Exclusive: Amazon MGM Studios has signed an exclusive overall deal with Gary “Gaz” Alazraki’s Maquina Vega. Under the deal, Alazraki is set to produce, write and direct series for Amazon MGM Studios.
Alazraki is a Mexican director known for directing the movies Father of The Bride (2022; writer and director of Mexico’s record-breaking comedy Nosotros Los Nobles (2013); and co-creator, executive producer and director of Club De Cuervos (2015), Netflix’s first Spanish original series. He heads Maquina Vega and is a board member of Oceana.
Alazraki began his career by directing commercials and the short films: Volver (2005) starring Jaime Camil, Martha Higareda, Tony Dalton and La Hora Cero (2008) produced by Guillermo Arriaga.
In 2011, he began production on Nosotros Los Nobles starring Gonzalo Vega, Luis Gerardo Méndez, Karla Souza and Juan Pablo Gil which he directed/wrote/produced. The film was released by Warner Bros. in 2013 and it became the highest-grossing Mexican movie of all time.
Alazraki is a Mexican director known for directing the movies Father of The Bride (2022; writer and director of Mexico’s record-breaking comedy Nosotros Los Nobles (2013); and co-creator, executive producer and director of Club De Cuervos (2015), Netflix’s first Spanish original series. He heads Maquina Vega and is a board member of Oceana.
Alazraki began his career by directing commercials and the short films: Volver (2005) starring Jaime Camil, Martha Higareda, Tony Dalton and La Hora Cero (2008) produced by Guillermo Arriaga.
In 2011, he began production on Nosotros Los Nobles starring Gonzalo Vega, Luis Gerardo Méndez, Karla Souza and Juan Pablo Gil which he directed/wrote/produced. The film was released by Warner Bros. in 2013 and it became the highest-grossing Mexican movie of all time.
- 2/20/2024
- by Rosy Cordero
- Deadline Film + TV
The Mexican comedy Nosotros Los Nobles (We Are the Nobles) is getting an English-language feature take at Netflix from producers Chris Columbus, Michael Barnathan and Mark Radcliffe for 26th Street Pictures as part of their overall deal with the streamer.
The 2013 movie directed and co-written by Gaz Alazraki follows three spoiled and superficial children and their self-made wealthy father who feigns bankruptcy to cut them off, and forces them to do the unthinkable: Get a job.
Nosotros Los Nobles stands as the second-highest grossing local movie in Mexico with $26.2M behind Eugenio Derbez’s Instructions Not Included which grossed $46.1M. Nosotros Los Nobles was also a success across Latin America and served as the inspiration for Netflix’s first Mexican original series Club de Cuervos. The original movie is based on the play El Gran Calavera written by Adolfo Torrado. The pic stars Gonzalo Vega, Luis Gerardo Mendez, Karla Souza and Juan Pablo Gil.
The 2013 movie directed and co-written by Gaz Alazraki follows three spoiled and superficial children and their self-made wealthy father who feigns bankruptcy to cut them off, and forces them to do the unthinkable: Get a job.
Nosotros Los Nobles stands as the second-highest grossing local movie in Mexico with $26.2M behind Eugenio Derbez’s Instructions Not Included which grossed $46.1M. Nosotros Los Nobles was also a success across Latin America and served as the inspiration for Netflix’s first Mexican original series Club de Cuervos. The original movie is based on the play El Gran Calavera written by Adolfo Torrado. The pic stars Gonzalo Vega, Luis Gerardo Mendez, Karla Souza and Juan Pablo Gil.
- 5/4/2021
- by Anthony D'Alessandro
- Deadline Film + TV
Chris Columbus, Gaz Alazraki. among producers. FilmSharks’ Guido Rud is EP.
Netflix is planning an English-language remake of Gaz Alazraki’s Mexican comedy juggernaut We Are The Nobles (Nosotros Los Nobles).
Chris Columbus is producing with Michael Barnathan and Mark Radcliffe for 26th Street Pictures as part of their overall deal with Netflix, and Alazraki.
