VFX educator Pam Hogarth and Pixar’s Pete Docter were among the honorees at this year’s Visual Effects Society Honors Celebration.
The in-person ceremony took place on Oct. 14 at the Skirball Cultural Center in Los Angeles, Calif., where Ves members celebrated their colleagues’ achievements and the organization’s 25th anniversary.
Docter, Pixar’s chief creative officer best known for directing “Monsters, Inc.,” “Up,” “Inside Out” and “Soul,” received this year’s Honorary Membership.
“It’s been a dream of mine to join Ves without having to pay,” Docter said jokingly in his acceptance speech. “I had one overriding obsession: to sell insurance. But instead, I got a job in animation … To everyone at Pixar, who would’ve dreamt that someday I would be lucky enough to work alongside hundreds of amazingly talented people using the latest cutting-edge technology — all to avoid dealing with real life.”
Docter also acknowledged Pixar president Jim Morris,...
The in-person ceremony took place on Oct. 14 at the Skirball Cultural Center in Los Angeles, Calif., where Ves members celebrated their colleagues’ achievements and the organization’s 25th anniversary.
Docter, Pixar’s chief creative officer best known for directing “Monsters, Inc.,” “Up,” “Inside Out” and “Soul,” received this year’s Honorary Membership.
“It’s been a dream of mine to join Ves without having to pay,” Docter said jokingly in his acceptance speech. “I had one overriding obsession: to sell insurance. But instead, I got a job in animation … To everyone at Pixar, who would’ve dreamt that someday I would be lucky enough to work alongside hundreds of amazingly talented people using the latest cutting-edge technology — all to avoid dealing with real life.”
Docter also acknowledged Pixar president Jim Morris,...
- 10/18/2022
- by Michaela Zee
- Variety Film + TV
Click here to read the full article.
As the Visual Effects Society marks the occasion of its 25th anniversary, the annual Ves Honors ceremony on Friday included celebration along with a call for more diversity and inclusion, as well as a greater effort to achieve a work-life balance amid industry-wide attention on the long work hours kept by many VFX artists under current business models.
Friday evening at the Skirball Cultural Center in Los Angeles, honorees included three-time Oscar winner and Pixar chief creative officer Pete Docter and VFX vet and educator Pam Hogarth.
Hogarth received the Ves Founders Award as well as life Ves membership, and sent a message of community while urging more work toward diversity and inclusion. “The reason we are here is for the community,” she said. “We do this because we love the people around us and the Society. We are so lucky to work with smart,...
As the Visual Effects Society marks the occasion of its 25th anniversary, the annual Ves Honors ceremony on Friday included celebration along with a call for more diversity and inclusion, as well as a greater effort to achieve a work-life balance amid industry-wide attention on the long work hours kept by many VFX artists under current business models.
Friday evening at the Skirball Cultural Center in Los Angeles, honorees included three-time Oscar winner and Pixar chief creative officer Pete Docter and VFX vet and educator Pam Hogarth.
Hogarth received the Ves Founders Award as well as life Ves membership, and sent a message of community while urging more work toward diversity and inclusion. “The reason we are here is for the community,” she said. “We do this because we love the people around us and the Society. We are so lucky to work with smart,...
- 10/15/2022
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
Coming off one of its most contentious years in history, the Academy of Motion Pictures Arts & Sciences has sent out its list of candidates for its Board of Governors elections late this month.
The Board of Governors directs the Academy’s strategic vision, preserves the organization’s financial health, and assures the fulfillment of its mission.
Governors attend 6-8 board meetings annually (in person or by video conference when out of town). Each Governor also serves on one board oversight committee and their branch’s executive committee, and they are expected to represent their branch at numerous Academy events through the year.
Governors have fiduciary responsibilities imposed by state law to serve the Academy’s best interests, by acting with responsibility and care when approving annual goals presented by management, as well as major policies concerning governance.
CEO Dawn Hudson oversees a staff of more than 300 who conduct the Academy’s day-to-day business.
The Board of Governors directs the Academy’s strategic vision, preserves the organization’s financial health, and assures the fulfillment of its mission.
Governors attend 6-8 board meetings annually (in person or by video conference when out of town). Each Governor also serves on one board oversight committee and their branch’s executive committee, and they are expected to represent their branch at numerous Academy events through the year.
Governors have fiduciary responsibilities imposed by state law to serve the Academy’s best interests, by acting with responsibility and care when approving annual goals presented by management, as well as major policies concerning governance.
CEO Dawn Hudson oversees a staff of more than 300 who conduct the Academy’s day-to-day business.
- 5/10/2019
- by Michael Cieply and Bruce Haring
- Deadline Film + TV
The Visual Effects Society announced nominees for the organization’s 17th annual awards on Tuesday.
