Jose Sierra’s beautiful direction in the film Dating Santa (originally titled Santa Mi Amor) shows how a mother bonds her daughter and her recently found love. Leonara is a great fan of Christmas, and when she learns of her mom’s affair, Lucia tries convincing her that Santa is her new boyfriend. How long will Lucia and Sergio trick Leonara? What will happen when she eventually comes to know the truth? A lot of questions come up while watching this romance comedy! The amazing cast of the Mexican film Dating Santa includes Ana Serradilla and David Chocarro, whose amazing acting skills have added a greater charm to the movie.
Spoiler Alert
Why Does Lucia Lie To Leonara?
After going on a blind date, Lucia develops feelings for Sergio. She is, however, not sure how her daughter Leonara would react to it. Later, when Leonara finds out about her mother’s affair,...
Spoiler Alert
Why Does Lucia Lie To Leonara?
After going on a blind date, Lucia develops feelings for Sergio. She is, however, not sure how her daughter Leonara would react to it. Later, when Leonara finds out about her mother’s affair,...
- 12/11/2023
- by Debjyoti Dey
- Film Fugitives
All the Places (A Todas Partes) is a mexican movie directed by Pedro Pablo Ibarra starring Ana Serradilla and Mauricio Ochmann.
This tender story of a reunion between two siblings comes from Mexico with lots of sentiment and nostalgia and a big desire to make us have a good time in something between comedy and drama.
This is a story that works almost always and this time too.
A remake of 25 km/h.
This is a movie that treads a beaten path, does so well and this play to make us fall in love “invertedly” works. Not long ago we commented Raymond & Ray, another film that took a gamble on a reunion between siblings at the funeral of their father: same plot, but different result in the screenplay.
Here we go from drama to comedy, the same plots and the axis of a good dramatic comedy, with feelings and...
This tender story of a reunion between two siblings comes from Mexico with lots of sentiment and nostalgia and a big desire to make us have a good time in something between comedy and drama.
This is a story that works almost always and this time too.
A remake of 25 km/h.
This is a movie that treads a beaten path, does so well and this play to make us fall in love “invertedly” works. Not long ago we commented Raymond & Ray, another film that took a gamble on a reunion between siblings at the funeral of their father: same plot, but different result in the screenplay.
Here we go from drama to comedy, the same plots and the axis of a good dramatic comedy, with feelings and...
- 2/14/2023
- by Movies Martin Cid Magazine
- Martin Cid Magazine - Movies
Premium U.S. Spanish-language streaming service Pantaya and Elefantec Global, co-founded by ex -Televisa top exec Pepe Bastón, have gone into production near Mexico City on six-part series “La rebelión,” which turns on one of the most powerful of recent drama series narratives: Women fighting back.
Described by Pantaya and Elefantec as a “melodramatic thriller,” the six-part series will premiere on Pantaya in the U.S. and Puerto Rico in the third quarter of 2022.
Typifying the kind of series that Elefantec aims to bring to Pantaya, “La Rebellion” boasts an impactful ensemble key cast of Aracely Arámbula, star of “La Doña,” Chile’s Daniela Vega, lead in the Academy Award-winning “A Fantastic Woman,” Ana Serradilla (“El hubiera sí existe”) and Adriana Paz (“Locked Up”).
First fruit of Pantaya-Elefantec production alliance, “La Rebelion” is directed by Spain’s Iñaki Peñafiel after his helming gigs on high-profile Spanish series “Express,” produced by Starzplay,...
Described by Pantaya and Elefantec as a “melodramatic thriller,” the six-part series will premiere on Pantaya in the U.S. and Puerto Rico in the third quarter of 2022.
Typifying the kind of series that Elefantec aims to bring to Pantaya, “La Rebellion” boasts an impactful ensemble key cast of Aracely Arámbula, star of “La Doña,” Chile’s Daniela Vega, lead in the Academy Award-winning “A Fantastic Woman,” Ana Serradilla (“El hubiera sí existe”) and Adriana Paz (“Locked Up”).
First fruit of Pantaya-Elefantec production alliance, “La Rebelion” is directed by Spain’s Iñaki Peñafiel after his helming gigs on high-profile Spanish series “Express,” produced by Starzplay,...
- 1/14/2022
- by John Hopewell
- Variety Film + TV
In the diverting action comedy Welcome to Acapulco, a video game designer named Matt Booth (Michael Kingsbaker) is scheduled for a New Mexico flight but winds up in Mexico. Instead of the usual business trip, Booth is now being hunted down by federal agents and criminals. A mysterious woman (Ana Serradilla) with her own agenda [...]
The post Michael Kingsbaker Talks Acting Journey Of ‘Welcome To Acapulco’ appeared first on Hollywood Outbreak.
The post Michael Kingsbaker Talks Acting Journey Of ‘Welcome To Acapulco’ appeared first on Hollywood Outbreak.
- 3/21/2019
- by Hollywood Outbreak
- HollywoodOutbreak.com
Conspiracy theories have a way of rattling the universe…or, at least, unnerving someone’s own personal world. That’s certainly the case for actress Ana Serradilla’s character of Adriana Vazquez in the new action thriller, ‘Welcome to Acapulco.’ In honor of the film being released tomorrow, March 12 on VOD and Digital HD by Momentum Pictures, ShockYa […]
The post William Baldwin Claims the CIA Betrayed Ana Serradilla in Welcome to Acapulco Exclusive Clip appeared first on Shockya.com.
The post William Baldwin Claims the CIA Betrayed Ana Serradilla in Welcome to Acapulco Exclusive Clip appeared first on Shockya.com.
