Uh-oh. Today is 10/10/10. That sounds binarily ominous…
Bill Plympton’s latest animated feature Idiots & Angels opened in New York this week, so there are a bunch of links about him this week. First, we have the New York Times review by longtime reviewer Stephen Holden who says the film is Plympton’s “best animated feature.” Plympton wrote an article for Truly Free Film chastising people for not considering animation a mature art form. IndieWire has a nice profile on Plympton and had the animator write a few words about himself. Zedura Magazine also has a long interview with Plympton. Paul Pritchard at Pulp Movies gives a glowing 4 star review to Carlos Atanes’ Maximum Shame. Pritchard and I agree: Great film, but difficult to write about. Very challenging work by Spain’s Atanes. Chicago’s Gapers Block interviews co-directors Brian Ashby, Ben Kolak and Courtney Prokopas of Scrappers, which won the...
Bill Plympton’s latest animated feature Idiots & Angels opened in New York this week, so there are a bunch of links about him this week. First, we have the New York Times review by longtime reviewer Stephen Holden who says the film is Plympton’s “best animated feature.” Plympton wrote an article for Truly Free Film chastising people for not considering animation a mature art form. IndieWire has a nice profile on Plympton and had the animator write a few words about himself. Zedura Magazine also has a long interview with Plympton. Paul Pritchard at Pulp Movies gives a glowing 4 star review to Carlos Atanes’ Maximum Shame. Pritchard and I agree: Great film, but difficult to write about. Very challenging work by Spain’s Atanes. Chicago’s Gapers Block interviews co-directors Brian Ashby, Ben Kolak and Courtney Prokopas of Scrappers, which won the...
- 10/10/2010
- by Mike Everleth
- Underground Film Journal
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