It was much smaller then. Iffr’s logo is a tiger, loosely based on the M.G.M. lion as an alternative. From the beginning, the festival has profiled itself as a promoter of alternative, innovative and non-commercial films, with an emphasis on the Far East and developing countries. It has become one of the most important events in the film world, an integral part of the winter circuit of Sundance, Rotterdam and Berlin Film Festivals.
“Fox and HIs Friends”
Except for my...
Being in The Netherlands is like a homecoming for me. My first major job in the film industry was with 20th Century Fox International and City Fox Films in Amsterdam in 1975 which is when I first attended the International Film Festival of Rotterdam, three years after its founding by Huub Bals. It was much smaller then. Iffr’s logo is a tiger, loosely based on the M.G.M. lion as an alternative. From the beginning, the festival has profiled itself as a promoter of alternative, innovative and non-commercial films, with an emphasis on the Far East and developing countries. It has become one of the most important events in the film world, an integral part of the winter circuit of Sundance, Rotterdam and Berlin Film Festivals.
“Fox and HIs Friends”
Except for my...
- 3/8/2017
- by Sydney Levine
- Sydney's Buzz
Why Sundance Goers, and Audiences at Every Festival, Should Embrace World Cinema Over Popular Main-Slate Titles“God’s Own Country”
Eager to brave the extreme amounts of snow piling on every sidewalk and road in Park City, scores of freezing, malnourished, and often overworked film journalists and industry professionals line up hours in advance in order to secure a satisfying seat to that star-studded, Oscar-friendly, English-language stunner people have been raving about at every party or bus top around town. It’s understandable, they are desperate to become conquerors and be the first to plant their flag on the year’s big discovery. Trendsetting is a currency that in film criticism, like in many other occupations, is vital to acquire a certain level of recognition and validation.
However, even though being able to predict the future and to see the merits of a film before the crowd has sunk their...
Eager to brave the extreme amounts of snow piling on every sidewalk and road in Park City, scores of freezing, malnourished, and often overworked film journalists and industry professionals line up hours in advance in order to secure a satisfying seat to that star-studded, Oscar-friendly, English-language stunner people have been raving about at every party or bus top around town. It’s understandable, they are desperate to become conquerors and be the first to plant their flag on the year’s big discovery. Trendsetting is a currency that in film criticism, like in many other occupations, is vital to acquire a certain level of recognition and validation.
However, even though being able to predict the future and to see the merits of a film before the crowd has sunk their...
- 2/17/2017
- by Carlos Aguilar
- Sydney's Buzz
Exclusive: Ryan Kampe arrives at the Efm with a sales roster that includes Sundance premieres Family Life and Columbus, Rotterdam entries X500 and Rat Film, and Oscar-nominated Tanna.
Kevin Ford, Smriti Keshari, and Eric Schlosser’s Berlinale Special selection documentary the bomb screens on Friday and explores the power and fascination of nuclear weapons. the bomb premiered at the Tribeca Film Festival last year as a multimedia installation.
Amman Abbasi’s feature directorial debut Dayveon premiered at Sundance last month and screens in Forum on Friday. Newcomer Devin Blackmon plays the eponymous 13-year-old grieving the loss of his older brother who falls in with a local gang. FilmRise acquired North American rights after the premiere in Park City.
Alicia Scherson and Cristián Jiménez’s Family Life premiered at Sundance before going to the Rotterdam Film Festival. Jorge Becker, Gabriela Arancibia, Blanca Lewin and Cristián Carvajal star in the story of a lonely fabulist who concocts a tale...
Kevin Ford, Smriti Keshari, and Eric Schlosser’s Berlinale Special selection documentary the bomb screens on Friday and explores the power and fascination of nuclear weapons. the bomb premiered at the Tribeca Film Festival last year as a multimedia installation.
Amman Abbasi’s feature directorial debut Dayveon premiered at Sundance last month and screens in Forum on Friday. Newcomer Devin Blackmon plays the eponymous 13-year-old grieving the loss of his older brother who falls in with a local gang. FilmRise acquired North American rights after the premiere in Park City.
Alicia Scherson and Cristián Jiménez’s Family Life premiered at Sundance before going to the Rotterdam Film Festival. Jorge Becker, Gabriela Arancibia, Blanca Lewin and Cristián Carvajal star in the story of a lonely fabulist who concocts a tale...
- 2/8/2017
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Films and projects travel from Sundance to Rotterdam and Rotterdam’s love affair with Latin America becomes apparent.
Making their way from Sundance to Rotterdam, “Lemon” was Opening Night in the International Film Festival Rotterdam, Sloan Prize Winner “Marjorie Prime” played in Voices while director Michael Almereyda was on the Jury of the Hivos Tiger Competition. His documentary, “Escapes” also played in the Regained section of the festival.
“Marjorie Prime”: Director Michael Almereyda, Lois Smith and Jon Hamm
“Chile’s “Family Life” by Alicia Scherson and Cristian Jimenez, Singapore’s “Pop Aye”, “Lady Macbeth” and “Sami Blood” all screened here after premiering in Sundance as well.
Pop Aye director Kirsten Tan won the Big Screen Competition and in addition to the cash prize may also count on a guaranteed release in Dutch cinemas and on TV.
“The Wound” by John Trengove has even longer legs, reaching from Sundance World...
Making their way from Sundance to Rotterdam, “Lemon” was Opening Night in the International Film Festival Rotterdam, Sloan Prize Winner “Marjorie Prime” played in Voices while director Michael Almereyda was on the Jury of the Hivos Tiger Competition. His documentary, “Escapes” also played in the Regained section of the festival.
“Marjorie Prime”: Director Michael Almereyda, Lois Smith and Jon Hamm
“Chile’s “Family Life” by Alicia Scherson and Cristian Jimenez, Singapore’s “Pop Aye”, “Lady Macbeth” and “Sami Blood” all screened here after premiering in Sundance as well.