Guido Rud, whose Buenos Aires-based sales agency FilmSharks has licensed remake rights to the film in multiple territories via its subsidiary The Remake Co., serves as executive producer.
The comedy centres on a self-made man who fakes bankruptcy and cuts off his spoiled children in...
Netflix is planning an English-language remake of Gaz Alazraki’s Mexican comedy juggernaut We Are The Nobles (Nosotros Los Nobles).
Chris Columbus is producing with Michael Barnathan and Mark Radcliffe for 26th Street Pictures as part of their overall deal with Netflix, and Alazraki.
Guido Rud, whose Buenos Aires-based sales agency FilmSharks has licensed remake rights to the film in multiple territories via its subsidiary The Remake Co., serves as executive producer.
The comedy centres on a self-made man who fakes bankruptcy and cuts off his spoiled children in...
- 5/4/2021
- by Jeremy Kay
- ScreenDaily
Terror and Black Lace
Directed by Luis Alcoriza
Mexico, 1985
At least the title of Terror and Black Lace isn’t entirely misleading. There is, after all, some terror. And there is some black lace. But, in the same way that Luis Alcoriza’s 1985 film is mostly domestic drama and then only partially and haphazardly horror, this film is far more concerned with lingerie than horror.
Isabel (Maribel Guardia) is an attractive, bored housewife with an overprotective husband, Giorgio (Gonzalo Vega). Unbeknownst to them, their downstairs neighbor Cesar (Claudio Obregón) is a violent stalker.
There are so many unnecessary set pieces in Terror and Black Lace. In fact, this 95-minute film could’ve been a fun, campy 10-minute short. What’s more useless – the sexy, giggling women who live downstairs from Giorgio and Isabel? The suddenly sex-crazed maid who seems to know everyone in the city? The black lingerie that Isabel purchases (which,...
Directed by Luis Alcoriza
Mexico, 1985
At least the title of Terror and Black Lace isn’t entirely misleading. There is, after all, some terror. And there is some black lace. But, in the same way that Luis Alcoriza’s 1985 film is mostly domestic drama and then only partially and haphazardly horror, this film is far more concerned with lingerie than horror.
Isabel (Maribel Guardia) is an attractive, bored housewife with an overprotective husband, Giorgio (Gonzalo Vega). Unbeknownst to them, their downstairs neighbor Cesar (Claudio Obregón) is a violent stalker.
There are so many unnecessary set pieces in Terror and Black Lace. In fact, this 95-minute film could’ve been a fun, campy 10-minute short. What’s more useless – the sexy, giggling women who live downstairs from Giorgio and Isabel? The suddenly sex-crazed maid who seems to know everyone in the city? The black lingerie that Isabel purchases (which,...
- 10/9/2015
- by Neal Dhand
- SoundOnSight
In Patrick Süskind’s novel “Perfume” (which was turned into a film back in 2006 by German helmer Tom Tykwer) the central character is born with no body odor and becomes fascinated with the scent of others. This defining trait affects his relationship with the world around him terribly hindering his social skills. Even though tonally both stories couldn’t be more disparate, filmmaker Analeine Cal y Mayor’s debut feature “Treading Water” revolves around a protagonist who suffers from essentially the opposite problem: his body secretes a fetid smell, which resembles that of fish, and there is nothing he can do to change it. And just like the murderous protagonist in the German tale, the hero here is also shaped negatively by his unique relationship with bodily aromas.
Born to a Mexican mother, Sophie (Ariadna Gil), and an American, mostly absent father, Richard (Don McKellar), curly-haired boy Mica (played by Brian Bridger and Douglas Smith) learns very early on that people are repulsed by him. Though it’s clear this reaction is nothing personal, it has an atrocious effect on his self-esteem. As if such strange physiological condition wasn’t enough to make him feel abnormal, Mica and his family live in a house that’s actually a museum honoring legendary Mexican singer Guillermo Garibai (Gonzalo Vega) – a fictional character that appears to be based on classic performers from a bygone era. Sophie is the defacto tour guide, but not surprisingly Mica’s smell becomes a problem for the visitors - a clientele made up almost entirely of elderly women. Isolated and wearing a tree-shaped air freshener around his neck, grade-school-age Mica gets used to navigating life on his own having his therapist Catherine (Carrie-Anne Moss) as his only friend.
