European giant Beta Film, known for ambitious titles such as “Babylon Berlin” and “The Swarm,” has shared with Variety in exclusivity a first-look picture of 1o-part series “Rise of the Raven,” which it hails as “one of the most epic European TV productions of all time.”
“Rise of the Raven” weighs in as a passion project of Hungarian-born and Canada-based producer Robert Lantos, behind “Sunshine,” “The Sweet Hereafter,” “Barney’s Version,” “Eastern Promises” and “Crimes of the Future.”
A highlight at Beta Film’s showcase this Tuesday at the London TV Screenings, “Rise of the Raven” turns on the extraordinary feat of Hungarian army commander Janos Hunyadi, played by discovery Gellért L. Kádár, who in 1456 won a bloody, brutal Battle of Belgrade against a vast Ottoman force twice the size of his troops who were often farm labourers armed with just slings and patriotic fervor.
Hunyadi largely halted a full Ottoman...
“Rise of the Raven” weighs in as a passion project of Hungarian-born and Canada-based producer Robert Lantos, behind “Sunshine,” “The Sweet Hereafter,” “Barney’s Version,” “Eastern Promises” and “Crimes of the Future.”
A highlight at Beta Film’s showcase this Tuesday at the London TV Screenings, “Rise of the Raven” turns on the extraordinary feat of Hungarian army commander Janos Hunyadi, played by discovery Gellért L. Kádár, who in 1456 won a bloody, brutal Battle of Belgrade against a vast Ottoman force twice the size of his troops who were often farm labourers armed with just slings and patriotic fervor.
Hunyadi largely halted a full Ottoman...
- 2/27/2024
- by John Hopewell
- Variety Film + TV
On Friday nights, IndieWire After Dark takes a feature-length beat to honor fringe cinema in the streaming age.
First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.
Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.
The Pitch: It’s January! Go Gut Yourself
Greetings and welcome to this, The Month That Sucks.
It’s a shame so many of us turn the start of a new year into an excuse to eviscerate our sense of selves and assume so-called “goals” as our burdensome, boring hobbies first thing post-holiday. And yet, countless self-flagellators like myself buy into the idea of annual resolutions. In an effort to evolve and achieve, be it through a Dry January or some broader personal mission pursued throughout the year, we choose to be...
First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.
Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.
The Pitch: It’s January! Go Gut Yourself
Greetings and welcome to this, The Month That Sucks.
It’s a shame so many of us turn the start of a new year into an excuse to eviscerate our sense of selves and assume so-called “goals” as our burdensome, boring hobbies first thing post-holiday. And yet, countless self-flagellators like myself buy into the idea of annual resolutions. In an effort to evolve and achieve, be it through a Dry January or some broader personal mission pursued throughout the year, we choose to be...
- 1/6/2024
- by Alison Foreman and Christian Zilko
- Indiewire
Austria’s Orf Joins Big Budget Central Europe Drama Series ‘Rise Of The Raven’
The shoot for big-budget Central European drama Rise of the Raven (working title) is underway near Budapest in Hungary, with Austrian pubcaster Orf the latest to join the series as a co-producer. Produced by Robert Lantos, the multi-million dollar series is being billed as “the most epic Central European television production of all time.” It stars Hungary’s Gellért L. Kádár as Janos Hunyadi, the army commander who defeated the vast Ottoman troops in the Battle of Belgrade in 1456. Vivien Rujder plays his life partner Elizabeth Szilagyi in a widely international cast. Also featuring are Austria’s Laurence Rupp (Babarians), Cornelius Obonya (Maria Theresa), Murathan Muslu (Breaking Point), Czech actor Karel Roden, Serbia’s Rade Serbedzija and Italian actors Italy’s Francesco Acquaroli, Thomas Trabacchi (Studio Battaglia) and Elena Rusconi (6 Underground). Balázs Lengyel (HBO’s Golden Life) is showrunner and writer along with George Mihalka, Balázs Lovas, Zsófia Ruttkay, Attila Veres, and Bán Mór, whose best-selling series of novels the series is based on. Serendipity Point Films, Twin Media, Hg Media, Mr Film and Beta, which distributes the show, are the co-producers. TV2 will air it in Hungary and Slovenia, with Orf broadcasting it in neighboring Austria.