- 3/11/2019
- by Karen Benardello
- ShockYa
"Do as I say, or we're both dead." Momentum Pictures has debuted a trailer for a new action comedy titled Welcome to Acapulco, made by Cuban filmmaker Guillermo Iván. The tropical crime plot involves a kid who ends up in landing Acapulco, Mexico instead of New Mexico. As soon as he lands, he finds himself on the run from high-powered criminals, deadly hitmen and the Feds, all looking for a mysterious package that he has allegedly smuggled through customs yet knows nothing about. Mike Kingsbaker stars as Matt Booth, and the cast includes Michael Madsen, William Baldwin, Bradley Gregg, Ana Serradilla, Ana Layevska, Zach Rose, Guillermo Garcia, Maria Elena Heredia, and Loris Curci. This looks ridiculous (and we've seen before anyway) but entertaining. Here's the first official trailer (+ poster) for Guillermo Iván's Welcome to Acapulco, from YouTube: Video game designer Matt Booth has one shot to save his career...
- 2/8/2019
- by Alex Billington
- firstshowing.net
La Boda de Mi Mejor Amigo will be directed by Celso García in Sony Pictures International Productions’ latest local-language remake of a classic property. A co-production with Zamora Films and Alameda Films, the Spanish-language adaptation of the 1997 Julia Roberts/Dermot Mulroney/Cameron Diaz starrer My Best Friend’s Wedding is targeting a 2019 release.
Ana Serradilla, Miguel Ángel Silvestre, Carlos Ferro and Natasha Dupeyrón star in the update on the original that grossed nearly $300M at the worldwide box office.
Shooting in Guadalajara and Mexico City, the film is adapted by Gabriel Ripstein from Ronald Bass’ original screenplay. Serradilla will play Julia, a renowned food critic who is terrified of commitment. Despite that, she made a promise with her best friend Manuel (Ferro) that if both of them were still single at age 35, they would marry each other. When Julia receives a call from Manuel that he is marrying someone else,...
Ana Serradilla, Miguel Ángel Silvestre, Carlos Ferro and Natasha Dupeyrón star in the update on the original that grossed nearly $300M at the worldwide box office.
Shooting in Guadalajara and Mexico City, the film is adapted by Gabriel Ripstein from Ronald Bass’ original screenplay. Serradilla will play Julia, a renowned food critic who is terrified of commitment. Despite that, she made a promise with her best friend Manuel (Ferro) that if both of them were still single at age 35, they would marry each other. When Julia receives a call from Manuel that he is marrying someone else,...
- 4/12/2018
- by Nancy Tartaglione
- Deadline Film + TV
Original grossed close to $300m worldwide.
Sony Pictures International Productions (Spip) is co-producing with Zamora Films and Alameda Films La Boda De Mi Mejor Amigo, a Spanish-language adaptation of the 1997 global hit My Best Friend’s Wedding.
Production on the rom-com takes place in Guadalajara and Mexico City. Celso García will direct from Gabriel Ripstein’s Spanish-language adaptation of the original screenplay by Ronald Bass.
Daniel Birman Ripstein and Gerardo Morán produce and Spip has targeted a 2019 release. The original stared Julia Roberts and Dermot Mulroney and grossed close to $300m worldwide through Sony in 1997.
Ana Serradilla plays Julia, a...
Sony Pictures International Productions (Spip) is co-producing with Zamora Films and Alameda Films La Boda De Mi Mejor Amigo, a Spanish-language adaptation of the 1997 global hit My Best Friend’s Wedding.
Production on the rom-com takes place in Guadalajara and Mexico City. Celso García will direct from Gabriel Ripstein’s Spanish-language adaptation of the original screenplay by Ronald Bass.
Daniel Birman Ripstein and Gerardo Morán produce and Spip has targeted a 2019 release. The original stared Julia Roberts and Dermot Mulroney and grossed close to $300m worldwide through Sony in 1997.
Ana Serradilla plays Julia, a...
- 4/12/2018
- by Jeremy Kay
- ScreenDaily
International Sales Agents are the core of the current international film market system – i.e., the buying and selling of films worldwide. Half of the approximately 450 worldwide ISAs are based in La, the rest spread around the globe, but it matters little in a business sense where they are based. They gather together during the upcoming American Film Market November 6 in Santa Monica, California, in Berlin at the European Film Market February 6, 2014, and at the Cannes Marche in May as well as other events around the world to license rights to their films to distributors coming from every corner of the world. Their films also originate from every corner of the world.
Shoreline has been selling to the international film market since 1992. Morris Ruskin sat down last week for a chat with me here in La. I sum up our discussion as follows, after I add that Morris’ friendship and professionalism (and good taste!), is in general one of the principal reasons we like this film business. When we travel, which is frequent, it is people like Morris who light up the distant locations for us and, while both of us are L.A. based, we often only see each other throughout the year at various film business related events in remote places such as Cannes, Berlin, Bahamas., etc.
Morris Ruskin was born in South Africa to anti-Apartheid parents. He left there, along with parents and three older sisters, at age 9, to move to Boston where his Dad went to Harvard Business School. Then they moved to Bermuda for 3 years. When Morris was 15 his mother attended graduate school at UCLA School of Theater. There he met Athol Fugard, the South African playwright about whom his mother did her dissertation.
Many years later, Morris Executive Produced Master Harold & the Boys and dedicated the movie to his mother. He fell in love with L.A. and the movies in high school in L.A. His best friend lured him into filmmaking through Super 8 films which they recreated --movies like Raiders of the Lost Ark and The Blues Brothers. Attending UCLA he wrote screenplays, some of which were optioned and he became an intern at MTV, an experience he considered at that time to be “the new frontier” of entertainment.
He soon became employed at Zupnik Entertainment Enterprises, staying for 6 years. He began as a script reader, then moved up to become the Director of Development and finally became a Vice President. His high water mark there was as a Co-Producer for the high profile very successful film, Glengarry Glen Ross.