Cal y Mayor’s visual and tonal approach, particularly in the opening sequences, is reminiscent of Jean-Pierre Jeunet’s “Amelie,” even with in the darkly comedic way that a tragic death is handled. The quirky nature of the world allows for the filmmaker to showcase its eccentricities in all aspects of the story. Ostentatious portraits of Garibai, colorful wallpapers, a vintage gramophone, and many other bizarre objects and mementos conform the delightfully elaborate production design. A unique narcissistic shrine like this is fitting for this often irreverent coming-of-ager.
Fast-forwarding a few years, teenage Mica has become a skillful swimmer, as he knows that while underwater his smell isn’t as noticeable. Used to his lonesome path, he has decided not to go to college and instead runs the house/museum by himself. The only source of care and human interaction he knows is Catherine, who has definitely gone beyond her professional duties to help him. Unavoidably, this cycle is broken when a love interest emerges. Running into each other at the local pool, Laura (played by charismatic “Divergent” actress Zoë Kravitz), and Mica begin a romance that is not dictated by his uncommon stink or her secret life as a janitor.
Laced with magical realist elements, “Treading Water” suffers from an uneven use of its collection of odd qualities that loses sight of what makes it special and relies on safe genre conventions for leverage. It centers on an abruptly conceived relationship that drives the attention away from the initial self-discovery premise and introduces an easy solution to the lead character’s core issue. Mica doesn’t really overcome his struggle with his unchangeable “curse,” but instead hopes that by finding someone who likes him enough to ignore, he might also accept it – the familiar “love cures all” card comes into play.
Interestingly enough, even if the film rushes to find a feel-good conclusion, there are multiple instances in which Cal y Mayor confronts her characters with more somber truths. Mica is perpetually depressed and craves companionship so much that he confuses platonic love with sexual attraction. Cynicism consumes him. When Catherine tries to reassure him, he explicitly calls himself a “freak” and attacks her for what he considers default, empty statements to make him better. These responses read as sincere from a person who has experienced alienation from birth, and it’s here that the film conveys engaging sincerity.
Exuding genuine emotions while in such singular surroundings, fresh-faced Douglas Smith is a talented discovery. His receptive demeanor and gullible personality blend with the surreal reality and weird fairytale–like occurrences: renowned Mexican actor Gonzalo Vega has one scene in which he is basically a funny fairy-godfather dealing with high cholesterol. Despite it all, Smith is promising and was able to carry “Treading Water” by making such an unordinary concept into something relatable, and occasionally moving. An added bonus is the subtle way the director imbued the film with her Mexican roots through the use of traditional music, even if the story doesn’t reflect it as much thematically.
Aesthetically amusing and with a handful of notable components, “Treading Water” is hit-and-miss, yet enjoyable offbeat romantic comedy. With this imaginative tale, Cal y Mayor establishes her fondness for idiosyncratic storytelling, and though this might not be a perfect example of her abilities, it sure smells like her work promises to have a memorable fragrance
"Treading Water" is playing now in Los Angeles and New York, and it's also available on VOD
Follow SydneysBuzz on Twitter @sydneysbuzz and on Facebook
Follow Carlos Aguilar on Twitter @Carlos_Film and on Instagram @carlosfilm...
