Disney’s “The Lion King” was the big VFX winner Wednesday at the 18th annual Ves Awards at the Beverly Hilton, grabbing three prizes. Meanwhile. Martin Scorsese’s “The Irishman” won for supporting VFX and feature compositing.
This now gives the edge to “The Lion King” (supervised by three-time Oscar winner Rob Legato) in the VFX Oscar race. Jon Favreau’s breakthrough virtual production and faux live-action aesthetic was due to Mpc Film’s accomplished photoreal animation. Of course, “The Irishman” has been given a boost, too. And we shouldn’t count out “Avengers: Endgame,” seeking to become the first Marvel movie to win the VFX Oscar, even though it came away empty-handed for its extraordinary end battle and outstanding character work on Thanos and Smart Hulk.
Laika’s stop-motion “Missing Link,” the Golden Globe animation winner, took two awards (VFX for animated feature and the Susan Sasquatch animated character...
This now gives the edge to “The Lion King” (supervised by three-time Oscar winner Rob Legato) in the VFX Oscar race. Jon Favreau’s breakthrough virtual production and faux live-action aesthetic was due to Mpc Film’s accomplished photoreal animation. Of course, “The Irishman” has been given a boost, too. And we shouldn’t count out “Avengers: Endgame,” seeking to become the first Marvel movie to win the VFX Oscar, even though it came away empty-handed for its extraordinary end battle and outstanding character work on Thanos and Smart Hulk.
Laika’s stop-motion “Missing Link,” the Golden Globe animation winner, took two awards (VFX for animated feature and the Susan Sasquatch animated character...
- 1/30/2020
- by Bill Desowitz
- Indiewire
“The Lion King,” the Disney “live-action” remake that is made up almost entirely of computer-generated characters and backgrounds, has won three awards at the Visual Effects Society’s 18th annual Ves Awards, which were handed out Wednesday night in Los Angeles.
The film won for its virtual cinematography and created environment, and also took the award for Outstanding Visual Effects in a Photoreal Feature, the Ves category that corresponds most closely to the Academy Awards’ Best Visual Effects category.
“The Irishman,” with its extensive use of de-aging technology, won two awards, including Outstanding Supporting Effects in a Photoreal Feature. “Missing Link” was the top animated feature with two awards.
Also Read: 'The Lion King' Crosses $500 Million Domestic, Will Soon Pass 'Beauty and the Beast'
In the television categories, “Stranger Things” and “Game of Thrones” each received a pair of awards. So did “The Mandalorian” — including one for “The Child,...
The film won for its virtual cinematography and created environment, and also took the award for Outstanding Visual Effects in a Photoreal Feature, the Ves category that corresponds most closely to the Academy Awards’ Best Visual Effects category.
“The Irishman,” with its extensive use of de-aging technology, won two awards, including Outstanding Supporting Effects in a Photoreal Feature. “Missing Link” was the top animated feature with two awards.
Also Read: 'The Lion King' Crosses $500 Million Domestic, Will Soon Pass 'Beauty and the Beast'
In the television categories, “Stranger Things” and “Game of Thrones” each received a pair of awards. So did “The Mandalorian” — including one for “The Child,...
- 1/30/2020
- by Steve Pond
- The Wrap
Disney dominated the 18th annual Ves Awards with five nominations apiece for Jon Favreau’s frontrunner “The Lion King” and Robert Rodriguez’s surprising “Alita: Battle Angel” (acquired from Fox). Joining them for the top photo-real prize were the Disney-led “Avengers: Endgame” and “Star Wars: The Rise of Skywalker,” along with Ang Lee’s “Gemini Man”. The Ves Awards will be held January 29th at the Beverly Hilton Hotel.
Competing for supporting VFX were Martin Scorsese’s “The Irishman”, Sam Mendes’ “1917,” (which stitched together the World War I thriller as one continuous shot and offered various enhancements), James Mangold’s “Ford v Ferrari,” Todd Phillips’ “Joker,” and “The Aeronauts.”
