Retro-active: The Best From The Cinema Retro Archives.
By Lee Pfeiffer
Scorpion, the DVD label that specializes in first-class releases of often second-rate films, does it again with Point of Terror, an obscure thriller from 1971. The film was the brainchild of star/writer/producer Peter Carpenter (Blood Mania). Never heard of him? Neither had I until this screener copy arrived. A bit of research reveals that Carpenter was a wanna-be star with grand ambition and modest talents - much like the character he plays in the film, which was directed by Alex Nicol. Sadly, Carpenter's reed-thin list of movie credits is due to the fact that he died young- in fact, shortly after this film was released. Carpenter, who personifies "beefcake", plays a lounge singer with a loyal following. However, he's frustrated that his fame is limited to a local restaurant. Although he has his pick of the female groupies,...
By Lee Pfeiffer
Scorpion, the DVD label that specializes in first-class releases of often second-rate films, does it again with Point of Terror, an obscure thriller from 1971. The film was the brainchild of star/writer/producer Peter Carpenter (Blood Mania). Never heard of him? Neither had I until this screener copy arrived. A bit of research reveals that Carpenter was a wanna-be star with grand ambition and modest talents - much like the character he plays in the film, which was directed by Alex Nicol. Sadly, Carpenter's reed-thin list of movie credits is due to the fact that he died young- in fact, shortly after this film was released. Carpenter, who personifies "beefcake", plays a lounge singer with a loyal following. However, he's frustrated that his fame is limited to a local restaurant. Although he has his pick of the female groupies,...
- 10/21/2015
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Here are the 2010 Los Angeles Reader's Choice results for categories dealing with casting directors. To look at all of the categories, be sure to visit the main page.Favorite Casting Director Workshop: Talent to GoSix years ago, accomplished actors Patricia Tallman and Judy Kain found that work had slowed for each of them. They decided it was time to create a casting director workshop that would help experienced actors further their careers in a way that showcased the actors' strengths."When I get a piece of copy, I get coached and I'm familiar with that copy," says Kain. "We were not going to do one of those cold-reading workshops—not that there's anything wrong with them—but we wanted to do something where the actor could really put their best foot forward. Where it was advantageous for the actor. Where they could really show what they do best, so that...
- 6/23/2010
- backstage.com
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