Desperate. That’s the word to describe the feeling flowing through Suits Season 6 Episode 16 as everyone scrambled to try and help Mike Ross once again.
Wherever Mike Ross goes, drama follows and those closest to him tend to get sucked into it with him.
Take Oliver and Nathan.
Is Mike that naive that he didn’t think that a $50,000 check would make a huge difference to the legal aid office. Those type of places are generally scraping by and Mike appeared genuinely surprised by Nathan’s reaction.
Oliver didn’t seem to know what to make of Mike. Was he his mentor or a lying fraud looking to use the legal aid office as nothing more than a means to and end?
One minute Oliver was calling Mike out, the next he was defending him. I look forward to seeing his reaction when he finds out that Mike’s bringing him over to Pearson,...
Wherever Mike Ross goes, drama follows and those closest to him tend to get sucked into it with him.
Take Oliver and Nathan.
Is Mike that naive that he didn’t think that a $50,000 check would make a huge difference to the legal aid office. Those type of places are generally scraping by and Mike appeared genuinely surprised by Nathan’s reaction.
Oliver didn’t seem to know what to make of Mike. Was he his mentor or a lying fraud looking to use the legal aid office as nothing more than a means to and end?
One minute Oliver was calling Mike out, the next he was defending him. I look forward to seeing his reaction when he finds out that Mike’s bringing him over to Pearson,...
- 3/2/2017
- by Christine Orlando
- TVfanatic
A version of this article originally appeared on EW.com.
Warren Frost, the actor best known for his role in the original and upcoming Twin Peaks, died Friday in Middlebury, Virginia after a lengthy illness. He was 91.
The actor, who served in the Navy during World War 2, originated the role of Dr. Will Hayward in the 1990 ABC drama Twin Peaks and came out of retirement last year to reprise the part on Showtime. The new version, which was co-created by Frost’s son Mark, will premiere in May.
“We’re saddened today to announce the passing of our dear old dad,...
Warren Frost, the actor best known for his role in the original and upcoming Twin Peaks, died Friday in Middlebury, Virginia after a lengthy illness. He was 91.
The actor, who served in the Navy during World War 2, originated the role of Dr. Will Hayward in the 1990 ABC drama Twin Peaks and came out of retirement last year to reprise the part on Showtime. The new version, which was co-created by Frost’s son Mark, will premiere in May.
“We’re saddened today to announce the passing of our dear old dad,...
- 2/18/2017
- by Lynette Rice
- PEOPLE.com
Warren Frost, the late-blooming actor who played the dependable town physician Will "Doc" Hayward on Twin Peaks, has died. He was 91.
Frost died Friday morning at his home in Middlebury, Vt., after a lengthy illness, according to his son, Mark Frost, who created the surreal 1990s ABC show with David Lynch.
Warren Frost also is known for his stint as Mr. Ross, the father of George Costanza's fiancee Susan Ross, on NBC's Seinfeld. His character had an affair with the author John Cheever; his house was burned down by Kramer's Cuban cigar; and his daughter was poisoned to death...
Frost died Friday morning at his home in Middlebury, Vt., after a lengthy illness, according to his son, Mark Frost, who created the surreal 1990s ABC show with David Lynch.
Warren Frost also is known for his stint as Mr. Ross, the father of George Costanza's fiancee Susan Ross, on NBC's Seinfeld. His character had an affair with the author John Cheever; his house was burned down by Kramer's Cuban cigar; and his daughter was poisoned to death...
- 2/18/2017
- by Mike Barnes
- The Hollywood Reporter - Movie News
The McConnaissance is…not entirely back. “Free State of Jones,” which features Matthew McConaughey’s first major role since “Interstellar,” stars the Oscar winner in a role that should be tailormade for more awards glory: As the often overlooked and frequently forgotten Newton Knight, who launched his own insurrection during the Civil War, alongside free men and slaves alike. The film has been a long time passion project for director Gary Ross, but the final product has been labeled a misfire of a historical epic, one that goes for by-the-numbers miniseries plotting over actual passion, a film that can’t even capitalize fully on its stellar cast, which also includes Gugu Mbatha-Raw and Keri Russell.
Most critics aren’t big fans of the film, and even the ones who liked it — or at least gave it a positive review to warrant a “Fresh” on Rotten Tomatoes — don’t sound entirely...