Pop Aye director Kirsten Tan won the Big Screen Competition and in addition to the cash prize may also count on a guaranteed release in Dutch cinemas and on TV.
“The Wound” by John Trengove has even longer legs, reaching from Sundance World...
- 2/8/2017
- by Sydney Levine
- Sydney's Buzz
There is a recognizable tradition of arthouse home invasion movies, one that includes Pier Paolo Pasolini’s “Theorem” or more recently, 2013 Cannes Competition entry “Borgman.” Chilean helmers Alicia Scherson and Cristián Jiménez collaborate in their riff on this sub-genre with the beguiling “Family Life,” part of the World Cinema Dramatic Competition at the 2017 Sundance Film Festival.
Continue reading ‘Family Life’ Is A Strange, Caustic & Funny Chilean Cinema Discovery [Sundance Review] at The Playlist.
Continue reading ‘Family Life’ Is A Strange, Caustic & Funny Chilean Cinema Discovery [Sundance Review] at The Playlist.
- 1/23/2017
- by Bradley Warren
- The Playlist
Abandoning the relatively large scale of earlier outings, festival-friendly Chilean directors Alicia Scherson and Cristian Jimenez return to the smaller canvas with Family Life, a witty and poignant drama about an emotionally damaged man who tries to set up a virtual family life in another family’s home. Rippling playfully into themes of solitude, love, companionship and the multiple dangers of male insecurity, this is quietly intriguing fare that rolls up wryness, poignancy and intimacy into a minor-key but memorable whole. Its high concept and universal themes suggest that as with helmers' previous work, happy future cohabitation with the festival circuit is...
- 1/20/2017
- by Jonathan Holland
- The Hollywood Reporter - Movie News
Families bring together people from different backgrounds, with different stories, all forming into a cohesive unit. But what happens when one person has built their new life around a series of lies? That’s the basis of the Chilean film “Family Life,” which heads to the Sundance Film Festival for its World Premiere.
Directed by Alicia Scherson and Cristián Jiménez, and starring Jorge Becker, Gabriela Arancibia, Cristián Carvajal, and Blanca Lewin, the story revolves around the aimless Martin, who is asked to housesit for his cousin who is taking his family to France for a few months.
Continue reading Sundance Exclusive: Domestic Bliss Gets Complicated In Trailer For ‘Family Life’ at The Playlist.
Directed by Alicia Scherson and Cristián Jiménez, and starring Jorge Becker, Gabriela Arancibia, Cristián Carvajal, and Blanca Lewin, the story revolves around the aimless Martin, who is asked to housesit for his cousin who is taking his family to France for a few months.
Continue reading Sundance Exclusive: Domestic Bliss Gets Complicated In Trailer For ‘Family Life’ at The Playlist.
- 1/18/2017
- by Kevin Jagernauth
- The Playlist
It’s become a great breaking in the new year traditional here at Ioncinema.com. We begin our countdown to the our most anticipated foreign films (anything outside the U.S.) with our own Nicholas Bell curating the best bets for 2016. Here are the titles and filmmakers that didn’t make our final Top 100 cut, but are nonetheless “radar” worthy.
101. El Rey del Once – Daniel Burman
102. The Dancer – Stephanie Di Giusto
103. Le Cancre – Paul Vecchiali
104. While the Women are Sleeping – Wayne Wang
105. Tomorrow – Martha Pinson
106. Spring Again – Gael Morel
107. Crowhurst – Simon Rumley
108. Le Garcon – Philippe Lioret *
109. Marie and the Misfits – Sebastien Betbeder
110. Le Caravage – Alain Chevalier
111. Night Song – Raphael Nadjari
112. Réparer les vivants – Katell Quillevere *
113. Project Lazarus – Mateo Gil
114. Afterimages – Andrzej Wajda
115. Don’t Knock Twice – Caradog James
116. Detour – Christopher Smith
117. The Bride of Rip Van Winkle – Shunji Iwai
118. Three on the Road – Johnnie To
119. Le Vin et le Vent...
101. El Rey del Once – Daniel Burman
102. The Dancer – Stephanie Di Giusto
103. Le Cancre – Paul Vecchiali
104. While the Women are Sleeping – Wayne Wang
105. Tomorrow – Martha Pinson
106. Spring Again – Gael Morel
107. Crowhurst – Simon Rumley
108. Le Garcon – Philippe Lioret *
109. Marie and the Misfits – Sebastien Betbeder
110. Le Caravage – Alain Chevalier
111. Night Song – Raphael Nadjari
112. Réparer les vivants – Katell Quillevere *
113. Project Lazarus – Mateo Gil
114. Afterimages – Andrzej Wajda
115. Don’t Knock Twice – Caradog James
116. Detour – Christopher Smith
117. The Bride of Rip Van Winkle – Shunji Iwai
118. Three on the Road – Johnnie To
119. Le Vin et le Vent...
- 1/4/2016
- by Eric Lavallee
- IONCINEMA.com
This Spanish-Chilean co-production was among the most lauded of the Valdivia Film Festival last year. Though it failed to win any official festival prizes, The Magnetic Tree (El árbol magnético) was easily one of the most spoken-about movies. It managed to get a local release before even the winner of the Chilean Competition, Raíz (Root), managed to snag one (later this year). But what is it about the film that made possible so many personal connections, both with critics and audience members? I'm guessing that it's an issue of familiarity. The wonderful Manuela Martelli (of Alicia Scherson's The Future) plays Marianela, a young woman who lives and works with her parents. She is now residing in her grandmother's country house, where they are preparing everything...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 8/3/2014
- Screen Anarchy
Now that a new year is upon us let's reflect back on 2013. Something like a year in Latino film. Latin American filmmakers continued to kill it on the international film festival circuit. Chile, in particular, has been conquering the world one film festival award at a time.
