Earlier today, Alexandre Desplat was a rather surprising winner for Best Film Music at this year's BAFTA Awards in London for his work in Wes Anderson's "The Grand Budapest Hotel." Well, it's a great day for the prolific composer as he has just won a Grammy for the score as well, in the Best Score Soundtrack for Visual Media Category. Given the film's early-year release date, though, Desplat was mostly contending with 2013 films. Christophe Beck was nominated for "Frozen," while two of last year's Oscar nominees, "Gravity" (Steven Price, who won the Academy Award) and "Saving Mr. Banks" (Thomas Newman) were in there as well. The only 2014 film in competition was "Gone Girl," and alas, Trent Reznor and Atticus Ross deferred to Mr. Desplat on this one. Does that signal some clarity in the Oscar race? Not necessarily. But the film is obviously helped by being, in all likelihood,...
- 2/8/2015
- by Kristopher Tapley
- Hitfix
Complete list of winners and nominees of the 2014 Grammy Awards, held in Los Angeles at the Staples Center on Sunday February 8. Winners will be updated as they're announced during the telecast and pre-telecast. Record Of The Year “Fancy,” Iggy Azalea Featuring Charli Xcx “Chandelier,” Sia **Winner** “Stay With Me (Darkchild Version),” Sam Smith “Shake It Off,” Taylor Swift “All About That Bass,” Meghan Trainor Album Of The Year **Winner** “Morning Phase,” Beck “Beyoncé,” Beyoncé “X,” Ed Sheeran “In The Lonely Hour,” Sam Smith “Girl,” Pharrell Williams Song Of The Year “All About That Bass,” Kevin Kadish & Meghan Trainor, songwriters (Meghan Trainor) “Chandelier,” Sia Furler & Jesse Shatkin, songwriters (Sia) “Shake It Off,” Max Martin, Shellback & Taylor Swift, songwriters (Taylor Swift) **Winner** “Stay With Me (Darkchild Version),” James Napier, William Phillips & Sam Smith, songwriters (Sam Smith) “Take Me To Church,” Andrew Hozier-Byrne, songwriter (Hozier) Best New Artist Iggy Azalea Bastille Brandy Clark...
- 2/8/2015
- by Donna Dickens
- Hitfix
Joe Henderson always had the respect of fellow musicians and hardcore jazz fanatics, but for a long time it seemed the closest he'd get to fame was his brief stint in Blood, Sweat & Tears (years later he reminisced, in one of my favorite interviews, about how that short period was when sax companies wanted his endorsement and gave him free horns). Hardly fair considering that he spent a quarter century ranked among the top three tenor saxophonists alive, along with Rollins and Shorter. Then, almost miraculously, Verve put together a masterful production/promotion campaign that made him more famous in his last decade than he'd ever been before. Alas, emphysema took him at age 64, but he'd managed to leave an impressive legacy with nary a misstep -- he never made a bad album, and his appearance on anyone else's album was always a mark of quality. (Why is Ptah, the...
- 4/24/2012
- by SteveHoltje
- www.culturecatch.com
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