Cannes Classics, the festival’s selection for tributes and retrospectives, has announced the rest of its program after the previously-announced opening night film “Napoleon Par Abel Gance.”
Among the highlights are a restoration of Charles Vidor’s 1946 “Gilda” to celebrate the 100th anniversary of Columbia Pictures, with Tom Rothman, Chairman and CEO, Sony Pictures Entertainment Motion Picture Group, attending. Wim Wenders will be on hand for a 40th anniversary screening of Palme d’Or winner “Paris, Texas,” while Faye Dunaway will be present for the screening of “Faye,” the first documentary about her life.
Ron Howard will present his documentary “Jim Henson Idea Man,” while Nanette Burstein brings the premiere of her documentary “Elizabeth Taylor: The Lost Tapes.”
See the full program of Cannes Classics below.
100 years of Columbia Pictures
“Gilda”
Charles Vidor
1946, 1h50, United States
A Sony Pictures Entertainment presentation. Restoration from the original 35mm nitrate negative and a 35mm nitrate internegative.
Among the highlights are a restoration of Charles Vidor’s 1946 “Gilda” to celebrate the 100th anniversary of Columbia Pictures, with Tom Rothman, Chairman and CEO, Sony Pictures Entertainment Motion Picture Group, attending. Wim Wenders will be on hand for a 40th anniversary screening of Palme d’Or winner “Paris, Texas,” while Faye Dunaway will be present for the screening of “Faye,” the first documentary about her life.
Ron Howard will present his documentary “Jim Henson Idea Man,” while Nanette Burstein brings the premiere of her documentary “Elizabeth Taylor: The Lost Tapes.”
See the full program of Cannes Classics below.
100 years of Columbia Pictures
“Gilda”
Charles Vidor
1946, 1h50, United States
A Sony Pictures Entertainment presentation. Restoration from the original 35mm nitrate negative and a 35mm nitrate internegative.
- 4/25/2024
- by Pat Saperstein
- Variety Film + TV
Though festivals and distributors were very excited to sell you a “final” film by Jean-Luc Godard, Fabrice Aragno made clear Phony Wars would not be the last transmission. Continuing Tupac-like beyond-the-grave releases, it’s been announced this year’s Cannes Film Festival will include in their “Events” sidebar the “ultimate film by Jean-Luc Godard,” Scenarios, which I cannot possibly summarize better than their official description and thus:
Scenarios is the title that Jean-Luc Godard chose to give to a final 18-minute gesture, made, literally, the day before his voluntary death. Furthermore, Jean-Luc Godard recorded a 34-minute film in which, mixing still images and moving images, halfway between reading and vision, he presented the Scenarios project .
Worth noting that Scenario was, with Phony Wars, one of two films with which Godard planned to end his career. A project made with single-digit hours left on Earth… well, one’s mind reels at the potential.
Scenarios is the title that Jean-Luc Godard chose to give to a final 18-minute gesture, made, literally, the day before his voluntary death. Furthermore, Jean-Luc Godard recorded a 34-minute film in which, mixing still images and moving images, halfway between reading and vision, he presented the Scenarios project .
Worth noting that Scenario was, with Phony Wars, one of two films with which Godard planned to end his career. A project made with single-digit hours left on Earth… well, one’s mind reels at the potential.
- 4/25/2024
- by Nick Newman
- The Film Stage
The Cannes Film Festival’s Classics sidebar celebrates 20 years this year with a lineup of films including a 4K restoration of Wim Wenders’s Palme d’Or winning Paris, Texas, and a debut screening of Ron Howard’s 2024 doc Jim Henson Idea Man.
Wenders and Howard will be on the ground in Cannes, where they will present the films alongside Faye Dunaway, who will present the feature-long doc Faye about her life and career.
Other Cannes Classics screenings will include a 4k restoration of Akira Kurosawa’s Seven Samurai to mark the late Japanese filmmaker’s 70th birthday while Frederick Wiseman will present his 1969 documentary Law And Order. Sony Pictures Entertainment Chairman and CEO Tom Rothman will also attend to screen Charles Vidor’s 1946 film Gilda as part of a 100-year celebration of Columbia Pictures.
The sidebar will also screen Scénario, an 18-minute film by Jean-Luc Godard. The project was...
Wenders and Howard will be on the ground in Cannes, where they will present the films alongside Faye Dunaway, who will present the feature-long doc Faye about her life and career.
Other Cannes Classics screenings will include a 4k restoration of Akira Kurosawa’s Seven Samurai to mark the late Japanese filmmaker’s 70th birthday while Frederick Wiseman will present his 1969 documentary Law And Order. Sony Pictures Entertainment Chairman and CEO Tom Rothman will also attend to screen Charles Vidor’s 1946 film Gilda as part of a 100-year celebration of Columbia Pictures.