Leading the way in the film and TV fields, respectively, were Marvel’s “Avengers: Infinity War” and Netflix’s “Lost in Space.” Each picked up six nominations. Pixar’s “Incredibles 2” received the most nominations among animated feature contenders with five.
“Ready Player One” also landed five nominations, while “Jurassic World: Fallen Kingdom,” “Solo: A Star Wars Story,” and “Welcome to Marwen” each earned three. “Christopher Robin” and “First Man” picked up a pair apiece, while “Ant Man and the Wasp” landed one. Those films joined “Avengers: Infinity War” on the Academy’s list of 10 semifinalists for the category, each of which displayed their wares at the organization’s annual Visual Effects Bake-Off on Jan. 5.
Notably, Marvel’s “Black Panther” and Disney’s “Mary Poppins Returns” — the final two films on the Academy’s bake-off...
Leading the way in the film and TV fields, respectively, were Marvel’s “Avengers: Infinity War” and Netflix’s “Lost in Space.” Each picked up six nominations. Pixar’s “Incredibles 2” received the most nominations among animated feature contenders with five.
“Ready Player One” also landed five nominations, while “Jurassic World: Fallen Kingdom,” “Solo: A Star Wars Story,” and “Welcome to Marwen” each earned three. “Christopher Robin” and “First Man” picked up a pair apiece, while “Ant Man and the Wasp” landed one. Those films joined “Avengers: Infinity War” on the Academy’s list of 10 semifinalists for the category, each of which displayed their wares at the organization’s annual Visual Effects Bake-Off on Jan. 5.
Notably, Marvel’s “Black Panther” and Disney’s “Mary Poppins Returns” — the final two films on the Academy’s bake-off...
- 1/15/2019
- by Kristopher Tapley
- Variety Film + TV
The Visual Effects Society has revealed nominations for the 17th annual Ves Awards, which will recognize the best VFX artistry and innovation in film, animation, TV, commercials and video games.
Disney/Marvel’s Avengers: Infinity Wars and Netflix’s Lost In Space lead the film and TV categories this year with six nominations, respectively. Disney/Pixar’s Incredibles 2 tops the animation field with five noms.
Winners will be announced during a ceremony February 5 at the Beverly Hilton hosted by Patton Oswalt. Also at the gala, the annual Ves Visionary Award will be presented to Westworld‘s Jonathan Nolan, while the Ves Award for Creative Excellence will be presented to Game of Thrones masterminds David Benioff and D.B. Weiss.
Here are the nominees announced Tuesday in 24 categories:
Outstanding Visual Effects in a Photoreal Feature
Avengers: Infinity War
Daniel DeLeeuw
Jen Underdahl
Kelly Port
Matt Aitken
Daniel Sudick
Christopher Robin
Chris Lawrence...
Disney/Marvel’s Avengers: Infinity Wars and Netflix’s Lost In Space lead the film and TV categories this year with six nominations, respectively. Disney/Pixar’s Incredibles 2 tops the animation field with five noms.
Winners will be announced during a ceremony February 5 at the Beverly Hilton hosted by Patton Oswalt. Also at the gala, the annual Ves Visionary Award will be presented to Westworld‘s Jonathan Nolan, while the Ves Award for Creative Excellence will be presented to Game of Thrones masterminds David Benioff and D.B. Weiss.
Here are the nominees announced Tuesday in 24 categories:
Outstanding Visual Effects in a Photoreal Feature
Avengers: Infinity War
Daniel DeLeeuw
Jen Underdahl
Kelly Port
Matt Aitken
Daniel Sudick
Christopher Robin
Chris Lawrence...
- 1/15/2019
- by Patrick Hipes
- Deadline Film + TV
While “Avengers: Infinity War” topped the 17th annual Ves Awards (to be held February 5th at the Beverly Hilton Hotel) with six nominations, “Black Panther,” Marvel’s other Oscar frontrunner, was shut out. And Damien Chazelle’s acclaimed “First Man,” another frontrunner, was included in the supporting category as a result of its invisible VFX. Disney’s “Mary Poppins Returns,” meanwhile, was also snubbed.
However, joining “Infinity War” in the top VFX category were a surprising list: “Ready Player One” (with five nominations), “Solo: A Star Wars Story,” “Christopher Robin” and “Welcome to Marwen.” Joining “First Man” for supporting VFX were “12 Strong,” Bird Box,” “Bohemian Rhapsody,” and “Outlaw King”.
In animation, Pixar’s “Incredibles 2” was the big winner with five nominations, followed by Sony’s “Spider-Man: Into the Spider-Verse” and Disney’s “Ralph Breaks the Internet” with four. They were joined by Illumination’s “The Grinch” and Wes Anderson’s “Isle of Dogs.