Germany’s Sat.1 Remakes Italian Format ‘Back To School’
German broadcaster Sat.1 has remade Mediaset Distribution’s Italian format Back to School. Local producer Cheerio Entertainment has produced the German show, titled Zurück in die Schule, ahead of a debut on August 24. German presenter Jörg Pilawa will host the primetime entertainment show. Back to School sees four celebrities face real elementary school exams, one they have prepared for during a summer camp with students taking on the role of no-nonsense teachers and another ‘surprise’ subject. Mediaset Group’s distribution arm launched the format at MipTV after it debuted in Italy on Italia 1 and secured an above average share. “Everyone likes the idea of mini-teachers having to do with celebrities in an entertaining reversion of roles. After lockdown and sad things continuing to happen, a show that reunites family and target groups of all ages for a good moment of relax and fun. I guess we really need it,” said Claudia Marra, who handles the format rights for Mediaset Distribution.
The shoot for big-budget Central European drama Rise of the Raven (working title) is underway near Budapest in Hungary, with Austrian pubcaster Orf the latest to join the series as a co-producer. Produced by Robert Lantos, the multi-million dollar series is being billed as “the most epic Central European television production of all time.” It stars Hungary’s Gellért L. Kádár as Janos Hunyadi, the army commander who defeated the vast Ottoman troops in the Battle of Belgrade in 1456. Vivien Rujder plays his life partner Elizabeth Szilagyi in a widely international cast. Also featuring are Austria’s Laurence Rupp (Babarians), Cornelius Obonya (Maria Theresa), Murathan Muslu (Breaking Point), Czech actor Karel Roden, Serbia’s Rade Serbedzija and Italian actors Italy’s Francesco Acquaroli, Thomas Trabacchi (Studio Battaglia) and Elena Rusconi (6 Underground). Balázs Lengyel (HBO’s Golden Life) is showrunner and writer along with George Mihalka, Balázs Lovas, Zsófia Ruttkay, Attila Veres, and Bán Mór, whose best-selling series of novels the series is based on. Serendipity Point Films, Twin Media, Hg Media, Mr Film and Beta, which distributes the show, are the co-producers. TV2 will air it in Hungary and Slovenia, with Orf broadcasting it in neighboring Austria.
Germany’s Sat.1 Remakes Italian Format ‘Back To School’
German broadcaster Sat.1 has remade Mediaset Distribution’s Italian format Back to School. Local producer Cheerio Entertainment has produced the German show, titled Zurück in die Schule, ahead of a debut on August 24. German presenter Jörg Pilawa will host the primetime entertainment show. Back to School sees four celebrities face real elementary school exams, one they have prepared for during a summer camp with students taking on the role of no-nonsense teachers and another ‘surprise’ subject. Mediaset Group’s distribution arm launched the format at MipTV after it debuted in Italy on Italia 1 and secured an above average share. “Everyone likes the idea of mini-teachers having to do with celebrities in an entertaining reversion of roles. After lockdown and sad things continuing to happen, a show that reunites family and target groups of all ages for a good moment of relax and fun. I guess we really need it,” said Claudia Marra, who handles the format rights for Mediaset Distribution.
- 8/9/2022
- by Jesse Whittock
- Deadline Film + TV
Principal photography is underway near Budapest on “Rise of the Raven,” an epic drama series produced by veteran Canadian producer Robert Lantos’ Serendipity Point Films (“Crimes of the Future”) and Beta Film (“Gomorrah”) that marks the most lavish TV production in Hungary’s history.