In animation, Disney also fared well, with Pixar’s “Toy Story 4” (which grabbed five nominations) and “Frozen 2.” They were joined by Golden Globe nominee “Missing Link” from Laika, surprise nominee “Klaus” (the innovative 2D feature from Netflix and Spanish director Sergio Pablos), and,...
Competing for supporting VFX were Martin Scorsese’s “The Irishman”, Sam Mendes’ “1917,” (which stitched together the World War I thriller as one continuous shot and offered various enhancements), James Mangold’s “Ford v Ferrari,” Todd Phillips’ “Joker,” and “The Aeronauts.”
In animation, Disney also fared well, with Pixar’s “Toy Story 4” (which grabbed five nominations) and “Frozen 2.” They were joined by Golden Globe nominee “Missing Link” from Laika, surprise nominee “Klaus” (the innovative 2D feature from Netflix and Spanish director Sergio Pablos), and,...
- 1/7/2020
- by Bill Desowitz
- Indiewire
The Visual Effects Society has unveiled nominations for its 18th annual Ves Awards, which honor VFX work in film, animation, TV, commercials and video games. Winners will be revealed at a ceremony January 29 at the Beverly Hilton.
Disney’s CG redo of the The Lion King and 20th Century Fox’s Alita: Battle Angel lead all film nominees with five apiece, joining the top animated nominee Toy Story 4. In TV, Disney+’s Star Wars spinoff The Mandalorian and the final season of HBO’s epic Game of Thrones lead the field with six nominations each.
Along with naming winners in 25 categories, the group’s ceremony later this month includes honoring Martin Scorsese with the Ves Lifetime Achievement Award. The Ves Visionary Award will be given to Roland Emmerich, and the Ves Award for Creative Excellence will be presented to VFX supervisor Sheena Duggal.
Here’s the list of noms:...
Disney’s CG redo of the The Lion King and 20th Century Fox’s Alita: Battle Angel lead all film nominees with five apiece, joining the top animated nominee Toy Story 4. In TV, Disney+’s Star Wars spinoff The Mandalorian and the final season of HBO’s epic Game of Thrones lead the field with six nominations each.
Along with naming winners in 25 categories, the group’s ceremony later this month includes honoring Martin Scorsese with the Ves Lifetime Achievement Award. The Ves Visionary Award will be given to Roland Emmerich, and the Ves Award for Creative Excellence will be presented to VFX supervisor Sheena Duggal.
Here’s the list of noms:...
- 1/7/2020
- by Patrick Hipes
- Deadline Film + TV
The 28th Annual Whitaker St. Louis International Film Festival announces award winners and attendance results
The 28th Annual Whitaker St. Louis International Film Festival (Sliff), which kicked off on Nov. 7, concluded on Nov. 17. Total attendance was 26,329, including approximately 10,000 St. Louis-area students (some schools participating in our Cinema for Students program have not yet reported numbers).
Sliff screened 389 films in 214 public programs: 81 narrative features, 63 documentary features, 227 shorts, and 18 film programs exclusive to Cinema for Students. The fest also featured 12 special-event programs, including four master classes and our closing-night awards presentation. This year’s festival had 63 countries represented.
The festival honored a trio of significant film figures with our annual awards. St. Louis natives Josh Aronson, an Oscar-nominated documentary director for “Sound and Fury,” and Brad Schiff, the animation supervisor for Laika Studios and Oscar nominee for “Kubo and the Two Strings,” each received our Charles Guggenheim Cinema St. Louis Award, and...
The 28th Annual Whitaker St. Louis International Film Festival (Sliff), which kicked off on Nov. 7, concluded on Nov. 17. Total attendance was 26,329, including approximately 10,000 St. Louis-area students (some schools participating in our Cinema for Students program have not yet reported numbers).
Sliff screened 389 films in 214 public programs: 81 narrative features, 63 documentary features, 227 shorts, and 18 film programs exclusive to Cinema for Students. The fest also featured 12 special-event programs, including four master classes and our closing-night awards presentation. This year’s festival had 63 countries represented.