The sidebar will also screen Scénario, an 18-minute film by Jean-Luc Godard. The project was...
- 4/25/2024
- by Zac Ntim
- Deadline Film + TV
Click here to read the full article.
French filmmaker Romain Gavras is best known to the screen-watching world thanks to his arresting and visually ambitious music videos, which have included Jamie xx’s “Gosh,” Kanye West’s “No Church in the Wild” and M.I.A.’s “Bad Girls,” among various others. But that could change when his third feature film, Athena, releases on Netflix on Sept. 23 after its world premiere this week in Venice.
The film arrives as if the perfect vehicle for Gavras background and ambitions. The youngest son of Oscar-winning Greek director, Costa-Gavras, and French political journalist and film producer, Michèle Ray-Gavras, Romain Gavras grew up steeped in the Greek classics and politically informed art and activism. In 1995, he co-founded the film collective Kourtrajmé with his childhood friends Kim Chapiron and Ladj Ly (director of the Oscar-nominated Les Misérables), and his second feature, The World Is Yours, debuted to...
French filmmaker Romain Gavras is best known to the screen-watching world thanks to his arresting and visually ambitious music videos, which have included Jamie xx’s “Gosh,” Kanye West’s “No Church in the Wild” and M.I.A.’s “Bad Girls,” among various others. But that could change when his third feature film, Athena, releases on Netflix on Sept. 23 after its world premiere this week in Venice.
The film arrives as if the perfect vehicle for Gavras background and ambitions. The youngest son of Oscar-winning Greek director, Costa-Gavras, and French political journalist and film producer, Michèle Ray-Gavras, Romain Gavras grew up steeped in the Greek classics and politically informed art and activism. In 1995, he co-founded the film collective Kourtrajmé with his childhood friends Kim Chapiron and Ladj Ly (director of the Oscar-nominated Les Misérables), and his second feature, The World Is Yours, debuted to...
- 9/2/2022
- by Patrick Brzeski
- The Hollywood Reporter - Movie News
San Sebastian — Though he’s been based in Paris since 1955 and came up through the French film industry, director Costa-Gavras has never forgotten his roots.
“Those who are born Greek,” said the Peloponnese-born filmmaker at a Saturday press conference, “stay Greek all their lives.”
The once-and-always Greek was not just in San Sebastian to present his latest film “The Adults in the Room,” a ripped-from-the-financial pages docudrama about one-time Greek finance minister Yanis Varoufakis; the filmmaker was also due to receive the festival’s Donostia Award, which he will accept at a ceremony on Saturday evening.
And so the conference assumed a fittingly career-spanning scope, as the 86-year-old filmmaker took questions about his filmography, his collaborators and his views on the current geopolitical climate.
“We need a Charlie Chaplin to make a movie about that Brazilian guy,” Gavras replied when asked about the situation in South America, indicating his disdain...
“Those who are born Greek,” said the Peloponnese-born filmmaker at a Saturday press conference, “stay Greek all their lives.”
The once-and-always Greek was not just in San Sebastian to present his latest film “The Adults in the Room,” a ripped-from-the-financial pages docudrama about one-time Greek finance minister Yanis Varoufakis; the filmmaker was also due to receive the festival’s Donostia Award, which he will accept at a ceremony on Saturday evening.
And so the conference assumed a fittingly career-spanning scope, as the 86-year-old filmmaker took questions about his filmography, his collaborators and his views on the current geopolitical climate.
“We need a Charlie Chaplin to make a movie about that Brazilian guy,” Gavras replied when asked about the situation in South America, indicating his disdain...
- 9/21/2019
- by Ben Croll
- Variety Film + TV
The project is based on the memoir by controversial former finance minister Yanis Varoufakis.
Adults In The Room, the first feature by Greek director Costa-Gavras to shoot in the filmmaker’s homeland, has sparked a row in the press and on social media in the country when it was announced the project will receive €630,000 in state funding via the country’s new cash rebate scheme.
It is being argued by some opposed to the controversial project that it is not the best use of public money in a cash-strapped country like Greece.
The film is based on the memoir Adults...
Adults In The Room, the first feature by Greek director Costa-Gavras to shoot in the filmmaker’s homeland, has sparked a row in the press and on social media in the country when it was announced the project will receive €630,000 in state funding via the country’s new cash rebate scheme.
It is being argued by some opposed to the controversial project that it is not the best use of public money in a cash-strapped country like Greece.
The film is based on the memoir Adults...
- 4/16/2019
- by Alexis Grivas
- ScreenDaily
Icelandic feature Rams and Colombian rural drama Land and Shade take top prizes at Greek festival.Scroll down for full list of winners
Icelandic director Grimur Hakonarson’s Rams (Hrutar) has been named best film at the 56th Thessaloniki International Film Festival (Nov 6-15) winning the Golden Alexander.