Adapted from author Bán Mór’s bestselling novels, the 10-episode series tells the story of the Hungarian warrior Janos Hunyadi, who defeated the Ottoman army in 1456 at the Battle of Belgrade, halting its march across Europe.
Lantos, whose producing credits include “The Sweet Hereafter,” “Johnny Mnemonic” and “Eastern Promises,” spoke exclusively with Variety about a passion project more than a decade in the making. He was joined by Oscar-nominated and Emmy-winning director Robert Dornhelm and Hungarian directors Attila Szász and Orsi Nagypal, who joined the conversation fresh off shooting an epic battle sequence outside Budapest.
The Hungarian-born Lantos, who was in Cannes this year with David Cronenberg...
Adapted from author Bán Mór’s bestselling novels, the 10-episode series tells the story of the Hungarian warrior Janos Hunyadi, who defeated the Ottoman army in 1456 at the Battle of Belgrade, halting its march across Europe.
Lantos, whose producing credits include “The Sweet Hereafter,” “Johnny Mnemonic” and “Eastern Promises,” spoke exclusively with Variety about a passion project more than a decade in the making. He was joined by Oscar-nominated and Emmy-winning director Robert Dornhelm and Hungarian directors Attila Szász and Orsi Nagypal, who joined the conversation fresh off shooting an epic battle sequence outside Budapest.
The Hungarian-born Lantos, who was in Cannes this year with David Cronenberg...
- 8/9/2022
- by Christopher Vourlias
- Variety Film + TV
Robert Lantos’ Serendipity Point Films (“Crimes Of The Future”) and Beta Film are joining forces on “Rise of the Raven” (working title), a big-budget epic drama series about Janos Hunyadi, a fearless warrior who defeated the vast Ottoman army and defended Europe in 1456 at the Battle of Belgrade.
Based on Bán Mór’s bestselling novels, the 10-hour series will be showrun by award-winning director George Mihalka who will also direct the final three episodes. Mihalka’s drama credits include NBC’s “The Firm,” TNT’s “Transporter: The Series” and Showtime’s “Bullet to Beijing.” He’s also the recipient of the Directors’ Guild of Canada’s Lifetime Achievement Award.
Robert Dornhelm, whose most recent TV series include “Vienna Blood” with Matthew Beard and “Maria Theresa,” will direct the first two episodes of “Rise of the Raven.” Dornhelm previously directed Emmy and Oscar-nominated productions such as “Anne Frank: The Whole Story” with Sir Ben Kingsley,...
Based on Bán Mór’s bestselling novels, the 10-hour series will be showrun by award-winning director George Mihalka who will also direct the final three episodes. Mihalka’s drama credits include NBC’s “The Firm,” TNT’s “Transporter: The Series” and Showtime’s “Bullet to Beijing.” He’s also the recipient of the Directors’ Guild of Canada’s Lifetime Achievement Award.
Robert Dornhelm, whose most recent TV series include “Vienna Blood” with Matthew Beard and “Maria Theresa,” will direct the first two episodes of “Rise of the Raven.” Dornhelm previously directed Emmy and Oscar-nominated productions such as “Anne Frank: The Whole Story” with Sir Ben Kingsley,...
- 7/16/2021
- by Elsa Keslassy
- Variety Film + TV
Special Mention: Gojira (Godzilla)
Written and directed by Ishirô Honda
Japan, 1954
Ishiro Honda’s grim, black-and-white post-Hiroshima nightmare stands the test of time. This allegory for the devastation wrought on Japan by the atomic bomb is quite simply a powerful statement about mankind’s insistence to continue to destroy everyone and everything the surrounds us. With just one shot (a single pan across the ruins of Tokyo), Honda manages to express the devastation that Godzilla represents. Since its debut, Godzilla has become a worldwide cultural icon, but very little is said about actor Takashi Shimura, who adds great depth as Dr. Yamane; his performance is stunning. Special effects director Eiji Tsuburaya originally wanted to use classic stop-motion animation to portray Godzilla, but time and budget limitations forced him to dress actors up in monster suits. Despite this minor setback, Tsuburaya’s scale sets of Tokyo are crafted with such great attention to detail,...