The festival honored a trio of significant film figures with our annual awards. St. Louis natives Josh Aronson, an Oscar-nominated documentary director for “Sound and Fury,” and Brad Schiff, the animation supervisor for Laika Studios and Oscar nominee for “Kubo and the Two Strings,” each received our Charles Guggenheim Cinema St. Louis Award, and...
- 11/20/2019
- by Tom Stockman
- WeAreMovieGeeks.com
The 2019 Laika Studios film Missing Link will screen at The History Museum (5700 Lindell Boulevard St Louis) November 9th at 11am as part of this year’s St. Louis International Film Festival. This is a Free event. Read the We Are Movie Geeks review of Missing Link Here. Laika Studio’s Brad Schiff will host post-film Q&a. Read the 2014 We Are Movie Geeks interview with Brad Schiff Here.
“Missing Link” — the globe-trotting family adventure from the Oscar-nominated Laika Studios — stars the furbearing Mr. Link (Zach Galifianakis), who’s a towering 8 foot tall and weighs a massive 630 pounds. But that scary appearance deceives: Funny, sweet, and adorably literal, Mr. Link is actually the world’s most lovable legend. Tired of living a solitary life in the Pacific Northwest, Mr. Link recruits fearless explorer Sir Lionel Frost (Hugh Jackman) to guide him on a journey to find his long-lost relatives in the fabled valley of Shangri-La.
“Missing Link” — the globe-trotting family adventure from the Oscar-nominated Laika Studios — stars the furbearing Mr. Link (Zach Galifianakis), who’s a towering 8 foot tall and weighs a massive 630 pounds. But that scary appearance deceives: Funny, sweet, and adorably literal, Mr. Link is actually the world’s most lovable legend. Tired of living a solitary life in the Pacific Northwest, Mr. Link recruits fearless explorer Sir Lionel Frost (Hugh Jackman) to guide him on a journey to find his long-lost relatives in the fabled valley of Shangri-La.
- 11/4/2019
- by Tom Stockman
- WeAreMovieGeeks.com
Master Class: Stop-Motion Animation with Brad Schiff From Laika Studios takes place Saturday November 9th at 2:00pm as part of this year’s St. Louis International Film Festival. This is a Free event that will take place at the Sverdrup Complex 123 on the campus of Webster University. Read a 2014 We Are Movie Geeks interview with Brad Schiff Here. Brad will also host a Free screening of the Laika Studios film Missing Link at The Missouri History Museum at 11am November 9th
Native St. Louisan Brad Schiff is an Oscar nominee for Best Achievement in Visual Effects for “Kubo and the Two Strings” and one of this year’s Cinema St. Louis Award honorees. He serves as the animation supervisor of Laika Studios, which specializes in stop-motion animation, a process that involves moving objects — e.g., puppets, models, or clay figures — in small increments, taking a photograph after each tiny change,...
Native St. Louisan Brad Schiff is an Oscar nominee for Best Achievement in Visual Effects for “Kubo and the Two Strings” and one of this year’s Cinema St. Louis Award honorees. He serves as the animation supervisor of Laika Studios, which specializes in stop-motion animation, a process that involves moving objects — e.g., puppets, models, or clay figures — in small increments, taking a photograph after each tiny change,...
- 11/4/2019
- by Tom Stockman
- WeAreMovieGeeks.com
Though it might seem like just any other puppet you’d find at the Laika stop-motion animation studio, its hardest challenge yet was creating the furry, plump and bright orange monster that became the title character of their latest film “Missing Link.”
The team of stop motion animators had to determine how to make Link’s belly jiggle as it walked, how to stretch its arms, and how its fur should move in the wind. And like any troublesome actor, that often meant this diva of a puppet frequently showed up late to set.
“This little avocado with a face is the most complicated thing we’ve ever created at the studio,” Brian McLean, Laika’s director of rapid prototyping told TheWrap’s Steve Pond following a screening of “Missing Link” at the Landmark Theatres in Los Angeles. “His simple shape and silhouette was really difficult to figure out how...
