Killer Collectibles highlights five of the most exciting new horror products announced each and every week, from toys and apparel to artwork, records, and much more.
Here are the coolest horror collectibles unveiled this week!
Peeping Tom 4K Uhd from Criterion
Peeping Tom will join The Criterion Collection on 4K Ultra HD and Blu-ray on May 14. The 1960 British horror-thriller has been newly restored in 4K with Dolby Vision Hdr and uncompressed monaural sound.
A progenitor of the contemporary slasher, Michael Powell (The Red Shoes) produces and directs from a script by Leo Marks. Carl Boehm, Moira Shearer, Anna Massey, and Maxine Audley star.
Special features include: a new introduction by Martin Scorsese; a new interview with Thelma Schoonmaker; a new featurette with Scorsese, Schoonmaker, and Boehm; audio commentaries by film scholar Laura Mulvey and film historian Ian Christie; featurettes Marks and on the restoration; and more.
Chucky Talking Board from...
Here are the coolest horror collectibles unveiled this week!
Peeping Tom 4K Uhd from Criterion
Peeping Tom will join The Criterion Collection on 4K Ultra HD and Blu-ray on May 14. The 1960 British horror-thriller has been newly restored in 4K with Dolby Vision Hdr and uncompressed monaural sound.
A progenitor of the contemporary slasher, Michael Powell (The Red Shoes) produces and directs from a script by Leo Marks. Carl Boehm, Moira Shearer, Anna Massey, and Maxine Audley star.
Special features include: a new introduction by Martin Scorsese; a new interview with Thelma Schoonmaker; a new featurette with Scorsese, Schoonmaker, and Boehm; audio commentaries by film scholar Laura Mulvey and film historian Ian Christie; featurettes Marks and on the restoration; and more.
Chucky Talking Board from...
- 2/23/2024
- by Alex DiVincenzo
- bloody-disgusting.com
The 2000's—the decade of iPods, social networking websites and economic hardship—were an interesting decade for horror movies, to say the least. You either loved them, or you downright hated them. From remakes, re-imaginings, reboots, restarts and resets to foreign imports to a resurgence of low-grade schlock, the 2000's were not without gore for fans across the globe....
At the end of the 90s, horror movies were almost non-existent. They were doing nothing new—trying only to steal the fame that Scream harnessed in 1995. Theatres were flooded with neo-Slasher knockoffs, and mediocrity ran amok. If it weren’t for The Blair Witch Project and The Sixth Sense, the 90s would have drowned in a sea of its own plainness. Once the 90s ended and the new millennium began, horror slowly glided on the watered-down plotlines of the should-not-be-classics of I Know What You Did Last Summer and Urban Legend,...
At the end of the 90s, horror movies were almost non-existent. They were doing nothing new—trying only to steal the fame that Scream harnessed in 1995. Theatres were flooded with neo-Slasher knockoffs, and mediocrity ran amok. If it weren’t for The Blair Witch Project and The Sixth Sense, the 90s would have drowned in a sea of its own plainness. Once the 90s ended and the new millennium began, horror slowly glided on the watered-down plotlines of the should-not-be-classics of I Know What You Did Last Summer and Urban Legend,...
- 12/13/2009
- by admin
- Horrorbid
With a screenplay credited to Karim (Subconscious Cruelty) Hussain, Richard (Hardware) Stanley and Nacho (Aftermath) Cerdà, and direction by Cerdà himself (making his long-awaited feature debut), you might expect The Abandoned to be some transgressive cinematic act of war, two hours of mind-twisting, boundary-smashing, subversive content that pushes the envelope until the screen actually bleeds.
In fact, the most shocking thing about The Abandoned is that it’s not just accessible, but it’s almost (gasp) mainstream. Its early scenes—in which film producer Marie (Anastasia Hille) is summoned to Russia on the eve of her 40th birthday by a peculiar solicitor (Carlos Reig) with information about her mysterious roots—wouldn’t play a note differently if they featured Julianne Moore and Bob Hoskins. So has Cerdà, the man who once made an entire film dedicated to necrophilia and postmortem mutilation, sold out and gone Hollywood?
The good news is that the answer is no.
In fact, the most shocking thing about The Abandoned is that it’s not just accessible, but it’s almost (gasp) mainstream. Its early scenes—in which film producer Marie (Anastasia Hille) is summoned to Russia on the eve of her 40th birthday by a peculiar solicitor (Carlos Reig) with information about her mysterious roots—wouldn’t play a note differently if they featured Julianne Moore and Bob Hoskins. So has Cerdà, the man who once made an entire film dedicated to necrophilia and postmortem mutilation, sold out and gone Hollywood?
The good news is that the answer is no.
- 3/29/2009
- Fangoria
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