Written and directed by Ishirô Honda
Japan, 1954
Ishiro Honda’s grim, black-and-white post-Hiroshima nightmare stands the test of time. This allegory for the devastation wrought on Japan by the atomic bomb is quite simply a powerful statement about mankind’s insistence to continue to destroy everyone and everything the surrounds us. With just one shot (a single pan across the ruins of Tokyo), Honda manages to express the devastation that Godzilla represents. Since its debut, Godzilla has become a worldwide cultural icon, but very little is said about actor Takashi Shimura, who adds great depth as Dr. Yamane; his performance is stunning. Special effects director Eiji Tsuburaya originally wanted to use classic stop-motion animation to portray Godzilla, but time and budget limitations forced him to dress actors up in monster suits. Despite this minor setback, Tsuburaya’s scale sets of Tokyo are crafted with such great attention to detail,...
- 10/3/2015
- by Ricky Fernandes
- SoundOnSight
"For Ever" is the new film by acclaimed director György Pálfi and it's being produced by Kmh Film and Sunpunks Entertainment.
The story is based on the Hungarian novel ‘Our Street’ by Sandor Tar and the script was written by Zsófia Ruttkay and György Palfi. "For Ever" stars Tamás Polgár, ("Delta") Julia Ubrankovics, ("Virtually a Virgin") Attila Menszátor-héresz ("Freefall") and Mercédesz Érsek-Obádovics.
The films deals with a post-apocalyptic Hungarian-Ukranian village where everything is rotten, only alcohol moves people around, and planes randomly crash. In this wasteland Ocsenas is the one who helps everyone out. He is only living hero trying to survive against savages and war while inside a love triangle that will defines his future.
The shooting is almost over and now the filmmakers have started crowdfunding campaigns to raise enough funds for post-production. You can take a look at the Indiegogo campaign Here.
György Palfi's Filmography
-2002. "Hukkle"
(Cottbus, San Sebastian, Tiff, European Film Awards)
-2006. "Taxidermy"
(Cannes - Un Certain Regard,Cottbus, Sitges)
-2009." I am not your friend"
(Karlovy Vary)
-2012. "Final Cut: Ladies And Gentleman"
(Cannes Classics Closing Film)
-2014. "Freefall"
(Karlovy Vary – Best Director Award, Chicago Iff)...
The story is based on the Hungarian novel ‘Our Street’ by Sandor Tar and the script was written by Zsófia Ruttkay and György Palfi. "For Ever" stars Tamás Polgár, ("Delta") Julia Ubrankovics, ("Virtually a Virgin") Attila Menszátor-héresz ("Freefall") and Mercédesz Érsek-Obádovics.
The films deals with a post-apocalyptic Hungarian-Ukranian village where everything is rotten, only alcohol moves people around, and planes randomly crash. In this wasteland Ocsenas is the one who helps everyone out. He is only living hero trying to survive against savages and war while inside a love triangle that will defines his future.
The shooting is almost over and now the filmmakers have started crowdfunding campaigns to raise enough funds for post-production. You can take a look at the Indiegogo campaign Here.
György Palfi's Filmography
-2002. "Hukkle"
(Cottbus, San Sebastian, Tiff, European Film Awards)
-2006. "Taxidermy"
(Cannes - Un Certain Regard,Cottbus, Sitges)
-2009." I am not your friend"
(Karlovy Vary)
-2012. "Final Cut: Ladies And Gentleman"
(Cannes Classics Closing Film)
-2014. "Freefall"
(Karlovy Vary – Best Director Award, Chicago Iff)...