He began Shoreline in 1992 on his own with a financial partner. It started as a production company. He then had operating money to run the company but No income. Projects were set up at New Line, Warner Brothers and various sales companies but they all got stuck in development. He figured out that there were two viable ways to make money in the business – selling movies worldwide and managing talent. Because he worked very closely with the sales company, New Line, on Glengarry Glen Ross, he decided to start a sales company. In 1995 he hired sales people to sell films and within six months he had three films in play. Morris says this meant “we were off to the races”. He then began to pick up / or acquire other films to sell.
He continues to branch out. In 2012 he formed a management company for directors, writers and writer / directors.
When we spoke he was intensely proud of a new film he served as Executive Producer on, Pablo, which was opening the Los Angeles Latino International Film Festival this past October. This is a Spanish language feature documentary about graphic artist, trailer and title maker, Pablo Ferro, narrated by Jeff Bridges. Pablo was Kubrick’s title designer. Born in Cuba, he migrated as a teen to New York and had, as Morris expresses it, “a rags to riches and back to rags life”. The documentary is a representation for how difficult it can be to make it as an artist in the business. Perhaps it resonates with Morris as he has been able to successfully balance the art of filmmaking with the business side of selling movies.
For Morris Shoreline is a “purposely eclectic” company. His team acquires and sells feature narrative films and documentaries. They pick up “foreign language” (meaning – non English language) films and art house indies. On the commercial side they sell “genre” pictures, thrillers, horror.
Now that sales are successful, Morris now focuses his daily work on management, production, financing. He has produced approximately fifty films. Two of those films were directed by his high school friend who introduced him to filmmaking through Super 8 movies! Shoreline tends to be very loyal to the filmmakers it works with. If it picks up someone’s finished film, often Morris works with that filmmaker to produce the next film and perhaps even to manage him or her. As a producer Morris has had many award winning films and multiple films in Sundance and at The Toronto International Film Festival.
He has started a film financing company called Watermark. His partners here are the Swiss / London based Blue Pencil Investments. They will raise equity money for films, will give MGs (aka minimum guarantees) and sales advances. They will take all rights to world markets and license them to distributors through Shoreline.
A film he used to outline his way of working was the 2005 Sundance hit Marilyn Hotchkiss' Ballroom Dancing and Charm School, a romantic film about a couple meeting in a charm school, starring Robert Carlyle, Marisa Tomei, John Goodman and a cameo from Danny DeVito. These elements gave it heat for sales – Sundance, good cast, mini majors involved and CAA. Lots of CAA talent were cast in film. CAA was also brought in to sell U.S. rights post and during Sundance. Goldwyn acquired the film for U.S. distribution. For this deal CAA was proof (to the market) that the film had “the best elements”.
Another successful film out of Sundance in 2007 was The Signal which had a Usd $50,000 budget and made over $3 million Usd from the U.S. alone.
Shoreline acquires and sells lots of Spanish language films now. Some recent titles are Rabbit Woman, The Precocious and Brief Life of Sabina Rivas and 7 Boxes which has been to as many as seventy five film festivals.
Morris’ main philosophy for Shoreline films is, “get the films out in the biggest way possible”. Often these days this means going firstly to festivals as there is often no theatrical release. Festivals can lead to or even replace theatrical. Festivals spread the word, help marketing, get films seen and reviewed, and can even mean income when a festival will pay a screening fee.
Some recent titles he is proud of include A Perfect Man with Liev Schreiber which will be released theatrically in North America by IFC on November 1st, A Farewell To Fools with Harvey Keitel and Gerard Depardieu which will be released theatrically in North America by Monterey Media in the Spring. (About Liev Schreiber Morris says “a good name really helps” and he says that sometimes the films with known cast sell best). Also The Geography Club, which premiered at OutFest and will be released theatrically in North America by Breaking Glass on November 15th, the aforementioned 7 Boxes which will also be released theatrically in North America by Breaking Glass in February, and Baal Shem Tov, a Jewish film in clay animation which Morris says is a very rare film medium and because it belongs in a niche which has attracted much attention.
+++++++++++++
Shoreline’s website says the following about Morris’ work and career.
During the course of producing more than fifty films, Morris has structured deals that incorporate deferments, soft money and international co-productions in order to create financially-viable motion pictures. These productions focus on bankable genre content and star-driven projects that can secure success in a sometimes-uneven marketplace.
Notable amongst such productions are the modern classic Glengarry Glen Ross (Al Pacino, Jack Lemmon, Alec Baldwin, Ed Harris, Kevin Spacey, Alan Arkin) which led to an Academy Award Nomination for Al Pacino; The Man from Elysian Fields (Andy Garcia, Mick Jagger, Angelica Huston); The Visit (nominated for four Spirit Awards) and Marilyn Hotchkiss’ Ballroom Dancing & Charm School (John Goodman, Marisa Tomei, Octavia Spencer, Robert Carlyle, Danny DeVito).
Morris is no stranger to the festival circuit having films in the most distinguished festivals worldwide such as the Toronto International Film Festival, Berlin International Film Festival, and Sundance, where The Signal was sold in a multi million dollar bidding war hours after the world premiere.
Morris’s productions have spanned a variety of genres and locations, from a stereoscopic RealD 3D-animated film based on a comic book being released by Anchor Bay (The Amazing Adventures of the Living Corpse) to a wartime dark comedy starring Harvey Keitel and Gérard Depardieu (A Farewell to Fools). A documentary narrated by Jeff Bridges (Pablo), a co-production shot on location in China ( Wushu Warrior) a comedy that was the opening night gala film at Slamdance (Weirdsville), an action thriller shot in India starring Harvey Keitel (Beeper), a heist crime caper starring
Timothy Olyphant that premiered in The Berlin International Film Festival (High Life) and a South African feature dedicated to Morris’s mother (Master Harold And the Boys).