The team of stop motion animators had to determine how to make Link’s belly jiggle as it walked, how to stretch its arms, and how its fur should move in the wind. And like any troublesome actor, that often meant this diva of a puppet frequently showed up late to set.
“This little avocado with a face is the most complicated thing we’ve ever created at the studio,” Brian McLean, Laika’s director of rapid prototyping told TheWrap’s Steve Pond following a screening of “Missing Link” at the Landmark Theatres in Los Angeles. “His simple shape and silhouette was really difficult to figure out how...
- 10/20/2019
- by Brian Welk
- The Wrap
The 28th Annual Whitaker St. Louis International Film Festival (Sliff) — held Nov. 7-17 — provides St. Louis filmgoers with the opportunity to view the finest in world cinema: international films, documentaries, American indies, and shorts that can only be seen on the big screen at the festival. Sliff will screen 389 films: 81 narrative features, 63 documentary features, 227 shorts, and 18 film programs exclusive to the Cinema for Students program. The fest also will feature 12 special-event programs, including our closing-night awards presentation. This year’s festival has 63 countries represented.
Sliff will present our usual array of fest buzz films and Oscar contenders, including “The Apollo,” “Atlantics,” “The Chambermaid,” “Clemency,” “Cunningham,” “A Faithful Man,” “Frankie,” “A Hidden Life,” “Just Mercy,” “The Kill Team,” “Little Joe,” “Marriage Story,” “Nomad,” “Olympic Dreams,” “Portrait of a Lady on Fire,” “Premature,” “The Report,” “The Rest,” “Seahorse,” “The Song of Names,” “Sorry We Missed You,” “Synonyms,” “A Tramway in Jerusalem,” “The Traitor,...
Sliff will present our usual array of fest buzz films and Oscar contenders, including “The Apollo,” “Atlantics,” “The Chambermaid,” “Clemency,” “Cunningham,” “A Faithful Man,” “Frankie,” “A Hidden Life,” “Just Mercy,” “The Kill Team,” “Little Joe,” “Marriage Story,” “Nomad,” “Olympic Dreams,” “Portrait of a Lady on Fire,” “Premature,” “The Report,” “The Rest,” “Seahorse,” “The Song of Names,” “Sorry We Missed You,” “Synonyms,” “A Tramway in Jerusalem,” “The Traitor,...
- 10/15/2019
- by Tom Stockman
- WeAreMovieGeeks.com
Visual Effects (VFX) artists are spectacular. Their intense discipline for creating seamless digital worlds tricks viewers into believing that what they’re seeing is real. Last night at the 89th Academy Awards, the Oscar for Best Visual Effects went to Robert Legato, Adam Valdez, Andrew R. Jones and Dan Lemmon the VFX team behind “The Jungle Book.”
Read More: 2017 Oscars: Full Winners List
Funny or Die, always with great wit and swift action, wanted to pay “tribute” to a film that got snubbed for a VFX nomination. This year, Funny or Die recognized Kenneth Lonergan’s Best Original Screenplay– and Best Actor–winning “Manchester By the Sea” for its fantastical visual effects. The team was able to craft the world of Manchester so beautifully, it actually looks as if Casey Affleck is there. If you really think about it, the VFX are so good, it’s like there aren’t any at all.
Read More: 2017 Oscars: Full Winners List
Funny or Die, always with great wit and swift action, wanted to pay “tribute” to a film that got snubbed for a VFX nomination. This year, Funny or Die recognized Kenneth Lonergan’s Best Original Screenplay– and Best Actor–winning “Manchester By the Sea” for its fantastical visual effects. The team was able to craft the world of Manchester so beautifully, it actually looks as if Casey Affleck is there. If you really think about it, the VFX are so good, it’s like there aren’t any at all.
- 2/27/2017
- by Kerry Levielle
- Indiewire
Update:
Winners are now indicated. I correctly guessed 11 out of the 24 categories, which is slightly better than last year, when I guessed 10 out of 24.