Born to a Mexican mother, Sophie (Ariadna Gil), and an American, mostly absent father, Richard (Don McKellar), curly-haired boy Mica (played by Brian Bridger and Douglas Smith) learns very early on that people are repulsed by him. Though it’s clear this reaction is nothing personal, it has an atrocious effect on his self-esteem. As if such strange physiological condition wasn’t enough to make him feel abnormal, Mica and his family live in a house that’s actually a museum honoring legendary Mexican singer Guillermo Garibai (Gonzalo Vega) – a fictional character that appears to be based on classic performers from a bygone era. Sophie is the defacto tour guide, but not surprisingly Mica’s smell becomes a problem for the visitors - a clientele made up almost entirely of elderly women. Isolated and wearing a tree-shaped air freshener around his neck, grade-school-age Mica gets used to navigating life on his own having his therapist Catherine (Carrie-Anne Moss) as his only friend.
Cal y Mayor’s visual and tonal approach, particularly in the opening sequences, is reminiscent of Jean-Pierre Jeunet’s “Amelie,” even with in the darkly comedic way that a tragic death is handled. The quirky nature of the world allows for the filmmaker to showcase its eccentricities in all aspects of the story. Ostentatious portraits of Garibai, colorful wallpapers, a vintage gramophone, and many other bizarre objects and mementos conform the delightfully elaborate production design. A unique narcissistic shrine like this is fitting for this often irreverent coming-of-ager.
Fast-forwarding a few years, teenage Mica has become a skillful swimmer, as he knows that while underwater his smell isn’t as noticeable. Used to his lonesome path, he has decided not to go to college and instead runs the house/museum by himself. The only source of care and human interaction he knows is Catherine, who has definitely gone beyond her professional duties to help him. Unavoidably, this cycle is broken when a love interest emerges. Running into each other at the local pool, Laura (played by charismatic “Divergent” actress Zoë Kravitz), and Mica begin a romance that is not dictated by his uncommon stink or her secret life as a janitor.
Laced with magical realist elements, “Treading Water” suffers from an uneven use of its collection of odd qualities that loses sight of what makes it special and relies on safe genre conventions for leverage. It centers on an abruptly conceived relationship that drives the attention away from the initial self-discovery premise and introduces an easy solution to the lead character’s core issue. Mica doesn’t really overcome his struggle with his unchangeable “curse,” but instead hopes that by finding someone who likes him enough to ignore, he might also accept it – the familiar “love cures all” card comes into play.
Interestingly enough, even if the film rushes to find a feel-good conclusion, there are multiple instances in which Cal y Mayor confronts her characters with more somber truths. Mica is perpetually depressed and craves companionship so much that he confuses platonic love with sexual attraction. Cynicism consumes him. When Catherine tries to reassure him, he explicitly calls himself a “freak” and attacks her for what he considers default, empty statements to make him better. These responses read as sincere from a person who has experienced alienation from birth, and it’s here that the film conveys engaging sincerity.
Exuding genuine emotions while in such singular surroundings, fresh-faced Douglas Smith is a talented discovery. His receptive demeanor and gullible personality blend with the surreal reality and weird fairytale–like occurrences: renowned Mexican actor Gonzalo Vega has one scene in which he is basically a funny fairy-godfather dealing with high cholesterol. Despite it all, Smith is promising and was able to carry “Treading Water” by making such an unordinary concept into something relatable, and occasionally moving. An added bonus is the subtle way the director imbued the film with her Mexican roots through the use of traditional music, even if the story doesn’t reflect it as much thematically.
Aesthetically amusing and with a handful of notable components, “Treading Water” is hit-and-miss, yet enjoyable offbeat romantic comedy. With this imaginative tale, Cal y Mayor establishes her fondness for idiosyncratic storytelling, and though this might not be a perfect example of her abilities, it sure smells like her work promises to have a memorable fragrance
"Treading Water" is playing now in Los Angeles and New York, and it's also available on VOD
Follow SydneysBuzz on Twitter @sydneysbuzz and on Facebook
Follow Carlos Aguilar on Twitter @Carlos_Film and on Instagram @carlosfilm...
- 3/19/2015
- by Carlos Aguilar
- Sydney's Buzz
Treading Water is a modern-day fairytale complete with hero and heroine, seemingly insurmountable obstacles, a fairy godfather (of sorts) and an unexpected all-dancing / all-swimming finale.