However, joining “Infinity War” in the top VFX category were a surprising list: “Ready Player One” (with five nominations), “Solo: A Star Wars Story,” “Christopher Robin” and “Welcome to Marwen.” Joining “First Man” for supporting VFX were “12 Strong,” Bird Box,” “Bohemian Rhapsody,” and “Outlaw King”.
In animation, Pixar’s “Incredibles 2” was the big winner with five nominations, followed by Sony’s “Spider-Man: Into the Spider-Verse” and Disney’s “Ralph Breaks the Internet” with four. They were joined by Illumination’s “The Grinch” and Wes Anderson’s “Isle of Dogs.
- 1/15/2019
- by Bill Desowitz
- Indiewire
Brad Bird and Pixar put themselves in a unique situation with “Incredibles 2.” Although the sequel picks up where it left off 14 years ago in “The Incredibles,” the technology and skill set have obviously improved. The challenge: Have it look as incredible as possible without breaking free from the graphically stylized world we first encountered in the original movie.
“One of our goals was to make this one feel like you remember the first one,” said Rick Sayre, the supervising technical director of both movies. “If you watched them back to back, you might feel that the first one suffers occasionally by comparison but this one is a glorious memory of the first one. But by opening with the slight unfamiliarity of Dicker slamming the light on Tony [during the interrogation], it allows you to adjust to this world before we have our flashback.”
Rebuilding the Characters
Since Pixar’s animation system is completely different,...
“One of our goals was to make this one feel like you remember the first one,” said Rick Sayre, the supervising technical director of both movies. “If you watched them back to back, you might feel that the first one suffers occasionally by comparison but this one is a glorious memory of the first one. But by opening with the slight unfamiliarity of Dicker slamming the light on Tony [during the interrogation], it allows you to adjust to this world before we have our flashback.”
Rebuilding the Characters
Since Pixar’s animation system is completely different,...
- 6/20/2018
- by Bill Desowitz
- Indiewire
Wendy Aylsworth, Rob Bredow, Douglas Greenfield, Rob Hummel and Bev Pasterczyk have accepted invitations to join the Science And Technology Council of the Academy Of Motion Picture Arts And Sciences.
The new members will raise the council’s 2013–2014 roster to 25.
Aylsworth is svp of technology for Warner Brothers Technical Operations and became an Academy member-at-large in 2012.
Bredow is Cto and visual effects supervisor at Sony Pictures Imageworks, Animation, Colorworks and Post Production and has been a member of the visual effects branch since 2011.
Greenfield has been at the forefront of innovations in cinema sound for more than 30 years and is currently senior director of content services at Dolby Laboratories. He is a returning member of the council and previously served for nine years starting in 2003.
Hummel began his career at Technicolor Laboratories and joined Douglas Trumbull’s visual effects company during the making of Blade Runner. He too is a returning member of the council and previously...
The new members will raise the council’s 2013–2014 roster to 25.
Aylsworth is svp of technology for Warner Brothers Technical Operations and became an Academy member-at-large in 2012.
Bredow is Cto and visual effects supervisor at Sony Pictures Imageworks, Animation, Colorworks and Post Production and has been a member of the visual effects branch since 2011.
Greenfield has been at the forefront of innovations in cinema sound for more than 30 years and is currently senior director of content services at Dolby Laboratories. He is a returning member of the council and previously served for nine years starting in 2003.
Hummel began his career at Technicolor Laboratories and joined Douglas Trumbull’s visual effects company during the making of Blade Runner. He too is a returning member of the council and previously...
- 10/29/2013
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
The Incredibles (Blu-Ray)Walt Disney Home Entertainment2004/Rated PG/Running Time 115 minsList Price: $45.99 – Available April 12, 2011With amazing strength and popularity amongst superheroes, Bob Parr is Mr. Incredible (Craig T. Nelson) a hero with a heart of gold who battles criminals one moment and saves kittens in a tree the next. While rescuing a suicide jumper who didn't want to be saved, Bob ignites a public fury against superheroes, soon finding themselves facing one lawsuit after another, causing the government to develop a "Superhero Relocation Program". Fifteen years later, Bob has settled down and married the beautiful Helen a.k.a. Elastigirl (Holly Hunter), whose powers rival those of Mr. Fantastic and Plastic Man and has given him three wonderful children. Missing the fast and furious life as an adventurer, Bob is now stuck in a dead end job at an insurance company whose sole purpose appears to be robbing its customers blind.