Previous 02.26.17:
I’ve now seen as many of the nominated films as I will be able to before tonight’s ceremony, and here finally are my educated guesses about who will take home each award — projected winners are Xed at the lefthand side. Keep in mind: those Xes don’t represent whom I think should win Oscars but whom I think will win, based on what little I can grasp about how the Academy thinks. I’ve also noted which nominees I think should win. Kindly note that this is not necessarily my take on who did the best performance/writing/FX/whatever of the year, but whom I think is best among the nominees.
I have not noted a “should win” for the feature documentary category,...
Winners are now indicated. I correctly guessed 11 out of the 24 categories, which is slightly better than last year, when I guessed 10 out of 24.
Previous 02.26.17:
I’ve now seen as many of the nominated films as I will be able to before tonight’s ceremony, and here finally are my educated guesses about who will take home each award — projected winners are Xed at the lefthand side. Keep in mind: those Xes don’t represent whom I think should win Oscars but whom I think will win, based on what little I can grasp about how the Academy thinks. I’ve also noted which nominees I think should win. Kindly note that this is not necessarily my take on who did the best performance/writing/FX/whatever of the year, but whom I think is best among the nominees.
I have not noted a “should win” for the feature documentary category,...
- 2/27/2017
- by MaryAnn Johanson
- www.flickfilosopher.com
Last night, the Visual Effects Society handed out their awards at their annual gathering. It was mainly a good night for The Jungle Book, which took the top prize, known as Outstanding Visual Effects in a Photoreal Feature. It beat back Doctor Strange, Fantastic Beasts and Where to Find Them, Miss Peregrine’s Home For Peculiar Children, and Rogue One: A Star Wars Story, while at the Academy Awards, it’ll be up against Deepwater Horizon, Doctor Strange, Kubo and the Two Strings, and Rogue One: A Star Wars Story. It was an expected win, but one that was eagerly awaited to try and figure out the Oscar category of Best Visual Effects. The Jungle Book ended up with five prizes in total, easily besting the rest of the bunch. As mentioned above, this top award ties directly into the Visual Effects category at the Oscars. Nine out of the...
- 2/8/2017
- by Joey Magidson
- Hollywoodnews.com
“The Jungle Book” is on its way to VFX Oscar gold after getting five Ves nods Tuesday night at the Beverly Hilton. “Rogue One,” the “Star Wars” standalone, however, came away empty-handed after receiving seven nominations.
Innovative Disney hybrid “The Jungle Book” won for outstanding feature, King Louie’s animated performance, virtual cinematography, effects simulations, and compositing.
Laika’s Oscar-nominated “Kubo and the Two Strings” earned VFX animation props, “Deepwater Horizon” took supporting VFX and model work for Industrial Light & Magic, and “Game of Thrones: Battle of the Bastards” continued its TV dominance.
Disney’s “Moana” grabbed two animation awards (created environment and simulations), Pixar won for Hank’s animated performance, and Marvel’s “Doctor Strange” won for its New York City environment
The Ves Visionary Award went to Victoria Alonso, producer and Marvel Studios Evp of physical production. Five-time Oscar winner Ken Ralston (“Return of the Jedi” and “Who Framed Roger Rabbit?...
Innovative Disney hybrid “The Jungle Book” won for outstanding feature, King Louie’s animated performance, virtual cinematography, effects simulations, and compositing.
Laika’s Oscar-nominated “Kubo and the Two Strings” earned VFX animation props, “Deepwater Horizon” took supporting VFX and model work for Industrial Light & Magic, and “Game of Thrones: Battle of the Bastards” continued its TV dominance.
Disney’s “Moana” grabbed two animation awards (created environment and simulations), Pixar won for Hank’s animated performance, and Marvel’s “Doctor Strange” won for its New York City environment
The Ves Visionary Award went to Victoria Alonso, producer and Marvel Studios Evp of physical production. Five-time Oscar winner Ken Ralston (“Return of the Jedi” and “Who Framed Roger Rabbit?...