Mica (Douglas Smith) faces a number of challenges. He’s grown up in a house that’s actually a museum celebrating the renowned Mexican crooner Guillermo Garibai (Gonzalo Vega). Mica’s mother Sophie (Ariadna Gil) is the guardian and tour guide of this wildly over-the-top shrine. And then there’s the fact that Mica smells like fish…
Mother and son are both too much (or not enough) for Mica’s father Richard (Don McKellar), who ends up abandoning them. No one around Mica, not even his therapist Catherine (Carrie-Anne Moss), is able to get him on track, until his childhood crush Laura (Zoë Kravitz) swims back into his life. For the first time in his life he feels happy, but Mica ends up losing her as well.
Mica (Douglas Smith) faces a number of challenges. He’s grown up in a house that’s actually a museum celebrating the renowned Mexican crooner Guillermo Garibai (Gonzalo Vega). Mica’s mother Sophie (Ariadna Gil) is the guardian and tour guide of this wildly over-the-top shrine. And then there’s the fact that Mica smells like fish…
Mother and son are both too much (or not enough) for Mica’s father Richard (Don McKellar), who ends up abandoning them. No one around Mica, not even his therapist Catherine (Carrie-Anne Moss), is able to get him on track, until his childhood crush Laura (Zoë Kravitz) swims back into his life. For the first time in his life he feels happy, but Mica ends up losing her as well.
- 3/13/2015
- by Michelle McCue
- WeAreMovieGeeks.com
Trimethylaminuria is an uncommon metabolic disorder first described in 1970 that affects the body’s ability to produce the enzyme flavin, which monooxygenase 3 (FMO3). This causes trimethylamine to build up and release in excess through a person’s sweat, urine and breath. Trimethylamine gives off a strong, fishy body odor, which is why the disease is more colloquially referred to as, “fish malodor syndrome.” While the disorder is incurable, those afflicted can reduce the fishy smell by avoiding foods like beans, red meats and, understandably, fish.
Trimethylaminuria is the cause of our protagonist’s condition and the starting point for writer/director Analeine Cal y Mayor’s debut film. Although the titular boy, Mica (two child actors, then Douglas Smith), doesn’t learn the specifics of his illness until young adulthood, his life is altered from birth as the doctor in his delivery room takes a quick, unpleasant sniff of his...
Trimethylaminuria is the cause of our protagonist’s condition and the starting point for writer/director Analeine Cal y Mayor’s debut film. Although the titular boy, Mica (two child actors, then Douglas Smith), doesn’t learn the specifics of his illness until young adulthood, his life is altered from birth as the doctor in his delivery room takes a quick, unpleasant sniff of his...
- 11/4/2014
- by Zachary Shevich
- We Got This Covered
Mexican social satire The Noble Family (Nosotros Los Nobles) has grossed approximately $200,000 through Cinelatino in its first weekend in the Us.
Guido Rud of international sales agent FilmSharks International handles sales outside the Us and anticipates a solid run in light of the recent triumph by Instructions Not Included.
Gary Alazraki directed the story of a manipulative businessman who fakes bankruptcy to teach his three frivolous sons a lesson.
Gonzalo Vega stars alongside Luis Gerardo Mendez, Karla Souza and Juan Pablo Gil.
The Noble Family scored more than $26.6m from its Mexican release through Warner Bros....
Guido Rud of international sales agent FilmSharks International handles sales outside the Us and anticipates a solid run in light of the recent triumph by Instructions Not Included.
Gary Alazraki directed the story of a manipulative businessman who fakes bankruptcy to teach his three frivolous sons a lesson.
Gonzalo Vega stars alongside Luis Gerardo Mendez, Karla Souza and Juan Pablo Gil.
The Noble Family scored more than $26.6m from its Mexican release through Warner Bros....
- 11/7/2013
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Mexican star Gonzalo Vega, Karla Souza and director Gary Alazraki bring their Mexican hit, Nosotros Los Nobles to American cinemas and they’re talking to us about the feel-good Spanish comedy that feels like a Hollywood movie.
