Sky has unveiled its Italian “Call My Agent” adaptation set in Rome featuring high-caliber Italian guest stars such as Paolo Sorrentino – in a side-splitting turn – and actor Matilda De Angelis.
The six-episode season is produced by Palomar, the Italian company controlled by France’s Mediawan which originated the hit show set at a Parisian talent agency.
In episode two Oscar-winner Sorrentino waltzes into the Rome agency called CMA with a “brilliant” new idea for a third instalment to his “The Young Pope” TV series.”
It’s “The Lady Pope” for whom the God-like director wants 1980s Italian disco queen Ivana Spagna to be cast in the titular role. And also Denzel Washington as the female pope’s chamberlain, and Madonna as her mother.
The gag was thought of by Sorrentino who spoofs himself with biting irony.
In real life De Angelis recently scored the lead role on the upcoming Italian...
The six-episode season is produced by Palomar, the Italian company controlled by France’s Mediawan which originated the hit show set at a Parisian talent agency.
In episode two Oscar-winner Sorrentino waltzes into the Rome agency called CMA with a “brilliant” new idea for a third instalment to his “The Young Pope” TV series.”
It’s “The Lady Pope” for whom the God-like director wants 1980s Italian disco queen Ivana Spagna to be cast in the titular role. And also Denzel Washington as the female pope’s chamberlain, and Madonna as her mother.
The gag was thought of by Sorrentino who spoofs himself with biting irony.
In real life De Angelis recently scored the lead role on the upcoming Italian...
- 1/19/2023
- by Nick Vivarelli
- Variety Film + TV
It’s quite an achievement to set back gay representation on Italian screens by about 30 years, but Valeria Golino’s second feature as director manages to accomplish that dubious feat. “Euphoria” is a dolled-up mess of a movie featuring Riccardo Scamarcio as a rich and glamorous “entrepreneur” who takes it on himself to hide his brother’s cancer diagnosis from everyone involved. Don’t bother asking why, because the only possible answer, reinforced at every turn, is that each and every character is intellectually deficient. The real surprise is how Golino, whose directorial debut “Miele” showed such subtle maturity, could think that this mess of a script was worth putting on screen. Slick production values, a name cast and the kind of family-centric disease-of-the-week storyline beloved of matinee audiences will equal good box office at home.
If Golino and her fellow scriptwriters brought in gay author Walter Siti to add an authentically queer vibe,...
If Golino and her fellow scriptwriters brought in gay author Walter Siti to add an authentically queer vibe,...
- 5/26/2018
- by Jay Weissberg
- Variety Film + TV
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