- 4/22/2011
- LRMonline.com
Genre:
Action | Fantasy | Sci-Fi
Director:
Brad Bird
Writer:
Brad Bird
Cast:
Craig T. Nelson, Samuel L. Jackson, Holly Hunter and Jason Lee
MPAA Rating: PG (for action violence)
Runtime:
115 min
Summary:
Known to the world as superheroes, Mr. Incredible and Elastigirl, Bob Parr and his wife Helen were among the world’s greatest crime fighters, saving lives and battling evil on a daily basis. Fifteen years later, they have been forced to adopt civilian identities and retreat to the suburbs to live “normal” lives with their three kids, Violet, Dash, and Jack-Jack. Itching to get back into action, Bob gets his chance when a mysterious communication summons him to a remote island for a top secret assignment. He soon discovers that it will take a super family effort to rescue the world from total destruction.
“No matter how many times you save the world, it always manages to get back in jeopardy again.
Action | Fantasy | Sci-Fi
Director:
Brad Bird
Writer:
Brad Bird
Cast:
Craig T. Nelson, Samuel L. Jackson, Holly Hunter and Jason Lee
MPAA Rating: PG (for action violence)
Runtime:
115 min
Summary:
Known to the world as superheroes, Mr. Incredible and Elastigirl, Bob Parr and his wife Helen were among the world’s greatest crime fighters, saving lives and battling evil on a daily basis. Fifteen years later, they have been forced to adopt civilian identities and retreat to the suburbs to live “normal” lives with their three kids, Violet, Dash, and Jack-Jack. Itching to get back into action, Bob gets his chance when a mysterious communication summons him to a remote island for a top secret assignment. He soon discovers that it will take a super family effort to rescue the world from total destruction.
“No matter how many times you save the world, it always manages to get back in jeopardy again.
- 4/18/2011
- by Jason Moore
- ScifiMafia
Given how much fun is present in animating super-heroics, it’s interesting to note that feature film makers eschewed delving into the genre. Maybe they were scared off by the iconic Fleischer Studio Superman shorts from the 1940s or were disdainful of the subject matter. We got the first taste of what could be with the wonderful and underrated Iron Giant. It’s little surprise, then, that its director, Brad Bird would produce the first feature animated film to focus on super-heroics with the marvelous Pixar production The Incredibles.
In 115 glorious minutes, Bird and company wonderfully honored the tropes of herodom while telling a strong story about good versus evil and more importantly, about family. Much has been written about the Parr family resembling the Fantastic Four, but the number is about all they have in common. Instead, we’re looking a far better version of No Ordinary Family that...
In 115 glorious minutes, Bird and company wonderfully honored the tropes of herodom while telling a strong story about good versus evil and more importantly, about family. Much has been written about the Parr family resembling the Fantastic Four, but the number is about all they have in common. Instead, we’re looking a far better version of No Ordinary Family that...
- 4/13/2011
- by Robert Greenberger
- Comicmix.com
We have been keeping you up-to-date on the 4-Disc Blu-ray/DVD Combo Pack release of The Academy Award®-Winning animated feature, Disney•Pixar’s The Incredibles, which hits store shelves Today! The absolutely incredible people (see what I did there?) over at Disney•Pixar have sent over four more new clips from the Blu-ray to show off some of the goodies in the combo pack.
Check out the clips and details on the Blu-ray/DVD Combo Pack below!
Clip: The Incredibles – Where’s My Super Suit?
Clip: The Incredibles – Violet’s Forcefield
Bonus Clip: The Incredibles – Put It In Context
Bonus Clip: The Incredibles – Studio Stories: Gary’s Birthday
The pack includes The Incredibles feature film, the original short film Jack-Jack Attack, and tons of other special features, including a behind-the-scenes look at Pixar.
See larger image The Incredibles (Four-Disc Blu-ray/DVD Combo + Digital Copy) (Blu-ray) Rating: PG (Parental Guidance...
Check out the clips and details on the Blu-ray/DVD Combo Pack below!
Clip: The Incredibles – Where’s My Super Suit?
Clip: The Incredibles – Violet’s Forcefield
Bonus Clip: The Incredibles – Put It In Context
Bonus Clip: The Incredibles – Studio Stories: Gary’s Birthday
The pack includes The Incredibles feature film, the original short film Jack-Jack Attack, and tons of other special features, including a behind-the-scenes look at Pixar.
See larger image The Incredibles (Four-Disc Blu-ray/DVD Combo + Digital Copy) (Blu-ray) Rating: PG (Parental Guidance...
- 4/12/2011
- by Jason Moore
- ScifiMafia
The Incredibles Quick Thoughts:
When I first saw The Incredibles I liked it, but didn't love it. When I last ranked Pixar's films I placed it at #7, but to say a film is in the bottom five when it comes to Pixar's eleven feature films it's such a fine line from one film to the next it's still not an insult. My biggest issue with the film is a rather slow start compared to the excellent last half. Nevertheless, it's always an enjoyable watch.