- 7/27/2015
- by Peter Belsito
- Sydney's Buzz
The concept for György Pálfi Free Fall holds so much promise: a woman climbs the stairs of an apartment building and we get a glimpse of what's going on behind the doors of an apartment on each floor. It's a great set-up for an anthology film though here, Pálfi and collaborating directors Gergely Pohárnok and Zsófia Ruttkay take on all seven stories and the result is exactly what most other anthology films deliver: a mixed bag.
The set-up is interesting enough; the aforementioned old lady climbs the stairs of her apartment building to the roof, jumps off and lands on the road with a splat. Minutes later she stands up, brushes herself off and goes back into the building where's she's forced to walk up the stairs because the elevator is being servic [Continued ...]...
The set-up is interesting enough; the aforementioned old lady climbs the stairs of her apartment building to the roof, jumps off and lands on the road with a splat. Minutes later she stands up, brushes herself off and goes back into the building where's she's forced to walk up the stairs because the elevator is being servic [Continued ...]...
- 10/3/2014
- QuietEarth.us
Taxidermia
Written by György Pálfi & Zsófia Ruttkay
Directed by György Pálfi
Austria/France/Hungary, 2006
Striking visuals attempt to match allegory; this is the stuff of Taxidermia. From the onset it’s quite clear that Taxidermia isn’t interested in being a typical horror film. The film blends elements of comedy, body horror, and political allegory into as unappealing of a package as possible. That is, however, the reason that Taxidermia is so appealing as a film. The images are often visceral to the extreme, repugnant in the way they depict the characters. People who see Taxidermia will probably never be able to look at competitive eating the same way again. Repugnance is the point of Taxidermia, or rather it is the point that is used to get to the root of the political issues that have plagued Hungary for years.
On their own the three segments in time that comprise...
Written by György Pálfi & Zsófia Ruttkay
Directed by György Pálfi
Austria/France/Hungary, 2006
Striking visuals attempt to match allegory; this is the stuff of Taxidermia. From the onset it’s quite clear that Taxidermia isn’t interested in being a typical horror film. The film blends elements of comedy, body horror, and political allegory into as unappealing of a package as possible. That is, however, the reason that Taxidermia is so appealing as a film. The images are often visceral to the extreme, repugnant in the way they depict the characters. People who see Taxidermia will probably never be able to look at competitive eating the same way again. Repugnance is the point of Taxidermia, or rather it is the point that is used to get to the root of the political issues that have plagued Hungary for years.
On their own the three segments in time that comprise...
- 12/11/2013
- by Bill Thompson
- SoundOnSight
Throughout the month of October, Editor-in-Chief and resident Horror expert Ricky D, will be posting a list of his favorite Horror films of all time. The list will be posted in six parts. Click here to see every entry.
As with all lists, this is personal and nobody will agree with every choice – and if you do, that would be incredibly disturbing. It was almost impossible for me to rank them in order, but I tried and eventually gave up.
****
124: (Tie) Inside (À l’intérieur)
Directed by Alexandre Bustillo and Julien Maury
Written by Alexandre Bustillo
2007, France
Four months after the death of her husband, a pregnant woman is tormented by a strange woman who invades her home with the intent on killing her and taking her unborn baby. This movie is not recommended for women on the brink of motherhood. Inside is one of the most vicious and...
As with all lists, this is personal and nobody will agree with every choice – and if you do, that would be incredibly disturbing. It was almost impossible for me to rank them in order, but I tried and eventually gave up.
****
124: (Tie) Inside (À l’intérieur)
Directed by Alexandre Bustillo and Julien Maury
Written by Alexandre Bustillo
2007, France
Four months after the death of her husband, a pregnant woman is tormented by a strange woman who invades her home with the intent on killing her and taking her unborn baby. This movie is not recommended for women on the brink of motherhood. Inside is one of the most vicious and...
- 10/5/2012
- by Ricky
- SoundOnSight
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