- 2/8/2017
- by Bill Desowitz
- Indiewire
The nominations for the 89th Academy Awards are in and La La Land leads the pack with 14 nominations! I knew La La Land was going to explode at this event, and it's probably going to end up taking home many of the awards is was nominated for. The 14 nominations ties the record with 1997's Titanic and 1950's All About Eve.
Arrival ended up with eight nominations as did Moonlight, while Hacksaw Ridge, Lion, and Manchester by the Sea all got six. Deadpool ended up with zero nominations. I was hoping to see it somewhere on the list, but it looks like all that hype didn't work.
Every film and actor who was nominated for their work deserves to be on this list, so congratulations to them all! There are so many great films and actors to root for, but there can be only one winner in each category.
Jimmy Kimmel...
Arrival ended up with eight nominations as did Moonlight, while Hacksaw Ridge, Lion, and Manchester by the Sea all got six. Deadpool ended up with zero nominations. I was hoping to see it somewhere on the list, but it looks like all that hype didn't work.
Every film and actor who was nominated for their work deserves to be on this list, so congratulations to them all! There are so many great films and actors to root for, but there can be only one winner in each category.
Jimmy Kimmel...
- 1/24/2017
- by Joey Paur
- GeekTyrant
In anticipation of its fourth stop-motion movie, “Kubo and the Two Strings,” Laika has mounted the first public exhibition of its hand-crafted puppets and sets at Universal Studios Hollywood’s Globe Theater (thru Sunday). “From Coraline to Kubo: A Magical Laika Experience” brings us closer to the tactile wonders that have been produced at the Portland studio for the last 10 years.
“You can see how the company’s grown and evolved as a community with all the artistic and technological innovations, but I also think that you see the evolution of an art form,” said Travis Knight, Laika CEO and lead artist who makes his directorial debut with “Kubo.”
Read More: ‘Kubo and the Two Strings’ Interactive Featurette: Explore the Vastlands of Laika’s Animated Adventure
“‘Coraline,’ which is where we began, was something of a seismic shift for stop-motion,” said Knight. “And as you go through, you can see...
“You can see how the company’s grown and evolved as a community with all the artistic and technological innovations, but I also think that you see the evolution of an art form,” said Travis Knight, Laika CEO and lead artist who makes his directorial debut with “Kubo.”
Read More: ‘Kubo and the Two Strings’ Interactive Featurette: Explore the Vastlands of Laika’s Animated Adventure
“‘Coraline,’ which is where we began, was something of a seismic shift for stop-motion,” said Knight. “And as you go through, you can see...
- 8/11/2016
- by Bill Desowitz
- Indiewire
The Visual Effects Society has announced the nominations for the 13th Annual Ves awards "the prestigious yearly celebration that recognizes outstanding visual effects artistry and innovation in film, animation, television, commercials and video games and the VFX supervisors, VFX producers and hands-on-the-keys artists who bring this work to life."
Ves members selected the nominees and Laika's "The Boxtrolls," Disney's "Big Hero 6," and Fox's "Dawn of the Planet of the Apes" topped the nominations receiving 5 nods each.
The Visual Effects Society (Ves) is a global professional honorary society and the entertainment industry's only organization representing the full breadth of visual effects practitioners including artists, technologists, model makers, educators, studio executives, supervisors, PR/marketing specialists and producers. Ves. almost 3,000 members in 33 countries worldwide contribute to all areas of entertainment . film, television, commercials, animation, music videos, games and new media. Headquartered in Los Angeles, the Ves has member Sections in Australia, Bay Area (CA), London,...
Ves members selected the nominees and Laika's "The Boxtrolls," Disney's "Big Hero 6," and Fox's "Dawn of the Planet of the Apes" topped the nominations receiving 5 nods each.
The Visual Effects Society (Ves) is a global professional honorary society and the entertainment industry's only organization representing the full breadth of visual effects practitioners including artists, technologists, model makers, educators, studio executives, supervisors, PR/marketing specialists and producers. Ves. almost 3,000 members in 33 countries worldwide contribute to all areas of entertainment . film, television, commercials, animation, music videos, games and new media. Headquartered in Los Angeles, the Ves has member Sections in Australia, Bay Area (CA), London,...
