When Martin Scorsese was making “Silence,” his 2016 drama about a pair of Jesuit priests spreading the gospel in Japan, a typhoon hit the area, bringing with it biblical showers. As the filmmaker braced himself for news that the bad weather would mean he’d have to abandon plans to shoot that day, there was a rap on his trailer door. There stood Rodrigo Prieto, Scorsese’s long-time cinematographer, outfitted in heavy rain gear. Despite the deluge, he was radiating optimism.
“We’re almost ready,” Prieto reassured the director. “Just a few more minutes.”
Prieto’s calm demeanor and his commitment to getting the work done, no matter the elemental hurdles, left Scorsese speechless.
“He always delivers — he interprets what I’m asking for and he brings it to life,” Scorsese marvels. “He’s always positive and he thinks and works quickly. And absolutely nothing stops him.”
That’s certainly the...
“We’re almost ready,” Prieto reassured the director. “Just a few more minutes.”
Prieto’s calm demeanor and his commitment to getting the work done, no matter the elemental hurdles, left Scorsese speechless.
“He always delivers — he interprets what I’m asking for and he brings it to life,” Scorsese marvels. “He’s always positive and he thinks and works quickly. And absolutely nothing stops him.”
That’s certainly the...
- 2/22/2024
- by Jazz Tangcay
- Variety Film + TV
The 76th Locarno Film Festival is hosting one of the largest international retrospectives of Mexican popular cinema in decades, encompassing 36 titles of varying genres, from dramas to film noir as well as comedies, musicals, horror and sports.
Putting together “Daily Spectacle – The Different Seasons of Mexican Popular Cinema” took at least two years, according to writer and programmer Olaf Möller, who curated the selection alongside critic Roberto Turigliatto and in close collaboration with Filmoteca Unam director Hugo Villa and other key experts.
The unprecedented showcase of Mexican films ranging from the 1940s to the 1960s spans some 30 years of extraordinary creativity, which inspired subsequent generations of Mexican filmmakers.
Locarno first hosted a retrospective of Mexican cinema in 1957 but this new showcase goes beyond the Golden Age to more popular titles, with the oldest being “En Tiempos de Don Porfirio” (1940) and the youngest among them “Olimpiada en México”(1969), “two films that...
Putting together “Daily Spectacle – The Different Seasons of Mexican Popular Cinema” took at least two years, according to writer and programmer Olaf Möller, who curated the selection alongside critic Roberto Turigliatto and in close collaboration with Filmoteca Unam director Hugo Villa and other key experts.
The unprecedented showcase of Mexican films ranging from the 1940s to the 1960s spans some 30 years of extraordinary creativity, which inspired subsequent generations of Mexican filmmakers.
Locarno first hosted a retrospective of Mexican cinema in 1957 but this new showcase goes beyond the Golden Age to more popular titles, with the oldest being “En Tiempos de Don Porfirio” (1940) and the youngest among them “Olimpiada en México”(1969), “two films that...
- 8/2/2023
- by Anna Marie de la Fuente
- Variety Film + TV
While the name Gabriel Figueroa may not be a familiar one to many, even those with a stronger affinity for filmmaking and the art behind it, New York’s own Film Forum is hoping to change that.
On June 5, the theater began a career spanning retrospective surrounding the work of iconic cinematographer and Mexican film industry legend Gabriel Figueroa. Taking a look at 19 of the photographer’s films, the series is running in conjunction with the new exhibition at El Museo del Barrio, entitled Under The Mexican Sky: Gabriel Figueroa – Art And Film.
Best known as a pioneer of Mexican cinema, primarily with his work alongside director Emilio Fernandez, Figueroa’s work was as varied as they come. His work with Fernandez is without a doubt this retrospective’s highlight, particularly films like Wildflower. One of the many times Mexican cinema’s “Big Four” worked together, the film saw the...
On June 5, the theater began a career spanning retrospective surrounding the work of iconic cinematographer and Mexican film industry legend Gabriel Figueroa. Taking a look at 19 of the photographer’s films, the series is running in conjunction with the new exhibition at El Museo del Barrio, entitled Under The Mexican Sky: Gabriel Figueroa – Art And Film.
Best known as a pioneer of Mexican cinema, primarily with his work alongside director Emilio Fernandez, Figueroa’s work was as varied as they come. His work with Fernandez is without a doubt this retrospective’s highlight, particularly films like Wildflower. One of the many times Mexican cinema’s “Big Four” worked together, the film saw the...
- 6/9/2015
- by Joshua Brunsting
- CriterionCast
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