Most critics aren’t big fans of the film, and even the ones who liked it — or at least gave it a positive review to warrant a “Fresh” on Rotten Tomatoes — don’t sound entirely...
- 6/24/2016
- by Kate Erbland
- Indiewire
An anonymous letter has reinvigorated a decades-old investigation into the disappearance of 18-year-old Bernard Ross Jr., who vanished from Fort Kent, Maine, back in 1977, People confirms. A Maine State Police spokesman tells People Carol and Bernard Ross, Bernard's parents, received the unsigned letter a few months ago. They subsequently turned it over to authorities, who have been running various tests on it. The author of the letter claimed to know more about the case than even investigators, police said. • Want to keep up with the latest crime coverage? Click here to get breaking crime news, ongoing trial coverage and details...
- 5/25/2016
- by Chris Harris, @chrisharrisment
- PEOPLE.com
[[tmz:video id="0_i6q3582w"]] Ndamukong Suh is so serious about a construction career after the NFL, he took an Unpaid Internship to learn the ropes. Then again, when you're making $114 Million ... do you really need the extra cash? It's actually a pretty cool story ... Suh locked up a 3-day internship working for Related Companies -- a multi-billion dollar company founded by Dolphins owner Stephen M. Ross. Okay, so maybe Suh got the hookup 'cause he's tight with the boss...
- 2/25/2016
- by TMZ Staff
- TMZ
Warning: The following contains spoilers from Wednesday’s premiere of Suits
Mike Ross, they’re coming for you — or more precisely, Ausa Anita Gibbs (24‘s Leslie Hope) is gunning for the faux lawyer and his colleagues/co-conspirators following Suits‘ return on Wednesday.
PhotosWinter TV Preview! Your Scoop-Filled Guide to 20+ Returning Favorites, Including Suits
A quick recap of the premiere: While Anita went about building her case, Mike and Harvey were on their own quest to find out who turned Mr. Ross in to the authorities. (“Not I!” claimed Trevor and Scottie.) Elsewhere, ignoring Jessica and Louis’ warnings to stay far away from the situation,...
Mike Ross, they’re coming for you — or more precisely, Ausa Anita Gibbs (24‘s Leslie Hope) is gunning for the faux lawyer and his colleagues/co-conspirators following Suits‘ return on Wednesday.
PhotosWinter TV Preview! Your Scoop-Filled Guide to 20+ Returning Favorites, Including Suits
A quick recap of the premiere: While Anita went about building her case, Mike and Harvey were on their own quest to find out who turned Mr. Ross in to the authorities. (“Not I!” claimed Trevor and Scottie.) Elsewhere, ignoring Jessica and Louis’ warnings to stay far away from the situation,...
- 1/28/2016
- TVLine.com
Videology is a bi-weekly column by Kyle Turner where we look at music videos, music in film, and the relationship between the two.
Like other smart pop stars before her, Lana Del Rey is obsessed with identity, particularly its paradoxical nature as something both incredibly malleable as well as the rigidity of the norms that society around us/her set. She’s interested in iconography: it’s not just a fancy word for fame, but iconography as a form of recognition that transcends genre, time, and space. Her latest video, “High on the Beach”, which was released two weeks ago, takes the same general subject as Lady Gaga’s “Telephone”. And though she shoots this video, and in a broader sense her entire persona, through the lens of the disparate relationship between time and fame (1960s Americana juxtaposed 2010 realities), there’s always the nagging feeling that the artifice she’s constructed is just that.
Like other smart pop stars before her, Lana Del Rey is obsessed with identity, particularly its paradoxical nature as something both incredibly malleable as well as the rigidity of the norms that society around us/her set. She’s interested in iconography: it’s not just a fancy word for fame, but iconography as a form of recognition that transcends genre, time, and space. Her latest video, “High on the Beach”, which was released two weeks ago, takes the same general subject as Lady Gaga’s “Telephone”. And though she shoots this video, and in a broader sense her entire persona, through the lens of the disparate relationship between time and fame (1960s Americana juxtaposed 2010 realities), there’s always the nagging feeling that the artifice she’s constructed is just that.
- 9/1/2015
- by Kyle Turner
- SoundOnSight
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