By consistently developing and acquiring projects that are attractive to domestic and foreign markets alike, Morris has ensured for over twenty years that Shoreline remains a stable yet versatile and ever-evolving organization.
+++++++++++
The website describes Shoreline like this:
Established by Morris Ruskin in 1992, Shoreline Entertainment's Worldwide Sales, Production, and Management divisions comprise one of the longest-running and most-respected film companies in the industry.
Shoreline presents itself via its quality participation at more than 15 major media markets and festivals a year and positions itself to nourish continuous relationships with broadcasters, distributors and festival programmers.
Shoreline has represented numerous award-winning films that have premiered at high profile Festivals such as Sundance, Toronto, Berlin, Tribeca, Rotterdam and San Sebastian, as well as films nominated for Spirit Awards and Golden Globes.
Such films include: The Man From Elysian Fields, 7 Boxes, Father’s Chair, Un Mundo Secreto, Freaky Deaky, Zona Sur, Undertow, Marilyn Hotchkiss’ Ballroom Dancing & Charm School, Weirdsville, High Life, The Signal, and The Maid.
Shoreline’s advertising presence includes a long-standing deal with the Hollywood Reporter for its back cover on the dailies during the Toronto International Film Festival, American Film Market, European Film Market (Berlinale), and Marche Du Film (Cannes).Moreover, Shoreline’s marketing efforts include sponsorship of the Buyers Lounge during the American Film Market. With more than 20 years of experience, Shoreline’s momentum is greater than ever.
++++++++++++
Lastly, some useful links to various that Shoreline supplied to us –
Here is a link to our website:
www.slefilms.com
Here is a link to an article Screen did on Watermark – which is the company we set up with Blue Pencil Investments to finance films -
http://www.shorelineentertainment.com/Pdfs/screendaily-bluepencil.pdf
The number of festivals 7 Boxes has played in to date is 75. It will be released theatrically in North America by Breaking Glass in February. It all started for 7 Boxes in San Sebastian. This year we had Rabbit Woman there, so we hope for the same success. Tom Davia is our director of festivals and alternative theatrical.
Here is a link to all the markets we attend:
http://www.shorelineentertainment.com/markets.html
Here is a link to the YouTube Baby Panda Sneezing that went viral
http://www.youtube.com/watch?v=EAcdvmnZ_GM
From this they made a family adventure film which we picked up. Here is a link to the film on our website:
http://www.shorelineentertainment.com/movies/SneezingBabyPanda.html
We’ve had success with family films and this is a title that is attracting a lot of interest from buyers.
Other hot Afm titles include:
A Perfect Man with Liev Schreiber who has heat from his new show Donavan.
http://www.shorelineentertainment.com/movies/PerfectMan.html
A Farewell to Fools which stars Gerard Depardieu and Harvey Keitel
http://www.shorelineentertainment.com/movies/Ipu.html
The Amazing Adventures of the Living Corpse which was bought by Anchor Bay for North America, UK, Australia and New Zealand.
http://www.shorelineentertainment.com/movies/Corpse.html
Sir Billi which is a family animated film with the voice of Sean Connery.
http://www.shorelineentertainment.com/movies/SirBilli.html
Freaky Deaky which is based on the novel by Elmore Leonard and stars Billy Burke, Christian Slater, Michael Jai White and Crispin Glover.
http://www.shorelineentertainment.com/movies/FreakyDeaky.html
The Geography Club which won the Audience Award at Outfest and will be released theatrically by Breaking Glass in November.
http://www.shorelineentertainment.com/movies/GeographyClub.html
Hidden Moon which stars Wes Bentley
http://www.shorelineentertainment.com/movies/HiddenMoon.html
was nominated for Eight prestigious Silver Goddess Awards, given by the
Mexican Film Press and Critics / Pecime on their 42nd. edition in 2013. The Silver Goddess Award is the most prestigious film award in Mexico.
1) Best Film of the year: Producers Antonio Ruiz, Ray Diaz Gonzalez, Rodrigo Lobo & Pepe
Bojórquez.
2) Best Director: Pepe Bojórquez
3) Best Screenplay: Pepe Bojórquez / David Howard
4) Best Actress: Ana Serradilla Winner
5) Best Supporting Actress: Alejandra Ambrosi
6) Best Actor "Best upcoming Lead Actor": Osvaldo de León
7) Best Female Actress in a feature role: Angélica María
8) Best Original Song: Hidden Moon. Performed by Il Volo. Music by Luis Bacalov. Spanish Lyrics by
Edgar Cortázar / Tony Renis / Humberto Gatica / Massimo Guantini. Produced by Humberto Gatica /
Tony Renis / David Franco. Winner...
Shoreline has been selling to the international film market since 1992. Morris Ruskin sat down last week for a chat with me here in La. I sum up our discussion as follows, after I add that Morris’ friendship and professionalism (and good taste!), is in general one of the principal reasons we like this film business. When we travel, which is frequent, it is people like Morris who light up the distant locations for us and, while both of us are L.A. based, we often only see each other throughout the year at various film business related events in remote places such as Cannes, Berlin, Bahamas., etc.
Morris Ruskin was born in South Africa to anti-Apartheid parents. He left there, along with parents and three older sisters, at age 9, to move to Boston where his Dad went to Harvard Business School. Then they moved to Bermuda for 3 years. When Morris was 15 his mother attended graduate school at UCLA School of Theater. There he met Athol Fugard, the South African playwright about whom his mother did her dissertation.
Many years later, Morris Executive Produced Master Harold & the Boys and dedicated the movie to his mother. He fell in love with L.A. and the movies in high school in L.A. His best friend lured him into filmmaking through Super 8 films which they recreated --movies like Raiders of the Lost Ark and The Blues Brothers. Attending UCLA he wrote screenplays, some of which were optioned and he became an intern at MTV, an experience he considered at that time to be “the new frontier” of entertainment.