It beat competition from 13 other first and second films screened in this year’s particularly strong international competition section.
The film, awarded the Un Certain Regard top prize earlier this year in Cannes, deals with two brothers, who haven’t spoken to each other for over 40 years though living in neighbouring farms in a remote valley in Iceland raising sheep.
World sales are handled by Polish outfit New Europe Film Sales. It will be released in Greece by Ama Films.
Following a long tradition of Latin American productions sweeping the Thessaloniki awards, features from Colombia, Argentina, Mexico and Venezuela shared the majority of the other official and side awards...
Icelandic director Grimur Hakonarson’s Rams (Hrutar) has been named best film at the 56th Thessaloniki International Film Festival (Nov 6-15) winning the Golden Alexander.
It beat competition from 13 other first and second films screened in this year’s particularly strong international competition section.
The film, awarded the Un Certain Regard top prize earlier this year in Cannes, deals with two brothers, who haven’t spoken to each other for over 40 years though living in neighbouring farms in a remote valley in Iceland raising sheep.
World sales are handled by Polish outfit New Europe Film Sales. It will be released in Greece by Ama Films.
Following a long tradition of Latin American productions sweeping the Thessaloniki awards, features from Colombia, Argentina, Mexico and Venezuela shared the majority of the other official and side awards...
- 11/16/2015
- by alexisgrivas@yahoo.com (Alexis Grivas)
- ScreenDaily
The 65th Thessaloniki International Film Festival (November 6-14) offers busy industry programme including works in progress and Crossroads co-production strand.The 56th Thessaloniki International Film Festival kicks off today with the Berlin prizewinner Victoria by Sebastian Schipper.
The festival closes Nov 14 with the Cannes awarded My Golden Days (Trois souvenirs de ma jeunesse) by Arnaud Desplechin, who receives an homage, enjoys a full retrospective of his films and will deliver a masterclass.
Also receiving homages are veteran Romanian director Mircea Daneliuc and Greek master cinematographer Nikos Kavoukidis, accompanied by tributes to the 70 years of Greek animation and to the recent Austrian cinema.The late Belgian director Chantal.Akerman is receiving a special homage with the presentation of her 2011 film Almayer’s Folly (La folie Almayer).
The competition program includes 15 first and second films (the full list is below). The five members of the international jury set to award the Golden, Silver and Bronze...
The festival closes Nov 14 with the Cannes awarded My Golden Days (Trois souvenirs de ma jeunesse) by Arnaud Desplechin, who receives an homage, enjoys a full retrospective of his films and will deliver a masterclass.
Also receiving homages are veteran Romanian director Mircea Daneliuc and Greek master cinematographer Nikos Kavoukidis, accompanied by tributes to the 70 years of Greek animation and to the recent Austrian cinema.The late Belgian director Chantal.Akerman is receiving a special homage with the presentation of her 2011 film Almayer’s Folly (La folie Almayer).
The competition program includes 15 first and second films (the full list is below). The five members of the international jury set to award the Golden, Silver and Bronze...
- 11/6/2015
- by alexisgrivas@yahoo.com (Alexis Grivas)
- ScreenDaily
Exclusive: Arab distributor Mad Solutions has picked up its second Toronto title with a film produced by Costa-Gavras.
Mad has acquired the Arab distribution rights to Let Them Come (Maintenant ils peuvent venir), the debut fiction feature of Salem Brahimi, which plays at the Toronto International Film Festival (Sept 10-20) in theContemporary World Cinema strand.
The French-Algerian production is produced by Michèle Ray Gavras and film director Costa-Gavras.
The adaptation of Arezki Mellal’s novel revolves around a family that must defend itself amidst the onslaught of violence between government forces and radical Islamists in 1990s Algeria.
Alaa Karkouti, co-founder and managing partner at Mad Solutions, remarked on the importance of the acquisition. “The Arab world is awash with horrific stories, that come with a deluge of blood and terror, but rarely has this reality been represented in a film as powerfully as it has been in Let Them Come,” he said.
“Salem...
Mad has acquired the Arab distribution rights to Let Them Come (Maintenant ils peuvent venir), the debut fiction feature of Salem Brahimi, which plays at the Toronto International Film Festival (Sept 10-20) in theContemporary World Cinema strand.
The French-Algerian production is produced by Michèle Ray Gavras and film director Costa-Gavras.
The adaptation of Arezki Mellal’s novel revolves around a family that must defend itself amidst the onslaught of violence between government forces and radical Islamists in 1990s Algeria.
Alaa Karkouti, co-founder and managing partner at Mad Solutions, remarked on the importance of the acquisition. “The Arab world is awash with horrific stories, that come with a deluge of blood and terror, but rarely has this reality been represented in a film as powerfully as it has been in Let Them Come,” he said.
“Salem...
- 9/14/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
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