- 1/14/2015
- by Manny
- Manny the Movie Guy
The Visual Effects Society has announced the nominees for its 13th Annual Ves Awards, which recognize outstanding visual effects artistry and innovation in film, animation, television, commercials and video games. Among the nominees — Dawn Of The Planet Of The Apes, Guardians of the Galaxy, Interstellar, Maleficent, The Hobbit: The Battle Of The Five Armies and X-Men: Days Of Future Past – for Outstanding Visual Effects in a Visual Effects-Driven Photoreal/Live Action Feature Motion Picture. The awards will be held February 4 at the Beverly Hilton Hotel. See the complete list below.
Outstanding Visual Effects in a Visual Effects-Driven Photoreal/Live Action Feature Motion Picture
Dawn of the Planet of the Apes
Joe Letteri
Ryan Stafford
Matt Kutcher
Dan Lemmon
Hannah Blanchini
Guardians of the Galaxy
Stephane Ceretti
Susan Pickett
Jonathan Fawkner
Nicolas Aithadi
Paul Corbould
Interstellar
Paul Franklin
Kevin Elam
Ann Podlozny
Andrew Lockley
Scott Fisher
Maleficent
Carey Villegas...
Outstanding Visual Effects in a Visual Effects-Driven Photoreal/Live Action Feature Motion Picture
Dawn of the Planet of the Apes
Joe Letteri
Ryan Stafford
Matt Kutcher
Dan Lemmon
Hannah Blanchini
Guardians of the Galaxy
Stephane Ceretti
Susan Pickett
Jonathan Fawkner
Nicolas Aithadi
Paul Corbould
Interstellar
Paul Franklin
Kevin Elam
Ann Podlozny
Andrew Lockley
Scott Fisher
Maleficent
Carey Villegas...
- 1/13/2015
- by The Deadline Team
- Deadline
Interview conducted by Tom Stockman July 16th, 2014
A native St. Louisan, Brad Schiff serves as the animation supervisor at Laika Studios, the award-winning company behind “Coraline,” “ParaNorman,” and the upcoming “The Boxtrolls.” Before making his creative contributions to Laika’s films, Brad cut his teeth on a number of popular American television series, including MTV’s “Celebrity Deathmatch,” “The PJs,” and “Gary & Mike.” In 2001, Brad brought home a Primetime Emmy Award for Outstanding Individual Achievement in Animation for his work on “Gary & Mike.” Brad’s commercial-directing clients have included the NFL on Fox, Nintendo, and Samsung. In 2004, Brad worked as an animator on Tim Burton’s “Corpse Bride,” the first of what has turned out to be a series of Academy Award-nominated features that includes Wes Anderson’s “Fantastic Mr. Fox.” Although Brad’s busy schedule only allows a hometown visit once a year or so, when in St. Louis...
A native St. Louisan, Brad Schiff serves as the animation supervisor at Laika Studios, the award-winning company behind “Coraline,” “ParaNorman,” and the upcoming “The Boxtrolls.” Before making his creative contributions to Laika’s films, Brad cut his teeth on a number of popular American television series, including MTV’s “Celebrity Deathmatch,” “The PJs,” and “Gary & Mike.” In 2001, Brad brought home a Primetime Emmy Award for Outstanding Individual Achievement in Animation for his work on “Gary & Mike.” Brad’s commercial-directing clients have included the NFL on Fox, Nintendo, and Samsung. In 2004, Brad worked as an animator on Tim Burton’s “Corpse Bride,” the first of what has turned out to be a series of Academy Award-nominated features that includes Wes Anderson’s “Fantastic Mr. Fox.” Although Brad’s busy schedule only allows a hometown visit once a year or so, when in St. Louis...