Spanish-language comedy Nosotros Los Nobles (We are the Nobles) became Mexico's highest-grossing film of all time earlier this year, surpassing the previous record holder, 2002's El Crimen del Amaro" starring Gael Garcia Bernal. The film out-grossed some of the year’s biggest Hollywood releases, including Man of Steel, Oz The Great and Powerful, World War Z, The Wolverine, Pacific Rim, and G.I. Joe: Retaliation, among other Hollywood box office blockbusters.
Nosotros Los Nobles centers around three spoiled rich kids who are cut off from their family fortune and forced to work for the first time, leading to
Read more...
Spanish-language comedy Nosotros Los Nobles (We are the Nobles) became Mexico's highest-grossing film of all time earlier this year, surpassing the previous record holder, 2002's El Crimen del Amaro" starring Gael Garcia Bernal. The film out-grossed some of the year’s biggest Hollywood releases, including Man of Steel, Oz The Great and Powerful, World War Z, The Wolverine, Pacific Rim, and G.I. Joe: Retaliation, among other Hollywood box office blockbusters.
Nosotros Los Nobles centers around three spoiled rich kids who are cut off from their family fortune and forced to work for the first time, leading to
Read more...
- 11/1/2013
- CineMovie
A Mexican film that beat out Hollywood blockbusters like Man of Steel, World War Z, The Wolverine and Pacific Rim for highest-grossing film south of the border will be imported for American audiences in November.
Spanish-language comedy Nosotros Los Nobles (We are the Nobles) became Mexico's highest-grossing film of all time earlier this year, surpassing the previous record holder, 2002's El Crimen del Amaro" starring Gael Garcia Bernal. The film out-grossed some of the year’s biggest Hollywood releases, including Man of Steel, Oz The Great and Powerful, World War Z, The Wolverine, Pacific Rim, and G.I. Joe: Retaliation, among other Hollywood box office blockbusters.
Called a feel-good family comedy, the film starring Gonzalo Vega (Ya No Los Hacen Como Antes), Karla Souza (Instructions Not Included, Los Heroes del Norte), Luis Gerardo Mendez (Xy, Los Simuladores),
Read more...
Spanish-language comedy Nosotros Los Nobles (We are the Nobles) became Mexico's highest-grossing film of all time earlier this year, surpassing the previous record holder, 2002's El Crimen del Amaro" starring Gael Garcia Bernal. The film out-grossed some of the year’s biggest Hollywood releases, including Man of Steel, Oz The Great and Powerful, World War Z, The Wolverine, Pacific Rim, and G.I. Joe: Retaliation, among other Hollywood box office blockbusters.
Called a feel-good family comedy, the film starring Gonzalo Vega (Ya No Los Hacen Como Antes), Karla Souza (Instructions Not Included, Los Heroes del Norte), Luis Gerardo Mendez (Xy, Los Simuladores),
Read more...
- 10/6/2013
- CineMovie
Watch the new trailer for Nosotros Los Nobles, starring Gonzalo Vega, Karla Souza and Luis Gerardo Méndez. Pantelion Films releases the comedy which tells of three spoiled children who are cut off from their family fortune and forced to get a job. Gonzalo Vega, Karla Souza, Luis Gerardo Méndez and Juan Pablo Gil star with a release date set for November 1st, 2013. Nosotros Los Nobles is directed by Gary Alazraki who also wrote the screenplay along with Adrian Zurita and Patricio Saiz.