He soon became employed at Zupnik Entertainment Enterprises, staying for 6 years. He began as a script reader, then moved up to become the Director of Development and finally became a Vice President. His high water mark there was as a Co-Producer for the high profile very successful film, Glengarry Glen Ross.
He began Shoreline in 1992 on his own with a financial partner. It started as a production company. He then had operating money to run the company but No income. Projects were set up at New Line, Warner Brothers and various sales companies but they all got stuck in development. He figured out that there were two viable ways to make money in the business – selling movies worldwide and managing talent. Because he worked very closely with the sales company, New Line, on Glengarry Glen Ross, he decided to start a sales company. In 1995 he hired sales people to sell films and within six months he had three films in play. Morris says this meant “we were off to the races”. He then began to pick up / or acquire other films to sell.
He continues to branch out. In 2012 he formed a management company for directors, writers and writer / directors.
When we spoke he was intensely proud of a new film he served as Executive Producer on, Pablo, which was opening the Los Angeles Latino International Film Festival this past October. This is a Spanish language feature documentary about graphic artist, trailer and title maker, Pablo Ferro, narrated by Jeff Bridges. Pablo was Kubrick’s title designer. Born in Cuba, he migrated as a teen to New York and had, as Morris expresses it, “a rags to riches and back to rags life”. The documentary is a representation for how difficult it can be to make it as an artist in the business. Perhaps it resonates with Morris as he has been able to successfully balance the art of filmmaking with the business side of selling movies.
For Morris Shoreline is a “purposely eclectic” company. His team acquires and sells feature narrative films and documentaries. They pick up “foreign language” (meaning – non English language) films and art house indies. On the commercial side they sell “genre” pictures, thrillers, horror.
Now that sales are successful, Morris now focuses his daily work on management, production, financing. He has produced approximately fifty films. Two of those films were directed by his high school friend who introduced him to filmmaking through Super 8 movies! Shoreline tends to be very loyal to the filmmakers it works with. If it picks up someone’s finished film, often Morris works with that filmmaker to produce the next film and perhaps even to manage him or her. As a producer Morris has had many award winning films and multiple films in Sundance and at The Toronto International Film Festival.
He has started a film financing company called Watermark. His partners here are the Swiss / London based Blue Pencil Investments. They will raise equity money for films, will give MGs (aka minimum guarantees) and sales advances. They will take all rights to world markets and license them to distributors through Shoreline.
A film he used to outline his way of working was the 2005 Sundance hit Marilyn Hotchkiss' Ballroom Dancing and Charm School, a romantic film about a couple meeting in a charm school, starring Robert Carlyle, Marisa Tomei, John Goodman and a cameo from Danny DeVito. These elements gave it heat for sales – Sundance, good cast, mini majors involved and CAA. Lots of CAA talent were cast in film. CAA was also brought in to sell U.S. rights post and during Sundance. Goldwyn acquired the film for U.S. distribution. For this deal CAA was proof (to the market) that the film had “the best elements”.
Another successful film out of Sundance in 2007 was The Signal which had a Usd $50,000 budget and made over $3 million Usd from the U.S. alone.
Shoreline acquires and sells lots of Spanish language films now. Some recent titles are Rabbit Woman, The Precocious and Brief Life of Sabina Rivas and 7 Boxes which has been to as many as seventy five film festivals.
Morris’ main philosophy for Shoreline films is, “get the films out in the biggest way possible”. Often these days this means going firstly to festivals as there is often no theatrical release. Festivals can lead to or even replace theatrical. Festivals spread the word, help marketing, get films seen and reviewed, and can even mean income when a festival will pay a screening fee.
Some recent titles he is proud of include A Perfect Man with Liev Schreiber which will be released theatrically in North America by IFC on November 1st, A Farewell To Fools with Harvey Keitel and Gerard Depardieu which will be released theatrically in North America by Monterey Media in the Spring. (About Liev Schreiber Morris says “a good name really helps” and he says that sometimes the films with known cast sell best). Also The Geography Club, which premiered at OutFest and will be released theatrically in North America by Breaking Glass on November 15th, the aforementioned 7 Boxes which will also be released theatrically in North America by Breaking Glass in February, and Baal Shem Tov, a Jewish film in clay animation which Morris says is a very rare film medium and because it belongs in a niche which has attracted much attention.
+++++++++++++
Shoreline’s website says the following about Morris’ work and career.
During the course of producing more than fifty films, Morris has structured deals that incorporate deferments, soft money and international co-productions in order to create financially-viable motion pictures. These productions focus on bankable genre content and star-driven projects that can secure success in a sometimes-uneven marketplace.
Notable amongst such productions are the modern classic Glengarry Glen Ross (Al Pacino, Jack Lemmon, Alec Baldwin, Ed Harris, Kevin Spacey, Alan Arkin) which led to an Academy Award Nomination for Al Pacino; The Man from Elysian Fields (Andy Garcia, Mick Jagger, Angelica Huston); The Visit (nominated for four Spirit Awards) and Marilyn Hotchkiss’ Ballroom Dancing & Charm School (John Goodman, Marisa Tomei, Octavia Spencer, Robert Carlyle, Danny DeVito).
Morris is no stranger to the festival circuit having films in the most distinguished festivals worldwide such as the Toronto International Film Festival, Berlin International Film Festival, and Sundance, where The Signal was sold in a multi million dollar bidding war hours after the world premiere.