Being a superhero film, The Incredibles is the one film in the Pixar stable you would most think would be getting a sequel, but perhaps the fact that it's so obvious is the reason one has never been made. After all, with so many superhero films hitting theaters nowadays would Pixar look like a front-runner or a follower if they added yet another superhero flick to the schedule?...
When I first saw The Incredibles I liked it, but didn't love it. When I last ranked Pixar's films I placed it at #7, but to say a film is in the bottom five when it comes to Pixar's eleven feature films it's such a fine line from one film to the next it's still not an insult. My biggest issue with the film is a rather slow start compared to the excellent last half. Nevertheless, it's always an enjoyable watch.
Being a superhero film, The Incredibles is the one film in the Pixar stable you would most think would be getting a sequel, but perhaps the fact that it's so obvious is the reason one has never been made. After all, with so many superhero films hitting theaters nowadays would Pixar look like a front-runner or a follower if they added yet another superhero flick to the schedule?...
- 4/12/2011
- by Brad Brevet
- Rope of Silicon
Since the year 2004 when it was released The Incredibles has been my favorite Pixar film. Now that it is finally hitting blu-ray on April 12th in a high definition 1080p/Avc-encoded presentation and a DTS-hd Master Audio 5.1 Es surround track, the film is even more, well… incredible!
Review:
I just love everything about this film, and like Pixar itself, their blu-ray releases are bar-none the best & chock full of awesomeness. One of the things that stands out to me in this film is the family dynamic, even though they have superpowers they still deal with the same problems all families deal with. The film uses the superhero genre to explore not only the tensions of family life but the male mid-life crisis as well. Each character has their own very well done story arc with powers attributed to how they are personality wise. Intermixed into all this great storytelling are...
Review:
I just love everything about this film, and like Pixar itself, their blu-ray releases are bar-none the best & chock full of awesomeness. One of the things that stands out to me in this film is the family dynamic, even though they have superpowers they still deal with the same problems all families deal with. The film uses the superhero genre to explore not only the tensions of family life but the male mid-life crisis as well. Each character has their own very well done story arc with powers attributed to how they are personality wise. Intermixed into all this great storytelling are...
- 4/11/2011
- by Marc Vibbert
- FusedFilm
Just last month, we told you that The Academy Award®-Winning animated feature, Disney•Pixar’s The Incredibles was slated to hit shelves as a 4-Disc Blu-ray/DVD Combo Pack on April 12th. Now, the wonderful folks over at Disney•Pixar have sent over four clips from the Blu-ray to refresh your Incredible memory on this awesome movie (I still think it’s Pixar’s best).
Check out the clips and details on the Blu-ray/DVD Combo Pack below!
Film Clip: Engage
Film Clip: Fighting the Robot
Bonus Clip: Jack-Jack Attack Explodes
Bonus Clip: Kind of Looks Like You
The pack includes The Incredibles feature film, the original short film Jack-Jack Attack, and tons of other special features, including a behind-the-scenes look at Pixar.
See larger image The Incredibles (Four-Disc Blu-ray/DVD Combo + Digital Copy) (Blu-ray) Rating: PG (Parental Guidance Suggested)
List Price: $45.99 Usd New From: $29.99 In Stock
This title...
Check out the clips and details on the Blu-ray/DVD Combo Pack below!
Film Clip: Engage
Film Clip: Fighting the Robot
Bonus Clip: Jack-Jack Attack Explodes
Bonus Clip: Kind of Looks Like You
The pack includes The Incredibles feature film, the original short film Jack-Jack Attack, and tons of other special features, including a behind-the-scenes look at Pixar.
See larger image The Incredibles (Four-Disc Blu-ray/DVD Combo + Digital Copy) (Blu-ray) Rating: PG (Parental Guidance Suggested)
List Price: $45.99 Usd New From: $29.99 In Stock
This title...
- 4/8/2011
- by Jason Moore
- ScifiMafia
The Incredibles finally comes out on Blu-ray next Tuesday, but we have some preview clips from the film and its special features.
Film Clip- Engage
Film Clip- Fighting the Robot
Bonus Clip- Jack-Jack Attack Explodes
Bonus Clip- Kind of Looks Like You
Remember, the new 4-disc set comes with the following new bonus features (in addition to the already released DVD’s features)
• The Incredibles Revisited – A roundtable discussion with Writer/Director Brad Bird, Producer John Walker, Story Supervisor Mark Andrews, Supervising Technical Director Rick Sayre, Production Designer Lou Romano, Character Designer Teddy Newton, and Supervising Animator Tony Fucile.