- 10/2/2013
- Upcoming-Movies.com
The AFI Film Fest (11.01-11.08) have announced the line-ups for our favorite sections at the fest in the Young American selections and New Auteurs section and they’ve managed to stack up on titles that are amongst the year’s best and which in the case of two films were mysteriously passed over by the likes of Telluride, Tiff and Nyff. Michel Franco’s After Lucia (see pic above) and Antonio Campos’ Simon Killer will be making the Los Angeles premieres accompanied by the best title to come out of the Main Comp at this year’s Cannes edition in Sergei Loznitsa’s In the Fog. This trio will be joined by a trio of gems that recently premiered at Tiff in: Maja Miloš’ Clip, Gabriela Pichler’s Eat Sleep Die and Tobias Lindholm’s A Hijacking. In the Young American Selections we find some filmmakers (Sean Baker and Amy...
- 10/3/2012
- by Eric Lavallee
- IONCINEMA.com
Like the headline says:
Los Angeles, CA (August 27, 2010) -- 24 frames, LLC has announced that it has acquired all North-American rights to the Mexican science fiction box office sensation "Seres: Genesis" from Huma Films. This action-packed alien invasion thriller will open nationwide in Mexico on September 17, followed shortly thereafter by Us theaters. The film was produced, directed and written by Angel Mario Huerta ("Inspiración") and stars Alejandra Barros ("Sultanes Del Sur," "Amar," "Matando Cabos"), Liz Gallardo ("Máncora," "Sangre de familia," "La última y nos vamos"), Humberto Busto ("Depositarios," "Niñas Mal," "Amores Perros"), Manuel Balbi ("Deseo Prohibido," "La viuda de Blanco"), Arturo Delgado ("Entre Canibales," "María José") and veteran actor Gonzalo Vega ("A través del Silencio," "Tengo Todo").
When a young girl is found amid the wreckage of an accident caused by an alien craft, Mariel (Alejandra Barros), head of a secretive task force investigating the paranormal, must solve the riddle of...
Los Angeles, CA (August 27, 2010) -- 24 frames, LLC has announced that it has acquired all North-American rights to the Mexican science fiction box office sensation "Seres: Genesis" from Huma Films. This action-packed alien invasion thriller will open nationwide in Mexico on September 17, followed shortly thereafter by Us theaters. The film was produced, directed and written by Angel Mario Huerta ("Inspiración") and stars Alejandra Barros ("Sultanes Del Sur," "Amar," "Matando Cabos"), Liz Gallardo ("Máncora," "Sangre de familia," "La última y nos vamos"), Humberto Busto ("Depositarios," "Niñas Mal," "Amores Perros"), Manuel Balbi ("Deseo Prohibido," "La viuda de Blanco"), Arturo Delgado ("Entre Canibales," "María José") and veteran actor Gonzalo Vega ("A través del Silencio," "Tengo Todo").
When a young girl is found amid the wreckage of an accident caused by an alien craft, Mariel (Alejandra Barros), head of a secretive task force investigating the paranormal, must solve the riddle of...
- 8/28/2010
- Screen Anarchy
Looks like the Mexican sci-fi movie “Seres: Genesis”, the first of a proposed trilogy, may be coming to a theater near you after all. 24 frames, LLC has announced that it has acquired all North-American rights to the Mexican science fiction box office sensation “Seres: Genesis” from Huma Films. This action-packed alien invasion thriller will open nationwide in Mexico on September 17, followed shortly thereafter by Us theaters. The film was produced, directed and written by Angel Mario Huerta (“Inspiración”) and stars Alejandra Barros (“Sultanes Del Sur,” “Amar,” “Matando Cabos”), Liz Gallardo (“Máncora,” “Sangre de familia,” “La última y nos vamos”), Humberto Busto (“Depositarios,” “Niñas Mal,” “Amores Perros”), Manuel Balbi (“Deseo Prohibido,” “La viuda de Blanco”), Arturo Delgado (“Entre Canibales,” “María José”) and veteran actor Gonzalo Vega (“A través del Silencio,” “Tengo Todo”). When a young girl is found amid the wreckage of an accident caused by an alien craft, Mariel (Alejandra Barros...