Sadly, American Latino filmmakers were mostly absent from big name festivals like Sundance, Toronto, Berlin, and Cannes. Normally, the major Latino film festivals in New York, Los Angeles, Chicago, and San Diego offer a home to these overlooked films. The surprising collapse of the New York International Latino Film Festival this past summer and with the Los Angeles Latino International Film Festival barely recovering from financial difficulties, the exhibition of American Latino indies remains in a precarious position.
Still, there is much to celebrate. Starting in the early part of the year, at Sundance, Chilean director Sebastian Silva joined a very elite club of filmmakers -- those who have premiered two films at the same festival. His mescaline-fueled odyssey Crystal Fairy won the World Cinema Dramatic Directing Award and the psychological thriller Magic, Magic starring Michael Cera went on to play Director's Fortnight in Cannes.
The Berlinale, in February, brought the much anticipated world premiere of Sebastian Lelio's fourth film Gloria and the charming Uruguayan family comedy Tanta Agua. Cementing 2013 as the year of Chile, actress Paulina Garcia won the Silver Bear for her dazzling and dynamic performance as a middle-aged divorcee in Gloria.
Mid-year, Mexican filmmakers took Cannes by storm again, winning the Best Director prize for the second year in a row. In 2013, the victor was Amat Escalante for his feature film Heli. The year prior Carlos Reygadas took home the prize for Post Tenebras Lux.
In the fall, Toronto spoiled us with Latin American riches. The gargantuan fest showcased more than 300 films from 70 different countries including the Mexican documentary El Alcalde, Venezuela's Pelo Malo (Bad Hair), Peruvian black comedy El Mudo (The Mute), the Brazilian drama O lobo atras da porta (A Wolf at the Door), and the world premiere of Fernando Eimbcke's Club Sandwich. Costa Rica made a first-time appearance at the Toronto Film Festival with Por las plumas (All About the Feathers) and the Dominican Republic showcased Cristo Rey.
Over Labor Day weekend, Eugenio Derbez, a Mexican actor most Americans had never heard of released his sleeper hit Instructions Not Included. Totally ignored by mainstream film critics, the Spanish-language family comedy went on to shatter box office records. It beat out Woody Allen's Blue Jasmine and critical darling 12 Years a Slave making it the top grossing indie film of the year. It also became the highest grossing Spanish-language film ever in the United States. A few weeks later, when Instructions opened in Derbez's home country, it became the most-watched Mexican film of all time.
Despite being snubbed by the Academy Awards (no Latin American productions made the shortlist for Best Foreign Language Film), Latino films ended the year on a high note. The triumph of our films abroad coupled with a Spanish-language box office hit at home bodes well for the Latino films of 2014.
In case you were living under a rock this past year and missed it all, we've got you covered. Thankfully, there are professionals who get paid to keep track of what Latino movies are receiving accolades, have the most buzz, and got picked up for distribution. LatinoBuzz went straight to the experts, film programmers, to ask, "What are your top 5 Latino films of 2013?"
Christine Davila, Director of Ambulante California
There is no shortage of original and compelling Us Latino writer/directors working across different genres out there, and this list proves it. These confident artists have captured fresh and mighty perspectives far too underrepresented, and they are storming through the cluster neck of homogeneity that continues to reign in film content.
Water & Power (Richard Montoya, USA)
Los Wild Ones (Elise Salomon, USA)
Delusions of Grandeur (Iris Almaraz, Gustavo Ramos, USA)
Sleeping with the Fishes (Nicole Gomez Fisher, USA)
The House that Jack Built (Henry Barrial, USA)
Marcela Goglio, Programmer at the Film Society of Lincoln Center
No special criteria in these choices, just some of the many accomplished Latin American films that, in my opinion, create universes or make statements in beautiful, original and/or powerful ways.
Viola (Matias Pineiro, Argentina)
El alcalde (Emiliano Altuna/Carlos Rossini/Diego Osorno, Mexico)
La eterna noche de las doce lunas (Priscilla Padilla, Colombia)
El futuro (Alicia Scherson, Chile)
Gloria (Sebastian Lelio, Chile)
Carlos A. Gutierrez, Co-founder and Executive Director of Cinema Tropical
For practical purposes, my list features five Latin American films (my area of expertise) that I highly recommend, and that screened in the U.S. in 2013 (in alphabetical order):
El Alcalde / The Mayor (Carlos F. Rossini, Emiliano Altuna and Diego Osorno, Mexico)
El otro dia / The Other Day (Ignacio Aguero, Chile)
Los mejores temas / Greatest Hits (Nicolas Pereda, Mexico)
Tanta Agua / So Much Water (Ana Guevara and Leticia Jorge, Uruguay)
Viola (Matias Pineiro, Argentina)
Lucho Ramirez, Founder & Executive Director of Cine+Mas Sf, presenter of the Cm San Francisco Latino Film Festival
There are so many works by Latino and Latin American filmmakers that merit the public and the tastemaker's attention. Compiling a list of 5 is difficult for me as a festival director because each film that we program is beloved. In addition, there are the other films I see at other fests or at theaters, particularly the bigger ones replete with distribution, celebrity, and marketing budgets. It's hard for independent, quality films to break through and that's part of the reason I seek those out. I believe there is an audience for artisanal films with substance, creativity, and diversity.
I went on memory for this list. Included are films that I saw this year that really stuck with me long after watching them. What's important to me is seeing images of Latinos by Latinos on the screen. This doesn't mean sanitized. Bless Me, Ultima is an important literary work. It was a huge accomplishment to get this on the screen for all us non-readers. Sex, Love, & Salsa packs all the punch of a big romantic comedy in very local and Latino way; Tlatelolco is a historical drama that's really well done, revisiting a chaotic time in Mexico's history but interpreted in a narrow sliver of a relationship that can't be; Porcelain Horse mixes sex, drugs, and rich-kid problems and really does something different with a crime-drama; Delusions of Grandeuer is purely Latino hipster fun.