- 7/28/2014
- by Tom Stockman
- WeAreMovieGeeks.com
The Visual Effects Society has announced the nominees for their 11th Annual Ves Awards. From film to animation to television to commercials and video games, the Ves Awards honor the outstanding visual effects artistry.
"Life of Pi's" Ang Lee will be honored with the Visionary Award. Winners will be announced on Tuesday, February 5, at the Beverly Hilton.
Here's the complete list of nominees; for winners/nominees of other award-giving bodies, click here:
Outstanding Visual Effects in a Visual Effects-Driven Feature Motion Picture
The Hobbit: An Unexpected Journey
Joe Letteri
Eileen Moran
Eric Saindon
Kevin L. Sherwood
Prometheus
Paul Butterworth
Charley Henley
Allen Maris
Richard Stammers
Life of Pi
Thomas Fisher
Susan Macleod
Guillaume Rocheron
Bill Westenhofer
The Avengers
Susan Pickett
Janek Sirrs
Jeff White
Guy Williams
Battleship
Grady Cofer
Pablo Helman
Jeanie King
Glen Mcintosh
Outstanding Supporting Visual Effects in a Feature Motion Picture
Rust and Bone
Béatrice Bauwens...
"Life of Pi's" Ang Lee will be honored with the Visionary Award. Winners will be announced on Tuesday, February 5, at the Beverly Hilton.
Here's the complete list of nominees; for winners/nominees of other award-giving bodies, click here:
Outstanding Visual Effects in a Visual Effects-Driven Feature Motion Picture
The Hobbit: An Unexpected Journey
Joe Letteri
Eileen Moran
Eric Saindon
Kevin L. Sherwood
Prometheus
Paul Butterworth
Charley Henley
Allen Maris
Richard Stammers
Life of Pi
Thomas Fisher
Susan Macleod
Guillaume Rocheron
Bill Westenhofer
The Avengers
Susan Pickett
Janek Sirrs
Jeff White
Guy Williams
Battleship
Grady Cofer
Pablo Helman
Jeanie King
Glen Mcintosh
Outstanding Supporting Visual Effects in a Feature Motion Picture
Rust and Bone
Béatrice Bauwens...
- 1/8/2013
- by Manny
- Manny the Movie Guy
Fuel VFX has received two award nominations from the Visual Effects Society.
The.peer-voted accolade for the company's work on Ridley Scott.s Prometheus follows the near-collapse of the VFX house, which was saved in October 2012 when Animal Logic acquired its assets.
Fuel co-founder Paul Butterworth was nominated for .Outstanding Visual Effects in a Visual Effects-Driven Feature Motion Picture. for Prometheus (alongside non-Fuel nominations Charley Henley, Allen Maris and Richard Stammers).
The Fuel team of Xavier Bourque, Sam Cole, Simone Riginell and Denis Scolan - representing the hard work of all 16 compositors who worked on the film at the company - were nominated for Prometheus (Engineers & the Orrery) in the "Outstanding Compositing in a Feature Motion Picture" category.
Fuel has also provided effects on a number of Marvel films including Thor and Captain America: The First Avenger. Fuel continues to run from its Newtown, Sydney-based offices where Animal Logic...
The.peer-voted accolade for the company's work on Ridley Scott.s Prometheus follows the near-collapse of the VFX house, which was saved in October 2012 when Animal Logic acquired its assets.
Fuel co-founder Paul Butterworth was nominated for .Outstanding Visual Effects in a Visual Effects-Driven Feature Motion Picture. for Prometheus (alongside non-Fuel nominations Charley Henley, Allen Maris and Richard Stammers).
The Fuel team of Xavier Bourque, Sam Cole, Simone Riginell and Denis Scolan - representing the hard work of all 16 compositors who worked on the film at the company - were nominated for Prometheus (Engineers & the Orrery) in the "Outstanding Compositing in a Feature Motion Picture" category.
Fuel has also provided effects on a number of Marvel films including Thor and Captain America: The First Avenger. Fuel continues to run from its Newtown, Sydney-based offices where Animal Logic...
- 1/8/2013
- by Brendan Swift
- IF.com.au
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