- 8/28/2010
- by Nix
- SciFiCool.com
24frames (No we’ve not branched out into distribution) has announced that it has just acquired all North-American rights to the Mexican science fiction movie “Seres: Genesis.” The alien invasion thriller will open nationwide in Mexico on September 17, followed shortly after by a run in Us theaters. Directed and written by Angel Mario Huerta stars Alejandra Barros (“Sultanes Del Sur,” “Amar,” “Matando Cabos”), Liz Gallardo (“Máncora,” “Sangre de familia,” “La última y nos vamos”), Humberto Busto (“Depositarios,” “Niñas Mal,” “Amores Perros”), Manuel Balbi (“Deseo Prohibido,” “La viuda de Blanco”), Arturo Delgado (“Entre Canibales,” “María José”) and veteran actor Gonzalo Vega (“A través del Silencio,” “Tengo Todo”). Seres: GÉNESIS is the first part of a planned trilogy, to be followed by Seres: Evolution predicting the future of mankind and finally Seres: Extinction will reveal the secrets of our destiny. Synopsis: When a young girl is found amid the wreckage of an...
- 8/27/2010
- 24framespersecond.net
24frames (No we’ve not branched out into distribution) has announced that it has just acquired all North-American rights to the Mexican science fiction movie “Seres: Genesis.” The alien invasion thriller will open nationwide in Mexico on September 17, followed shortly after by a run in Us theaters. Directed and written by Angel Mario Huerta stars Alejandra Barros (“Sultanes Del Sur,” “Amar,” “Matando Cabos”), Liz Gallardo (“Máncora,” “Sangre de familia,” “La última y nos vamos”), Humberto Busto (“Depositarios,” “Niñas Mal,” “Amores Perros”), Manuel Balbi (“Deseo Prohibido,” “La viuda de Blanco”), Arturo Delgado (“Entre Canibales,” “María José”) and veteran actor Gonzalo Vega (“A través del Silencio,” “Tengo Todo”). Seres: GÉNESIS is the first part of a planned trilogy, to be followed by Seres: Evolution predicting the future of mankind and finally Seres: Extinction will reveal the secrets of our destiny. Synopsis: When a young girl is found amid the wreckage of an...
- 8/27/2010
- 24framespersecond.net
Independent distribution and production company, 24 frames, has announced that it has acquired all North-American rights to the Mexican science fiction film “Seres: Genesis” from Huma Films. The alien invasion thriller will open nationwide in Mexico on September 17, followed shortly thereafter by a limited Us theatrical run.
The film was produced, directed and written by Angel Mario Huerta (“Inspiración”) and stars Alejandra Barros (“Sultanes Del Sur,” “Amar,” “Matando Cabos”), Liz Gallardo (“Máncora,” “Sangre de familia,” “La última y nos vamos”), Humberto Busto (“Depositarios,” “Niñas Mal,” “Amores Perros”), Manuel Balbi (“Deseo Prohibido,” “La viuda de Blanco”), Arturo Delgado (“Entre Canibales,” “María José”) and veteran actor Gonzalo Vega (“A través del Silencio,” “Tengo Todo”).
Synopsis:
When a young girl is found amid the wreckage of an accident caused by an alien craft, Mariel (Alejandra Barros), head of a secretive division of a high tech conglomerate investigating the paranormal, must solve the riddle of...
The film was produced, directed and written by Angel Mario Huerta (“Inspiración”) and stars Alejandra Barros (“Sultanes Del Sur,” “Amar,” “Matando Cabos”), Liz Gallardo (“Máncora,” “Sangre de familia,” “La última y nos vamos”), Humberto Busto (“Depositarios,” “Niñas Mal,” “Amores Perros”), Manuel Balbi (“Deseo Prohibido,” “La viuda de Blanco”), Arturo Delgado (“Entre Canibales,” “María José”) and veteran actor Gonzalo Vega (“A través del Silencio,” “Tengo Todo”).
Synopsis:
When a young girl is found amid the wreckage of an accident caused by an alien craft, Mariel (Alejandra Barros), head of a secretive division of a high tech conglomerate investigating the paranormal, must solve the riddle of...
- 8/27/2010
- QuietEarth.us
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