Bless Me, Ultima (Carl Franklin, USA)
Sex, Love, & Salsa (Adrian Manzano, USA)
Tlatelolco, Summer of 68 (Carlos Bolado, Mexico)
Porcelain Horse (Javier Andrade, Ecuador)
Delusions of Grandeur (Iris Almaraz, Gustavo Ramos, USA)
Glenn Heath Jr., Artistic Director of the San Diego Latino Film Festival
De Jueves a Domingo is a fascinating and subtext-heavy debut from director Dominga Sotomayor Castillo about a family road trip that could be the beginning of the end. In Viola Shakespeare is reinvented, it's art house cinema meets the off-note pacing of jazz. My Sister's Quinceañera is an honest and poignant look at the complexities of family and identity in small town America. Aqui y Alla is riveting in its acute understanding of how the mundane adds up to something grand. Fecha de Caducidad is dark comedy at its finest.
De Jueves a Domingo (Dominga Sotomayor Castillo, Chile)
Viola (Matias Pineiro, Argentina)
My Sister's Quinceanera (Aaron Douglas Johnston, USA)
Aqui y Alla (Antonio Mendez Esparza, Mexico)
Fecha de Caducidad (Kenya Marquez , Mexico)
Diana Vargas, Artistic Director at the Havana Film Festival New York
In Gloria Paulina Garcia's performance is unforgettable and the way the director talks about the middle life crisis of a woman that seems unremarkable until she finds out she can make her own choices and maybe to be single is not that bad, haha. La Sirga portrays the crude reality of the Colombian conflict without showing explicit violence, through impeccable cinematography. In a cinema verite style, La jaula de oro shows 3 Guatemalan adolescents experiencing the harshness of the journey of those who want to immigrate to U.S. 7 Cajas, the biggest Paraguayan box office hit, is as entertaining as well done. With an impeccable screenplay and Guarani dialogues, the film shows a country that usually don't have a strong representation in the festivals around the world. Sibila de Teresa Arredondo (Chile). Sibila Arguedas is the widow of one of the most iconic public figures in Peruvian literature. She's also Chilean and a political prisoner, accused of being a Sendero Luminoso collaborator. This documentary made by Sibila's niece brings to light one of the most fascinating, enimagtic and contradictory characters of the last century.
Gloria (Sebastian Lelio, Chile)
La Sirga (William Vega, Colombia).
La jaula de oro (Diego Quemada-Diez, Mexico)
7 Cajas (Tana Schembori, Juan Carlos Maneglia, Paraguay)
Sibila (Teresa Arredondo, Chile)
Juan Caceres, Director of Programming at the New York International Latino Film Festival
2013 was a great year for Latin American films. Ecuador, Panama, Guatemala and Paraguay, countries with no real infrastructure for filmmaking, all were present in festivals. Chile in particular showed no sign of slowing down their own presence on the festival circuit, taking home prizes at the major festivals. I think it's no coincidence that they share this wonderful genuine camaraderie where there is a support system that includes producing each others projects to simply rooting for one another when it comes to award nominations (you can go to all their Fb pages and occasionally they have each others films as their cover pics! It's uber dope). It's as real as it gets and I think it's something lacking here in the Us. So my list is the Chilean films you should not miss.
Gloria, (Sebastian Lelio, Chile)
No (Pablo Larrain, Chile)
Il Futuro / The Future (Alicia Scherson, Chile)
El verano de los peces voladores / The Summer of Flying Fish (Marcela Said, Chile)
Las cosas como son / Things The Way They Are (Fernando Lavanderos, Chile)
Marlene Dermer, Director/Programmer at the Los Angeles Latino International Film Festival
It has been really hard to narrow it to five I have to say. I find Latino cinema and its creators in a wonderful period. It’s alive and beats like a heart. There is so much talent in our communities and they are doing some of the most interesting work in world cinema. It's thought provoking or personal and universal. It's also tough to include U.S. works with Latin American work because there are many more countries and many with support. This year in our festival we had the largest showcase of U.S.A. films which was very exciting to see. As a programmer for 22 years I find it stimulating to discover all these new voices coming up in our community and truly sharing the screens at festivals and theaters around the world. There is a new generation in every country, that is very exciting and promising for the future of cinema, our community and the audio visual world.
Club Sandwich (Fernando Eimbcke, Mexico)
Pelo Malo (Mariana Rondón, Venezuela)
Gloria (Sebastian Lelio, Chile)
O lobo atras da porta (Fernando Coimbra, Brazil)
Tanta Agua / So Much Water (Ana Guevara and Leticia Jorge, Uruguay)
Written by Vanessa Erazo. LatinoBuzz is a weekly feature on SydneysBuzz that highlights Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices. Follow @LatinoBuzz on Twitter and Facebook.
Sadly, American Latino filmmakers were mostly absent from big name festivals like Sundance, Toronto, Berlin, and Cannes. Normally, the major Latino film festivals in New York, Los Angeles, Chicago, and San Diego offer a home to these overlooked films. The surprising collapse of the New York International Latino Film Festival this past summer and with the Los Angeles Latino International Film Festival barely recovering from financial difficulties, the exhibition of American Latino indies remains in a precarious position.
Still, there is much to celebrate. Starting in the early part of the year, at Sundance, Chilean director Sebastian Silva joined a very elite club of filmmakers -- those who have premiered two films at the same festival. His mescaline-fueled odyssey Crystal Fairy won the World Cinema Dramatic Directing Award and the psychological thriller Magic, Magic starring Michael Cera went on to play Director's Fortnight in Cannes.
The Berlinale, in February, brought the much anticipated world premiere of Sebastian Lelio's fourth film Gloria and the charming Uruguayan family comedy Tanta Agua. Cementing 2013 as the year of Chile, actress Paulina Garcia won the Silver Bear for her dazzling and dynamic performance as a middle-aged divorcee in Gloria.
Mid-year, Mexican filmmakers took Cannes by storm again, winning the Best Director prize for the second year in a row. In 2013, the victor was Amat Escalante for his feature film Heli. The year prior Carlos Reygadas took home the prize for Post Tenebras Lux.
