Chicago – The controversy swirling around Pablo Larraín’s Oscar-nominee “No” is typical of the outrage garnered by many a historical drama. Since the film focuses solely on one crucial segment of the activism that ousted Chilean dictator Pinochet during the 1988 plebiscite, some viewers will complain that not every hero in the tale is represented. Of course, that’s what encyclopedias are for.
Rating: 4.0/5.0
Just as Spielberg’s “Lincoln” brilliantly explored the complicated, occasionally deceptive efforts that were vital in achieving slavery’s abolishment with the passage of the 13th Amendment, Larraín’s “No” focuses on the marketing campaign that built support for the anti-Pinochet movement. Both films are invaluable portraits of tenacious trailblazers who were able to win over the hearts and minds of timid voters. Yet whereas “Lincoln” was shot in widescreen, painterly compositions, “No” adopts the exact style of the game-changing ads its film celebrates.
Read Matt Fagerholm...
Rating: 4.0/5.0
Just as Spielberg’s “Lincoln” brilliantly explored the complicated, occasionally deceptive efforts that were vital in achieving slavery’s abolishment with the passage of the 13th Amendment, Larraín’s “No” focuses on the marketing campaign that built support for the anti-Pinochet movement. Both films are invaluable portraits of tenacious trailblazers who were able to win over the hearts and minds of timid voters. Yet whereas “Lincoln” was shot in widescreen, painterly compositions, “No” adopts the exact style of the game-changing ads its film celebrates.
Read Matt Fagerholm...
- 3/8/2013
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
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