• Paths To Pixar: Story Artists – Continuing the popular bonus feature series that viewers have seen on many other Disney•Pixar releases, this exciting new feature showcases multiple Pixar story artists giving viewers exciting insight into their work, their inspiration and the personal paths that eventually led them to a career at Pixar.
Film Clip- Engage
Film Clip- Fighting the Robot
Bonus Clip- Jack-Jack Attack Explodes
Bonus Clip- Kind of Looks Like You
Remember, the new 4-disc set comes with the following new bonus features (in addition to the already released DVD’s features)
• The Incredibles Revisited – A roundtable discussion with Writer/Director Brad Bird, Producer John Walker, Story Supervisor Mark Andrews, Supervising Technical Director Rick Sayre, Production Designer Lou Romano, Character Designer Teddy Newton, and Supervising Animator Tony Fucile.
• Paths To Pixar: Story Artists – Continuing the popular bonus feature series that viewers have seen on many other Disney•Pixar releases, this exciting new feature showcases multiple Pixar story artists giving viewers exciting insight into their work, their inspiration and the personal paths that eventually led them to a career at Pixar.
- 4/7/2011
- by Link
- BuzzFocus.com
The Academy Award®-Winning animated feature, Disney•Pixar’s The Incredibles is slated to hit shelves as a 4-Disc Blu-ray Combo Pack on April 12th. The pack includes The Incredibles feature film, the original short film Jack-Jack Attack, and tons of other special features, including a behind-the-scenes look at Pixar.
Check out the three clips from the impending Blu-ray release of The Incredibles below, along with how you can pre-order the Blu-ray Combo Pack and the official press release with all the details on the contents of the pack.
Come to Nomanisan Island: A Getaway from The Incredibles
Click Here To View The Video
Convincing Edna
Click Here To View The Video
Mr.Incredible vs. The Robot
Click Here To View The Video
See larger image The Incredibles (Four-Disc Blu-ray/DVD Combo + Digital Copy) (Blu-ray) Rating: PG (Parental Guidance Suggested)
List Price: $45.99 Usd New From: $29.99 In Stock
This title will...
Check out the three clips from the impending Blu-ray release of The Incredibles below, along with how you can pre-order the Blu-ray Combo Pack and the official press release with all the details on the contents of the pack.
Come to Nomanisan Island: A Getaway from The Incredibles
Click Here To View The Video
Convincing Edna
Click Here To View The Video
Mr.Incredible vs. The Robot
Click Here To View The Video
See larger image The Incredibles (Four-Disc Blu-ray/DVD Combo + Digital Copy) (Blu-ray) Rating: PG (Parental Guidance Suggested)
List Price: $45.99 Usd New From: $29.99 In Stock
This title will...
- 3/31/2011
- by Jason Moore
- ScifiMafia
Mark Kimball and Rick Sayre joined the Academy of Motion Picture Arts and Sciences' Science and Technology Council, bringing the group's membership to 25. Kimball, the director of digital production at the Walt Disney Co., shared a Scientific and Engineering Award in 1991 for the design and development of the CAPS production system for feature film animation. Sayre, the supervising technical director at Pixar Animation Studios, shared a Technical Achievement Award in 1996 for the creation and development of the Direct Input Device. The 2006?07 council is co-chaired by Bill Taylor and Ray Feeney.
- 9/21/2006
- The Hollywood Reporter - Movie News
It may be the year that the bug saved Hollywood, with Disney's splendid "A Bug's Life" overtaking the DreamWorks hit "Antz" to climb to the top of the boxoffice hill.
A dazzling, embracing computer-animated feature from Pixar, "A Bug's Life" should soar to holiday heights, much to the level that Pixar's "Toy Story" ascended three Thanksgivings ago. This splendid offering should be able to carry $200 million domestically on its back, no sweat, and with no end in sight for its worldly potential.
As you know in the ant world, life is no picnic. In this subterranean saga, the ants of Ants Island toil for the man -- namely Hopper (voice of Kevin Spacey), the intimidating leader of the grasshoppers, who, in this insect universe, are akin to the marauding colonialists. Each summer, the legions of ants toil earnestly and without complaint, planting and harvesting the crops and then turning the bounty over to the hated 'hoppers. Fortunately, there's one crackpot ant, Flik (Dave Foley), who doesn't go along with the lock-step society. He's no revolutionary idealogue, but Flik sees that there's definitely something wrong with this picture. Why are we working for the man? Why not keep the crop ourselves? In short, Flik's the sort of cutting-edge thinker who in the human world might win an election in the state of Minnesota.