In the fall, Toronto spoiled us with Latin American riches. The gargantuan fest showcased more than 300 films from 70 different countries including the Mexican documentary El Alcalde, Venezuela's Pelo Malo (Bad Hair), Peruvian black comedy El Mudo (The Mute), the Brazilian drama O lobo atras da porta (A Wolf at the Door), and the world premiere of Fernando Eimbcke's Club Sandwich. Costa Rica made a first-time appearance at the Toronto Film Festival with Por las plumas (All About the Feathers) and the Dominican Republic showcased Cristo Rey.
Over Labor Day weekend, Eugenio Derbez, a Mexican actor most Americans had never heard of released his sleeper hit Instructions Not Included. Totally ignored by mainstream film critics, the Spanish-language family comedy went on to shatter box office records. It beat out Woody Allen's Blue Jasmine and critical darling 12 Years a Slave making it the top grossing indie film of the year. It also became the highest grossing Spanish-language film ever in the United States. A few weeks later, when Instructions opened in Derbez's home country, it became the most-watched Mexican film of all time.
Despite being snubbed by the Academy Awards (no Latin American productions made the shortlist for Best Foreign Language Film), Latino films ended the year on a high note. The triumph of our films abroad coupled with a Spanish-language box office hit at home bodes well for the Latino films of 2014.
In case you were living under a rock this past year and missed it all, we've got you covered. Thankfully, there are professionals who get paid to keep track of what Latino movies are receiving accolades, have the most buzz, and got picked up for distribution. LatinoBuzz went straight to the experts, film programmers, to ask, "What are your top 5 Latino films of 2013?"
Christine Davila, Director of Ambulante California
There is no shortage of original and compelling Us Latino writer/directors working across different genres out there, and this list proves it. These confident artists have captured fresh and mighty perspectives far too underrepresented, and they are storming through the cluster neck of homogeneity that continues to reign in film content.
Water & Power (Richard Montoya, USA)
Los Wild Ones (Elise Salomon, USA)
Delusions of Grandeur (Iris Almaraz, Gustavo Ramos, USA)
Sleeping with the Fishes (Nicole Gomez Fisher, USA)
The House that Jack Built (Henry Barrial, USA)
Marcela Goglio, Programmer at the Film Society of Lincoln Center
No special criteria in these choices, just some of the many accomplished Latin American films that, in my opinion, create universes or make statements in beautiful, original and/or powerful ways.
Viola (Matias Pineiro, Argentina)
El alcalde (Emiliano Altuna/Carlos Rossini/Diego Osorno, Mexico)
La eterna noche de las doce lunas (Priscilla Padilla, Colombia)
El futuro (Alicia Scherson, Chile)
Gloria (Sebastian Lelio, Chile)
Carlos A. Gutierrez, Co-founder and Executive Director of Cinema Tropical
For practical purposes, my list features five Latin American films (my area of expertise) that I highly recommend, and that screened in the U.S. in 2013 (in alphabetical order):
El Alcalde / The Mayor (Carlos F. Rossini, Emiliano Altuna and Diego Osorno, Mexico)
El otro dia / The Other Day (Ignacio Aguero, Chile)
Los mejores temas / Greatest Hits (Nicolas Pereda, Mexico)
Tanta Agua / So Much Water (Ana Guevara and Leticia Jorge, Uruguay)
Viola (Matias Pineiro, Argentina)
Lucho Ramirez, Founder & Executive Director of Cine+Mas Sf, presenter of the Cm San Francisco Latino Film Festival
There are so many works by Latino and Latin American filmmakers that merit the public and the tastemaker's attention. Compiling a list of 5 is difficult for me as a festival director because each film that we program is beloved. In addition, there are the other films I see at other fests or at theaters, particularly the bigger ones replete with distribution, celebrity, and marketing budgets. It's hard for independent, quality films to break through and that's part of the reason I seek those out. I believe there is an audience for artisanal films with substance, creativity, and diversity.
I went on memory for this list. Included are films that I saw this year that really stuck with me long after watching them. What's important to me is seeing images of Latinos by Latinos on the screen. This doesn't mean sanitized. Bless Me, Ultima is an important literary work. It was a huge accomplishment to get this on the screen for all us non-readers. Sex, Love, & Salsa packs all the punch of a big romantic comedy in very local and Latino way; Tlatelolco is a historical drama that's really well done, revisiting a chaotic time in Mexico's history but interpreted in a narrow sliver of a relationship that can't be; Porcelain Horse mixes sex, drugs, and rich-kid problems and really does something different with a crime-drama; Delusions of Grandeuer is purely Latino hipster fun.
Bless Me, Ultima (Carl Franklin, USA)
Sex, Love, & Salsa (Adrian Manzano, USA)
Tlatelolco, Summer of 68 (Carlos Bolado, Mexico)
Porcelain Horse (Javier Andrade, Ecuador)
Delusions of Grandeur (Iris Almaraz, Gustavo Ramos, USA)
Glenn Heath Jr., Artistic Director of the San Diego Latino Film Festival
De Jueves a Domingo is a fascinating and subtext-heavy debut from director Dominga Sotomayor Castillo about a family road trip that could be the beginning of the end. In Viola Shakespeare is reinvented, it's art house cinema meets the off-note pacing of jazz. My Sister's Quinceañera is an honest and poignant look at the complexities of family and identity in small town America. Aqui y Alla is riveting in its acute understanding of how the mundane adds up to something grand. Fecha de Caducidad is dark comedy at its finest.