Morris’s productions have spanned a variety of genres and locations, from a stereoscopic RealD 3D-animated film based on a comic book being released by Anchor Bay (The Amazing Adventures of the Living Corpse) to a wartime dark comedy starring Harvey Keitel and Gérard Depardieu (A Farewell to Fools). A documentary narrated by Jeff Bridges (Pablo), a co-production shot on location in China ( Wushu Warrior) a comedy that was the opening night gala film at Slamdance (Weirdsville), an action thriller shot in India starring Harvey Keitel (Beeper), a heist crime caper starring
Timothy Olyphant that premiered in The Berlin International Film Festival (High Life) and a South African feature dedicated to Morris’s mother (Master Harold And the Boys).
By consistently developing and acquiring projects that are attractive to domestic and foreign markets alike, Morris has ensured for over twenty years that Shoreline remains a stable yet versatile and ever-evolving organization.
+++++++++++
The website describes Shoreline like this:
Established by Morris Ruskin in 1992, Shoreline Entertainment's Worldwide Sales, Production, and Management divisions comprise one of the longest-running and most-respected film companies in the industry.
Shoreline presents itself via its quality participation at more than 15 major media markets and festivals a year and positions itself to nourish continuous relationships with broadcasters, distributors and festival programmers.
Shoreline has represented numerous award-winning films that have premiered at high profile Festivals such as Sundance, Toronto, Berlin, Tribeca, Rotterdam and San Sebastian, as well as films nominated for Spirit Awards and Golden Globes.
Such films include: The Man From Elysian Fields, 7 Boxes, Father’s Chair, Un Mundo Secreto, Freaky Deaky, Zona Sur, Undertow, Marilyn Hotchkiss’ Ballroom Dancing & Charm School, Weirdsville, High Life, The Signal, and The Maid.
Shoreline’s advertising presence includes a long-standing deal with the Hollywood Reporter for its back cover on the dailies during the Toronto International Film Festival, American Film Market, European Film Market (Berlinale), and Marche Du Film (Cannes).Moreover, Shoreline’s marketing efforts include sponsorship of the Buyers Lounge during the American Film Market. With more than 20 years of experience, Shoreline’s momentum is greater than ever.
++++++++++++
Lastly, some useful links to various that Shoreline supplied to us –
Here is a link to our website:
www.slefilms.com
Here is a link to an article Screen did on Watermark – which is the company we set up with Blue Pencil Investments to finance films -
http://www.shorelineentertainment.com/Pdfs/screendaily-bluepencil.pdf
The number of festivals 7 Boxes has played in to date is 75. It will be released theatrically in North America by Breaking Glass in February. It all started for 7 Boxes in San Sebastian. This year we had Rabbit Woman there, so we hope for the same success. Tom Davia is our director of festivals and alternative theatrical.
Here is a link to all the markets we attend:
http://www.shorelineentertainment.com/markets.html
Here is a link to the YouTube Baby Panda Sneezing that went viral
http://www.youtube.com/watch?v=EAcdvmnZ_GM
From this they made a family adventure film which we picked up. Here is a link to the film on our website:
http://www.shorelineentertainment.com/movies/SneezingBabyPanda.html
We’ve had success with family films and this is a title that is attracting a lot of interest from buyers.
Other hot Afm titles include:
A Perfect Man with Liev Schreiber who has heat from his new show Donavan.
http://www.shorelineentertainment.com/movies/PerfectMan.html
A Farewell to Fools which stars Gerard Depardieu and Harvey Keitel
http://www.shorelineentertainment.com/movies/Ipu.html
The Amazing Adventures of the Living Corpse which was bought by Anchor Bay for North America, UK, Australia and New Zealand.
http://www.shorelineentertainment.com/movies/Corpse.html
Sir Billi which is a family animated film with the voice of Sean Connery.
http://www.shorelineentertainment.com/movies/SirBilli.html
Freaky Deaky which is based on the novel by Elmore Leonard and stars Billy Burke, Christian Slater, Michael Jai White and Crispin Glover.
http://www.shorelineentertainment.com/movies/FreakyDeaky.html
The Geography Club which won the Audience Award at Outfest and will be released theatrically by Breaking Glass in November.
http://www.shorelineentertainment.com/movies/GeographyClub.html
Hidden Moon which stars Wes Bentley
http://www.shorelineentertainment.com/movies/HiddenMoon.html
was nominated for Eight prestigious Silver Goddess Awards, given by the
Mexican Film Press and Critics / Pecime on their 42nd. edition in 2013. The Silver Goddess Award is the most prestigious film award in Mexico.
1) Best Film of the year: Producers Antonio Ruiz, Ray Diaz Gonzalez, Rodrigo Lobo & Pepe
Bojórquez.
2) Best Director: Pepe Bojórquez
3) Best Screenplay: Pepe Bojórquez / David Howard
4) Best Actress: Ana Serradilla Winner
5) Best Supporting Actress: Alejandra Ambrosi
6) Best Actor "Best upcoming Lead Actor": Osvaldo de León
7) Best Female Actress in a feature role: Angélica María
8) Best Original Song: Hidden Moon. Performed by Il Volo. Music by Luis Bacalov. Spanish Lyrics by
Edgar Cortázar / Tony Renis / Humberto Gatica / Massimo Guantini. Produced by Humberto Gatica /
Tony Renis / David Franco. Winner...
- 11/5/2013
- by Peter Belsito
- Sydney's Buzz
Early Entry Deadline: September 13, 2013
Entry Fees: Short Film ($15), Feature Film ($25)
Normal Entry Deadline: October 11, 2013
Entry Fees: Short Film ($25), Feature Film ($35)
Late Entry Deadline: November 8, 2013
Entry Fees: Short Film ($40), Feature Film ($60)
For entry form, click here.
or
Withoutabox logos are trademarks of Withoutabox, a Dba of IMDb.com Inc. or its affiliates.
Media Arts Center San Diego is now seeking films and videos for 20th Annual San Diego Latino Film Festival (March 13-23, 2014)! Come celebrate our landmark 20th year with an even broader program of exhilarating new activities, special events, and initiatives.
