Arnaud Desplechin of My Golden Days (Trois Souvenirs De Ma Jeunesse) directs Anne-Katrin Titze Photo: Sara Sampson
Mathieu Amalric, André Dussollier, Lou Roy-Lecollinet, Quentin Dolmaire, Antoine Bui, Cécile Garcia-Fogel, Olivier Rabourdin, Irina Vavilova, Françoise Lebrun, Dinara Drukarova, Raphaël Cohen and Lily Taieb make My Golden Days burst with life.
How André Dussollier becomes a smiling Ernst Lubitsch devil out of Heaven Can Wait, location scouting in Roubaix, green Alfred Hitchcock scissors, New York Film Festival director Kent Jones's Hitchcock/Truffaut, Chekhov's Uncle Vanya, and Roman Polanski's Tess d'Urbervilles became part of my animated conversation with Arnaud.
Dédalus (Mathieu Amalric) questioned by agent (André Dussollier)
We spoke about François Truffaut's Mississippi Mermaid (La Sirène Du Mississipi), Esther’s siren song and Paul’s knightly mourning, how Stanley Cavell and John Ford make for a good epilogue, and why Arnaud no longer writes small talk but does dance choreography.
Mathieu Amalric, André Dussollier, Lou Roy-Lecollinet, Quentin Dolmaire, Antoine Bui, Cécile Garcia-Fogel, Olivier Rabourdin, Irina Vavilova, Françoise Lebrun, Dinara Drukarova, Raphaël Cohen and Lily Taieb make My Golden Days burst with life.
How André Dussollier becomes a smiling Ernst Lubitsch devil out of Heaven Can Wait, location scouting in Roubaix, green Alfred Hitchcock scissors, New York Film Festival director Kent Jones's Hitchcock/Truffaut, Chekhov's Uncle Vanya, and Roman Polanski's Tess d'Urbervilles became part of my animated conversation with Arnaud.
Dédalus (Mathieu Amalric) questioned by agent (André Dussollier)
We spoke about François Truffaut's Mississippi Mermaid (La Sirène Du Mississipi), Esther’s siren song and Paul’s knightly mourning, how Stanley Cavell and John Ford make for a good epilogue, and why Arnaud no longer writes small talk but does dance choreography.
- 10/6/2015
- by Anne-Katrin Titze
- eyeforfilm.co.uk
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