De Jueves a Domingo (Dominga Sotomayor Castillo, Chile)
Viola (Matias Pineiro, Argentina)
My Sister's Quinceanera (Aaron Douglas Johnston, USA)
Aqui y Alla (Antonio Mendez Esparza, Mexico)
Fecha de Caducidad (Kenya Marquez , Mexico)
Diana Vargas, Artistic Director at the Havana Film Festival New York
In Gloria Paulina Garcia's performance is unforgettable and the way the director talks about the middle life crisis of a woman that seems unremarkable until she finds out she can make her own choices and maybe to be single is not that bad, haha. La Sirga portrays the crude reality of the Colombian conflict without showing explicit violence, through impeccable cinematography. In a cinema verite style, La jaula de oro shows 3 Guatemalan adolescents experiencing the harshness of the journey of those who want to immigrate to U.S. 7 Cajas, the biggest Paraguayan box office hit, is as entertaining as well done. With an impeccable screenplay and Guarani dialogues, the film shows a country that usually don't have a strong representation in the festivals around the world. Sibila de Teresa Arredondo (Chile). Sibila Arguedas is the widow of one of the most iconic public figures in Peruvian literature. She's also Chilean and a political prisoner, accused of being a Sendero Luminoso collaborator. This documentary made by Sibila's niece brings to light one of the most fascinating, enimagtic and contradictory characters of the last century.
Gloria (Sebastian Lelio, Chile)
La Sirga (William Vega, Colombia).
La jaula de oro (Diego Quemada-Diez, Mexico)
7 Cajas (Tana Schembori, Juan Carlos Maneglia, Paraguay)
Sibila (Teresa Arredondo, Chile)
Juan Caceres, Director of Programming at the New York International Latino Film Festival
2013 was a great year for Latin American films. Ecuador, Panama, Guatemala and Paraguay, countries with no real infrastructure for filmmaking, all were present in festivals. Chile in particular showed no sign of slowing down their own presence on the festival circuit, taking home prizes at the major festivals. I think it's no coincidence that they share this wonderful genuine camaraderie where there is a support system that includes producing each others projects to simply rooting for one another when it comes to award nominations (you can go to all their Fb pages and occasionally they have each others films as their cover pics! It's uber dope). It's as real as it gets and I think it's something lacking here in the Us. So my list is the Chilean films you should not miss.
Gloria, (Sebastian Lelio, Chile)
No (Pablo Larrain, Chile)
Il Futuro / The Future (Alicia Scherson, Chile)
El verano de los peces voladores / The Summer of Flying Fish (Marcela Said, Chile)
Las cosas como son / Things The Way They Are (Fernando Lavanderos, Chile)
Marlene Dermer, Director/Programmer at the Los Angeles Latino International Film Festival
It has been really hard to narrow it to five I have to say. I find Latino cinema and its creators in a wonderful period. It’s alive and beats like a heart. There is so much talent in our communities and they are doing some of the most interesting work in world cinema. It's thought provoking or personal and universal. It's also tough to include U.S. works with Latin American work because there are many more countries and many with support. This year in our festival we had the largest showcase of U.S.A. films which was very exciting to see. As a programmer for 22 years I find it stimulating to discover all these new voices coming up in our community and truly sharing the screens at festivals and theaters around the world. There is a new generation in every country, that is very exciting and promising for the future of cinema, our community and the audio visual world.
Club Sandwich (Fernando Eimbcke, Mexico)
Pelo Malo (Mariana Rondón, Venezuela)
Gloria (Sebastian Lelio, Chile)
O lobo atras da porta (Fernando Coimbra, Brazil)
Tanta Agua / So Much Water (Ana Guevara and Leticia Jorge, Uruguay)
Written by Vanessa Erazo. LatinoBuzz is a weekly feature on SydneysBuzz that highlights Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices. Follow @LatinoBuzz on Twitter and Facebook.
- 1/1/2014
- by Vanessa Erazo
- Sydney's Buzz
Filmmaker has teamed up with Strand Releasing to offer five lucky readers the opportunity to win a DVD copy of Alicia Scherson’s The Future, a sultry noir about an aging B-movie beefcake (Rutger Hauer) whose heart is stolen by a young Italian woman who’s plotting to take him for all he’s worth. The film is available in stores now, but to get one of five copies up for grabs from Filmmaker all you have to do is be among the first to email nick At filmmakermagazine Dot com with the correct answer to the following question: Rutger Hauer first came […]...
- 12/10/2013
- by Terisa Thurman
- Filmmaker Magazine - Blog
Filmmaker has teamed up with Strand Releasing to offer five lucky readers the opportunity to win a DVD copy of Alicia Scherson’s The Future, a sultry noir about an aging B-movie beefcake (Rutger Hauer) whose heart is stolen by a young Italian woman who’s plotting to take him for all he’s worth. The film is available in stores now, but to get one of five copies up for grabs from Filmmaker all you have to do is be among the first to email nick At filmmakermagazine Dot com with the correct answer to the following question: Rutger Hauer first came […]...
- 12/10/2013
- by Terisa Thurman
- Filmmaker Magazine-Director Interviews
Organisers at the Rio Film Festival have brought in an extra 11 titles ahead of the September 26 opening night gala screening of Thierry Ragobert’s Amazonia 3D.
The late arrivals include Gianfranco Rosi’s fresh Venice Golden Lion winner Sacro Gra as well as Steven Soderbergh’s Behind The Candelabra, Shane Salerno’s Salinger and Kim Ki-duck’s Moebius.
Rounding out the additions are Greg Mottola’s Clear History, Nimrod Antal’s Metallica Through The Never, Hong Sangsoo’s Our Sunhi, Bruce Labruce’s Gerontophilia, Catherine Breillat’s Abuse Of Weakness, Shinji Aoyama’s Backwater and John Maloof and Charlie Siskel’s Finding Vivian Maier.
Festival top brass also announced the full line-up of films in the Latin Première and Environment sections.
The Latin Première selection will present 21 features, of which five will be Latin American premieres. All films in the section are eligible for the Fipresci Best Latin American Film award.
Latin PremièreIl...
The late arrivals include Gianfranco Rosi’s fresh Venice Golden Lion winner Sacro Gra as well as Steven Soderbergh’s Behind The Candelabra, Shane Salerno’s Salinger and Kim Ki-duck’s Moebius.