The 21st Annual San Diego Latino Film Festival (Sdlff) is now accepting entries for the 2014 festival. Sdlff will take place March 13-23, 2014 at the Ultrastar Cinemas Mission Valley at Hazard Center located in beautiful San Diego, California.Submit early for discounted entry fees!
Last year's festival was attended by an audience of 20,500 actively-engaged film lovers, filmmakers, actors, programmers, distributors, industry representatives and journalists from around the world. The San Diego Latino Film Festival has used the unique geographical and cultural position of the San Diego Border Region to make the festival a premiere venue for the exhibition of international and U.S. Latino features, shorts and documentaries.
Never participated in Sdlff before? Become apart of San Diego's proud celebration of the best in Latino film.
The 2014 San Diego Latino Film Festival will include expanded opportunities for participating filmmakers and their films/videos to take the spotlight. The following is just a taste of what filmmakers and attendees can experience by participating at the upcoming San Diego Latino Film Festival:
* 155 feature and short films to be screened
* over 100 guest filmmakers and actors
* Sdlff Awards Competition
* "Country of Focus" showcase
* Workshops/Seminars with industry representatives and filmmakers (i.e. "Financing", "Distribution")
* Special 20th Anniversary Spotlight
* Celebrity Guest Curator
* "Tributes" to acclaimed filmmakers/actors
* Concerts @ the Fest
* Pre-Fest Launch Parties
* Opening, Centerpiece, and Closing Night Gala Celebrations
* Sdlff Awards Ceremony
* Free Student Outreach Screenings
* "Meet the Filmmaker" Dialogues
* Sdlff's Annual "Border Visions" Sidebar
For entry form, click here.
Stars!
Twenty-one years ago, the San Diego Latino Film Festival was originally established as a student film festival focusing on works by Latinos and/or about the Latino Experience. Since that time, the San Diego Latino Film Festival has developed into one of the biggest and most well respected Latino film festivals in the country.
Over 240,000 people have attended during the past seventeen years, and2,100 films/videos from across Latin America and the United States have been screened. Past festival guests have included such renowned individuals asLou Diamond Phillips, Gina Rodriguez, Jorge Salinas, Dulce Maria, Rafael Amaya, Ana Serradilla, Eduardo Verastegui, Barbara Mori, Alfonso Arau, Robert Young, Miguel Littin,Angelica Maria, Dayanara Torres, Demian Bichir, Kate del Castillo, America Ferrera, John Leguizamo, Bruno Baretto, Barbara Mori, Roselyn Sanchez, Alfonso Cuaron, Diego Luna, Gael Garcia Bernal, Carlos Carrera, Rodrigo Prieto, Alex Lora, Lupe Ontiveros, Bruno Bichir, Carmen Salinas, Luis Mandoki, Danny Trejo, Adal Ramones, Tony Plana, Elpidia Carrillo, Humberto Solas, Dennis Leoni, Arturo Ripstein, Paul Rodriguez, Patssi Valdez, Luis Valdez, Gregory Nava, Edward James Olmos, Lourdes Portillo, Moctesuma Esparza, Ray Bradbury, Jacob Vargas, Patricia Velasquez, Fernando Sarinana, Lucia Murat, Nancy de los Santos, Vanessa Bauche, and hundreds of other emerging and established Latino filmmakers.
Selection Process (Important Information)
Sdlff 2014 is seeking innovative works that are 'by', 'about' or 'for' the Latino community, that have been completed between 2013-2014. Work previously exhibited in the San Diego / Tijuana Border Region - whether theatrically at another local festival or broadcast on television, - is not eligible to apply. A panel of distinguished curators from the San Diego and Tijuana community will select the films and videos to be screened during the "Official Selection" of the festival. All entries will be pre-screened for eligibility by curators, however, not all entries will be programmed.
Films must be submitted with English subtitles if the dialogue is in a language other than English. Films must have been completed after January 2013. Because we use entry fees to make grants to filmmakers, fee waivers will not be granted. Exceptions will only be made for non-profit organizations and international governmental organizations.
*DVD screeners and press kits will not be returned.
Upon acceptance to the festival, a press kit is required, to include the following:
Features: 100 word synopsis in English, 2 hi-res film stills (300dpi, Cmyk color), digital trailer
Shorts: 50 word synopsis in English, 1 hi-res film still (300dpi, Cmyk color)
Optional: digital trailer
For exhibition the following formats will be accepted:
Features: 35mm, HDCam, Blu-ray, Dcp. Features must be received by March 1, 2014
Shorts: must be received by February 1, 2014 in Digital format via Usb or email using a file sharing service like DropBox or HighTail (Previously YouSendIt). USBs will not be returned.
*Submitters will be notified by January 4, 2014. Judges’ decisions are final. Due to the large number of films we receive, feedback on individual films will not be provided. Films entered after the November 8 deadline will not be reviewed or returned.
An additional panel of distinguished filmmakers, film critics, and actors will sit on this year's Awards Jury. Awards are given for excellence in form and content. Films to be considered for competition will be determined by the Festival Curator.
For entry form, click here.
Entry Categories:
Narrative Feature (40 or more minutes)
Documentary Feature (40 or more minutes)
Short (under 40 mins)
Local Film
Youth Short (no entry fee)
Awards Categories:
Best Narrative Feature
Best Documentary Feature
Audience Award Narrative Feature
Audience Award Documentary Feature
Best Short Film
Best Local Film
Best Youth Film...
Entry Fees: Short Film ($15), Feature Film ($25)
Normal Entry Deadline: October 11, 2013
Entry Fees: Short Film ($25), Feature Film ($35)
Late Entry Deadline: November 8, 2013
Entry Fees: Short Film ($40), Feature Film ($60)
For entry form, click here.
or
Withoutabox logos are trademarks of Withoutabox, a Dba of IMDb.com Inc. or its affiliates.