Unfortunately, as in real life, change is not wholeheartedly embraced -- not by the worker-ant class and certainly not by the dominating grasshoppers. But that's where the fun is as the flaky Flik takes it upon his fluttery wings to take on the grasshoppers. In a nutty undertaking with all the crazy inspiration of a Preston Sturges-like battleground, Flik mistakenly enlists the assistance of a traveling theatrical troupe (out-of-work screwballs, mainly) to provide the military defense against the thundering hordes of grasshoppers.
What's best about this bug story is that it's so wiggy -- it's rambunctious, spirited, funny, kindly and goofy all at once. A whole vat of chocolate picnic goodies to the screenwriters (Andrew Stanton and Donald McEnery & Bob Shaw) for the lively, screwy retooling of, basically, the Aesop fable about a carefree grasshopper. And the story line will appeal to everyone from tots to those who were born way before "Snow White" even spun her animated magic.
What's truly magical, as it was in "Toy Story", is the stupendous computer-animated imagery. "Bug"'s look is simply eye-popping: From the translucent sheen to the framings to the kaleidoscopic grandeur of the mammoth crowd shots of ants, the visuals are a delicious treat. The animation is truly a work of wizardry, from the rectilinear compositions to the characters' incredibly lifelike physical movements. One suspects that a team of entomologists and anatomy professors guided the animators, so crisp and natural are the true-to-bug body movements. Director John Lasseter, along with co-director Stanton, have indeed marshalled a virtual army of talented artists -- from animators to musicians to vocalists -- and attained a creative height that is leaps and bounds above even the most persnickety techie expectations.
Credit director of photography Sharon Calahan for the wonderfully punchy framings and supervising film editor Lee Unkrich for the blazing pacing. There's nary an empty mini-frame or missed mini-moment in this entire magnificence. So packed is the look -- thanks to the creativity of production designer William Cone and art directors Bob Pauley and Tia Kratter -- that one definitely wants to savor the detail-juiced excellency another time.
It's not all in the look but in the sounds as well. The vocalists are a treat, especially Spacey as the belligerently threatening lead grasshopper. Foley's energetic and appealing vocals as the flibberty-jibbet Flik are wonderfully appealing, while Phyllis Diller's nasally hauteur is perfect for her role as the queen. Cheers also for the contributions of Julia Louis-Dreyfus, Hayden Panettiere, Richard Kind and David Hyde Pierce for their perfect, peccadilloed performances.
The late Roddy McDowall makes a pleasing turn as a council ant, while Edie McClurg adds some screwy spice as another ants council-ite. A plate of ketchup drippings and dollops of mayonnaise to Joe Ranft who does a delicious turn as a comic caterpillar.
Not exactly hiding in the grass is the bouncy music courtesy of Randy Newman, whose "The Time of Your Life" nicely synthesizes the experience one enjoys in this "Bug's Life".
A BUG'S LIFE
Buena Vista
Walt Disney Pictures
A Pixar Animation Studios Film
Director: John Lasseter
Co-director: Andrew Stanton
Producers: Darla K. Anderson, Kevin Reher
Screenwriters: Andrew Stanton, Donald McEnery & Bob Shaw
Original story: John Lasseter, Andrew Stanton, Joe Ranft
Director of photography: Sharon Calahan
Production designer: William Cone
Story supervisor: Joe Ranft
Supervising film editor: Lee Unkrich
Supervising technical directors: William Reeves, Eben Ostby
Art directors: Tia W. Kratter, Bob Pauley
Supervising animators: Glenn McQueen, Rich Quade
Shading supervisor: Rick Sayre
Sound designer: Gary Rydstrom
Production supervisor (technical): Graham Walters
Production supervisor (editorial): Bill Kinder
Story-art-layout: BZ Petroff
Executive music producer: Chris Montan
Casting: Ruth Lambert, Mary Hidalgo
Color/Stereo
Voices:
Flik: Dave Foley
Hopper: Kevin Spacey
Princess Atta: Julia Louis-Dreyfus
Dot: Hayden Panettiere
Queen: Phyllis Diller
Molt: Richard Kind
Slim: David Hyde Pierce
Heimlich: Joe Ranft
Francis: Denis Leary
Running time -- 94 minutes
MPAA rating: G...
A dazzling, embracing computer-animated feature from Pixar, "A Bug's Life" should soar to holiday heights, much to the level that Pixar's "Toy Story" ascended three Thanksgivings ago. This splendid offering should be able to carry $200 million domestically on its back, no sweat, and with no end in sight for its worldly potential.