Rounding out the additions are Greg Mottola’s Clear History, Nimrod Antal’s Metallica Through The Never, Hong Sangsoo’s Our Sunhi, Bruce Labruce’s Gerontophilia, Catherine Breillat’s Abuse Of Weakness, Shinji Aoyama’s Backwater and John Maloof and Charlie Siskel’s Finding Vivian Maier.
Festival top brass also announced the full line-up of films in the Latin Première and Environment sections.
The Latin Première selection will present 21 features, of which five will be Latin American premieres. All films in the section are eligible for the Fipresci Best Latin American Film award.
Latin PremièreIl...
- 9/18/2013
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Organisers at the Festival do Rio, the Rio Film Festival, have brought in an extra 11 titles ahead of the September 26 opening night gala screening of Thierry Ragobert’s France-Brazil co-production Amazonia 3D.
The late arrivals include Gianfranco Rosi’s fresh Venice Golden Lion winner Sacro Gra as well as Steven Soderbergh’s Behind The Candelabra, Shane Salerno’s Salinger and Kim Ki-duck’s Moebius.
Rounding out the additions are Greg Mottola’s Clear History, Nimrod Antal’s Metallica Through The Never, Hong Sangsoo’s Our Sunhi, Bruce Labruce’s Gerontophilia, Catherine Breillat’s Abuse Of Weakness, Shinji Aoyama’s Backwater and John Maloof and Charlie Siskel’s Finding Vivian Maier.
Festival top brass also announced the full line-up of films in the Latin Première and Environment sections.
The Latin Première selection will present 21 features, of which five will be Latin American premieres. All films in the section are eligible for the Fipresci Best Latin American Film award...
The late arrivals include Gianfranco Rosi’s fresh Venice Golden Lion winner Sacro Gra as well as Steven Soderbergh’s Behind The Candelabra, Shane Salerno’s Salinger and Kim Ki-duck’s Moebius.
Rounding out the additions are Greg Mottola’s Clear History, Nimrod Antal’s Metallica Through The Never, Hong Sangsoo’s Our Sunhi, Bruce Labruce’s Gerontophilia, Catherine Breillat’s Abuse Of Weakness, Shinji Aoyama’s Backwater and John Maloof and Charlie Siskel’s Finding Vivian Maier.
Festival top brass also announced the full line-up of films in the Latin Première and Environment sections.
The Latin Première selection will present 21 features, of which five will be Latin American premieres. All films in the section are eligible for the Fipresci Best Latin American Film award...
- 9/18/2013
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Alicia Scherson's enthralling Il Futuro asks the question no one wants to hear: How would you see the world after a personal tragedy? When her parents are killed in a car accident, teenage Bianca (Manuela Martelli) is forced to face this existential quandary, not only in regards to her own uncertain future but also as the impromptu caretaker of younger brother Tomas (Luigi Ciardo). Bearing a striking resemblance to dragon-tattooed Noomi Rapace, Bianca navigates this new reality to the best of her ability, but an unqualifiable malaise slowly clouds her perceptions. Matters complicate when two of Tomas's friends from the local gym, Boloñes (Alessandro Giallocosta) and Libio (Nicolas Vaporidis), awkwardly embed themselves within the familial unit, proposing a get-rich scheme...
- 9/4/2013
- Village Voice
Future Starts Slow: Scherson’s Adaptation a Densely Structured Puzzle For her third feature film, Chilean born director Alicia Scherson adapts cult Latin American author Roberto Bolano’s novel The Future, an Italian language oddity that’s basically a coming of age tale dressed up in a puzzling narrative of symbolism. Throw in a possible heist angle and you have what sounds like an instant cult item. While intriguing, and at moments, striking, there’s an unfortunate distance from the events and characters in Scherson’s film, and an undeniable indifference to what’s unfolding before us. Their parents having just died in a tragic car accident, Bianca (Manuella Martelli) and her brother Tomas (Luigi Ciardo) are left to fend for themselves. Thankfully, Bianca is of legal age and so has the option to be the legal guardian of Tomas, but must be responsible for him until he also comes of age.
- 9/3/2013
- by Nicholas Bell
- IONCINEMA.com
The latest film by Chilean director Fernando Lavanderos, Las cosas como son (Things the way they are), is maybe one of the best fiction films that has come out of Chile in a long time, even better than the Italian co-produced film The Future directed by Alicia Scherson and all the Sebastián Silva-Michael Cera pictures that you can come up with. This is the real deal, and I wish that this movie makes it out there for all people to see, as it plays with universal values and, above all, it's just an entertaining and thrilling story.It has won the Best Latinamerican Film award at last year's Mar del Plata Film Festival, it took the Best Director prize at the Havana Film Festival in New...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 8/8/2013
- Screen Anarchy
Mario Sesti programmes retrospective and preview strand in new museum Maxxi.
The Rome Film Festival (Nov 8 -17) is renewing Cinema at Maxxi, the series of film events curated by Mario Sesti.
Before the festival, between September 14 – November 6, recently launched museum Maxxi (the National Museum of 21st Century Arts) will host retrospectives, meetings with actors and directors, lectures and previews of documentaries and features.
Series The Forgotten will offer a retrospective of classics spanning postwar Italian cinema to the end of the seventies, opening with Pietro Germi’s Divorce Italian Style (Divorzio all’Italiana), followed by a conversation with Italian actor and director Carlo Verdone and curator Mario Sesti.
The strand will also include films by Mario Monicelli, Antonio Pietrangeli, Riccardo Freda, and Steno among others.
Doc series Meet Exceptional Men and Women launches with Girl Models, by David Redmon and Ashley Sabin. The festival’s preview series will include Alicia Scherson’s The Future with Rutger Hauer and Nicholas...
The Rome Film Festival (Nov 8 -17) is renewing Cinema at Maxxi, the series of film events curated by Mario Sesti.
Before the festival, between September 14 – November 6, recently launched museum Maxxi (the National Museum of 21st Century Arts) will host retrospectives, meetings with actors and directors, lectures and previews of documentaries and features.