Media Arts Center San Diego is now seeking films and videos for 20th Annual San Diego Latino Film Festival (March 13-23, 2014)! Come celebrate our landmark 20th year with an even broader program of exhilarating new activities, special events, and initiatives.
The 21st Annual San Diego Latino Film Festival (Sdlff) is now accepting entries for the 2014 festival. Sdlff will take place March 13-23, 2014 at the Ultrastar Cinemas Mission Valley at Hazard Center located in beautiful San Diego, California.Submit early for discounted entry fees!
Last year's festival was attended by an audience of 20,500 actively-engaged film lovers, filmmakers, actors, programmers, distributors, industry representatives and journalists from around the world. The San Diego Latino Film Festival has used the unique geographical and cultural position of the San Diego Border Region to make the festival a premiere venue for the exhibition of international and U.S. Latino features, shorts and documentaries.
Never participated in Sdlff before? Become apart of San Diego's proud celebration of the best in Latino film.
The 2014 San Diego Latino Film Festival will include expanded opportunities for participating filmmakers and their films/videos to take the spotlight. The following is just a taste of what filmmakers and attendees can experience by participating at the upcoming San Diego Latino Film Festival:
* 155 feature and short films to be screened
* over 100 guest filmmakers and actors
* Sdlff Awards Competition
* "Country of Focus" showcase
* Workshops/Seminars with industry representatives and filmmakers (i.e. "Financing", "Distribution")
* Special 20th Anniversary Spotlight
* Celebrity Guest Curator
* "Tributes" to acclaimed filmmakers/actors
* Concerts @ the Fest
* Pre-Fest Launch Parties
* Opening, Centerpiece, and Closing Night Gala Celebrations
* Sdlff Awards Ceremony
* Free Student Outreach Screenings
* "Meet the Filmmaker" Dialogues
* Sdlff's Annual "Border Visions" Sidebar
For entry form, click here.
Stars!
Twenty-one years ago, the San Diego Latino Film Festival was originally established as a student film festival focusing on works by Latinos and/or about the Latino Experience. Since that time, the San Diego Latino Film Festival has developed into one of the biggest and most well respected Latino film festivals in the country.
Over 240,000 people have attended during the past seventeen years, and2,100 films/videos from across Latin America and the United States have been screened. Past festival guests have included such renowned individuals asLou Diamond Phillips, Gina Rodriguez, Jorge Salinas, Dulce Maria, Rafael Amaya, Ana Serradilla, Eduardo Verastegui, Barbara Mori, Alfonso Arau, Robert Young, Miguel Littin,Angelica Maria, Dayanara Torres, Demian Bichir, Kate del Castillo, America Ferrera, John Leguizamo, Bruno Baretto, Barbara Mori, Roselyn Sanchez, Alfonso Cuaron, Diego Luna, Gael Garcia Bernal, Carlos Carrera, Rodrigo Prieto, Alex Lora, Lupe Ontiveros, Bruno Bichir, Carmen Salinas, Luis Mandoki, Danny Trejo, Adal Ramones, Tony Plana, Elpidia Carrillo, Humberto Solas, Dennis Leoni, Arturo Ripstein, Paul Rodriguez, Patssi Valdez, Luis Valdez, Gregory Nava, Edward James Olmos, Lourdes Portillo, Moctesuma Esparza, Ray Bradbury, Jacob Vargas, Patricia Velasquez, Fernando Sarinana, Lucia Murat, Nancy de los Santos, Vanessa Bauche, and hundreds of other emerging and established Latino filmmakers.
Selection Process (Important Information)
Sdlff 2014 is seeking innovative works that are 'by', 'about' or 'for' the Latino community, that have been completed between 2013-2014. Work previously exhibited in the San Diego / Tijuana Border Region - whether theatrically at another local festival or broadcast on television, - is not eligible to apply. A panel of distinguished curators from the San Diego and Tijuana community will select the films and videos to be screened during the "Official Selection" of the festival. All entries will be pre-screened for eligibility by curators, however, not all entries will be programmed.
Films must be submitted with English subtitles if the dialogue is in a language other than English. Films must have been completed after January 2013. Because we use entry fees to make grants to filmmakers, fee waivers will not be granted. Exceptions will only be made for non-profit organizations and international governmental organizations.
*DVD screeners and press kits will not be returned.
Upon acceptance to the festival, a press kit is required, to include the following:
Features: 100 word synopsis in English, 2 hi-res film stills (300dpi, Cmyk color), digital trailer
Shorts: 50 word synopsis in English, 1 hi-res film still (300dpi, Cmyk color)
Optional: digital trailer
For exhibition the following formats will be accepted:
Features: 35mm, HDCam, Blu-ray, Dcp. Features must be received by March 1, 2014
Shorts: must be received by February 1, 2014 in Digital format via Usb or email using a file sharing service like DropBox or HighTail (Previously YouSendIt). USBs will not be returned.
*Submitters will be notified by January 4, 2014. Judges’ decisions are final. Due to the large number of films we receive, feedback on individual films will not be provided. Films entered after the November 8 deadline will not be reviewed or returned.
An additional panel of distinguished filmmakers, film critics, and actors will sit on this year's Awards Jury. Awards are given for excellence in form and content. Films to be considered for competition will be determined by the Festival Curator.
For entry form, click here.
Entry Categories:
Narrative Feature (40 or more minutes)
Documentary Feature (40 or more minutes)
Short (under 40 mins)
Local Film
Youth Short (no entry fee)
Awards Categories:
Best Narrative Feature
Best Documentary Feature
Audience Award Narrative Feature
Audience Award Documentary Feature
Best Short Film
Best Local Film
Best Youth Film...
- 7/31/2013
- by Sydney Levine
- Sydney's Buzz
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