As you know in the ant world, life is no picnic. In this subterranean saga, the ants of Ants Island toil for the man -- namely Hopper (voice of Kevin Spacey), the intimidating leader of the grasshoppers, who, in this insect universe, are akin to the marauding colonialists. Each summer, the legions of ants toil earnestly and without complaint, planting and harvesting the crops and then turning the bounty over to the hated 'hoppers. Fortunately, there's one crackpot ant, Flik (Dave Foley), who doesn't go along with the lock-step society. He's no revolutionary idealogue, but Flik sees that there's definitely something wrong with this picture. Why are we working for the man? Why not keep the crop ourselves? In short, Flik's the sort of cutting-edge thinker who in the human world might win an election in the state of Minnesota.
Unfortunately, as in real life, change is not wholeheartedly embraced -- not by the worker-ant class and certainly not by the dominating grasshoppers. But that's where the fun is as the flaky Flik takes it upon his fluttery wings to take on the grasshoppers. In a nutty undertaking with all the crazy inspiration of a Preston Sturges-like battleground, Flik mistakenly enlists the assistance of a traveling theatrical troupe (out-of-work screwballs, mainly) to provide the military defense against the thundering hordes of grasshoppers.
What's best about this bug story is that it's so wiggy -- it's rambunctious, spirited, funny, kindly and goofy all at once. A whole vat of chocolate picnic goodies to the screenwriters (Andrew Stanton and Donald McEnery & Bob Shaw) for the lively, screwy retooling of, basically, the Aesop fable about a carefree grasshopper. And the story line will appeal to everyone from tots to those who were born way before "Snow White" even spun her animated magic.
What's truly magical, as it was in "Toy Story", is the stupendous computer-animated imagery. "Bug"'s look is simply eye-popping: From the translucent sheen to the framings to the kaleidoscopic grandeur of the mammoth crowd shots of ants, the visuals are a delicious treat. The animation is truly a work of wizardry, from the rectilinear compositions to the characters' incredibly lifelike physical movements. One suspects that a team of entomologists and anatomy professors guided the animators, so crisp and natural are the true-to-bug body movements. Director John Lasseter, along with co-director Stanton, have indeed marshalled a virtual army of talented artists -- from animators to musicians to vocalists -- and attained a creative height that is leaps and bounds above even the most persnickety techie expectations.
Credit director of photography Sharon Calahan for the wonderfully punchy framings and supervising film editor Lee Unkrich for the blazing pacing. There's nary an empty mini-frame or missed mini-moment in this entire magnificence. So packed is the look -- thanks to the creativity of production designer William Cone and art directors Bob Pauley and Tia Kratter -- that one definitely wants to savor the detail-juiced excellency another time.
It's not all in the look but in the sounds as well. The vocalists are a treat, especially Spacey as the belligerently threatening lead grasshopper. Foley's energetic and appealing vocals as the flibberty-jibbet Flik are wonderfully appealing, while Phyllis Diller's nasally hauteur is perfect for her role as the queen. Cheers also for the contributions of Julia Louis-Dreyfus, Hayden Panettiere, Richard Kind and David Hyde Pierce for their perfect, peccadilloed performances.
The late Roddy McDowall makes a pleasing turn as a council ant, while Edie McClurg adds some screwy spice as another ants council-ite. A plate of ketchup drippings and dollops of mayonnaise to Joe Ranft who does a delicious turn as a comic caterpillar.
Not exactly hiding in the grass is the bouncy music courtesy of Randy Newman, whose "The Time of Your Life" nicely synthesizes the experience one enjoys in this "Bug's Life".
A BUG'S LIFE
Buena Vista
Walt Disney Pictures
A Pixar Animation Studios Film
Director: John Lasseter
Co-director: Andrew Stanton
Producers: Darla K. Anderson, Kevin Reher
Screenwriters: Andrew Stanton, Donald McEnery & Bob Shaw
Original story: John Lasseter, Andrew Stanton, Joe Ranft
Director of photography: Sharon Calahan
Production designer: William Cone
Story supervisor: Joe Ranft
Supervising film editor: Lee Unkrich
Supervising technical directors: William Reeves, Eben Ostby
Art directors: Tia W. Kratter, Bob Pauley
Supervising animators: Glenn McQueen, Rich Quade
Shading supervisor: Rick Sayre
Sound designer: Gary Rydstrom
Production supervisor (technical): Graham Walters
Production supervisor (editorial): Bill Kinder
Story-art-layout: BZ Petroff
Executive music producer: Chris Montan
Casting: Ruth Lambert, Mary Hidalgo
Color/Stereo
Voices:
Flik: Dave Foley
Hopper: Kevin Spacey
Princess Atta: Julia Louis-Dreyfus
Dot: Hayden Panettiere
Queen: Phyllis Diller
Molt: Richard Kind
Slim: David Hyde Pierce
Heimlich: Joe Ranft
Francis: Denis Leary
Running time -- 94 minutes
MPAA rating: G...
- 11/13/1998
- The Hollywood Reporter - Movie News
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.