Series The Forgotten will offer a retrospective of classics spanning postwar Italian cinema to the end of the seventies, opening with Pietro Germi’s Divorce Italian Style (Divorzio all’Italiana), followed by a conversation with Italian actor and director Carlo Verdone and curator Mario Sesti.
The strand will also include films by Mario Monicelli, Antonio Pietrangeli, Riccardo Freda, and Steno among others.
Doc series Meet Exceptional Men and Women launches with Girl Models, by David Redmon and Ashley Sabin. The festival’s preview series will include Alicia Scherson’s The Future with Rutger Hauer and Nicholas...
- 8/6/2013
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
Stars: Luigi Ciardo, Manuela Martelli, Rutger Hauer, Nicolas Vaporidis, Alessandro Giallocosta, Pino Calabrese | Written and Directed by Alicia Scherson
Review by Andrew MacArthur of Cinehouse
Alicia Scherson’s third feature-length film, Il Futuro, is a staggeringly impressive watch. Adapted from Chilean novel Una Novelita Lumpen by Roberto Bolano, Il Futuro is a thrilling tale of suspense, eroticism, and intrigue set against a backdrop of vintage Hollywood Gothic noir.
Il Futuro follows two teenage orphans, Bianca and Tomas, who become intertwined with two untrustworthy opportunists from the local gym. These acquaintances persuade Bianca (the eldest of the orphans, played by Manuela Martelli) to infiltrate and rob the home of one of their ex-clients, Marciste (Rutger Hauer) – a blind, former Mister Universe and movie star who has become something of a recluse. However, Bianca’s developing feelings for Marciste seem set to compromise her original intentions.
From the onset Scherson’s distinct...
Review by Andrew MacArthur of Cinehouse
Alicia Scherson’s third feature-length film, Il Futuro, is a staggeringly impressive watch. Adapted from Chilean novel Una Novelita Lumpen by Roberto Bolano, Il Futuro is a thrilling tale of suspense, eroticism, and intrigue set against a backdrop of vintage Hollywood Gothic noir.
Il Futuro follows two teenage orphans, Bianca and Tomas, who become intertwined with two untrustworthy opportunists from the local gym. These acquaintances persuade Bianca (the eldest of the orphans, played by Manuela Martelli) to infiltrate and rob the home of one of their ex-clients, Marciste (Rutger Hauer) – a blind, former Mister Universe and movie star who has become something of a recluse. However, Bianca’s developing feelings for Marciste seem set to compromise her original intentions.
From the onset Scherson’s distinct...
- 6/28/2013
- by Phil Wheat
- Nerdly
Fredrik Bond’s The Necessary Death of Charlie Countryman among the 11 films competing for the Golden Duke award at the 4th Oiff.
The Odessa International Film Festival (July 12-20) has unveiled the features nominated for the International Competition Grand Prix – The Golden Duke.
Directors of the 11 films are from the Us, UK, Israel, Georgia, Italy, Poland, Germany, Romania, France, India, Russia and Ukraine.
The films include Fredrik Bond’s The Necessary Death Of Charlie Countryman, a thriller starring Shia Labeouf and Evan Rachel Wood that premiered at Sundance and played in competition at Berlin.
Others include Ritesh Batra’s Cannes Critics’ Week winner The Lunchbox and Jan Ole Gerster’s Oh Boy, the German box office hit that has racked up prizes in Germany, Sofia and Tallinn among others.
The international jury that will choose Best Film, Best Director and Best Actor will include German actress Franziska Petri, British producer Tanya Seghatchian (Harry Potter), actress-director Nan Jorjadze...
The Odessa International Film Festival (July 12-20) has unveiled the features nominated for the International Competition Grand Prix – The Golden Duke.
Directors of the 11 films are from the Us, UK, Israel, Georgia, Italy, Poland, Germany, Romania, France, India, Russia and Ukraine.
The films include Fredrik Bond’s The Necessary Death Of Charlie Countryman, a thriller starring Shia Labeouf and Evan Rachel Wood that premiered at Sundance and played in competition at Berlin.
Others include Ritesh Batra’s Cannes Critics’ Week winner The Lunchbox and Jan Ole Gerster’s Oh Boy, the German box office hit that has racked up prizes in Germany, Sofia and Tallinn among others.
The international jury that will choose Best Film, Best Director and Best Actor will include German actress Franziska Petri, British producer Tanya Seghatchian (Harry Potter), actress-director Nan Jorjadze...
- 6/11/2013
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Attention people in Chile, Chileans or tourists visiting, there's a new movie opening today (June 6) and it's one of the most long-awaited Chilean productions of all year (besides the two films starring Michael Cera and directed by Sebastiàn Silva). Directed by Alicia Scherson and starring the international star Rutger Hauer (Hobo with a Shotgun, Blade Runner) and the most beloved young actress of Chile, Manuela Martelli (Machuca, B-Happy), The Future opens on more than 12 screens all over Chile, including the always classic "Cine Normandie," as well as in major chains.The film, based on the novel "Una novelita lumpen" by Chilean author Roberto Bolaño, follows Bianca (Martelli) and her brother after the death of their parents and how they reflect their life in a lonely apartment...
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- 6/6/2013
- Screen Anarchy
If May was a good month for Latin America cinema, June has also its highlights.Last week Chilean cinemas saw the premiere of Carne De Perro (Dog Flesh) from Fernando Guzzoni, winner of the Kutxa-New Directors Award of the San Sebastian International Film Festival 2013. We have yet to see its impact after its first weekend. Don't miss this gruesome and disturbing film about a former torturer facing his past during the Pinochet dictatorship. Disclaimer: no dogs were harmed in the making of this film. Alicia Scherson's third film will be hitting the screens on 6 June. Scherson first read Roberto Bolaño's book in 2005, the same year her sophomore film Play was being premiered around the globe. Il Futuro, with Manuela Martelli (Machuca) and Rutger Hauer in the...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 6/3/2013
- Screen Anarchy
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